Film and Media Studies Commons^™

Rendering And Compositing For Visual Effects, Jensen Abler

Undergraduate Honors Theses

The methods used to create visual effects for feature film production are quickly evolving. Cutting edge techniques are constantly being improved upon, and the capability to solve unique problems is paramount in real world production. I present a creative project which utilizes novel applications of common techniques, such as projection mapping, multi-tile UV workflows, procedural texture generation, normal mapping, and image based lighting.

Indigenous Peoples Student Project: Documenting Story Telling Though Photographs And Video / Poems, Laura Fong, Kim Medicine Horn Jackson

Women’s Leadership Symposium

Indigenous Peoples Student Project: Documenting Story Telling though Photographs and Video--Storytelling is a powerful method of communication; I do it with a camera. Telling stories stems from traditional cultures, many of which are represented at the Council of the 13 Indigenous Grandmothers. Photographs have the power to convey emotion and moment, and video has the power to transport the audience to another time and place. I choose how to frame the subject, when to push the button, which elements to arrange together, and how to connect them to tell a story. I also teach this process to students majoring ...

Réseaux Culturels, Réseaux Politiques. Les Archives Du Film En Amérique Latine, Des Années 1950 Aux Années 1970., German Silveira

Artl@s Bulletin

La prise de conscience de l’importance de préserver le patrimoine cinématographique et de développer une culture cinématographique nationale dans certains pays d’Amérique Latine doit être comprise simultanément au besoin d’appartenir à un réseau d’échange bien plus large que celui dessiné par les frontières nationales. Cet article se propose d’analyser les projets d’intégration des archives du film les plus importants dans la région dans une perspective historique : la création de la Section latino-américaine de la FIAF (1955) et la mise en place, à partir de 1965, de l’Union de Cinémathèques d’Amérique Latine (UCAL).

Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer

Ray Browne Conference on Cultural and Critical Studies

The work featured in this panel is from students in WS2000, Introduction to Women's Studies. I created an assignment called "Choose Your Own Adventure." These projects include: an examination gender in film, and a revised version of the Bechdel Test, sexism and misogyny in gaming culture expressed through a series of comics, a painting on canvas using a variety of materials and techniques representing the control of women's reproductive rights and the damage done to female bodies by patriarchal language and rhetoric, and an analysis of womanism, scripture and Alice Walker's The Color Purple.

Each student engaged ...

The Perpetual Other: Native American Representation In Documentaries, Julia E. Largent

Ray Browne Conference on Cultural and Critical Studies

When an individual uses an Internet search engine to find images of Native Americans, the person will most likely find that most of the images are paintings of the Native American warrior or are older black and white portraits. After searching for other races, such as Asian American or African American, the search is more likely to come up with contemporary images of people playing sports, in school, or with their families. Why is there such a stark difference? Why are Native Americans so often thought about as only in the past? From the early days of books and portraits ...

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil ...

“For It Acordeth Noght To Kinde”: Remediating Gower’S Confessio Amantis In Machinima, Sarah L. Higley

Accessus

Visual adaptation of a medieval text, as tempting as it is in film of any kind, is never an easy conversion, and all the more so if the original is as formally structured as John Gower’s Confessio Amantis. This essay examines the philosophy and difficulties of making a “medieval motion picture” (animated and narrated by the author) reflect the message of three of Gower’s tales (“The Travelers and the Angel,” “Canace and Machaire,” “Florent”) as well as the multimedia properties of the manuscripts that house them, their illuminations beckoning us into colorful virtual worlds. In referencing theories of ...

Preface, Georgiana Donavin, Eve Salisbury

Accessus

Co-editors Georgiana Donavin and Eve Salisbury are delighted to feature the work of medievalist and machinimatographer Sarah L. Higley in this issue of Accessus. In a machinima production that debuted during the Third International Congress of the John Gower Society at the University of Rochester (30 June through 3 July, 2014), Higley refashions three tales from the Confessio Amantis for her film The Lover's Confession. In this issue of Accessus, we present the film and Higley's commentary on the intersections between her creative work with machinima and scholarly issues surrounding "The Tale of the Travelers and the Angel ...

Staging Quakerism In American Theatre And Film, James Emmett Ryan

Quaker Studies

Arguing that Quakers have been used as influential stock characters in American performance culture, this essay profiles several examples of Quakers as represented in American theater and film: John Murdock's play The Triumphs of Love (1795), Harry F. Millarde's lost silent film The Quack Quakers (1916), and the Academy Award winning film High Noon (1952). Paradoxically, in each of these productions, which range from farce to serious drama, Friends are shown as either claiming or as striving for unattainable moral and religious human ideals, but also as an exemplary community of individuals against which other Americans might and ...

Bodies And Stereotypes: Siegfried As The Aryan Ideal In Weimar And Nazi Germany, Benjamin Piche

Strigidae

One film stands out during the German Weimar Republic for utilizing the human form to represent powerful ideas of the day. Die Nibelungen: Siegfried, one of two films about the ancient Norse/Germanic epic poem, was released in 1924 to great fanfare. While Lang may have been attempting to comment on the past and present of Germany, the imagery used in the film would have wide-reaching implications in shaping what the “ideal Aryan” would be for future Germans. In Siegfried, bodies are used to emphasize the ideal Aryan German (shown by Siegfried) against the foreign “Other,” creating a clear duality ...

The Western Way: Democracy And The Media Assistance Model, Daire Higgins

Articles

International media assistance took off during a time where the ideological extremes of USA vs. USSR were set to disappear. Following the Cold War, international relations focused on democracy building, and nurturing independent media was embraced as a key part of this strategy. Fukayama called it the ‘End of History’, the fact that all other ideologies had fallen and Western style democracy was set to become the one common ideology. The US and UK led the way in media assistance, with their liberal ideas of a free press, bolstered by free market capitalism. America was the superpower, and forged the ...

Neglecting The Subjects Of The Drag Performance In White Chicks, Hannah Sylvester

The Downtown Review

As a temporary transvestite film, White Chicks tackles racial issues as well as gender issues and performance. While the statements made on behalf of racial issues are strong, the statements concerning gender are much weaker. The paper will give a summary of the film followed by a description of it as a temporary transvestite film alongside other films within the genre. Issues concerning gender roles--specifically the concept of femininity--are addressed within the film, but are never challenged or changed. Indeed, society's heterosexual hegemony are upheld within this film as they are in similar films in the genre. Homosexual instances ...

Keeping The State’S Secrets: Ireland’S Road From ‘Official’ Secrets To Freedom Of Information, Michael Foley

Books/Book chapters

The introduction of the Freedom of Information act in Ireland in 1997 was a profound change for a state, a civil service and political system far more comfortable with official secrets. It has had a transformational effect on relations between citizen and the state, and has been useful for journalists despite many challenges. After its introduction it was then amended, with high costs and limitations imposed. It has subsequently been amended again to restore much of its previous powers.

Jean-Luc Godard And Francois Truffaut: The Influence Of Hollywood, Modernization And Radical Politics On Their Films And Friendship, Caroline Glenn

All Theses

During the late 1950's the French film industry's hard-won financial stability during the Occupation and liberation years had all but disappeared. Combined with the dwindling, unpredictable nature of French audiences, the multi-star, literary adaptation dramas French studios produced were no longer reliable. In response to these dilemmas a transformation took place in French cinema. Known as the nouvelle vague (or French New Wave), the movement was largely, but not completely, a reaction to France's declining film industry. The nation as a whole was undergoing significant change and growth during the 1950s. From the Algerian conflict, the Fourth ...

Cumulative Index Of Clcweb: Comparative Literature And Culture (1999-), Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Long Live The Evil Queen: Once Upon A Time's Evolved Villain, Frank S. Lombari

Pell Scholars and Senior Theses

Mirror on the wall, who's the fairest Queen of all? In today's pop culture, many traditional villains are beginning to be turned into antiheroes. ABC's television show Once Upon a Time has taken a number of fairy tale villains and provided them both a background and character growth. Specifically, the adaptation of the Evil Queen has shifted from primary antagonist to redeemed hero over the first three seasons. The show also displays her in the real-world rather than just a fairy tale universe. The author claims that this radical development occurs due three essential aspects: the Evil ...

Mannequin Iii Cast, Taras Zenyuk

Taras Zenyuk

No abstract provided.

Revolutionaries In Space? A Counter-Review Of Interstellar, Bryant William Sculos

Class, Race and Corporate Power

Should the radical Left interpret the Nolans' Interstellar as a tribute to (neo)liberal expansionism or should we view it as a cautionary tale about a future that is just around the corner, which won't be solved by worm holes or time travel? This review takes the latter position against the recent Jacobin review, which argues the former. Here, I show that Interstellar can be productively reinterpreted as a film about a series of things that will NOT save us from our-late-capitalist-selves.

The Lost Row, Roman Buetel

Honors Projects

Set in 2032, The Lost Row chronicles the pre-dystopian city of Fostoria, where three citizens have taken it upon themselves to combat crime.

"If You Have No Men, You Have No War!”: A Critical Overview Of Edgar Selwyn's Men Must Fight (1933), Ryan R. Copping

Cinesthesia

ABSTRACT: Edgar Selwyn’s Men Must Fight (1933) is an obscure yet culturally relevant science fiction drama. An atypical film from its era, the movie has an unusual subject for a Classical Hollywood film- gender socialization. The film didactically argues that wars are inevitable because men are inherently violent, and that, conversely, world peace world occur if women were in power, a possibility that appears to be regrettably impossible. It is also remarkably prescient in predicting that World War II would begin in 1940, only one year off from the German invasion of Poland. This paper combines a close content ...