Film and Media Studies Commons^™

Foreword To 'Memoir' By Journalist And Writer Tomás Bairéad, Ian Kilroy

Books/Book Chapters

Foreword to A Memoir of Ireland’s Nascent Years, by Irish language journalist and writer Tomás Bairéad (translated and edited by Mícheál Ó hAodha). Forthcoming from The Edwin Mellen Press, New York. Tomás Bairéad (1893-1973) is well known for a number of collections of short stories in Irish. He invented a version of short-hand for the Irish language. From Moycullen, Co Galway, he was involved in the Irish War of Independence and covered the Irish Civil War as a journalist. He edited the Irish language page in the Irish Independent for a number of years.

Deviance As Pedagogy: From Non-Dominant Cultural Capital To Deviantly Marked Cultural Repertoires, Ezekiel J. Dixon-Román

Ezekiel J Dixon-Román

Structured Abstract

Background/Context: Pierre Bourdieu’s concept of cultural capital has been employed extensively in sociological, educational, and anthropological research. However, Bourdieu’s conceptualization of cultural capital has often been misread to refer only to “high status” or dominant cultural norms and resources at the cost of overlooking the meaningful and productive practices of non-dominant and marginalized cultural communities.

Focus of Study: By re-conceptualizing Cohen’s politics of deviance, this paper leans on post-structuralist thinkers to develop a conceptualization of the cultural repertoires of marginalized communities, hereafter referred to as deviantly marked cultural repertoires, that places at the center ...

Blind Advocacy: Blind Readers, Disability Theory, And Accessing John Gower, Jonathan Hsy

Accessus

Toward the end of his life, medieval poet John Gower (d. 1408) composed Latin poetry about his own progressive blindness, and later nineteenth-century Blind readers appropriated Gower’s work as part of a platform to advocate for changed perceptions and opportunities for the blind and other people with disabilities. In this essay, I approach nineteenth-century narrative compilations of blind lives (which include Gower’s) as transformative acts of literary historiography. These compilers not only appropriate the medieval blind poet to advance their own social and political ends, but they also create a new disability-centered approach to the entire Western artistic ...

Introduction, Georgiana Donavin, Eve Salisbury

Accessus

This Introduction by co-editors Georgiana Donavin and Eve Salisbury celebrates the publication of the first issue of Accessus: A Journal of Premodern Literature and New Media, a biannual publication of The Gower Project. The Introduction provides a short history of The Gower Project and explains the scope of Accessus: an e-journal dedicated to articles composed in electronic formats on Western European literature written before 1660. This first issue is dedicated to scholarship on the fourteenth-century English poet John Gower, who inspired the Project and this journal. For a decade The Gower Project has supported exciting new interpretations of Gower's ...

Gendered Hate Speech And Political Discourse In Recent U.S. Elections And In Postsocialist Hungary, Louise O. Vasvári

CLCWeb: Comparative Literature and Culture

In her article "Gendered Hate Speech and Political Discourse in Recent U.S. Elections and in Postsocialist Hungary" Louise O. Vasvári illustrates gendered political discourse in the U.S. through a case study of the 2008 presidential campaign. While the campaign turned into a plebiscite on gender and sexual politics with Hillary Clinton and other female political figures depicted in the most traditionally misogynist terms, Barack Obama has in some leftist circles been seen as an empathetic figure who transcends both race and gender, although from the political right he has been attacked with racist and feminizing stereotyped invectives. In ...

Rewriting Canonical Love Stories From The Peripheries, Karen Ya-Chu Yang

CLCWeb: Comparative Literature and Culture

In her article "Rewriting Canonical Love Stories from the Peripheries" Karen Ya-Chu Yang compares postcolonial and postmodern intertextuality in Taiwanese and the Caribbean texts. Hsien-Yung Pai's "Wandering in the Garden, Waking from a Dream" (1966) and Tien-Hsin Chu's "Breakfast at Tiffany's" (1997) are two short stories which depict identity crises of first generation and second generation 外省人 (waishen gren, mainland immigrants). In these two texts disillusionment towards the center's romantic prospects is the lived reality for those compelled to accept their currently marginalized status and adopt hybrid flexibility as a practical survival strategy. In comparison, Jean ...

Wilde And The Model Of Homosexuality In Mann's Tod In Venedig, James P. Wilper

CLCWeb: Comparative Literature and Culture

In his article "Wilde and the Model of Homosexuality in Mann's Der Tod in Venedig" James P. Wilper examines the influence of Oscar Wilde and the effeminate homosexual identity which cohered as a result of Wilde's trials for act of "gross indecency" in 1895, in Mann's classic homoerotic short novel. Drawing on Alan Sinfield's The Wilde Century (1994) and recent scholarship into the impact of Wilde on German-language writers, as well as German homosexual communities of the early twentieth century, Wilper explores Mann's ambivalent response to Wilde's homosexual legacy. Later in his career, Mann ...

Male Same-Sex Desire In The Romances Of De Troyes, Basil A. Clark

CLCWeb: Comparative Literature and Culture

In his article "Male Same-Sex Desire in the Romances of de Troyes" Basil A. Clark extends René Girard's theory of mimetic desire to explore a homocentric subtext in Chrétien de Troyes's Erec and Enide, Lancelot or The Knight of the Cart, The Knight with the Lion or Yvain, and The Story of the Grail or Perceval. While male same-sex desire in these narratives is consistently latent, an argument for its presence is made through Girard's hermeneutic, which postulates that someone (the subject) desires someone or something (the object) not only for its own sake but because someone ...

Franco-Maghrebi Rap And Benyoucef's Le Nom Du Père, Keith Moser

CLCWeb: Comparative Literature and Culture

In his article "Franco-Maghrebi Rap and Benyoucef's Le Nom du père" Keith Moser discusses Messaoud Benyoucef's controversial play Le Nom du père and rap as a hybrid art form that has been (re)-appropriated by disenfranchised minorities from all corners of the planet. Exploited and ignored by those at the top of the social ladder, rappers express their anxiety concerning the present situation of inequality in contemporary consumer society. The rending melodies or portraits of human anguish created by rappers give testament to the fact that the interconnected processes of urbanization and globalization have not benefited everyone. In ...

About Cultural Production: A Book Review Article Of New Work By Crowther And Grigorian, Baldwin, And Rigaud-Drayton, Kathleen Waller

CLCWeb: Comparative Literature and Culture

No abstract provided.

Transnational Women's Writing: A Book Review Article Of New Work By Fu And Parker And Young, Karen Ferreira-Meyers

CLCWeb: Comparative Literature and Culture

No abstract provided.

Is First, They Killed My Father A Cambodian Testimonio?, John Maddox

CLCWeb: Comparative Literature and Culture

In his article "Is First, They Killed My Father a Cambodian testimonio" John T. Maddox discusses aspects of the testimonial. Dialoguing with leading Latin Americanists, Maddox argues that Cambodian writer Loung Ung's First, They Killed My Father (2000) challenges this uniqueness and opens studies on the testimonio to new possibilities for intellectual reflection and political activism. In Maddox's view, the continued use of the term testimonio would serve as a reference to this long-standing tradition of writing and thinking about political violence in Latin America. After a discussion of the debate of the definition and function of testimonio ...

Hearing The Cry In Black Diasporic And Latina/O Poetics, Rachel E. Ellis Neyra

CLCWeb: Comparative Literature and Culture

In her article "Hearing the Cry in Black Diasporic and Latina/o Poetics" Rachel Ellis Neyra expands upon Edouard Glissant's notion of "the cry of the Plantation" and shows how to listen for it in literary arrangement of Derek Walcott, Piri Thomas, Pedro Pietri, Ralph Ellison, Miguel Algarín, and James Baldwin. Ellis Neyra also reads musical lyrics by Oscar D'León and Billie Holiday and the melodic nuances of salsa, jazz, the blues, and bomba for how they sound out what she calls the New World Cry, a mnemonic figure of the Plantation of the Americas and a metaphor ...

Social Science Journals In Interwar Romania And The U.S. Model Of Sociology, Valentina Pricopie

CLCWeb: Comparative Literature and Culture

In her article "Social Science Journals in Interwar Romania and the U.S. Model of Sociology" Valentina Pricopie analyzes the US-American presence in two journals of the Bucharest School of Sociology between the two world wars, as well as the information provided by US articles with regard to the US-American sociological model and its developments. Pricopie's analysis suggests strong academic connections, cooperation, and consistent exchange of academic knowledge between the two schools of thought. The analysis is based a quantitative study of the archives including the frequency of occurrence of items in thirty-one issues of Arhiva pentru Ştiinţa şi ...

Intertextuality In Kurosawa's Film Adaptation Of Dostoevsky's The Idiot, Saera Yoon

CLCWeb: Comparative Literature and Culture

In her article, "Intertextuality in Kurosawa's Film Adaptation of Dostoevsky's The Idiot" Saera Yoon analyzes the role intertextuality plays in the adjustments Akira Kurosawa made when he translated the classic novel by Dostoevsky onto screen. Kurosawa's 白痴 (Hakuchi), a film adaptation of Dostoevsky's The Idiot, has been the subject of mixed reviews. While some consider the film a successful adaptation that captures the spirit of the original, others criticize Hakuchi for its overly faithful rendition of the novel. What has been missing is an investigation of Kurosawa's filmic strategy. Yoon examines the transposition of a ...

Wonderment : Chinese Ink Paintings / Video / Projection / Installation / Soundscape, Anna Glynn

Artists-in-Residence Programme : Exhibition Catalogues

A major component of Wonderment is the first showing of work done as part of my multimedia MEOAW Project: My Extraordinary Onomatopoeic Animal World. Onomatopoeic words mimic the sounds they represent; the sound of the word imitates the sound the object makes. The words are creations of our human minds and in different cultures and languages the words for the same sounds differ. The Lingnan University community responded enthusiastically to my call for volunteers to participate in the MEAOW project. I have spent many happy hours collecting and recording sound and video from members of this wonderful, culturally-diverse population.

A Modest Movie Migration: Digitizing And Providing Institutional Repository Access To A Small Archive Of Motion Picture Films At A Liberal Arts College, Benjamin A. R. Tucker

All Faculty Scholarship

What does a liberal arts college library do with its small archive of aging motion picture films without access to expensive digitization equipment or staff with specialized expertise? The same thing libraries always do: the best job possible for library users with the resources available. This column chronicles some aspects of working with a small film archive at a liberal arts college library, including reference materials, nitrate and acetate film, vendor digitization, and access via digital institutional repository.

Bidi Bidi Bom Bom: The Audiotopias Of Selena Across The Americas, Janet Muniz

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Using Josh Kun’s Audiotopia as a framework, this paper will explore the role of Selena’s music as audiotopias, the concept that music functions like a possible utopia for immigrant communities on both sides of the United States and Mexico border in imagining an ideal borderless America. Music serves as a disruption to the oppressive reality of immigrant communities and makes the struggles of marginalized communities audible for those who have been traditionally silenced. This paper will fill in gaps in existing literature of Selena's remembrance by applying Kun’s audiotopia theory for an understanding of the places ...

The Hyper-Masculinity Of Sporting Events, Sierra D. Altland

Undergraduate Works, Award-Winners & Notable

No abstract provided.

Oniroscopios: Metadispositivos Cinematográficos Y Posiciones Espectadoriales En No Te Mueras Sin Decirme Adónde Vas Y La Sonámbula, Juan Ignacio Munoz

Alambique: Revista académica de ciencia ficción y fantasia / Jornal acadêmico de ficção científica e fantasía

Partiendo del paralelo que se establece tempranamente entre cine y sueño, y mostrando el cambio que se produce en las teorías cinematográficas de lo que suele llamarse la metapsicología del espectador al estudio histórico del dispositivo cinematográfico, este artículo estudiará la aparición del “oniroscopio” (una máquina fantástica con la que se puede observar los sueños) en el cine. Después de algunas observaciones generales, se pasará a analizar más en detalle las películas argentinas No te mueras sin decirme adónde vas (Eliseo Subiela, 1995) y La sonámbula (Fernando Spiner, 1998) con el fin de interrogar las modalidades de representación que presupone ...