Open Access. Powered by Scholars. Published by Universities.®

Fine Arts Commons

Open Access. Powered by Scholars. Published by Universities.®

5,525 Full-Text Articles 4,627 Authors 657,689 Downloads 187 Institutions

All Articles in Fine Arts

Faceted Search

5,525 full-text articles. Page 1 of 191.

Untitled, Hayley Kennedy 2019 Lake Forest College

Untitled, Hayley Kennedy

Collage

No abstract provided.


Artists' Genres: A Brief Introduction To Post-Medieval Western Art History, Robert Jensen 2018 University of Kentucky

Artists' Genres: A Brief Introduction To Post-Medieval Western Art History, Robert Jensen

Art & Visual Studies Faculty Book Gallery

Artists' Genres is a brief introduction to the history of post-medieval Western art organized by the major genres. The book is designed as a basic textbook for high school- or introductory college-level courses or for individuals simply looking for an interesting guidebook into the art of this period and geographical region.


Biblical Assyria And Other Anxieties In The British Empire, Steven W. Holloway 2018 James Madison University

Biblical Assyria And Other Anxieties In The British Empire, Steven W. Holloway

Steven W Holloway

The successful “invasion” of ancient Mesopotamia by explorers in the pay of the British Museum Trustees resulted in best-selling publications, a treasure-trove of Assyrian antiquities for display purposes and scholarly excavation, and a remarkable boost to the quest for confirmation of the literal truth of the Bible. The public registered its delight with the findings through the turnstyle- twirling appeal of the British Museum exhibits, and a series of appropriations of Assyrian art motifs and narratives in popular culture - jewelry, bookends, clocks, fine arts, theater productions, and a walk-through Assyrian palace among other period mansions at the Sydenham Crystal Palace ...


Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway 2018 James Madison University

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Steven W Holloway

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection ...


Kioto Aoki Interview, Austin Sandifer 2018 DePaul University

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/


Mitsu Salmon Interview, David Yonamine 2018 DePaul University

Mitsu Salmon Interview, David Yonamine

Asian American Art Oral History Project

Artist Bio:
Mitsu Salmon creates original performance and visual works, which fuse multiple disciplines. She was born in the melting pot of Los Angeles to a Japanese mother and American father. Her creation in different mediums, the translation of one medium to another, is connected to the translation of differing cultures and languages.

Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater, studying theater and visual arts. She has lived in India, England, Germany, Amsterdam, Japan, and Bali.

She has performed solo ...


Tony Moy Interview, Sarah Song 2018 DePaul University

Tony Moy Interview, Sarah Song

Asian American Art Oral History Project

Artist Bio:
Tony Moy is a mixed media artist who focuses on watercolor and Gouache living in downtown Chicago. He has published art in books from the X-files, Dungeons and Dragons, Tome I & II, Memory Collectors and among others. In addition, Tony has over 10 years of teaching experience and currently teaches illustration and design at the School of the Art Institute. His inspiration comes from studying traditional and classic watercolorists combined with the modern influences of pop culture comics, anime and fantasy. https://www.tonymoy.art/about-me


Jeffrey Augustine Songco Interview, Yara Cruz 2018 DePaul University

Jeffrey Augustine Songco Interview, Yara Cruz

Asian American Art Oral History Project

Artist Bio:
Jeffrey Augustine Songco (b. 1983) is a multi-media artist. Born and raised in New Jersey to devout Catholic Filipino immigrants, his artistic identity developed at a young age with training in classical ballet, voice, and musical theater. He holds a BFA from Carnegie Mellon University and an MFA from San Francisco Art Institute. His artwork has been exhibited throughout the USA including the Asian Art Museum in San Francisco and the Urban Institute for Contemporary Arts in Grand Rapids. In 2017, he was featured in the publication Queering Contemporary Asian American Art, and he was the Installation Category ...


Nirmal Raja Interview, Dalton Campbell 2018 DePaul University

Nirmal Raja Interview, Dalton Campbell

Asian American Art Oral History Project

Artist Bio: Nirmal Raja is an interdisciplinary artist living and working in Milwaukee, WI. Born in India, she has lived and traveled in several countries. Raja received a Bachelor’s of Arts in English Literature in India, a Bachelor’s of Fine Arts in Painting at the Milwaukee Institute of Art & Design and a Master’s of Fine Arts at the University of Wisconsin, Milwaukee. Her work deals with concepts of displacement, cultural negotiation and memory. http://nirmalraja.com


Sarah-Ji (Love & Struggle Photos) Interview, Aggie Kallinicou 2018 DePaul University

Sarah-Ji (Love & Struggle Photos) Interview, Aggie Kallinicou

Asian American Art Oral History Project

Artist Bio:

Artist Bio: Sarah-Ji is a movement photographer who has been documenting freedom struggles in Chicago since 2010. Her long term work is to build a world in which prisons and police are not necessary, and no one is disposable. Sarah is a core member of For The People Artists Collective and organizes with Love & Protect and documents under the name Love & Struggle Photos. She and her daughter Cadence currently live in Rogers Park.


Altar To Uncertainty, Kelly Stombaugh 2018 Louisiana State University

Altar To Uncertainty, Kelly Stombaugh

LSU Master's Theses

ABSTRACT

I have always been in awe of great storytellers. Like an alchemist, the masterful storyteller can take the most mundane of tales and transmute it into an enrapturing experience. The best of these, however, are the stories which seem very otherworldly but, in the end, can reveal deep and relatable truths to the listener.

For this exhibition, “Altar to Uncertainty,” I have undertaken the creation of a single book and story which surrounds and visually extends itself through printed etchings upon the walls to tell a transformative tale of redemption through trauma, hopelessness and loss.

My intention with this ...


Selfie-Portrait, John Shield, John Shield 2018 California State University - San Bernardino

Selfie-Portrait, John Shield, John Shield

Electronic Theses, Projects, and Dissertations

The selfie has become the currency of today; boldly stating: I was here, this is how I felt, and, most importantly, I exist.

This has become our self-reflection. Exploring the self-portrait, as have countless artists of the past, Johnny Shield uses the various selfies as reference for his sculptural works - both empty vessels and sculptural busts. Made from glass these fragile objects are all doomed to break. You, the viewer, are witnessing a truly damned object: the central portrait uneasily rests on a pedestal that is actively electrolytically corroding. While on display, this pedestal will lean more and more precariously ...


White Gilt, Daniel Schmidt 2018 California State University, San Bernardino

White Gilt, Daniel Schmidt

Electronic Theses, Projects, and Dissertations

White Gilt

This exhibition is a dissection of American masculinity and institutional oppression. The systematic mistreatment of people within certain social identity groups is supported and perpetuated by society. My work is a personal investigation of this flawed system, my place therein and its ramifications.

The fragility of masculinity provokes immeasurable violence. Whiteness can be stereotyped as a toggle switch between bland culture, and self-entitled bigotry. These works are a confrontation with the dark parts of the human psyche, and the fears surrounding vulnerability, power and sexuality.

Through discomfort we can deepen empathy and cultivate progress.

Daniel Schmidt


The English Landscapes In The Seventeenth Century, Helen Parkinson 2018 The University of Western Ontario

The English Landscapes In The Seventeenth Century, Helen Parkinson

Electronic Thesis and Dissertation Repository

Relatively few critical studies have been written concerning the English landscape genre in the seventeenth century, not due to a lack of production or interest in the genre, but rather as a result of an anachronistic definition that is the product of eighteenth century artistic discourse. In contrast, I explore landscape as it was defined in contemporaneous seventeenth-century works and literature. Rather than a singular definition, I propose that the genre in the seventeenth century was marked by multiple iterations, each of which corresponded to shifting perceptions concerning the role of land in the culture, economy and politics of England ...


Stray Cats, Christian P. Chesnut 2018 University of New Orleans

Stray Cats, Christian P. Chesnut

University of New Orleans Theses and Dissertations

This paper details the making of Stray Cats, a University of New Orleans thesis film. It examines the process of creating the film in three parts. Part one will detail the pre-production, including the conceptualization, writing, and preparation for the project. Part two will cover the production, including the directing, production design, cinematography, and on-set operations. Part three will describe the post-production process, including the editing, color correction, sound design, and musical score. These three components will then be referenced in regards to the theme of the film, and will conclude by analyzing whether or not the final film achieves ...


Nesting Peeps, Sarah Kaplan 2018 Washington University in St. Louis

Nesting Peeps, Sarah Kaplan

Bachelor of Fine Arts Senior Papers

Nesting Peeps is book depicting a peep character residing in nests of recycled mass digital media. The book images contrast a loving bird, or peep, to a mess of mass media, opinions, arguments, and disrespectful redirect. The peeps and nests relationships focus on presenting the impact of mass digital media on how we engage with one another. Extreme amplifications of particular human social behaviors in a digital space reveal the power of visual imaging in America, and globally, to create divisions as well as broaden our perspectives. This essay further examines the contradictory content of the book Nesting Peeps, and ...


Learning Culture: Cultural Relationship In Masked Lanterns, Yuxuan Ding 2018 Washington University in St. Louis

Learning Culture: Cultural Relationship In Masked Lanterns, Yuxuan Ding

Graduate School of Art Theses

Culture shock, or culture conflict, is the unfamiliarity or disorientation an individual experiences after encountering a culture different than their own. To better understand the people around us who share a different culture and the way of life it creates, we need to first respect and understand their culture. In general, Chinese culture stresses that individuals must see themselves as part of a larger group for the benefit of society, while American culture stresses the importance of individualism.

Based on my experiences in graphic design, I decided to further my studies in a studio art context to understand how the ...


It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom 2018 Washington University in St. Louis

It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom

Graduate School of Art Theses

My work in video, installation, performance, sound, and photography is influenced and inspired by my experience of being a woman. In my work, I draw pink flowers and create pink backdrops. I smash things, eat, drink, drop things, smile, nod, and look at you. Through these works, I explore the gender performativity of female niceness, synthesizing these two separate theories as a social condition and expectation for women. I argue that female niceness consists of bodily and linguistic patterns that women must perform in order to be perceived as feminine.

In my video and installation work, I use a “sickeningly ...


Marching On Together: The Future Of Non-Profit Museums In A For-Profit World, Matthew R. Dellaguzzo 2018 Seton Hall University

Marching On Together: The Future Of Non-Profit Museums In A For-Profit World, Matthew R. Dellaguzzo

Seton Hall University Dissertations and Theses (ETDs)

This thesis proposes a model of increased collaboration among museums as an alternative to the commercialization of the museum field. Through a combination of internal and external factors, museums are finding it necessary to operate in a manner akin to that of commercial enterprises. This trend threatens to undermine the cultural and educational mission of museums. At the same time, the ability of museums to carry out their missions necessarily depends on a solid financial base. Collaboration, whether in the form of consortia or consolidated institutions, provides an avenue whereby museums can not only make more economical use of their ...


If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger 2018 Washington University in St. Louis

If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger

Graduate School of Art Theses

The house is the structure. Within the house are rooms, spaces, hallways and corners. In those live the objects.The objects live on surfaces, surfaces that much like the previous layers, are made up of many things, most certainly not one thing. A static object may hold a series of other objects, spaces and events. A static object may also embody the passage of time.Though one may try to hold the object at a constant, that is to slow or even bring a halt to its motion, this task is near impossible.

Bird Box House, Bear Box Dresser, Lamp ...


Digital Commons powered by bepress