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Positioning And Repositioning: Transnational Identity (Re) Construction And (Re) Negotiation By American-Senegalese Children, Aminata Diop 2020 The Graduate Center, City University of New York

Positioning And Repositioning: Transnational Identity (Re) Construction And (Re) Negotiation By American-Senegalese Children, Aminata Diop

All Dissertations, Theses, and Capstone Projects

The main aim of this dissertation is to study the ways American-Senegalese children position and reposition themselves as they (re) construct and (re) negotiate their transnational identity upon returning to the U.S. from Senegal. This project explores the following questions: 1) why do US-residing Senegalese parents send their children back to their homeland to be raised by relatives? 2) how do these American-Senegalese children (re) construct and (re) negotiate their multiple layers of identities upon returning home after being raised by extended family members for more than a decade?3) and how do the American-Senegalese children (re) story their ...


The Guinea-Bissau Constitutional Reform Debate, Watson Aila Gomes 2020 The Graduate Center, City University of New York

The Guinea-Bissau Constitutional Reform Debate, Watson Aila Gomes

All Dissertations, Theses, and Capstone Projects

The enactment of law is not to be confused with the rule of law, and simply having a constitution does not guarantee political order. In Guinea-Bissau there have been calls to write a new constitution, but whether that helps Guinea-Bissau become a more stable country is questionable. Currently, there is a gap in the research of social science, history and political science examining how the processes of instability have unfolded in Guinea-Bissau. Few studies attempt to examine the correlation between a country’s stability and its constitution. A paradoxical situation exists in many countries in Africa where the political system ...


Pleasure Is All Mine, Lola Ogbara 2020 Washington University in St. Louis

Pleasure Is All Mine, Lola Ogbara

Graduate School of Art Theses

One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to ...


(Re)Humanizing: A Culturally Informed Approach To Coping With The Manifestation Of Super Woman Schema In Black Women With Trauma Exposure, Jasmine Dowery 2020 Lesley University

(Re)Humanizing: A Culturally Informed Approach To Coping With The Manifestation Of Super Woman Schema In Black Women With Trauma Exposure, Jasmine Dowery

Expressive Therapies Capstone Theses

Using the Community Engagement option, this Capstone Thesis was used to create a method to explore a culturally informed approach to coping with the manifestation of Super Woman Schema in Black Women with trauma exposure. In this thesis the researcher discusses Post-Traumatic Slave Syndrome (PTSS) in as it relates to the formation of maladaptive techniques such as Super Woman Schema. Additionally, this Capstone Thesis provides a historical context on the cultural significance of Rhythm and Blues music and Dance/Movement Therapy and ties it to the importance of healing for the community at-large. This researcher utilized self as instrument to ...


Post Traumatic Slave Disorder And Relationships: Revisiting Relations Of Black Men And Women., Melannie Atkinson 2020 SUNY Cortland

Post Traumatic Slave Disorder And Relationships: Revisiting Relations Of Black Men And Women., Melannie Atkinson

Transformations: Presentation Slides

A question that I have for people in the African American Community is; Why is it that many friendships seem to excel but when it comes to relationship status the connection between African American men and women is hard to come by? For hundreds of years we have seen the effect of Modern-day slavery to the people in the African American Community and this is one. Most African Americans have been stuck in a mindset that we should never and will never be connected as one mentally, emotionally and physically through love in society. In this paper I will argue ...


Afro-Brazilian Music And Culture, Regina Castro McGowan 2020 CUNY City College

Afro-Brazilian Music And Culture, Regina Castro Mcgowan

Open Educational Resources

In this course students will learn about the musical heritage Africans brought to Brazil and how through forced conversion and cultural adaptation, their traditions quickly syncretized into distinct Afro-Brazilian artistic expressions. This course will explore many musical traditions, including; Samba, Pagode, Baile Funk, Candomblé and Axé music for their social, religious and/or political significance, from the early twentieth century through today. In doing so, students will get to practice and learn the vocabulary and grammatical structures found in the music of these rich and varied genres, and acquire a familiarity with conversational Portuguese.


Basics Of Stepping Club, Hana Pham, Yara Madit 2020 University of Nebraska - Lincoln

Basics Of Stepping Club, Hana Pham, Yara Madit

Honors Expanded Learning Clubs

Originating in West Africa in the 1500s, step has since evolved into a form of dancing that places emphasis on rhythmic movements and high energy. It is commonly used amongst greek organizations and within schools. This club introduces stepping to older children through activities such as stamina, focus, teamwork, and problem solving.


Los Discursos Sociales En La Cuba Del Siglo Xx Y El Impacto De La Revolución: Raza, Clase Y Género En Las Obras De Antonio Benítez Rojo Y Sara Gómez, Eliza Petrie 2020 Trinity College

Los Discursos Sociales En La Cuba Del Siglo Xx Y El Impacto De La Revolución: Raza, Clase Y Género En Las Obras De Antonio Benítez Rojo Y Sara Gómez, Eliza Petrie

Senior Theses and Projects

No abstract provided.


Future Leader In Sustainable Enterprise — Prescilla Awino, Akudo Ejelonu 2020 University of Pennsylvania

Future Leader In Sustainable Enterprise — Prescilla Awino, Akudo Ejelonu

wH2O: The Journal of Gender and Water

Prescilla is a trainer and a mentor of teenagers and young adolescent women. She successfully managed the Girls Leadership and Advocacy Series (GALS Kenya), a Program of Women Campaign International (WCI). WCI is a Philadelphia based non-profit organization that empowers women globally to actively participate in civil society, political leadership, economic development and peace building.


Barriers And Bias: Women In Water Utilities Are Breaking Them All, Swati Hegde 2020 University of Pennsylvania

Barriers And Bias: Women In Water Utilities Are Breaking Them All, Swati Hegde

wH2O: The Journal of Gender and Water

Around the world, women are the mainstays of society, from raising children to supporting families to caring for the needy. In developing countries, they are also usually responsible for collecting and providing water for the family. In doing so, their time, health, safety, education and income are compromised. Outdated and undisputed social norms create the biases that force women to bear the responsibility to secure and distribute water, thereby creating barriers to women’s advancement in educational opportunities and significantly reducing income-earning potential. Similarly, in the developed world, outdated social norms create biases and barriers in the water industry that ...


A New Kind Of Loom In Early Roman Egypt? How Iconography Could Explain (Or Not) Papyrological Evidence, Maria Mossakowska-Gaubert 2020 University of Copenhagen

A New Kind Of Loom In Early Roman Egypt? How Iconography Could Explain (Or Not) Papyrological Evidence, Maria Mossakowska-Gaubert

Egyptian textiles and their production: ‘word’ and ‘object’

The question of the different kinds of loom used in ancient Egypt is one of the most crucial issues to understanding the evolution of textile production and its technological development in the Nile Valley. However, sources concerning looms (archaeological, iconographic and written) from the Pharaonic era until the Arab medieval period are meagre, and many research questions remain open. This article is an attempt at a new interpretation of some evidence, particularly iconographic and papyrological, which could add new data to the study of weaving looms used in Egypt of the early Roman period (1st–2nd century AD).


Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods), Maria Mossakowska-Gaubert 2020 University of Copenhagen

Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods), Maria Mossakowska-Gaubert

Egyptian textiles and their production: ‘word’ and ‘object’

Covers

Dedication

Contents

Introduction by Maria Mossakowska-Gaubert

Contributors


Egyptian Pit-Looms From The Late First Millennium Ad — Attempts In Reconstruction From The Archaeological Evidence, Johanna Sigl 2020 German Archaeological Institute (DAI), Cairo

Egyptian Pit-Looms From The Late First Millennium Ad — Attempts In Reconstruction From The Archaeological Evidence, Johanna Sigl

Egyptian textiles and their production: ‘word’ and ‘object’

In discussions on the development of weaving technology, specifically treadle looms in the Mediterranean area, Egypt is often referred to as one of the earliest countries in which people used foot-powered looms for producing cloth. It is thought to have been in regular use in the production of cloth as early as the second half of the 1st millennium AD. This belief is built on results from excavations undertaken during the early 20th century by the Egypt Exploration Fund at the hill of Sheikh Abd el-Qurna in Luxor, as well as on textile studies. Unfortunately, none of the postulated looms ...


What Flaws Can Tell: A Case Study On Weaving Faults In Late Roman And Early Medieval Weft-Faced Compound Fabrics From Egypt, Barbara Köstner 2020 Universität zu Köln

What Flaws Can Tell: A Case Study On Weaving Faults In Late Roman And Early Medieval Weft-Faced Compound Fabrics From Egypt, Barbara Köstner

Egyptian textiles and their production: ‘word’ and ‘object’

Silk samites from Late Roman and Early Medieval Egypt are well-known objects in museum collections all over the world. One group of fragments, the so-called Akhmim silks, show a mechanically repeated floral pattern. More than 100 examples with this design are known; the fragments bear striking similarities in design and technique. Were they woven in the same workshop? If all or at least a large number of pieces could be traced back to several batches of production, this would lead to further insights concerning the economics of early silk weaving. A detailed analysis of two exemplary pieces reveals features that ...


Ancient Greek Dyeing: A Terminological Approach, Peder Flemestad 2020 Lund University, Sweden

Ancient Greek Dyeing: A Terminological Approach, Peder Flemestad

Egyptian textiles and their production: ‘word’ and ‘object’

The Oxford English Dictionary defines dyeing as: “to impregnate (any tissue or the like) with a colour, to fix a colour in the substance of, or to change the hue of by a colouring matter”. In ancient Greek this operation is in general expressed by the verb βάπτειν, but the process of dyeing could be designated by a multitude of other terms. The following contribution provides an overview of the extensive ancient Greek terminology for the action of dyeing. The focus therefore lies primarily on the verbs designating the dyeing process itself, while wider dye terminology is only occasionally touched ...


Dyeing In Texts And Textiles: Words Expressing Ancient Technology, Ines Bogensperger, Helgo Rösel-Mautendorfer 2020 University of Vienna

Dyeing In Texts And Textiles: Words Expressing Ancient Technology, Ines Bogensperger, Helgo Rösel-Mautendorfer

Egyptian textiles and their production: ‘word’ and ‘object’

The complex chaîne opératoire of ancient textile production in various stages has been frequently discussed by textile scholars. According to documentary papyri, textile manufacturing represented the highest taxed industry after agriculture. This emphasises its importance as a significant sector in the ancient economy. A highly specialised branch within the chaîne opératoire is the dyeing industry. Ancient dyers used natural and animal dyestuffs, as well as different dyeing techniques to achieve their colourful results. They were also aware of the specific properties of the different textile fibres. In ancient times, wool and linen were the characteristic materials for manufacturing textiles, but ...


How (Not) To Organise Roman Textile Production. Some Considerations On Merchant-Entrepreneurs In Roman Egypt And The Ἱστωνάρχης, Kerstin Droß-Krüpe 2020 Kassel University

How (Not) To Organise Roman Textile Production. Some Considerations On Merchant-Entrepreneurs In Roman Egypt And The Ἱστωνάρχης, Kerstin Droß-Krüpe

Egyptian textiles and their production: ‘word’ and ‘object’

For almost the last 100 years, various ancient historians have suggested that organisations comparable to the “putting- out” system existed in the Roman Imperial period. They are most commonly believed to have occurred in textile production. As early as 1913, Theodor Reil assumed that the production of textiles in Roman Egypt was organised through the putting-out system. This idea can subsequently be traced through more than a century to recent publications. However, as this assumption is rarely based on genuine source material, it seems appropriate to get to the bottom of this hypothesis. In this context, special attention will also ...


Domestic Textile Production In Dakhleh Oasis In The Fourth Century Ad, Jennifer Cromwell 2020 Manchester Metropolitan University

Domestic Textile Production In Dakhleh Oasis In The Fourth Century Ad, Jennifer Cromwell

Egyptian textiles and their production: ‘word’ and ‘object’

Ancient Kellis, modern Ismant el-Kharab is located in Dakhleh Oasis in Egypt’s Western Desert. The main occupation of the village was from the early to late Roman period (late 1st century to the beginning of the 5th century AD). Excavated as part of the Dakhleh Oasis Project, the site has revealed textual and archaeological evidence from which a detailed picture of life can be painted. To date, the main publications of the village’s finds have focussed on the textual remains, of literary and documentary texts in Coptic, Greek, and Syriac.1 A comparable publication of the archaeological evidence ...


Conclusion: Egyptian Textiles And Their Production, Dominique Cardon 2020 Centre National de la Recherche Scientifique

Conclusion: Egyptian Textiles And Their Production, Dominique Cardon

Egyptian textiles and their production: ‘word’ and ‘object’

This book, “Egyptian textiles and their production: ‘word’ and ‘object’ (Hellenistic, Roman and Byzantine periods)” is both very useful and… frustrating. Indeed, all volumes of transactions of a scientific symposium are bound to be so, since research is a never-ending story. However, this is particularly true of textile research, which involves so many different approaches. Most of the relevant scientific domains are represented in this volume. There is a good combination of several reports on new research – recently studied archaeological textiles and iconographic documents on weaving – with attempts at syntheses of available evidence, both archaeological and textual, alongside useful critical ...


Reconstruction Of A Deconstructed Tunic, Anne Kwaspen 2020 University of Copenhagen, Saxo Institute

Reconstruction Of A Deconstructed Tunic, Anne Kwaspen

Egyptian textiles and their production: ‘word’ and ‘object’

Tunics of the 1st millennium AD can be classified into two main groups according to the direction of the warp in the finished tunic. The first group of tunics has horizontal warp threads in the finished tunic. This means that the cloth as it is worn is rotated 90° from the weave direction on the loom. In the second group of tunics the warp runs vertically in the finished tunic. Each group of tunics has their typical technological features and finishing methods, with additional distinctions between wool and linen tunics. This article focuses on the study of a tunic belonging ...


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