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Still Glowing Strong: Review 2 (Australia), Maree Delofski 2015 Macquarie University, Sydney

Still Glowing Strong: Review 2 (Australia), Maree Delofski

RadioDoc Review

Still Glowing Strong is an elegant and poetic documentary about a dreamer. Harald Brobakkan has an obsessive desire to create an everlasting battery. From the outset, the minimalist music and Leganger’s beautifully written narration set up the tone of the documentary – gentle, respectful, restrained, occasionally melancholic yet never maudlin. Program maker Sindre Leganger very successfully conveys Harald’s story together with rich observations about the universe, science and its treatment of ‘outsiders’, life - and the nature of a very long relationship.


Still Glowing Strong: Review (Denmark), Anna Elisabeth Jessen 2015 University of Wollongong

Still Glowing Strong: Review (Denmark), Anna Elisabeth Jessen

RadioDoc Review

Still Glowing Strong is Norwegian Sindre Leganger’s tender story of an old man, Harald, who thinks he has invented an everlasting battery that could save the world. The problem is that no one has the time to look at it – his wife in particular. But as Leganger and the old man’s grandson take an interest, this short but remarkable feature reveals much about our finite lives and the eternal starry sky above us, about being stubborn, being optimistic and about hope. Leganger illustrates Zola’s dictum, that “art is a corner of reality seen through a temperament”. He ...


From Honor To Ridicule To Shame To Fame: The Naming And Re-Naming Of Túrin Son Of Húrin, Marie Nelson 2015 University of Florida

From Honor To Ridicule To Shame To Fame: The Naming And Re-Naming Of Túrin Son Of Húrin, Marie Nelson

Journal of Literary Onomastics

No abstract.


Efter Festen (After The Celebration): A Review, Leslie Rosin 2015 WDR (Westdeutscher Rundfunk)

Efter Festen (After The Celebration): A Review, Leslie Rosin

RadioDoc Review

This 2002 feature is a masterpiece of our genre. On one level, the story examines how a young man called Allan told on Danish radio how he confronted his father at his 60th birthday celebration with the devastating fact that the father had abused him and his twin sister as children. But Allan’s story is also the subject of the successful Danish film The Celebration by Thomas Vinterberg, part of the Dogma Film Group founded by Lars von Trier. The feature’s title, Efter Festen, (After the Celebration) is ambiguous in Danish, the Danish word 'efter' being translatable ...


Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles LeBel 2015 City University of New York

Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles Lebel

The Quiet Corner Interdisciplinary Journal

Translation specialists Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck and Alyson Waters respond to the TQC question:

“Lost in translation”; “Found in translation”: Are these just useless commonplaces or are they indicative of something relevant to your own practice?


Der Skandinavische Horrorfilm. Kultur- Und Ästhetikgeschichtliche Perspektiven (The Scandinavian Horror Film. Cultural Historical And Aesthetical Historical Perspectives), Christiane Königstedt 2015 Institute for the Study of Religion, University of Leipzig

Der Skandinavische Horrorfilm. Kultur- Und Ästhetikgeschichtliche Perspektiven (The Scandinavian Horror Film. Cultural Historical And Aesthetical Historical Perspectives), Christiane Königstedt

Journal of Religion & Film

In this book review I discuss a recently published anthology on "The Scandinavian Horror film". The authors are well aware that the existence of this genre is not to be taken for granted, and instead ponder films by directors ranging from Carl T. Dreyer, Ingmar Bergman to Lars von Trier and beyond, who in their work dealt with horrorful sensations in the past 120 years. Focussing especially on the sources and means of the horror sensation, the anthology investigates the characteristics and common features of the films in discussion, as well as their US-American adaptations.


Crossing Cultures: The Old Norse Adaptations Of Marie De France’S Lais, Kenna Jacobs 2015 University of Connecticut - Storrs

Crossing Cultures: The Old Norse Adaptations Of Marie De France’S Lais, Kenna Jacobs

The Quiet Corner Interdisciplinary Journal

The representation of sin and sexuality in Marie de France’s Lais is a topic that continues to be debated among scholars, as the unexpected storylines – including adultery, bestiality, and physical violence – often clash with our preconceived notions concerning the medieval principles of modesty and restraint. The provoking, even disconcerting, nature of this work becomes quite apparent when examined in conjunction with their later adaptations in the thirteenth century, as King Hákon of Norway commissioned the translation of several lais into Old Norse as a means of promoting the courtly codes and conventions within French literature. Focusing on the lais ...


Lisbeth Salander Lost In Translation - An Exploration Of The English Version Of The Girl With The Dragon Tattoo, Kajsa Paludan 2014 University of New Orleans

Lisbeth Salander Lost In Translation - An Exploration Of The English Version Of The Girl With The Dragon Tattoo, Kajsa Paludan

University of New Orleans Theses and Dissertations

Abstract

This thesis sets out to explore the cultural differences between Sweden and the United States by examining the substantial changes made to Men Who Hate Women, including the change in the book’s title in English to The Girl With The Dragon Tattoo. My thesis focuses in particular on changes in the depiction of the female protagonist: Lisbeth Salander. Unfortunately we do not have access to translator Steven T. Murray’s original translation, though we know that the English publisher and rights holder Christopher MacLehose chose to enhance Larsson’s work in order to make the novel more interesting ...


My Share Of The Sky: Review 1, Helene Thomas 2014 Murdoch University

My Share Of The Sky: Review 1, Helene Thomas

RadioDoc Review

My Share of the Sky speaks like a poem. A poem of love, of life, and of loss. It is a story of finding refuge and freedom in a foreign land and reconciling with the longing for loved ones back home. Presented as an audio diary, Sheida Jahanbin invites listeners into her world as she and her husband Madyar make a new life for themselves in Oslo, Norway as political refugees from Iran. The program presents a stream of live happening moments which intimately capture Sheida's life as it is unfolding. Juxtaposing the mundane and the terrifying, the ordinary ...


The Orkney Islands In The Viking Age, Moira Speirs MS 2014 Oglethorpe University

The Orkney Islands In The Viking Age, Moira Speirs Ms

Oglethorpe Journal of Undergraduate Research

No abstract provided.


Naming Practices In J.R.R. Tolkien's Invented Languages, Wendy Baker et al. 2014 Brigham Young University

Naming Practices In J.R.R. Tolkien's Invented Languages, Wendy Baker Et Al.

Journal of Literary Onomastics

No abstract.


Heroes To Horrors: Metamorphosis As Combat Trauma In The Mythology Of The West, Thomas Passarelli 2014 University of Connecticut, Storrs

Heroes To Horrors: Metamorphosis As Combat Trauma In The Mythology Of The West, Thomas Passarelli

Honors Scholar Theses

In an attempt to show how Western mythological depictions of metamorphosis in fighting men often serve as an early discussion on the psychosocial ramifications of warfare on veterans, this research holds early Norse, Celtic, and Anglo-Saxon texts in comparison with contemporary PTSD research and anecdotes from American veterans of the Vietnam War.


Janteloven And Social Conformity In Thorbørn Egner’S Literature, Ellen Ahlness 2014 Minnesota State University - Mankato

Janteloven And Social Conformity In Thorbørn Egner’S Literature, Ellen Ahlness

Undergraduate Research Symposium

Janteloven is a set of fictional laws detailed in Danish author Aksel Sandemose’s 1933 book, “A Fugitive Crosses His Tracks,” which satirizes the Scandinavian view towards individuality versus the collective. These laws, consisting of rules such as “thou shalt not believe thou art better than us,” direct a negative attitude towards those who stand out from the cultural norm. This contradicts the ever-growing ethnic diversity in Norway today. Today, Janteloven is regarded as a sociological term describing the unified mindset in Denmark, Sweden, and Norway that champions societies where inhabitants are encouraged to set the community’s needs over ...


Why Are Scandinavians So Happy?, John Hasselberg 2014 College of Saint Benedict/Saint John's University

Why Are Scandinavians So Happy?, John Hasselberg

Forum Lectures

Perhaps somewhat surprising to many in central Minnesota, Scandinavian societies are ranked as having the happiest people in the world. Long-term longitudinal studies such as "Development, Freedom, and Rising Happiness: A Global Perspective (1981-2007)" by Inglehart, Foa, Peterson and Welzel of the University of Leicester, and recent research reported by the United Nations Sustainable Development Solutions Network in its "World Happiness Report 2013", edited by Helliwell, Layard & Sachs, consistently come to the conclusion that Scandinavians are the happiest people in the world. Why? How is this possible? What can we learn from them?


Islamophobia In Public Policy: The Rise Of Right Wing Populism In Denmark, Laura Bloom 2014 Claremont McKenna College

Islamophobia In Public Policy: The Rise Of Right Wing Populism In Denmark, Laura Bloom

CMC Senior Theses

Nordic right wing populism began in Denmark with the requisite growth in the political and societal power of the Danish People’s Party during the Liberal-Conservative coalition government from 2001 to 2011. As the number of immigrants and asylum-seekers from Middle Eastern countries continues to grow, the “other,” the definition of which is a perceived threat against an ill-defined “people,” is increasingly understood by the Danish People’s Party as Muslim immigrants and their descendants. This thesis will use both a wide array of literature and evidence from an original research project using a Danish Prison as a loose microcosm ...


Bridget Of Sweden (1303-1373) As Author, Mark E. Peterson 2013 James Madison University

Bridget Of Sweden (1303-1373) As Author, Mark E. Peterson

Libraries

No abstract provided.


Babette's Feast And The Goodness Of God, Thomas J. Curry 2012 St. John's College (Lasallian)

Babette's Feast And The Goodness Of God, Thomas J. Curry

Journal of Religion & Film

This article attempts to answer the preeminent question Babette’s Feast invites viewers to consider: Why does Babette choose to expend everything she has to make her feast? Of the critical studies made of the film, few have considered analytically crucial the catastrophic backstory of Babette, the violence of which is implied and offscreen. Appreciation of the singularity of Babette’s own personhood and the darker aspects of her experience, and not only how she might act as a figure of Christ, are key to understanding the motivating force behind her meal and its transformative effect: That through the feast ...


Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich 2011 Fordham University

Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich

Articles and Chapters in Academic Book Collections

Abstract

Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances in the context of that terminological origination in Lucian’s Kataplous — literally: sailing into port — referring to the journey of the soul into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate. The Kataplous he tyrannos, a title usually rendered as the Downward Journey (or The Tyrant), is a Menippean satire telling the tale of the “overman” supposed superior to others of “lesser” station in ...


A Viking Age Political Economy From Soil Core Tephrochronology, Kathryn Anne Catlin 2011 University of Massachusetts Boston

A Viking Age Political Economy From Soil Core Tephrochronology, Kathryn Anne Catlin

Graduate Masters Theses

Saga accounts describe Viking Age Iceland as an egalitarian society of independent household farms. By the medieval period, the stateless, agriculturally marginal society had become highly stratified in exploitative landlord-tenant relationships. Classical economists place the origin of differential wealth in unequal access to resources that are unevenly distributed across the landscape. This irregularity is manifested archaeologically as spatial variations in buried soil horizons, which are addressed through thousands of soil cores recorded across Langholt in support of the Skagafjörður Archaeological Settlement Survey. Soil accumulation rates, a proxy for land quality, are derived from tephrochronology and correlated with archaeological and historical ...


Defying The Modernist Canon: Mikhail Larionov’S Artistic Experience Beyond The Canvas, Ella Hans 2011 University of Kentucky

Defying The Modernist Canon: Mikhail Larionov’S Artistic Experience Beyond The Canvas, Ella Hans

University of Kentucky Master's Theses

In the contemporary art-historical vision, Mikhail Larionov is renowned as the author and the main figure in the polemical discourse of Neoprimitivism and the inventor of the Rayonism style. These aspects, although crucial to his career, are far from exhausting the artist’s legacy. During his most industrious period, from 1910 to 1915, he was equally, if not more, engaged in the development of new forms of art than in the practice of painting; in fact, the conventional cornerstone of the high art in the era of Modernism – a painting – lost its central position and receded to the status of ...


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