Women’S Erotic Desires And Perspectives On Marriage In Sappho’S Epithalamia And H.D.’S Hymen, 2018 Washington University in St. Louis
Women’S Erotic Desires And Perspectives On Marriage In Sappho’S Epithalamia And H.D.’S Hymen, Amanda Kubic
Arts & Sciences Electronic Theses and Dissertations
In her collection Hymen (1921), the modernist poet H.D. engages in a collaborative, composite reception of the archaic Greek lyric poet Sappho. H.D. draws on Sappho as a source of lyric power and lesbian erotic authority, and brings together the various women’s voices and perspectives represented in Sappho’s poems—especially those that have to do with marriage—into her own present poetic moment. As the title Hymen suggests, of particular significance to H.D.’s Sapphic reception work is the genre of the epithalamium, or “wedding song.” Sappho, in her epithalamia, constructs a woman-centered and woman-identified ...
Forgotten Fairies: Traditional English Folklore In "A Midsummer Night's Dream", 2018 College of the Holy Cross
Forgotten Fairies: Traditional English Folklore In "A Midsummer Night's Dream", Alexandra Larkin
While the fairies shown in the play would have been known by Shakespeare’s audience, there was a clear difference between the fairies of traditional folklore and the fairies that Shakespeare describes in A Midsummer Night’s Dream. In traditional English folklore, fairies were “made” for, and by, the middle and lower classes; their stories were most believed and the most encounters were experienced by these people. Fairies in folklore were alternatingly deadly and wildly helpful, giving humans who stumbled upon them presents or death. In the play, Shakespeare departs from more traditional depictions of fairies and instead characterizes these ...
Something In Nothing: A Discussion Of Madness And Wisdom In King Lear, 2018 College of the Holy Cross
Something In Nothing: A Discussion Of Madness And Wisdom In King Lear, Leela Mennillo
This essay argues against Shakespeare critic David Kastan’s nihilistic reading of King Lear. While I agree that nothingness lies at the heart of the tragedy, I maintain that the recurring theme of nothing does not depict a world devoid of meaning. Rather, Shakespeare suggests that the recognition of the abyss is necessary in the quest for higher meaning. I approach this debate through various philosophical lenses, presenting a reading that equates wisdom and nothingness. Cordelia’s recognition of the limitations of human knowledge first introduces this idea. I detect elements of the divine nature of nothingness in the seemingly ...
Good Rhetoric From The Classical To The Jesuits; Or On Αγαθός Λόγος, 2018 College of the Holy Cross
Good Rhetoric From The Classical To The Jesuits; Or On Αγαθός Λόγος, Andrew J. Wells
Labeling rhetoric as ἀγαθός (good) or κακός (bad) might appear subjective. The Jesuit rhetorical tradition suggests otherwise. Once I place the pursuit of eloquentia perfecta within the context of ancient rhetoricians: Socrates, Gorgias, the author of Dissoi Logoi, and Quintillian, I attempt to find a definition for ἀγαθός λόγος (good speech/rhetoric).
Of Ivory And Eros: How Kurtz Was Corrupted By The Congo, 2018 College of the Holy Cross
Of Ivory And Eros: How Kurtz Was Corrupted By The Congo, Alexander T. Grey
While much ink has been spilled about the savagery and rawness of Conrad's magnum opus, Heart of Darkness, few scholars have sought to look at the softer side of Kurtz, Marlow, and the cast of characters. This essay attempts to view the work through the lens of love and the Grecian concepts of eros, philia and agape as they apply to Kurtz's tryst and what can be learned about this tormented man in the jungle when love enters the equation.
Reading Female Identity Creation: Self-Realization In Colonial And Postcolonial African Literature, 2018 Utah State University
Reading Female Identity Creation: Self-Realization In Colonial And Postcolonial African Literature, Katie Johnson Jorgensen
All Graduate Plan B and other Reports
The thesis, Re-defining Madness: Reading Female Identity Creation and Self-realization in Colonial and Postcolonial African Literature, compares female identity creation in three novels by African female authors. It reveals how the colonial texts represent extreme female identity formation (stagnation vs. transcendent life) juxtaposed with the dynamic and interconnected identity formation represented in postcolonial writing. The analysis begins with The Joys of Motherhood by Buchi Emecheta (Nigeria), to detail how identity stagnation results when the protagonist faces oppression in her culturally defined role as mother, yet returns to this role without further opposition. The second section focuses on Efuru by Flora ...
Humanity's Unlikely Heroine: Examining Eve In John Milton's 'Paradise Lost' And "Paradise Regained", 2018 College of the Holy Cross
Humanity's Unlikely Heroine: Examining Eve In John Milton's 'Paradise Lost' And "Paradise Regained", Alyssa V. White
This essay explores the biblical world of John Milton’s poetry through the eyes of the only woman given dialogue in his most famous works, Paradise Lost and Paradise Regained. Eve has often been read with scrutiny and judgment, with many readers and scholars dismissing her character as weak and uninteresting. The paper draws on sources from several scholars, but it works primarily with the actual text of Milton’s epics themselves. The argument of this paper seeks to counter those beliefs and provide a thorough analysis of Eve’s character and development throughout Paradise Lost, as well as her ...
A Comparative Examination Of The Hyperbole In Men Without Women By Haruki Murakami And Fudotoku Kyoiku Koza By Yukio Mishima, 2018 Portland State University
A Comparative Examination Of The Hyperbole In Men Without Women By Haruki Murakami And Fudotoku Kyoiku Koza By Yukio Mishima, Jitsuya Nishiyama
Student Research Symposium
This presentation is on a comparative analysis of two prominent Japanese authors' works of literature. The presentation is about a comparative study of hyperbole in Men without women by Haruki Murakami and Fudotoku Kyoiku Koza by Yukio Mishima. Both authors have significant positions in the history of Japanese literature with readership overseas. The rhetoric of hyperbole seems to be significant for both Murakami and Mishima since there are many examples of hyperbole in their works. Murakami’s Men without women is a lamenting short narrative for the loved one while Mishima’s Fudotoku Kyoiku Koza is an entertaining social satire ...
Historicizing Muslim American Literature: Studies On Literature By African American And South Asian American Muslim Writers, 2018 University of Arkansas, Fayetteville
Historicizing Muslim American Literature: Studies On Literature By African American And South Asian American Muslim Writers, Wawan Eko Yulianto
Theses and Dissertations
In response to the challenge of understanding Muslim Americans in a way that highlights their integral role in the United States through literature, this research starts with two questions: 1) how should we read Muslim American literature in relation to the lived experiences of Islam in America? and 2) how does Muslim American literature contribute to the more mainstream American literature.
To answer those questions, this research takes as its foundations the theories by Stuart Hall and Satya Mohanty on, firstly, the evolving nature of diaspora identity and on the epistemic status of identity. Following Hall’s argument that every ...
Coverings Of White In Plath's 'The Bell Jar" And "Ariel" Poems, 2018 College of the Holy Cross
Coverings Of White In Plath's 'The Bell Jar" And "Ariel" Poems, Emma M. Kuper
No abstract provided.
Strong Female Characters: Jane Austen's Vs. The Mashups', 2018 Western Kentucky University
Strong Female Characters: Jane Austen's Vs. The Mashups', Rachel Mccoy
Honors College Capstone Experience/Thesis Projects
The comparison of Strong Female Characters in Jane Austen’s novels Pride & Prejudice and Sense & Sensibility, with the altered characters in the monster mashups by Seth Grahame-Smith and Ben Winters, Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, respectively, reveals differences between the two society’s understanding and portrayal of strength and femininity. Because these texts are so closely connected – Austen is listed as a co-author of both mashups – the differences evident in the representations of women more clearly reveal the differing cultural values. Close textual analysis of the development of three primary female characters – Marianne ...
What Did God Say? A Critical Analysis Of Dynamic Equivalence Theory, 2018 Cedarville University
What Did God Say? A Critical Analysis Of Dynamic Equivalence Theory, Katelyn R. Fisher
Linguistics Senior Research Projects
This paper is a critical analysis of Eugene A. Nida’s theory of dynamic equivalence as it relates to Bible translation, largely through a comparative study of select passages from the biblical genres of poetry, proverbs, and Pauline epistles. In addition, a brief survey distributed to 72 students at Cedarville University provides both qualitative and quantitative data regarding which English Bible version they prefer and why. Identifying Nida’s contributions to translation studies and analyzing the strengths and weaknesses of his theory in practice serves to provide implications for believers who are seeking to discern which English version is the ...
Rebel Roots.Docx, 2018 University of Wollongong
Rebel Roots.Docx, Rowan Cahill
Engaging The Traumatic Past In An Apocalyptic Present, 2018 College of the Holy Cross
Engaging The Traumatic Past In An Apocalyptic Present, Timothy J. Jerome
This essay explores the necessity of confronting the underlying issues of one's history in order to heal historic wounds, despite the difficulty and immediacy of one's current struggles. I examine how Pentecostalism functions as a touchstone to the past for John Grimes and his family in James Baldwin's Go Tell It on the Mountain, and eventually allows protagonist John to transcend the traditional forms of self-identification in order to create a new informed model of identity within the religion.
Mythic Quest In Bob Dylan's Blonde On Blonde, 2018 Xavier University
Mythic Quest In Bob Dylan's Blonde On Blonde, Graley Herren
Blonde on Blonde epitomizes Bob Dylan’s debts to the classics. The album depicts the mythic quest of a hipster-hero descending into the Underworld in pursuit of the Muse. The hero resembles Dylan but is augmented by the experiences of mythic figures like Orpheus and Odysseus. The singer encounters bizarre figures and wanders in exile through the “Lowlands” searching for the goddess—a figure inspired by Sara Dylan, but also a composite of the White Goddess, Persephone, Eurydice, and others. Dylan’s mythic adaptations are also informed by the syncretic work of T.S. Eliot, Joseph Campbell, and Robert Graves.
Petticoats And Spurs: Female Armor In Spenser's "Faerie Queene" And Pope's "The Rape Of The Lock", 2018 College of the Holy Cross
Petticoats And Spurs: Female Armor In Spenser's "Faerie Queene" And Pope's "The Rape Of The Lock", Patrick D. Wilks
Both Britomart in Spenser’s Book 3, Canto 1 of Faerie Queene and Belinda in Pope’s The Rape of The Lock wear their clothes and (in Belinda’s case) makeup as their armor, both literally and figuratively. Both suffer unwanted advances, their image publicly besmirched as a result. Even though Belinda dresses to show off her beauty and Britomart dresses to conceal it, both women use their array as protection from cruel male world around them. Both feel safe, and both women have this safety violated and attack to defend their honor.
For Spenser, Chastity is a virtue to ...
"Song Is The Simple Rhythmic Liberation Of An Emotion": Stephen Dedalus' Musical Martyrdom, 2018 College of the Holy Cross
"Song Is The Simple Rhythmic Liberation Of An Emotion": Stephen Dedalus' Musical Martyrdom, Colleen E. Mulhern
A Portrait of the Artist as a Young Man, published in 1916, is Joyce’s semi-autobiographical bildungsroman centered on Stephen Dedalus’ struggle to reconcile Catholic teachings with his own artistic ambitions. In Portrait, music aids Stephen’s epiphanies. Stephen uses music to express emotions unable to be conceived of in – what Joyce calls –“cut-and-dry language.” He appreciates the ability of songs to arouse emotion and induce thought; the songs that Stephen encounters help to form his identity, first as a martyr and, later, as a creator.
Awarded The Leonard J. McCarthy, S.J., Memorial Prize for 2018
The Flame Imperishable: Tolkien, St. Thomas, And The Metaphysics Of Faërie (2017) By Jonathan S. Mcintosh, John Wm. Houghton
Journal of Tolkien Research
Book review by John Wm. Houghton of The Flame Imperishable (2017) by Jonathan S. McIntosh
La Ciudad Como Espacio De La Marginalidad: Un Acercamiento Crítico A Un Oso Rojo, 2018 UCLA Extension
La Ciudad Como Espacio De La Marginalidad: Un Acercamiento Crítico A Un Oso Rojo, Mariana Pensa
SouthEast Coastal Conference on Languages & Literatures (SECCLL)
Nos proponemos realizar un análisis del film argentino Un oso rojo (2002, dirigido por Israel Adrián Caetano). Un punto de entrada para el análisis nos remite al concepto mismo de lo que es una ciudad, tal como Lewis Mumford lo expone en su canónico artículo “What is a city?”. Si la ciudad se constituye, al decir de Mumford, en espacio simbólico de “unidad colectiva”, en donde los hombres realizan sus actividades mas “útiles”, las preguntas a las que nos llevan estos conceptos serán ¿cuál es el estatuto de una ciudad recorrida por la violencia? ¿Cómo el espacio refiere y significa ...
Seccll Conference Program 2018, 2018 Georgia Southern University
Seccll Conference Program 2018, Georgia Southern University
SouthEast Coastal Conference on Languages & Literatures (SECCLL)