Music Commons^™

Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler

Religion

Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology (analyzing Pärt’s signature “tintinnabuli” method), cultural and media studies (Pärt’s audience is uncannily broad within and beyond the contemporary classical world) and, more recently, in terms of theology/spirituality (Pärt is primarily a composer of sacred music). For the most part, this work is centered around the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on ...

Old Dominion University Jazz Choir & Jazz Ensemble, Old Dominion University Jazz Choir, John Toomey (Director), Keith Philbrick (Director)

Ensemble Performances

No abstract provided.

Developing A Systematic Approach For Teaching Beginning Improvisation Using The Concert Percussion Ensemble, Ian Mcclaflin

Dissertations

Typically, when studying percussion at a University, a student is required to be proficient at multiple aspects of percussion (snare drum, mallet keyboards, drum set, hand drumming, etc.) and work through multiple method books and solos on the different instruments. This often leaves little to no room for the study of improvisation on their instrument.

Examined in this study are the following points pertaining to the state of teaching improvisation:

• There is an apparent lack of improvisation in the classroom
• Teachers often feel unprepared in teaching improvisation
• Improvisation is most commonly associated with jazz
• Both teachers and students tend to ...

The Imagery Experience Of Korean Gim Therapists' Reactions Toward Their Clients' Resistance, Jung Pyo Moon

Expressive Therapies Dissertations

The purpose of this research was to understand how Korean professional therapists who practice the Bonny Method of Guided Imagery and Music (GIM) understand their clients’ resistance through the imagery experience.

Participants in this study were six Korean GIM therapists living and working in South Korea. Two more Korean GIM therapists were recruited to take charge of guiding a total of six participants to examine this inquiry. Each GIM guide helped three participants. All six participants and two GIM therapists were regular members of the Association for Music and Imagery and the Korean Association for Music and Imagery. The researcher ...

What We’Ve Managed To Transcribe Thus Far: Lessons From The Blythe Owen Letter Transcription Project, Marianne Kordas

Faculty Publications

In 2016, the music librarian at Andrews University in Berrien Springs, MI launched a project to transcribe approximately 2,000 by twentieth-century American composer Blythe Owen into typed, keyword-searchable documents. The goal of the transcription project is to make these letters more accessible beyond their current archival setting, and thereby lay the foundation for further inquiry into Owen, her works, and the people she knew – among them pianist and pedagogue Rudolf Ganz, African-American composer Florence Price, and composition teacher Nadia Boulanger. Managing such a large project has proven challenging, but worth the effort. This article describes the methodology, successes, challenges ...

Recalling The (Afro)Future: Collective Memory And The Construction Of Subversive Meanings In Janelle Monáe’S Metropolis-Suites, Anders Liljedahl

Third Stone

Focusing on the intersection of collective memory, technology, and African American popular music, this paper use aspects of the sonic narratives in Janelle Monáe’s Metropolis-Suites I–V to introduce core concepts of Afrofuturism. The paper challenges the positioning of collective memory as being exterior to the sphere of individual cognitive memory. By inhabiting past, present, and future at once, Afrofuturism is able to critically revisit collective memory not only as a social framework but also as actual individual memory. Afrofuturist discourse questions the status of the human being by examining African Americans as always already robotic, and posits ...

Annotated Bibliography - Grace Jones, Slave To The Rhythm, Bennett Brazelton

Third Stone

Annotated Bibliography entry for Grace Jones' album, Slave to the Rhythm (1985).

Investigating The Steps In Preparing An Original Song For Distribution, Kaitlyn Ann Majors

Masters Theses

Songwriting has always been a desire of mine. Specifically, writing songs that can be used to bring glory to God through worship, reflection and meditation. There is something so beautiful about bringing intimate moments with God to life through music and then sharing that message publicly for others to engage and participate in. Once the creative process is complete and a song has been composed, what are the steps to take this creation and prepare it for public use and distribution? This process may look very different for those who are already established in the music industry versus artists and ...

Biblical Principles Of Music And Worship, Tim Alan Hall

Masters Theses

Since creation, God's plan for humanity was for the purpose of worship. How we worship matters, and there are stringent guidelines in the Old Testament and the New Testament on how it should be conducted. As society has changed across ages, modes of worship have changed both negatively and positively. This research paper aims to discuss the Biblical principles of music and worship directed toward the worship leader by exploring the principles of worship taken from the Old and New Testaments in the Bible. The review will employ a qualitative explanatory study design to answer the question, what, in ...

Composition In The Diatonic Modes: Past And Present Function And A Praxial Curriculum Suggestion, Margaret Cherise Eddy

Masters Theses

The purpose of this curriculum project is to design an online curriculum that presents diatonic musical modes in a way that is memorable, applicable, and beneficial to music education. Although the diatonic modes were discussed theoretically by the ancient Greeks, and the modes were actively used in worship, theory, and composition throughout the Middle Ages and into the early Renaissance era, these modes are only briefly taught as a theoretical principal in advanced theory courses or included in current textbook appendices. The diatonic modes are not usually represented as currently practical in composition and performance, and therefore, this study demonstrates ...

A Curriculum For Teaching Collaborative Worship Songwriting Inspired By Village Hymns, Craig Alan Osterhus

Masters Theses

The scriptural injunction to “sing to the Lord a new song” motivates the church to create new worship songs that are Biblically based, musically excellent, and reflective of God’s unique gifting and purpose for the church in its time. Village Hymns, a collective of worship leaders and songwriters serving in South Florida churches, has developed a platform for building skill in collaborative worship songwriting through their CREATE events. Through the experience of hosting over 50 CREATE events and recording three EP CDs, Village Hymns has developed best practices for collaborative worship songwriting. The aim of the case study research ...

The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox

Dissertations, Theses, and Capstone Projects

Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was ...

Dynamics Of Youth Engagement In The Local Church, Jacqueline C. Hanna

Doctoral Dissertations and Projects

According to many biblical accounts, children were included in worship experiences. Despite the efforts of many churches to engage, attract, and retain youth, there is still a lack of youth participation, involvement, and interest in the local church. This not only affects youth, but also the church. Unengaged youth do not have the opportunity to become future leaders of the church. In turn, churches will experience a void in future leadership and will be prohibited from flourishing. This qualitative historical study examined reasons for youth disengagement in an effort to find strategies for effective retention and engagement to benefit youth ...

The Rise Of Corporate Individualism In Twenty-First Century Worship, Russell Allen Robbins

Doctoral Dissertations and Projects

Western society has experienced a monumental paradigm shift which has influenced the way in which the church worships in the twenty-first century. Postmodernism has led to an increasingly self-focused individualism in corporate worship which overvalues personal experience and undervalues the communal aspect of corporate worship. Despite much discussion concerning postmodern generations, the influence of postmodern thought upon the rise of corporate individualism in worship has yet to be examined. The purpose of this qualitative, historical study is to examine the factors that have led to the rise of corporate individualism in worship, the indications of corporate individualism in worship, and ...

The Old Testament Precedent For The Role Of The Worship Leading Choir, Justin Alan Mclaughlin

Doctoral Dissertations and Projects

God designed mankind to find fulfillment through worship of him in corporate praise and worship. Detailed plans for corporate worship are outlined in the Old Testament Pentateuch, Books of History and Kingdom Books, especially as related to guidelines for worship in the Tabernacle and Temple. Despite the many biblical examples of the importance of corporate singing and the use of choir in worship, many contemporary evangelical congregations are finding just reason to abandon the use of choirs in any strategic role in facilitating or leading of worship. Thus, establishing the need to discover, determine and articulate the biblical role choir ...

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

Music Department Newsletters

• Professor of Music Named to be an Endorsing Artist for M & M Custom Trombones, LLC

• GUEST ARTIST JOO WON PARK

• COMING EVENTS

Synchrony: Music Of Sarah Weaver And Collaborations (2006–2019), Sarah Weaver

Journal of Network Music and Arts

Synchrony is a prominent lens in works by composer Sarah Weaver and collaborations from the years 2006 to 2019 for solo, chamber, large ensemble, and network music pieces. “Synchrony,” defined as perceptual alignment of distributed time and space components, has a practical motivation for transcending both latency and technology mediation in the network music medium. Synchrony also functions as a deep realm of artistic expression for both network and localized music. This essay outlines the technological context of performances, artistic strategies for synchrony, examples from the pieces, and new directions for the work going forward.

Low-Latency Networked Music Collaborations: Does “Good Enough” Do Enough Good?, Gareth Dylan Smith, Zack Moir, Paul Ferguson, Gill Davies

Journal of Network Music and Arts

LoLa is a cutting-edge technology that enables low latency, real-time collaborations across vast distances using high-bandwidth, low-jitter networks. It has the capacity to transform how music is made and experienced. It has been utilized on a relatively small scale to date, primarily for teaching and performances associated with music colleges and concert halls. In this article we discuss various ways in which LoLa technology is “good enough” by describing examples of recent networked music performances “anchored” at Edinburgh Napier University, Scotland. We discuss the ways in which processes and outcomes were “good enough” for the sound engineer, participating musicians, and ...

A Quantum-Classical Network For Beat-Making Performance, Scott Oshiro, Omar Costa Hamido

Journal of Network Music and Arts

In recent years, quantum computing has emerged as the next frontier in computational and information technologies. Even though it has found potential applications in solving complex problems in fields such as chemistry, machine learning, and cryptography, among other fields, there has been little research conducted on its applications for music and acoustic technologies. This paper will discuss the use of a quantum internet protocol in the context of networked music performance in which quantum computing could play a role in processing musical data via a cloud-based music software application. We also propose an example model for a beat-making performance network ...

Purpose And Well-Being Through Administering Network Performances, Andrew Mcmillan, Fabio Morreale

Journal of Network Music and Arts

Due to the COVID-19 crisis, music communities who found themselves in social and physical isolation have been trying to find alternative solutions to keep some form of connection. Network performance is one of these solutions, one that is specifically aimed at enhancing communities’ connectivity beyond one’s intimate surroundings. In order for network performances to properly work, there are numerous roles that need to be filled; these include performers, administrators, technicians, and event organizers. This paper presents new discussions aimed at understanding these evolving roles and the way in which they are intertwined. These discussions are based on the autobiographical ...