Film and Media Studies Commons^™

"The Falling Man" As Viewed In The Lens Of The "Public Sphere", Laura Reinacher

Communication Studies

No abstract provided.

Committed To Memory: Remembering "9/11" As A Crisis Of Education, Karen Espiritu

Open Access Dissertations and Theses

This study considers the pedagogical significance of mourning and remembrance in the context of the commemorative culture surrounding the “9/11” attacks on America, which have stimulated recent explorations of what it might mean to commit to ethical remembrances of the dead. Critical of “9/11” memorial discourses that provide justifications for heightened “homeland” security and military mobilization in the “War on Terror,” this project not only addresses the educative force of memorial-artistic responses in creating meaning out of mass deaths, but also dissociates the concept of the public memorial as foremost an apparatus of the state, private corporations, and ...

The Art / Crime Archive: An Anti-Boredom Space, Paul Kaplan, Brian Goeltzenleuchter, Dan Salmonson

The STEAM Journal

This paper reports on an ongoing web-based project devoted to the study of deviant art and creative crime called the Art / Crime Archive: www.artcrimearchive.org. The Art / Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of this space. The ACA is organized by an artist, a criminologist, and a computer engineer. The working process of the ACA involves locating, archiving, and discussing visual, audio, and text artifacts that support this shadow space. The work product is a dynamic archive which can be configured for a multiplicity of contexts—art exhibitions, academic ...

"Punk-Ass Book Jockeys": Library Anxiety In The Television Programs Community And Parks And Recreation, Eamon Tewell

Library Philosophy and Practice (e-journal)

Library anxiety, defined as the fear of using libraries, is a psychological barrier that impedes academic achievement and the development of information literacy. Using key episodes and protagonists from Community and Parks and Recreation, this paper will demonstrate how library anxiety is represented in these series. From the infamously manipulative public librarian Tammy Swanson in Parks and Recreation to the library as pillow fight battlefield in Community, these indications of anxiety towards libraries will be evaluated with the intent of illuminating current discourse in popular television regarding library use.

Rover, William L. Blizek

Journal of Religion & Film

This is a film review of Rover (or Beyond Human: The Venusian Future and the Return of the Next Level) (2013), directed by Tony Blahd.

Pink & Baby Blue, William L. Blizek

Journal of Religion & Film

This is a film review of Pink & Baby Blue (2013), directed by Catrin Hedström.

Exploring Time And Space In Frame By Frame Animation, Daniel L. Ketchum

Cinesthesia

No abstract provided.

Postmodern Funhouse: The Sly Underpinnings Of Hitchcock’S Psycho, Jacob T. Bart

Cinesthesia

Although his filmography is studded with gems, no other Hitchcock film has lodged itself in the popular consciousness as firmly as Psycho. It provides chills as a ripped-from-the-headlines slasher flick, but the macabre surfaces conceal its deeper, mordant cultural resonances. In Psycho, many of Hitchcock’s major tactics fall under the umbrella of postmodernism. These methods include, but are not limited to, Hitch’s specific focus on developing a playful mood, his exploration of levels of audience participation within the confines of a film, and his preoccupation with surfaces. Although made within the confines of the last vestiges of the ...

The Cinematic Power Of Night And Fog, James M. Christie

Cinesthesia

A contemplative camera glides fluidly through a vacant field, one that appears like any other. As it glides, somber images of barbed wire, dilapidated barracks, and rusted railroad tracks beckon the audience to witness the ruins of the Aushwitz-Birkenau concentration camp. “Going slowly along the tracks, seeking what?” asks narrator Michel Bouquet. These questions are more rhetorical than anything, allowing the audience to question their own moral and social obligations to the unfathomable. For the sake of humanity, it is crucial to remember the events of the Holocaust and deny them from happening again. Released only ten years after the ...

The Realism Of Space In Black Swan, Raquel Bordin

Cinesthesia

The camera pans from the shattered pieces of a mirror to blood pouring from under the bathroom door. The sight of blood comes as no surprise to the audience, who has just witnessed Nina murder Lily in that very dressing room. It is later revealed that there is no blood and that the murder never occurred. Yet, the audience believes these scenes from Black Swan (Aronofsky, 2010) to be real because director Darren Aronofsky effectively evokes the story's illusions out of reality itself. An analytical study of Andre Bazin's realist theory demonstrates how Aronofsky is able to consciously ...

Foreword To 'Memoir' By Journalist And Writer Tomás Bairéad, Ian Kilroy

Books/Book Chapters

Foreword to A Memoir of Ireland’s Nascent Years, by Irish language journalist and writer Tomás Bairéad (translated and edited by Mícheál Ó hAodha). Forthcoming from The Edwin Mellen Press, New York. Tomás Bairéad (1893-1973) is well known for a number of collections of short stories in Irish. He invented a version of short-hand for the Irish language. From Moycullen, Co Galway, he was involved in the Irish War of Independence and covered the Irish Civil War as a journalist. He edited the Irish language page in the Irish Independent for a number of years.

Deviance As Pedagogy: From Non-Dominant Cultural Capital To Deviantly Marked Cultural Repertoires, Ezekiel J. Dixon-Román

Ezekiel J Dixon-Román

Structured Abstract

Background/Context: Pierre Bourdieu’s concept of cultural capital has been employed extensively in sociological, educational, and anthropological research. However, Bourdieu’s conceptualization of cultural capital has often been misread to refer only to “high status” or dominant cultural norms and resources at the cost of overlooking the meaningful and productive practices of non-dominant and marginalized cultural communities.

Focus of Study: By re-conceptualizing Cohen’s politics of deviance, this paper leans on post-structuralist thinkers to develop a conceptualization of the cultural repertoires of marginalized communities, hereafter referred to as deviantly marked cultural repertoires, that places at the center ...

The Evolution Of Transnational Cinematic Portrayals Of Terrorism, Samuel W. Bettwy

Samuel W Bettwy

This paper presents the evolution of transnational films about terrorism from the United States, South America, Europe, the Middle East, and India since the 1970s. Due to the forces of globalization and transnational terrorism, a U.S.-European-dominated global discourse of terrorism is evolving due to the willingness of filmmakers, especially U.S. filmmakers, to challenge their own nations’ parochial official discourses of terrorism and the willingness of audiences to consider those challenges.

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Purdue University Press Monograph Series Of Books In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Advisory Board And Editors Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Multilingual Bibliography Of (Text)Books In Comparative Literature, World Literature(S), And Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Annual Reports Of Clcweb: Comparative Literature And Culture 1999-, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Steven Tötösy De Zepetnek Curriculum Vitae, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

African Literatures And Border Issues, Chimdi Maduagwu

CLCWeb: Comparative Literature and Culture

In his article "African Literatures and Border Issues" Chimdi Maduagwu posits that borders or boundaries are constructions which have social and symbolic implications and that they are also relevant in a variety of social processes versus class stratification. Modern Africa is a political construction from European colonialism and what we have today as countries of Africa were closely knit nation states (which colonialists identified as tribes) who had their distinct features. However, the advent of colonialism tore into the original nation state structure based on given ethnic relationships and in its place constructed sovereign states or countries, which only considered ...