Music Commons^™

Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler

Religion

Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology (analyzing Pärt’s signature “tintinnabuli” method), cultural and media studies (Pärt’s audience is uncannily broad within and beyond the contemporary classical world) and, more recently, in terms of theology/spirituality (Pärt is primarily a composer of sacred music). For the most part, this work is centered around the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on ...

Old Dominion University Jazz Choir & Jazz Ensemble, Old Dominion University Jazz Choir, John Toomey (Director), Keith Philbrick (Director)

Ensemble Performances

No abstract provided.

Expressive Arts, Social Circus, And Community Music Therapy: A Literature Review, Tyler Sabourin

Expressive Therapies Capstone Theses

This capstone thesis explores the broad ways in which the expressive arts therapies can be applied with a community focus. Particular attention is paid to the community-centered goals and the role of performance in social circus as they relate to the current practice and goals of community music therapy. Through an exploration of social circus models, the connection between social circus and therapeutic theater is described, and emerging literature that links the two is analyzed. The field of community music therapy is explored, as are its theoretical similarities to social circus. The current limitations on research of mixed-modality practices which ...

Viola Fragments: Contextualizing And Interpreting Selections From György Kurtág's Signs, Games And Messages, Mounir Nessim

LSU Doctoral Dissertations

The viola came to prominence as a solo instrument relatively late compared to the violin and cello. As a result, the standard repertoire is more recent, consisting largely of twentieth century works. The standard repertoire continues to expand as new works are written and embraced by performers. One such work is the Hungarian composer György Kurtág's open ended collection of pieces for solo viola Signs, Games and Messages (1987-). Kurtág, born in 1926, is one of the most important composers of the twentieth and twenty-first centuries. His music is characterized by its brevity, fragmentation, ambiguity, and intertextuality. The painstaking ...

Corporeal Analysis: The Performing Body As Analytic Site, Laura Cocks

All Dissertations, Theses, and Capstone Projects

A framework of corporeal analysis posits that the physicality of the performer can be construed as a primary analytical parameter in a work. This dissertation seeks to set up such a method of analysis largely through anecdata and autoethnography with the aim of eliciting a deeper space for additional performer-driven analyses that prioritize the bodily knowledge of performers and their physical understandings of a work. Centering around David Bird’s 2013 work for solo piccolo and “no-less-than twenty-nine spatialized piccolos,” Atolls, three main aspects of corporeal analysis will be explored. These are: performance physicality as expressive connective tissue between flutist ...

The Limits Of Indeterminacy: The Performance And Analysis Of Selected Indeterminate Compositions By John Cage And Earle Brown, Drake R. Andersen

All Dissertations, Theses, and Capstone Projects

This study elucidates the relationship between notation, performance practice, and musical realization in several indeterminate compositions by John Cage and Earle Brown. While both Cage and Brown emphasized the multiplicity of possible outcomes in these works, the distinct configurations of fixed and unfixed elements in each ensure particular kinds of musical results to the exclusion of others. In tracing the musical limits and possibilities of each work, this research project also seeks to correct a longstanding belief that indeterminate music is not meaningfully responsive to the tools of music theory.

Chapter one historicizes the emergence, presentation, and reception of indeterminate ...

Object-Oriented Musicology: Some Implications Of Graham Harman's Philosophy For Music Theory, History, And Criticism, Eric Taxier

All Dissertations, Theses, and Capstone Projects

This dissertation brings the ideas of the philosopher Graham Harman (b. 1968) into a musicological context. His “object-oriented ontology” is widely known in continental philosophy, but it has not yet entered rigorous contact with musicology. Certain factors pose difficulties at first glance, such as Harman’s focus on metaphysical issues (originating in his critique of Martin Heidegger) and his rehabilitation of the widely criticized concept of aesthetic autonomy. But these are also sources of novelty that could make an object-oriented encounter with musicology fruitful. In the first chapter, I outline the main features of Harman’s thought. He critiques assumptions ...

The Mutability Of The Score: An Examination Of The Value Of Score Alteration In Virtuosic Piano Repertoire, Wayne Weng

All Dissertations, Theses, and Capstone Projects

This dissertation is a defense of the value of score alteration in virtuosic piano repertoire. Score alteration is a performance practice, much heard during the so-called “Golden Age” of pianism, in which pianists would freely modify the score in order to suit their interpretation and make their performances more effective. In our present age of urtext editions and absolute fidelity to the score, I believe that a re-examination of score alteration is crucial to any modern performer.

I have examined numerous recordings and performances (many of them rare and not commercially released), to explore how the practice of score modification ...

Encounters: System For Creative Improvisation, Drake R. Andersen

All Dissertations, Theses, and Capstone Projects

Encounters is an indeterminate musical composition or, more precisely, a flexible system for creative improvisation. Performers improvise and interact with one another through four possible games whose instructions are laid out in the performance materials. This version of Encounters includes parts for flute, clarinet in B-flat, violin, viola, cello, double bass, percussion and piano, reflecting the performing forces of the premiere. However, the instrumentation is open, and any of the parts can be adapted to other instruments contingent upon the range and transposition of the particular instrument. The duration is indeterminate.

Lived Experience Of Music Therapists As Musician-Therapists, Kotoe Suzuki

Expressive Therapies Dissertations

The dissertation research explored the lived experiences of music therapists who are performing musicians. A conceptual foundation of music therapists as musicians, a “musician-therapist” who is deeply versed in the unique properties of music can be identified in the literature (Ansdell & Verney, 2008; Nordoff & Robbins, 1973). The objectives of this study were to explore three topics: 1) deeper understandings of music therapists’ musical improvisation both in clinical and nonclinical settings, 2) the connection between music therapists’ personal and professional musical growth, and 3) identity formation. A qualitative method was chosen for this research including reflexive/embodied/interpretative phenomenology, and arts-based research. Data ...

Lyric Analysis And Songwriting With Adolescent’S Processing Complex Trauma, Peyton Mayzel

Expressive Therapies Capstone Theses

This study examines how lyric analysis and songwriting can aid adolescents processing complex developmental traumas. The use of music, lyric analysis, and songwriting can provide a space for adolescents to express themselves and process their struggles they have encountered in their lives. Music, lyric analysis, and songwriting can also be used as a way for adolescents to build their self-identity and help them to make important life decisions. These concepts are all related to the attachment, self-regulation, and competency (ARC) model created by Blaustein & Kinniburgh in 2005. This model is used in treatment with children and adolescents who have experienced ...

Argo Ergo Sum - I Perform, Therefore I Am: An Art-Based Community Engagement Project, Emily Eckel

Expressive Therapies Capstone Theses

This community engagement project set out to explore how the musicianship identity impacts a musician’s overall sense of self through participation in a mental health focused community orchestra. Currently, in the field of music therapy there is little emphasis on using orchestral music in active music making or connections between music and musicianship identity. This researcher combined the theories of community music therapy and resource-oriented music therapy to develop approaches to this investigation. Phase one consisted of researcher journaling and visual art making prior to and following orchestra rehearsals and one concert. Phase two consisted of a group mandala ...

How Dance And Music Stimulate Therapeutic Change In A Personal Movement Ritual, Cassidy Bingham

Expressive Therapies Capstone Theses

This thesis investigates the therapeutic effects of the researcher’s own arts practice or personal movement ritual, which is based in her tacit knowledge and intuition. The researcher is also the participant of this study. Her personal movement ritual, which was formalized as the method, was conducted before the literature review in order to prioritize tacit knowledge before introducing the influence of other scholars. In the literature review, Ellen Dissanayake’s and other scholars’ rationale for the emotional and cognitive changes that take place during rituals through music and dance are explained. These rationales, or the five constructs of entrainment ...

Mental Associations And Music Therapy: Including The History Of Associationism And The Neurology Of Associations, Dianna Rose

Expressive Therapies Capstone Theses

Associations are formed in our minds based upon three elements: sensory experience, emotions, and memories. These associations, unique to each individual, dictate thoughts, beliefs, behaviors, and actions. Some are necessary and supportive, while others can be maladaptive. Established associations can be changed, and new associations can be formed, to align with a client’s goals. The literature presents a strong history of associationism, as well as a body of research that demonstrates the neurological processes of how mental associations are formed. There are also studies showing how music activates the brain. However, there is a lack of research which draws ...

Rolling In The Modern: The Mahler-Roller Productions Of The Vienna Court Opera House (Historical Essay And Syllabus), Gregory Eckhardt

Music Theses and Dissertations

This project takes the Mahler-Roller productions at the Vienna Court Opera House as a case study to examine the ways that contemporary artistic trends can influence operatic productions. By analyzing the sketches Roller created for their productions, I argue that Mahler and Roller expanded the Wagnerian Gesamtkunstwerk to both increase the production quality, the metaphorical content, and set a new standard for interpretive operatic productions.

This project is divided into two parts. Part I is a historical essay that provides context for the Mahler-Roller productions. I first outline the history of the Wagnerian Gesamtkunstwerk and discuss the ways that Wagner ...

The Effect Of Melody And Rhythm In Music-Based Therapy For Nonfluent Aphasics: A Literature Review, M. Abraham Kimball

Expressive Therapies Capstone Theses

The aim of this review is to examine studies which explored whether melody or rhythm played a more integral role in the facilitation of music-based speech and language rehabilitation for the population of individuals with nonfluent aphasia. This paper is intended to serve as a succinct synthesis of the myriad articles covering the efficacy of the treatment program called Melodic Intonation Therapy (MIT) and the impact of its primary musical mechanisms. Secondarily, it may assist in a deeper examination into speech and language-based music cognition and neurologic music therapy research. The speech and language disorder of aphasia; the relationships between ...

Encumbered By Stage Fright Or I’M Not Sure Why I Did That, Chris Scott

Graduate School of Art Theses

I hope to be as honest as possible. I’m hoping to be the star of the show. This is a series of onanistic musings, a rambling narrative that oscillates between truth and fabrication. There are instances of earnestness paired with ostentatious exaggeration. The frequent leaps from subject to subject, often seemingly unrelated to one another, reflect the ineluctably scatterbrained headspace that dictates how I operate in the studio, in every facet of life. Through this lens of storytelling I delve into a few artists, like Bruce Nauman, and rock and roll musicians, like Lou Reed, who I have been ...

Nausea, Jacob Dickerson

Music Theses and Dissertations

The popular novel Nausea, by Jean-Paul Sartre, tells the story of a fictional adventurer, Antoine Roquentin, and his struggle to understand the surrounding world. This novel illustrates the basics of Sartre’s existentialism. Sartre introduced the concept of “bad faith,” by which he meant the delusion that things in our lives must always be as they are. “Bad faith” and freedom are the core of Sartre’s message. Sartre shares the deep irony that we are “condemned to freedom” and implores us to understand responsibility in a more meaningful way. His philosophy forces us to own up to what we ...

Snc Fights Covid-19 Pandemic

St. Norbert Times

• News
  • SNC Fights COVID-19 Pandemic
  • Dining Services Donate Meals
  • A Night of Hope
  • Athletes React to Abrupt Season End
  • SNC’s New Hire: Title IX Coordinator
• Opinion
  • Through the Eyes of a Knight
  • The Podomoro Technique
  • The Unanswerable Question
  • Do We Need All of This?
  • Successful Business during a Pandemic
• Features
  • Absence and Essence
  • Adventures from Home
  • SNC Students Adopt Animals
• Entertainment
  • Student Spotlight
  • Word Search
  • Did You Know???
  • How Disney Hurts the Film Industry
  • Best Non-Disney Animated Movies
  • Five Book Recommendations for Quarantine
  • The Future of the Film Industry
  • New on Netflix
  • Junk Drawer: Catch-up During Quarantine
  • “Parks and ...

The Making Of When We Say Goodnight, Andrew Newman

Honors Theses

The following thesis documents the writing and recording of When We Say Goodnight, an album by Lo Noom. The author discusses the various influences that led to the development of the album’s concept. The album is meant to explore the feelings the author associates with summer nights in Mississippi. He attempts to create a world in which the songs and feelings live. He discusses the album’s song development and various recording processes. As he brings the album to completion, a struggle emerges between the author’s desire to please his audience and his desire to create for his ...