University of Nebraska Omaha
Acknowledgements/Image Credits,
2014
Western Michigan University
Acknowledgements/Image Credits, Molly Lynde-Recchia
Transference
No abstract provided.
First Mill (Excerpts) By René Char,
2014
University of the District of Columbia
First Mill (Excerpts) By René Char, Nancy Naomi N. Carlson
Transference
Translated from the French with commentary by Nancy Naomi Carlson.
The Eighth Eclogue By Vergil,
2014
Sarah Lawrence College
The Eighth Eclogue By Vergil, Ann Lauinger
Transference
Translated from the Latin with commentary by Ann Lauinger.
The Fisherman By Anonymous,
2014
Western Michigan University
The Fisherman By Anonymous, Luke J. Chambers
Transference
Translated from the Old French with commentary by Luke Chambers.
Just Above Silence By Anna Greki,
2014
University of Boumerdes
Just Above Silence By Anna Greki, Lynda Chouiten
Transference
Translated from the French with commentary by Lynda Chouiten.
On The Tomb Of A Great Beauty By Claudian,
2014
Wheaton College - Wheaton
On The Tomb Of A Great Beauty By Claudian, Brett Foster
Transference
Translated from the Latin with commentary by Brett Foster.
Foreword,
2014
Western Michigan University
Foreword, David Kutzko, Molly Lynde-Recchia
Transference
Thoughts on the second volume by editors-in-chief David Kutzko and Molly Lynde-Recchia.
Transference Vol. 2, Fall 2014,
2014
Western Michigan University
Transference Vol. 2, Fall 2014, Molly Lynde-Recchia
Transference
Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, classical Greek, Latin, and Japanese, into English verse. Transference contains translations as well as commentaries on the art and process of translating.
My Share Of The Sky: Review 2,
2014
Falling Tree Productions
My Share Of The Sky: Review 2, Alan Hall
RadioDoc Review
This documentary by the celebrated Danish producer Rikke Houd, in collaboration with Iranian journalist Sheida Jahanbin, is a work of art. It is also a powerful piece of documentary journalism that measures the pulse of a young couple’s emigration from Iran and their attempts to settle in Norway. The narration by Sheida Jahanbin, our guide to establishing a new life as an asylum seeker, is lent a profound dimension by being choreographed in a sophisticated ‘hocketing’ with the voiced-over translation, which acts as Sheida’s Norwegian voice. This is an inspired device, which also serves as a metaphor in ...
Bobby Sands And Public Perception,
2014
Chapman University
Bobby Sands And Public Perception, Reed Burke
Undergraduate Student Research Day Abstracts and Posters
This research is going to focus on the 1981 Hunger Strikes during the period of the Troubles in Northern Ireland. The focus of this peaceful protest in the media was on Provisional Irish Republican Army volunteer Bobby Sands. He was the first protestor of the hunger strike that started on March 1st, 1981. The focal point of my research is going to be focused on analyzing newspapers from different areas of Ireland and Great Britain to comprehend the differences in sentiments towards Sands and the hunger strike. I will be analyzing Pro-Republican newspapers from Northern Ireland and comparing them to ...
Perceptions Of Identity In Post-Famine Irish Return Migrants,
2014
Chapman University
Perceptions Of Identity In Post-Famine Irish Return Migrants, Brittany Walsh
Undergraduate Student Research Day Abstracts and Posters
The Irish census records from 1841 and 1851 demonstrated a nearly 20% drop in population over the course of the Great Famine, accounting for both death and emigration during that period. Among this drop was the community of nearly 1.5 million emigrants who left during the decade, a number accounting for half of the citizens leaving Ireland in the nineteenth century. While most of this community were permanent migrants, an estimated 10% of those who emigrated to the United States returned to Ireland during the second half of the century. This research will analyze the construction of Irish emigrant ...
Making The Invisible Heard: German-Kurdish Cultural Organizations And Transnational Networks,
2014
Gettysburg College
Making The Invisible Heard: German-Kurdish Cultural Organizations And Transnational Networks, Drew A. Hoffman '15
Student Publications
The increasing corpus of theoretical literature on transnationalism remains to be applied to many of the transnational migrant communities which have developed since the advent of modern globalization. This literary essay seeks to provide a perspective on the German-Kurdish community in Berlin, and how they fit into the larger European and Kurdish contexts. It illustrates the convergence of opportunities and disadvantages that German-Kurds face in Berlin, while also investigating what it means to be a Berliner-Kurd. The literary essay accordingly explores the role of language, cultural organizations, and regional networks. In doing so, it is hoped that topics about German-Kurds ...
Working Towards A Globalized Minority: Regional German-Kurdish Cultural Organizations And Transnational Networks,
2014
Gettysburg College
Working Towards A Globalized Minority: Regional German-Kurdish Cultural Organizations And Transnational Networks, Drew A. Hoffman '15
Student Publications
German-Kurdish cultural organizations and the Kurdish Diaspora they represent offer an example of a new type of actor in defining globalization. This paper examines how such organizations act as the lynchpin in transnational networks and how such organizations give a voice to Berliner-Kurds. These relationships are explored at the national, regional, and organizational level, in order to paint a comprehensive perspective. It argues that despite experiencing discrimination, the convergence of a global diaspora and local actors has contributed to the reinvention of the German-Kurdish community as a globalized minority. Such a concept is important for understanding how migrant communities can ...
Time, Photography, And Optical Technology In Nabokov's Speak, Memory,
2014
University of Bochum
Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets
CLCWeb: Comparative Literature and Culture
In her article "Time, Photography, and Optical Technology in Nabokov's Speak, Memory" Tetyana Lyaskovets discusses how Vladimir Nabokov narrates time in his autobiography by invoking photography and optical instruments. Photography and optical technology function in Speak, Memory as metaphors and probe the limits of chronological time. Nabokov portrays time as personal and reversible time that collapses the past and the present and allows one to glimpse the future. Because this temporal collapse is not possible physically but, as Nabokov believes, can be achieved through one's will, he engages optical technologies which provide a spatial form for his project ...
Literature And Science In Nineteenth-Century Realist Novels: A Book Review Article About Ambrière's And Bender's Work,
2014
Complutense University Madrid
Literature And Science In Nineteenth-Century Realist Novels: A Book Review Article About Ambrière's And Bender's Work, Anne-Marie Reboul
CLCWeb: Comparative Literature and Culture
No abstract provided.
Queering Masturbation In Lorde's Life And Writing,
2014
University of Burundi
Queering Masturbation In Lorde's Life And Writing, Eric Sipyinyu Njeng
CLCWeb: Comparative Literature and Culture
In his article "Queering Masturbation in Lorde's Life and Writing" Eric Sipyinyu Njeng discusses masturbation in Audre Lorde's life and works to signal an important aspect of her oeuvre often neglected in scholarship. Lorde stands out among prominent queer queens by demonstrating theory corporeally thereby going beyond mere theory and positing her body as a space of complex sexual passions. When Judith Butler speaks of gender as performative rather than embodied, Lorde theorizes and foregrounds this in her works and self and celebrates a sexual matrix that ranges from heterosexuality to homosexuality to auto-sexuality. Lorde places masturbation between ...
Conscience's De Leeuw Van Vlaanderen (The Lion Of Flanders) And Its Adaptation To Film By Claus,
2014
Ghent University
Conscience's De Leeuw Van Vlaanderen (The Lion Of Flanders) And Its Adaptation To Film By Claus, Gertjan Willems
CLCWeb: Comparative Literature and Culture
In his article "Conscience's De Leeuw van Vlaanderen (The Lion of Flanders) and Its Adaptation to Film by Claus" Gertjan Willems discusses Hugo Claus's 1984 filmic adaptation of Hendrik Conscience's 1838 historical novel, a landmark in the history of the Flemish Movement. Willems's analysis is executed by means of a textual film analysis and archival research. Willems pays special attention to the Flemish-Dutch coproduction's complex relations with the national question. Despite various difficulties concerning Flemish nationalist sensitivities of the project, the producers wanted the film to be as faithful as possible to Conscience's novel ...
Greenberg's Prose And Poetry About World War I,
2014
Ben-Gurion University of the Negev
Greenberg's Prose And Poetry About World War I, Chanita Goodblatt
CLCWeb: Comparative Literature and Culture
In her article "Greenberg's Prose and Poetry about World War I" Chanita Goodblatt analyzes the literary response of Uri Zvi Greenberg to the war. His volume of poetry Krieg oyf der Erd— largely untranslated to English — can be read as part of a multicultural literary response to World War I, particularly in juxtaposition with the poems of Wilfred Owen and Siegfried Sassoon. Goodblatt posits that a study of shared esthetic strategies and literary traditions underlines the way in which Greenberg created an "alienated wanderer" who witnesses and stands helpless in the face of the violence and destruction of battle ...
Postmodernist Poetics And Narratology: A Review Article About Mchale's Scholarship,
2014
Shanghai Jiao Tong University
Postmodernist Poetics And Narratology: A Review Article About Mchale's Scholarship, Biwu Shang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Marriage In The Short Stories Of Chekhov,
2014
Brigham Young University
Marriage In The Short Stories Of Chekhov, Mark Richard Purves
CLCWeb: Comparative Literature and Culture
In his article "Marriage in the Short Stories of Chekhov" Mark Richard Purves explores Anton Chekhov's often occurring depiction of marriage. Purves posits that Chekhov's depiction of the experience of marriage raises important ontological questions about the core features of family life such as what it means to be a husband, what it means to be a wife, and the degree of relatedness between them. Chekhov elaborates on what he sees as matrimony's central antinomy, namely that the wedding of one individual to another produces loneliness, an absence of intimacy, and a kind of alienation so acute ...
