Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, 2020 Louisiana State University and Agricultural and Mechanical College
Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey
LSU Master's Theses
Early in 1562, France was experiencing a state of high religious tension between Protestants and Catholics that would precipitate the outbreak of the Religious Wars on March 1. A week before, Bernard Palissy, a Huguenot potter, wrote a letter to his Catholic patron from prison inBordeaux where he was being held on charges associated with an iconoclastic incident in his home city of Saintes. This letter would later be published as a dedication letter for the pamphlet Architecture et Ordonnance, which featured the description of a grotto commissioned by Anne de Montmorency, Palissy’s patron, seven years earlier. This thesis ...
Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, 2020 The Graduate Center, City University of New York
Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella
All Dissertations, Theses, and Capstone Projects
This thesis offers a new reading of William Shakespeare’s late play The Winter’s Tale (1623), positing that in order to understand this complex and eccentric work, we must read it with a complex and eccentric eye. In The Winter’s Tale, planets strike without warning, pulling at hearts, wombs, and blood, impacting the health and emotional experience of characters in the play. This work is renowned for its inconsistent formal structure; the first half is a tragedy set in winter, but abruptly shifts to a comedy set in spring/summer in its latter half. What’s more, is ...
The Spiritual Nature Of The Italian Renaissance, 2020 Liberty University
The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney
Senior Honors Theses
This study seeks to investigate the influence of faith in the emergence and development of the Italian Renaissance, in both the artwork and writing of the major artists and thinkers of the day, and the impact that new expressions of faith had on the viewing public. While the Renaissance is often labeled as a secular movement by modern scholars, this interpretation is largely due to the political motives of the Medici family who dominated Florence as the center of this artistic rebirth, on and off again throughout the period. On close examination, the philosophical and creative undercurrents of the movement ...
In The Age Of Non-Mechanical Reproduction: Manuscript Variation In Early-Modern South Asia, 2020 University of Cambridge
In The Age Of Non-Mechanical Reproduction: Manuscript Variation In Early-Modern South Asia, Arthur Dudney, Neeraja Poddar
No abstract provided.
"O'Me Alone?": Aristotle And The Failure Of Autarky In Shakespeare's Coriolanus, 2020 Vassar College
"O'Me Alone?": Aristotle And The Failure Of Autarky In Shakespeare's Coriolanus, Sarah Marshall
Senior Capstone Projects
This thesis offers an Aristotelian reading of Coriolanus, with the goal of assessing the viability of individual self-sufficiency. As political and moral treatises, Aristotle's Nicomachean Ethics and Politics are valuable intertexts through which Shakespeare’s more imaginative work may be analyzed. I draw on representations of self-sufficiency in both texts in order to consider two larger questions: whether total isolation is practicable, or even possible; and, on the other side, whether social and political expression are ‘merely’ desirable parts of life, or rather necessary for survival. I explore Coriolanus’s dialectic of dependence and self-sufficiency through three recurring themes ...
Music And Communal Division During The French Wars Of Religion, 2020 Bucknell University
Music And Communal Division During The French Wars Of Religion, Cameron G. Wade
This Senior Honors Thesis explores the social and cultural impact of confessional musical composition and performance on the French Wars of Religion (1562-1598). Because Huguenots and Catholics identified with and were widely identifiable by their respective musical styles, cultural divisions between each confession were emphasized by differences in music. This capacity of sacred and confessionally-influenced secular music to highlight and reinforce societal divides is evidenced by the interconfessional violence that accompanied the public performance of sacred music in cities as well as the pressures imposed on composers to create music which clearly aligned with their respective confessions. As the wars ...
From The Primavera To The Mystic Nativity: Reconciling The Early And Late Work Of Sandro Botticelli, 2020 Arcadia University
From The Primavera To The Mystic Nativity: Reconciling The Early And Late Work Of Sandro Botticelli, Beth Godbout
This thesis examines Sandro Botticelli’s manner and its correlation to the stylistic shift he underwent towards the end of his career. From the Primavera to the Mystic Nativity, Botticelli employed a singular manner of cultivation and representation. Botticelli stylistically represented the ideas and values of the powerful circles and leaders of Florence without necessarily firmly adopting them, which made such a stark shift possible. This manner allowed him to present new iterations of popular ideas through the cultivation of the imagery associated. Thus, there can be no “two halves” of his career as Sandro Botticelli’s stylistic shift is ...
Walters Ms W720: Chapters To Be Observed By The Singers Of The Cappella Giulia (1574), 2011 Brigham Young University - Provo
Walters Ms W720: Chapters To Be Observed By The Singers Of The Cappella Giulia (1574), Ilona Klein
The manuscript W720 that bears the title Capitoli che hanno da osseruare gli Cantori della Cappella di San Pietro is an unstudied and unpublished document held in the archives of the Walters Art Gallery in Baltimore, Maryland. As one of the earliest surviving written texts of its kind, W720 documents in detail the rules that the singers of the Julian Chapel had to obey during the year 1574. The following critical edition of the manuscript and the accompanying English translation are intended to provide materials that will assist Renaissance specialists in a number of areas (art history, philology, history, musicology ...