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Untitled, Hayley Kennedy 2019 Lake Forest College

Untitled, Hayley Kennedy

Collage

No abstract provided.


Before Columbus: Art And Archaeology Of Mexico And Guatemala, Arthur Bourgeois 2018 Governors State University

Before Columbus: Art And Archaeology Of Mexico And Guatemala, Arthur Bourgeois

Grant Supported Events

Dr. Arthur P. Bourgeois, Professor Emeritus, will a talk about the artifacts on display in the Skylight Gallery and their history while enjoying some Mexican-style snacks in celebration of Hispanic Heritage Month.


The Battle Between Impeccable Intonation And Maximized Modulation, Timothy M. True 2018 Cedarville University

The Battle Between Impeccable Intonation And Maximized Modulation, Timothy M. True

Musical Offerings

Equal temperament represents a way of completing the musical circle, and systematically compensating for the Pythagorean comma. Pythagoras discovered this acoustical problem around 550 B.C., and since that time music theorists have debated how to deal with it. The problem is that no perfect solution exists—something must be compromised. As musical styles developed, specific factors and harmonic tendencies led to the gradual adoption of equal temperament. Early in music history, theorists preferred systems which kept acoustical purity relatively intact. Pythagorean intonation and just intonation serve as two examples. However, the move from modality to tonality decentralized the melody ...


The Federal Music Project: An American Voice In Depression-Era Music, Audrey S. Rutt 2018 Cedarville University

The Federal Music Project: An American Voice In Depression-Era Music, Audrey S. Rutt

Musical Offerings

After World War I, America was musically transformed from an outsider in the European classical tradition into a country of musical vibrance and maturity. These great advances, however, were deeply threatened by the Wall Street crash of 1929 and the consequent Great Depression. The nation that, for the first time, was developing an international reputation in the arts now faced a crisis of how to support them. Government sponsorship of the arts through the New Deal Federal One projects allowed struggling artists to survive economically during this era. In the realm of music, however, the Federal Music Project (FMP) had ...


One Root, Many Trees: Reviving Collections Practices, Kevin Farley, Emily Davis Winthrop, Ibironke Lawal, Patricia Sobczak 2018 Virginia Commonwealth University Libraries

One Root, Many Trees: Reviving Collections Practices, Kevin Farley, Emily Davis Winthrop, Ibironke Lawal, Patricia Sobczak

Charleston Library Conference

Collections are undergoing intense change and pressure from technology, budgetary uncertainties, and emerging perspectives on future approaches. Our case study—drawn from our experiences as collections librarians—examines these complex issues facing academic collections, large or small, across the profession. Through the development of “collections of distinction” within the local collection, collaborations and scholarly partnerships with colleagues and faculty, and advocacy for the importance of dedicated oversight to ensure that collections investments fulfill the academic mission, we explore possible solutions to the complicated issues defining contemporary collections practices.


Cariboo Fires, 2017, Susan McCaslin, Mark Haddock 2018 Wilfrid Laurier University

Cariboo Fires, 2017, Susan Mccaslin, Mark Haddock

The Goose

A union of poetry and photography exploring the devastating impact of the wildfires in the Cariboo region of British Columbia in the summer of 2017 in relation to climate change.


1981: One Or Several Aesthetics?, Jacob Norris 2018 The University of Western Ontario

1981: One Or Several Aesthetics?, Jacob Norris

Electronic Thesis and Dissertation Repository

Gilles Deleuze’s monograph on Francis Bacon, The Logic of Sensation (1981), proposes a theory of aesthetic experience that prioritizes the material depths of sensation over stable, identifiable forms. Deleuze’s key references in The Logic of Sensation to playwright Antonin Artaud arouse the suspicion that Artaud’s schizophrenic experience of language, wherein words are reduced to phonetic ramblings, illuminates how Deleuze interprets this chaos of sensation in Bacon’s art. My work therefore calls back to The Logic of Sense (1969) and the first section of his book on Masochism (1967) to explore the waves of consistency between Deleuze ...


Returning The Radiant Gaze: Visual Art And Embodiment In A World Of Subjects, Beth Carruthers 2018 Emily Carr University of Art + Design

Returning The Radiant Gaze: Visual Art And Embodiment In A World Of Subjects, Beth Carruthers

The Goose

Drawing on the latter thinking of Maurice Merleau-Ponty, as well as on the ideas of other contemporary philosophers and theorists, this essay considers the denigration of vision from Plato to twentieth-century anti-ocularism, and argues for the reclamation of vision and visual perception as sensuous, embodied interplay between humans and world, self and other—an opening to wonder and more sensitive human-world relations. It does so through a phenomenological exploration of the process of art-making, and consideration of the role and value of artworks and images in the world. This essay is first and foremost an enquiry. As such it promises ...


Sea Squad, Liam Geary Baulch 2018 Goldsmiths, University of London

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.


Illusions Of "Blackness" In Contemporary Visual Culture, Michaël Dorn 2018 Lesley University College of Art and Design

Illusions Of "Blackness" In Contemporary Visual Culture, Michaël Dorn

MFA in Visual Arts Theses

My thesis begins with a primer of the historical concept of “black(ness)” and the roots of its racialization. Intertwined throughout my discussion in Section I, I will highlight a few of my research findings and discuss some of the installation images that I created as I studied the work of contemporary artists who use lexical and literal figurative “blackness” in their work—in particular, the oeuvre of Kerry James Marshall as featured in his retrospective exhibition Mastry. My discourse unfolds with a brief etymological review of both the English word “black” and its precedent conceptual forms in Section II ...


Skim, Joy Wong 2018 The University of Western University

Skim, Joy Wong

Electronic Thesis and Dissertation Repository

This thesis dossier provides the theoretical structure to my art production, and is presented alongside my thesis exhibition skim at McIntosh Gallery. This document is comprised of three parts: a comprehensive artist statement outlining the methodology and theory to my work, a case study of painter Cecily Brown, and photographic documentation of my studio practice. These components illustrate the research and material engagement about skin, corporeality, the abject, the grotesque, the formless, and purity.


The Everyday Universe, Ashley W. Hope 2018 University of New Orleans

The Everyday Universe, Ashley W. Hope

University of New Orleans Theses and Dissertations

I take inspiration from ordinary objects and materials. Through photography, I attempt to transcend the familiar to discover complexity within the bits and pieces of my everyday life. Like other artistic representations, a photograph is a singular portrayal, not an actualization of physical reality. My artistic exploration of this involves incorporating elements of abstraction to point to the truth that all photographs are, by nature, an abstraction of our physical reality based on perspective. The resulting images often share a quality of impermanence, counterbalanced by the act of making a photographic document. By evoking this temporal quality of photography and ...


The Paper Zoo: 500 Years Of Animals In Art By Charlotte Sleigh, Gina M. Granter 2018 Dawson College

The Paper Zoo: 500 Years Of Animals In Art By Charlotte Sleigh, Gina M. Granter

The Goose

Review of Charlotte Sleigh's The Paper Zoo: 500 Years of Animals in Art.


I Cut Off My... Voice: An Autoethnography Of An Artist And Art Educator With A Brca Genetic Mutation, Nicki Lynn Hornbaker 2018 Stephen F Austin State University

I Cut Off My... Voice: An Autoethnography Of An Artist And Art Educator With A Brca Genetic Mutation, Nicki Lynn Hornbaker

Electronic Theses and Dissertations

The effects of BRCA genetic mutations on artists and art educators had not been known. Autoethnography is a qualitative method for writing about personal experiences through a cultural lens. I used my personal experiences within a BRCA positive community to understand shared experiences among artists and art educators with this genetic mutation. This study aimed to explore the commonalities that are occurring within this subgroup. Anxiety and emotional stress played a role in most of the respondents‟ lives, affecting them in numerous ways. Most of the respondents underwent salpingectomy, oophorectomy, and mastectomy surgeries which led to further emotional and physical ...


Untitled, Gabriela Short 2018 Providence College

Untitled, Gabriela Short

Art Journal

No abstract provided.


Archives, Maalick Mbatch 2018 Providence College

Archives, Maalick Mbatch

Art Journal

No abstract provided.


Hidden Depths, Kristina Ho 2018 Providence College

Hidden Depths, Kristina Ho

Art Journal

No abstract provided.


Not Paid To Be Here, Sophia Forneris 2018 Providence College

Not Paid To Be Here, Sophia Forneris

Art Journal

No abstract provided.


Art Journal 2018 - Shifting Identities, 2018 Providence College

Art Journal 2018 - Shifting Identities

Art Journal

No abstract provided.


Migiwa Orimo Interview, Jessica Ruiz 2018 DePaul University

Migiwa Orimo Interview, Jessica Ruiz

Asian American Art Oral History Project

Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.

In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”

She exhibits her work nationally ...


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