Mf024 Maine Public Broadcasting Network,
2021
The University of Maine
Mf024 Maine Public Broadcasting Network, Special Collections, Raymond H. Fogler Library, University Of Maine
Northeast Archives of Folklore and Oral History Finding Aids
Collection of various recordings by Maine Public Broadcasting Network. Copyright belongs to original broadcaster. For reference and educational use only. May not be copied.
NA1346 Esther Wood, interviewed by Virgil Bisset, Maine Public Broadcasting Network, 1980, Blue Hill, Maine. 29 pp. Tape: 2 hrs. w/ cat. Two radio interviews with Wood, Prof. Emeritus, Gorham State Teachers College, about her memories of rural life; Maine schools; spring house cleaning; spring signs; Memorial Day.
NA2132 Susan Tibbets, hosts concert with 20 singer and songwriters, featuring Kendall Morse, Edward D. “Sandy” Ives, Lisa Null, and Slim Clark, deposited by Maine Public Broadcasting Network, …
Narrative Justice: Somebody Delivers The Answers That Police Will Not,
2020
University of Wollongong
Narrative Justice: Somebody Delivers The Answers That Police Will Not, Neroli Price
RadioDoc Review
By investigating Courtney Copeland’s 2016 murder, the podcast series Somebody (2020) does the work that should be done by police. Narrated by Courtney’s mom, Shapearl Wells, the series not only decentres the official police narrative, but also opens up alternative paths towards seeking justice. Situated within the Black Lives Matter movement, calls to defund the police and questions about the usefulness of “objectivity” in journalism, Somebody attempts to put systemic violence on trial and hold those in power to account. Challenging extractive forms of journalism, Somebody moves towards a model of shared authority between producers and their sources. This review …
Tools Of Rescue: A Review Of Silencio Para Rescatar: Documental Sonoro,
2020
University of Delaware
Tools Of Rescue: A Review Of Silencio Para Rescatar: Documental Sonoro, Sonia Robles
RadioDoc Review
In this audio documentary, Mexican cultural promoter and sound artist Abraham Chavelas recounts rescue activities in which he took part after a 7.1 magnitude earthquake rattled Mexico on 19 September 2017. Answering a call for help, Chavelas was assigned to a collapsed factory where an unknown number of undocumented Asian and Central American women working as seamstresses were trapped under the rubble. For two days, he aided rescue efforts by using a high-tech microphone to help determine whether or not there was life under piles of concrete, glass and debris. Chavelas used the audio he gathered before the Mexican Marines …
Mysteries Solved And Unsolved In The Search For The Missing Cryptoqueen,
2020
University of Wollongong
Mysteries Solved And Unsolved In The Search For The Missing Cryptoqueen, Claudia Calhoun
RadioDoc Review
The Missing Cryptoqueen, produced for BBC Sounds by Jamie Bartlett and Georgia Catt, investigates the cryptocurrency scam fronted by Dr. Ruja Ignatova, self-described “cryptoqueen.” The series benefits from the engrossing complexity of a sprawling conspiracy: The podcasters travel across continents to find both the scammers and their victims, making important stops in the U.K., Germany, Bulgaria, the Netherlands, and Uganda. The series also benefits from its own breathless narration, which keeps listeners in the present-tense of the storytelling. This was an especially compelling series for the large audience who listened as the weekly episodes were released, as the series integrated …
Pirate Radio Proves Invaluable To Immigrant Communities During The Pandemic — But The Fcc Isn’T Having It,
2020
Craig Newmark Graduate School of Journalism
Pirate Radio Proves Invaluable To Immigrant Communities During The Pandemic — But The Fcc Isn’T Having It, May Olvera
Capstones
In January 2020, congress passed the PIRATE Act into law, expanding the legal consequences for operating pirate radio tenfold. Although the FCC claims that the reason they are cracking down on pirate stations — that is, stations broadcasting on regulated airwaves without an FCC license — is that they could interfere with emergency messaging, the pandemic has proven otherwise; there is no evidence of pirates interfering with official safety warnings. In fact, most pirate stations are run by immigrants speaking in their native tongue and they have been able to provide vulnerable and underserved communities with the information they need …
Koam Collection, 1936,
2020
Pittsburg State University
Koam Collection, 1936, Special Collections, Leonard H. Axe Library
Finding Aids
Court proceedings in Washington, D.C. on March 9 and 10 of 1936 on the application for a construction permit, frequency request, and power request for a radio station in Pittsburg, Kansas by the Pittsburg Broadcasting Co. The proceedings discuss the logistics of building a station and tower, the range and possible interference from other stations, positions and duties of the people involved, and the broadcasting situation.
Quincy: A Documentary Review,
2020
University of the Pacific
Quincy: A Documentary Review, Analy Cruz
Backstage Pass
This is a film review of the 2018 documentary film on the life and music of legendary producer, Quincy Jones.
Amy: A Film Review,
2020
University of the Pacific
Amy: A Film Review, Lucas Dehner
Backstage Pass
A review of the 2015 documentary film, Amy.
Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera,
2020
University of the Pacific
Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino
Backstage Pass
No abstract provided.
Bohemian Rhapsody: A Film Review,
2020
University of the Pacific
Bohemian Rhapsody: A Film Review, Ailey Butler
Backstage Pass
This is a review of the 2018 Queen bio-pic, Bohemian Rhapsody.
Metallica: Some Kind Of Monster Film Review,
2020
University of the Pacific
Metallica: Some Kind Of Monster Film Review, Ceara J. Costa
Backstage Pass
This is a film review of the 2004 documentary, Some Kind of Monster, which provides an in-depth portrait of the heavy metal band, Metallica, during the making of their St. Anger album. It addresses issues of mental health, depression, group dynamics and the pressures that successful artists face in maintaining their internal and external relationships while still trying to create new music.
A 70'S Dream Queen: Carole King's Tapestry,
2020
University of the Pacific
A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton
Backstage Pass
The essay critiques the 1971 best-selling album, Tapestry, written and performed by Carole King.
Rock Of Ages Film Review,
2020
University of the Pacific
Rock Of Ages Film Review, Sarah Werth
Backstage Pass
This is a critique of the 2012 musical film, Rock of Ages.
Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album,
2020
University of the Pacific
Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield
Backstage Pass
This is a critique of the 1969 sophomore album, Bayou Country, by Creedence Clearwater Revival.
Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry,
2020
University of the Pacific
Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry, Cassandra M. Gaal
Backstage Pass
This paper gives insight to the growing issue of sexual harassment and assault in the entertainment industry. The paper provides information on the impact technology and social media have on sexual harassment and how women in particular are viewed in the entertainment industry. The paper also discusses how different genres of music and other forms of entertainment had oversexualized women, and how movies and TV shows have created this idea that someone being romantic is someone who is aggressive and forceful towards their partner.
The Big Payback Book Analysis,
2020
University of The Pacific
The Big Payback Book Analysis, Isaiah Smith
Backstage Pass
This paper is an analysis of the book, The Big Payback: The History of the Business of Hip-Hop.
The Next Frontier: Blockchain In The Music Industry,
2020
University of The Pacific
The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr
Backstage Pass
This Research Paper takes a look at how Blockchain technology can potentially change the music industry as we know it!
Streaming Services Insist On Buying Out Composers’ Music Rights,
2020
University of the Pacific
Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone
Backstage Pass
No abstract provided.
From Penny Lane To Stranger Things: Technology’S Influence On Music Production,
2020
University of the Pacific
From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong
Backstage Pass
No abstract provided.
Spotify Vs. Apple Music,
2020
University of the Pacific
Spotify Vs. Apple Music, Lexi Gerbino
Backstage Pass
A quick look at the differences of the two biggest music streaming services, Spotify and Apple Music.