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Tyndarus’ Bilingual Pun And The Ambiguities Of Plautus’ Captivi. (Accepted; Pub. Year Tentative), Peter Barrios-Lech 2016 University of Massachusetts Boston

Tyndarus’ Bilingual Pun And The Ambiguities Of Plautus’ Captivi. (Accepted; Pub. Year Tentative), Peter Barrios-Lech

Peter Barrios-Lech

The article argues for a bilingual (Greek/Latin) pun at Plautus' Captivi 229-230, spoken by the principal character, Tyndarus, and places it within the context of his depiction and the generic ambiguity of the play itself.


The First Person Hortatory Subjunctive In New Comedy (Pub. Year Tentative), Peter Barrios-Lech 2016 University of Massachusetts Boston

The First Person Hortatory Subjunctive In New Comedy (Pub. Year Tentative), Peter Barrios-Lech

Peter Barrios-Lech

ABSTRACT: Article considers patterns of usage in the type ποιῶμεν  in Menander.


Notebook Iii Plato's Apology (Work In Progress), Edward H. Campbell 2016 Independent Scholar

Notebook Iii Plato's Apology (Work In Progress), Edward H. Campbell

Edward H Campbell

No abstract provided.


Barrios-Lech_Linguistic_Interaction_Appendix_Four.Docx, Peter G. Barrios-Lech 2016 University of Massachusetts Boston

Barrios-Lech_Linguistic_Interaction_Appendix_Four.Docx, Peter G. Barrios-Lech

Peter Barrios-Lech

Appendix 4, "Donatus on Pragmatics and Politeness," for Barrios-Lech, P. 2016. Linguistic Interaction in Roman Comedy (Cambridge).


Barrios-Lech_Linguistic_Interaction_Appendix_Five.Docx, Peter G. Barrios-Lech 2016 University of Massachusetts Boston

Barrios-Lech_Linguistic_Interaction_Appendix_Five.Docx, Peter G. Barrios-Lech

Peter Barrios-Lech

Appendix 5, "Supplementary Material for Parts III-IV," Barrios-Lech, P. Linguistic Interaction in Roman Comedy (Cambridge).


Introduction To The Classical Language Toolkit, Kyle P. Johnson 2016 University of Iowa

Introduction To The Classical Language Toolkit, Kyle P. Johnson

Linking the Big Ancient Mediterranean

No abstract provided.


Linguistic Interaction In Roman Comedy (Cambridge University Press, 2016), Peter G. Barrios-Lech 2016 University of Massachusetts Boston

Linguistic Interaction In Roman Comedy (Cambridge University Press, 2016), Peter G. Barrios-Lech

Peter Barrios-Lech

No abstract provided.


Notebook Ii Plato's Apology (Work In Progress), Edward H. Campbell 2016 Independent Scholar

Notebook Ii Plato's Apology (Work In Progress), Edward H. Campbell

Edward H Campbell

No abstract provided.


Notebook I Plato's Apology (Work In Progress), Edward H. Campbell 2016 Independent Scholar

Notebook I Plato's Apology (Work In Progress), Edward H. Campbell

Edward H Campbell

No abstract provided.


Full Issue, 2016 Brigham Young University

Full Issue

Studia Antiqua

No abstract provided.


Editor's Preface, Juan D. Pinto 2016 Brigham Young University

Editor's Preface, Juan D. Pinto

Studia Antiqua

No abstract provided.


Front Matter, 2016 Brigham Young University

Front Matter

Studia Antiqua

No abstract provided.


Propertius As Cantor Euphorionis In 2.1.12, Clifford Weber 2016 Selected Works

Propertius As Cantor Euphorionis In 2.1.12, Clifford Weber

Clifford Weber

No abstract provided.


The World Of Elagabalus, Jay Carriker 2016 University of Texas at Tyler

The World Of Elagabalus, Jay Carriker

History Theses

After his assassination in 222 the Roman Emperor Elagabalus served as Rome's whipping boy--an embodiment of all the vices that led to the decline and fall of Rome; but through placing his policies in the context of a a Julio-Severan Dynasty, the religious boundaries that he disregarded reveal a Varian Moment as a critical period in the Easternization of Roman religion which makes him one of the the most significant figures in Roman history.


Language Contact And Identity In Roman Britain, Robert Jackson Woodcock 2016 The University of Western Ontario

Language Contact And Identity In Roman Britain, Robert Jackson Woodcock

Electronic Thesis and Dissertation Repository

Language is one of the most significant aspects of cultural identity. This thesis examines the evidence of languages in contact in Roman Britain in order to determine the role that language played in defining the identities of the inhabitants of this Roman province.

All forms of documentary evidence from monumental stone epigraphy to ownership marks scratched onto pottery are analyzed for indications of bilingualism and language contact in Roman Britain. The language and subject matter of the Vindolanda writing tablets from a Roman army fort on the northern frontier are analyzed for indications of bilingual interactions between Roman soldiers and ...


Catullan Obscenity And Modern English Translation, Tori Frances Lee 2016 Washington University in St. Louis

Catullan Obscenity And Modern English Translation, Tori Frances Lee

Arts & Sciences Electronic Theses and Dissertations

This thesis explores the ways Catullus uses obscenity in his poetry, and how modern translators captures those effects when translating obscenity into English. I first define obscenity by creating four categories of words that all have to do with taboo topics and exist only in certain contexts, outside of polite company: obscenities, technical terms, circumlocutions, and euphemisms. The first chapter analyzes Poems 16, 37, and 97, Catullus's most obscene, to show that the poet uses profanity as a literary device that gains its strength from its juxtaposition with non-obscene words. The second chapter looks at seven English translations written ...


Insight Into The Community: Bee Similes In The Iliad And The Aeneid, Sara Heist 2016 Liberty University

Insight Into The Community: Bee Similes In The Iliad And The Aeneid, Sara Heist

Montview Liberty University Journal of Undergraduate Research

This paper offers a comparative analysis of the bee similes in Homer’s Iliad and Virgil’s Aeneid to demonstrate that there are significant thematic connections between the similes in the two epics. In both works, bee similes illustrate the structure of the ideal society, as a close reading of each simile reveals. This paper demonstrates that both Homeric and Virgilian bee similes focus on the concept of community. In the Iliad, Homer’s first extended simile compares the Greek forces to a colony of bees. This prominent placement foreshadows the significance of bee similes in the Homeric epic. As ...


Carthaginian Mercenaries: Soldiers Of Fortune, Allied Conscripts, And Multi-Ethnic Armies In Antiquity, Kevin Patrick Emery 2016 Wofford College

Carthaginian Mercenaries: Soldiers Of Fortune, Allied Conscripts, And Multi-Ethnic Armies In Antiquity, Kevin Patrick Emery

Student Scholarship

The story of the mercenary armies of Carthage is one of incompetence and disaster, followed by clever innovation. It is a story not just of battles and betrayal, but also of the interactions between dissimilar peoples in a multiethnic army trying to coordinate, fight, and win, while commanded by a Punic officer corps which may or may not have been competent. Carthaginian mercenaries are one piece of a larger narrative about the struggle between Carthage and Rome for dominance in the Western Mediterranean, and their history illustrates the evolution of the mercenary system employed by the Carthaginian Empire to extend ...


Dante’S Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries, Michael J. Rupers 2016 Dominican University of California

Dante’S Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries, Michael J. Rupers

Master's Theses and Capstone Projects

Dante Alighieri (1265-1321) takes his readers on a pilgrimage through what he calls the Inferno, Purgatorio and Paradiso (ostensibly Hell, Purgatory and Heaven) in his epic poem The Divine Comedy, originally titled Commedia. This paper concentrates exclusively on Dante’s contemporaries, those people who lived during his lifetime, and examines his possible motivation for targeting enemy Ghibellines, Black Guelphs, treacherous White Guelphs, corrupt popes, and others who either crossed him or caused him trouble. He vindictively used his masterpiece to lash out at his contemporary enemies, exacting retribution against many who angered him in his lifetime or otherwise offended his ...


Political Polupragmones: Busybody Athenians, Meddlesome Citizenship, And Epistemic Democracy In Classical Athens, Harry D. Rube 2016 Bowdoin College

Political Polupragmones: Busybody Athenians, Meddlesome Citizenship, And Epistemic Democracy In Classical Athens, Harry D. Rube

Honors Projects

The figure of the πολυπράγμων, the overactive, over-engaged, or meddlesome democratic citizen, is a literary trope that emerges in Classical Athenian literature in the 5th and 4th centuries B.C. This project seeks to use the πολυπράγμων as an entry point into understanding Athenian attitudes toward citizenship and socially acceptable political behaviors in Athens’ democratic era.

I explore the history and usage of the term πολυπράγμων, and the associated characteristic of πολυπραγμοσύνη (meddlesomeness), and its synonyms and antecedents. I demonstrate that to be labeled πολυπράγμων is a term of social restraint—one is named a πολυπράγμων if they ...


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