Everything, Nothing, Harvey Keitel: A Review, 2015 Third Coast International Audio Festival
Everything, Nothing, Harvey Keitel: A Review, Sarah Geis
Although producer Pejk Malinowski is originally from Denmark, and Everything, Nothing, Harvey Keitel is a project of London-based Falling Tree Productions, its premise seems cringingly American: our narrator goes to a self-help class, has an encounter with a celebrity. Which is to say, the risk of self-indulgence is high. To make it worse: the documentary takes place almost entirely within Malinovski’s mind. But these factors make it only more astonishing to hear how – through his singular voice, playful sense of humour, and impeccable sound design – Malinovski tells a story that makes the listener laugh, feel, and consider the intertwined ...
Rien Que Les Os: Version Française., 2015 Radio France
Rien Que Les Os: Version Française., Irène Omélianenko
Critique d'un documentaire de création conçue par l'artiste Française Floy Krouchi à Radio France en équipe avec la réalisatrice Nathalie Battus et le chef opérateur du son Bruno Mourlan (2010).
Nothing But Bones (Rien Que Les Os): A Review, 2015 Radio France
Nothing But Bones (Rien Que Les Os): A Review, Irène Omélianenko
This documentary by the French artist Floy Krouchi in collaboration with Nathalie Battus and Bruno Mourlan from Radio France is a hybrid piece that lies between music and poetic creation. It attempts to make a radiophonic connection between the mythic memory of the indigenous peoples of India and what remains today in certain pieces of music, in (people’s) memory, in singing and translation. The project began five years ago (2010) in Southern India where Floy Krouchi was then travelling. There she heard a short piece of music taken from a very ancient tradition that struck her as so strange ...
Efter Festen (After The Celebration): A Review, 2015 WDR (Westdeutscher Rundfunk)
Efter Festen (After The Celebration): A Review, Leslie Rosin
This 2002 feature is a masterpiece of our genre. On one level, the story examines how a young man called Allan told on Danish radio how he confronted his father at his 60th birthday celebration with the devastating fact that the father had abused him and his twin sister as children. But Allan’s story is also the subject of the successful Danish film The Celebration by Thomas Vinterberg, part of the Dogma Film Group founded by Lars von Trier. The feature’s title, Efter Festen, (After the Celebration) is ambiguous in Danish, the Danish word 'efter' being translatable ...
Comparative Study Of Operating Mass Media Facilities In Texas, 2015 Stephen F Austin State University
Comparative Study Of Operating Mass Media Facilities In Texas, Al Greule
Bright Ideas Conference
Mass Media programs in colleges and universities endure competition from other programs and must also take on the challenges of rapid technological changes to keep their programs up to date (or “state of the art”) for their students. The focus of each program is slightly different and technology available to the student varies greatly from institution to institution. Furthermore there is only some similarity as to how each institution grants student access to equipment and lab facilities.
This study attempts to determine the issues that are most challenging to operating academic Mass Media programs and examine the various ways programs ...
Qui A Connu Lolita: Who Killed Lolita? A Review, 2015 Battery Radio
Qui A Connu Lolita: Who Killed Lolita? A Review, Chris Brookes
The brilliant and disturbing work Qui a Connu Lolita? (Who Knew Lolita?), or as it is more provocatively titled in the authors' English translation Who Killed Lolita?, starts with a precis: voices tell us there have been three deaths, of a mother and her two children, the bodies found in their Marseilles apartment two months later.
This is a composition for radio, not a collection of easy evidence for a police dossier. Who did kill Lolita? Who is to blame? The program draws its power from suggestion, like footnotes plucked from a subterranean soundtrack. It poses uncomfortable questions and leaves ...
[Un]Happy Together: Why The Supremacy Clause Preempts State Law Digital Performance Rights In Radio-Like Streaming Of Pre-1972 Sound Recordings, 2015 Georgetown University Law Center
[Un]Happy Together: Why The Supremacy Clause Preempts State Law Digital Performance Rights In Radio-Like Streaming Of Pre-1972 Sound Recordings, Julie L. Ross
Georgetown Law Faculty Publications and Other Works
Lovers of the music of Frank Sinatra, The Beatles, Etta James, and hundreds of other recording artists whose records were made before February 15, 1972, may soon have a hard time hearing these great artists on any satellite or Internet radio service. Recently, two federal district courts have found that state laws were violated when satellite radio broadcaster Sirius XM Radio included pre-1972 sound recordings in its broadcasts without the owners’ permission, but these courts did not consider-–and the parties did not argue-–how the Supremacy Clause applies to those state law claims. This article argues that state laws ...
Songs With Political Purpose: The Catalan Nova Cançó And Its Social Movement, 2015 Trinity College
Songs With Political Purpose: The Catalan Nova Cançó And Its Social Movement, Brooke Moschetto
Senior Theses and Projects
This thesis is a study of the interaction of music and politics during the social movement in Catalonia, Spain, the nova cançó. This interaction demonstrates the importance of a cultural identity, imagined communities, and cultural planning for a nation. In the case of Catalonia, the nova cançó played an immediate crucial role in the transformation of society during the last years of the extremely repressive dictatorship of Francisco Franco (1939-1975). Franco controlled Spain ideologically through censorships and power over the media in order to spread his values of a unified, homogenous, nationalist fatherland. In this way, he destroyed the Catalan ...
Mdocs Newsletter - 2015-03-06, 2015 Skidmore College
Mdocs Newsletter - 2015-03-06, Jordana Dym, Sam Grant 17, Sasha Abramowitz 15, Jasmyn Elise Story 15
No abstract provided.
Breaking Into The Business: A Guide To Creating A Dynamic Resume Reel And Securing A Job In Today’S Television News Industry, 2015 California Polytechnic State University - San Luis Obispo
Breaking Into The Business: A Guide To Creating A Dynamic Resume Reel And Securing A Job In Today’S Television News Industry, Christina Favuzzi
Broadcast journalists are experiencing turbulence in their field of expertise due to increasing digitalization and decreased funding. It is becoming commonplace for reporters to work as one-man-bands, or “multimedia journalists,” shooting and editing their own video in addition to writing and reporting. For people looking to begin a career in the highly competitive broadcast news industry, there is a great deal of information to understand and consider prior to beginning the job search. Creating a dynamic resume reel is central to landing a job as an on-air reporter. However, with the development of digital-first and multimedia journalism, there are certain ...
On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, 2015 Fordham University
On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich
Articles and Chapters in Academic Book Collections
An overview of The Hallelujah Effect concentrating on priming or sonic branding, media, online porn as well as marketing and media programming, with a special excursus on the space of music --and radio in Adorno's Current of Music, and a detailed discussion on Nietzsche and music in antiquity as he explores this with reference ot Beethoven in The Birth of Tragedy.
Mighty Beast: Review 2, 2014 Northwestern University, Chicago
Mighty Beast: Review 2, Neil Verma
This review-essay considers Mighty Beast, a radio feature by Sean Borodale, Sara Davies and Elizabeth Purnell, exploring how it approaches vernacular speech using poems based on auctioneering, sounds of market places and interviews with farmers and other workers. Listening closely to key passages, I highlight the role of Borodale’s 'in the moment' process and the use of sound editing as a form of writing, while situating the work within a longer history of livestock poetry and auctioneering in the sound arts. In the end, I argue that Mighty Beast is an outstanding piece to help think through larger issues ...
Mighty Beast: Review 1, 2014 Australian Broadcasting Corporation
Mighty Beast: Review 1, Mike Ladd
MIGHTY BEAST: written by Sean Borodale, soundscape by Elizabeth Purnell, produced by Sara Davies, performed by Christopher Bianchi. BBC Radio 3, Between the Ears, 2013. 29mins10.
Mighty Beast is a ‘radio poem’ that takes us into the cattle saleyard, and the lives of the auctioneers, animal handlers and farmers that are its denizens. Radio poems operate through feeling as much as intellect, and give scope for different interpretations. They are not so much about imparting information or telling a story, as creating an experience. They are more associative than expository, often proceeding in a non-linear way. Often radio poems use ...
My Share Of The Sky: Review 2, 2014 Falling Tree Productions
My Share Of The Sky: Review 2, Alan Hall
This documentary by the celebrated Danish producer Rikke Houd, in collaboration with Iranian journalist Sheida Jahanbin, is a work of art. It is also a powerful piece of documentary journalism that measures the pulse of a young couple’s emigration from Iran and their attempts to settle in Norway. The narration by Sheida Jahanbin, our guide to establishing a new life as an asylum seeker, is lent a profound dimension by being choreographed in a sophisticated ‘hocketing’ with the voiced-over translation, which acts as Sheida’s Norwegian voice. This is an inspired device, which also serves as a metaphor in ...
My Share Of The Sky: Review 1, 2014 Murdoch University
My Share Of The Sky: Review 1, Helene Thomas
My Share of the Sky speaks like a poem. A poem of love, of life, and of loss. It is a story of finding refuge and freedom in a foreign land and reconciling with the longing for loved ones back home. Presented as an audio diary, Sheida Jahanbin invites listeners into her world as she and her husband Madyar make a new life for themselves in Oslo, Norway as political refugees from Iran. The program presents a stream of live happening moments which intimately capture Sheida's life as it is unfolding. Juxtaposing the mundane and the terrifying, the ordinary ...
The Left-To-Die Boat: Review 2, 2014 Swinburne University, Inside Story
The Left-To-Die Boat: Review 2, Peter Mares
In March 2011 an inflatable boat carrying 72 asylum seekers from sub-Saharan Africa set out from the coast of Libya hoping to reach the Italian island of Lampedusa. As one Italian official commented, sailing from Libya towards Italy should have been ‘a bit like doing a slalom between military ships’. Yet as, out of fuel, supplies of food and water dwindled to nothing and the people on board began to get sick and die, the boat continued to drift and no help came. Eventually it floated all the way back to the Libyan coast. Of the 50 men, 20 women ...
The Left-To-Die Boat: Review 1, 2014 BBC Radio Documentaries Unit
The Left-To-Die Boat: Review 1, Simon Elmes
The tale of the African asylum-seekers who in 2011 set sail in a fragile inflatable from revolution-torn Libya in the hope of reaching the Italian island of Lampedusa and safety, is a phenomenal one. Seventy-two men and women set sail; just eleven survived the two-week-long ordeal, which only ended when the boat was washed back on the Libyan shore. How on earth to tell a story that was all in the past, recollected in tranquillity, and still keep it sharp, painful, dramatic and present?
The trouble with big, long programs is that, to stay sharp, they constantly have to find ...
Making Waves, 2014 Colby College
Making Waves, Frank Bures
Familiar voices on National Public Radio belong to reports Christ Arnold '92 and Gerry Hadden '89
How To Be Alice: A Feature-Length Screenplay With Production Package, 2014 Syracuse University
How To Be Alice: A Feature-Length Screenplay With Production Package, Alison Joy
Syracuse University Honors Program Capstone Projects
This Capstone consists of a feature-length dramatic screenplay of 110 pages along with a production package including schedule and budget. The production documents, created using Movie Magic software, detail a shooting schedule of 21 days and a budget of $890,979.
The film centers on a successful magazine editor who loses her job and her fiancé in the same day. Professionally disgraced, financially stunted, and unexpectedly hearbroken, she is forced to take on a “How To” blogging gig to pay the bills while she gets back on her feet. She begrudgingly accepts mentorship from an eccentric older neighbor to help ...
Elsie: A Screenplay, 2014 Syracuse University
Elsie: A Screenplay, Eileen M. Spath
Syracuse University Honors Program Capstone Projects
Elsie is a 57 page, one-hour screenplay. A modern adaptation of a true story, Elsie tells the tale of Elsie Whitman, a young housewife unhappy in her marriage and looking for a way out. When her estranged sister arrives, she finally finds the strength to do the unthinkable.
Our story opens with the arrival of Elsie's sister, Marianne, and the departure of her husband, John. Alone in the house together, the sisters relationship grows complex. Marianne begins to see Peter, a young man with a mysterious past. However, when Elsie is wronged by John, she jumps into bed with ...