Film and Media Studies Commons^™

Encore: A Story Of Identity, Austin Copps

Honors Theses

Encore, a feature length screenplay, tells a story of a young man and his search for identity.

Storytelling As Inclusive Teaching Strategy, Novia Pagone, Kerri Morris, Deborah James

GSU Research Day

No abstract provided.

Martha E. Sánchez. A Translational Turn: Latinx Literature Into The Mainstream. U Of Pittsburg P, 2018., Belen Rodríguez Mourelo

Studies in 20th & 21st Century Literature

Review of Martha E. Sánchez. A Translational Turn: Latinx Literature into the Mainstream. U of Pittsburg P, 2018. xiv +178 pp.

Entertainment Media Perceptions Of Minorities In Young Adult Adaptations, Kynnadie Bennett

Scholars Week

This is an exploration of stereotypical and racist portrayals of minorities, specifically African-American, Latinx, and Native American communities, in film and television in the past and how that has affected representation in film adaptations of young adult literature. Young adult literature is one of the highest-selling genres in literature, purchased by both young adults and actual adults. In recent years, young adult literature has been adapted into film and television series and while representation has improved since the early years of entertainment history, there are still problems in the industry: many of the stereotypes remain, some minorities lack representation, and ...

How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali

Artl@s Bulletin

What role did UNESCO play in the art world of the post-war era? This article makes use of published and archival sources in order to clarify the utopia of a “World Art” that shaped UNESCO and led to the “Archives of Colour Reproductions of Works of Art”, a project of worldwide collect and diffusion of images of “masterworks” inspired by Malraux’s “Museum without walls”. This case study focuses on one particular aspect of the project, the “UNESCO Prize”, conceived by the Brazilian art critic and Marxist intellectual Mario Pedrosa for the 1953 São Paulo Biennial.

The Copy & The Real Thing: Changing Perceptions Between The Rubens Centennials In 1877 And 1977, Griet Bonne

Artl@s Bulletin

In this paper I examine the changing relationship between mechanical reproductions and the original artwork in the context of the Rubens centennials in 1877 and 1977. Drawing on theorists such as Walter Benjamin, Dean MacCannell, Hans Belting and Boris Groys, I argue that the mechanism of copying generates a double logic of image perception: a simultaneous centrifugal and centripetal circulation of images that affects how people perceive art in modern society. I explore this perception dynamic by looking at two photo-exhibitions during the Rubens centennials.

Temporary Marriage In Iran: Gender And Body Politics In Modern Iranian Film And Literature, Alicia Izharuddin

Journal of Religion & Film

This is a book review of Claudia Yaghoobi, Temporary Marriage in Iran: Gender and Body Politics in Modern Iranian Film and Literature (Cambridge: Cambridge University Press, 2020).

Stanley Kubrick, Jewish Filmmaker: A Review Essay, Michael Gibson

Journal of Religion & Film

This is a review of two books: Nathan Abrams, Stanley Kubrick: New York Jewish Intellectual (New Brunswick, NJ: Rutgers University Press, 2018), and David Mikics, Stanley Kubrick: American Filmmaker (New Haven: Yale University Press, 2020).

Silver Screen, Hasidic Jews: The Story Of An Image, Eric Michael Mazur

Journal of Religion & Film

This is a book review of Shaina Hammerman, Silver Screen, Hasidic Jews: The Story of An Image (Indiana University Press, 2018).

Films For The Colonies: Cinema And The Preservation Of The British Empire, Thomas Barker

Journal of Religion & Film

This is a book review of Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire (University of California Press, 2019).

Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire

Journal of Religion & Film

Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936; Froelich, 1940; Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of female directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice to female/collaborative strength in hardship and a struggle ...

By And For Jewish Women Only: The Musical Film "The Heart That Sings", Celia E. Rothenberg

Journal of Religion & Film

The musical film, “The Heart that Sings” (2011), written and directed by Robin Saex Garbose, is part of a genre of films created by and for Orthodox Jewish women. Heart provides a case study that illustrates the depth and breadth of Lubavitch Rebbe Menachem Mendel Schneerson’s (1902-1994) influence on Jews and Jewish life well beyond his own community members. Schneerson’s outreach work via his shlichim, or emissaries, to unobservant Jews is well-recognized. The extent and nuance of his influence on a broad cross-section of Jews, however, has yet to be fully traced. Heart tells its viewers that Jewish ...

Catholics & Cultures As An Act Of Improvisation: A Response, Thomas M. Landy

Journal of Global Catholicism

This essay responds to seven articles published in the same issue of the Journal of Global Catholicism on the use of Catholics & Cultures, a multimedia website, as a pedagogical resource for college classrooms. The site is deliberately presented in a fashion that undermines notions of center and periphery and presents Catholicism from a lay, lived-religion perspective as the multicultural faith that it is, minimizing reference to religious typologies. Particular attention is given to how to navigate tensions around theorizing, categorizing and sorting information for cross-cultural comparison. Given scholars’ current state of knowledge, writing about and teaching about global Catholicism requires ...

Focus On The Busy Intersections Of Culture And Cultural Change, Laura Elder

Journal of Global Catholicism

The dynamics of religious resurgence reveal the important ways that religious ritual and performance are meaning making spaces which are not self-contained or cut off from the rest of culture, but rather are a key locus of cultural change. A renewed emphasis on the busy intersections of meaning making – as rituals are connected, disconnected, and reconnected to other domains of social life – would improve the utility of the Catholics & Cultures website for understanding global cultural change. And a renewed emphasis on cultural change would also provide a better means for exploring reflexively by seeking to understand both yourself and others ...

Looking While Reading I, Ii, Iii, Sarah Minor

Journal of Creative Writing Studies

This article introduces the term “visual essay” by tracing the genre’s history through the concrete poetry movement and the rise of the lyric essay. In describing the aims of visual essays, Minor distinguishes between “illustrative” and “non-illustrative” shaped texts, and suggests connections between “non-illustrative” examples and the aims of “Intersectional Form,” a term coined by scholar Jen Soriano.

Hindsight, Haley Elizabeth Moore

LSU Master's Theses

“Time travel is theoretically impossible, but I wouldn't want to give it up as a plot gimmick.”—Isaac Asimov

“Of all the concepts in Speculative Fiction, Time Travel is probably the one that, over time, has provided us with the most possibilities for storytelling, and therefore the one that has been (clocked as having been) exploited the most.”—TVtropes.org

Hindsight is a one-hour long show with an eight-episode arc per season. It is a story of authenticity and gimmicks, privilege and disadvantage, mediocrity and exceptionalism. These are all pretty big concepts, and yeah, we look at them on ...

Using Visual Resources To Teach Primary Source Literacy, Daniel Davis

Journal of Western Archives

Historic photographs provide an excellent teaching tool for promoting primary source literacy. People like to look at photographs, we all take them, and they illustrate the strengths and limitations of analyzing and interpreting primary sources. In 2019 I spent six months on sabbatical taking a “deep dive” into the new primary source literacy standards as well as the literature for teaching with primary sources. I then created a lesson plan, “Exploring the West in the Golden Age of Photography,” that focused on teaching primary source literacy through historic images. While this lesson plan was aimed at instructors teaching U.S ...

The Outriders Documentary, Zakariya Rodgers

University Honors Theses

The Outriders is a portrait documentary filmed in Saudi Arabia. The film follows David, the head outrider, at the King Abdulaziz Racetrack in Riyadh. An Outrider is a mounted horseman who assists racehorses to facilitate and maintain safety on the track. The primary duties highlighted in the film are that of catching loose horses and escorting non-compliant horses to various stations along the track. The documentary delves into David’s history, starting in the US, and the journey that led him across the world to Saudi Arabia. It offers a window into what it takes to be an Outrider in ...

Peridot Pictures - Bowling Green-Warren County Bicentennial Film (Mss 715), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 715. Proposal, script materials, correspondence, publicity, interviews and other items relating to the production of a film for the Bowling Green-Warren County (Kentucky) bicentennial by Peridot Pictures and the Landmark Association of Bowling Green.

"To Live Deliciously": The Imaginary Father In Robert Eggers' The Witch, Charles Hicks

Far West Popular Culture Association Annual Conference

In this essay I re-examine the archetype of the witch, long viewed in scholarship as the antagonist of the Symbolic Order and phallocentric structures of oppression, through an analysis of Robert Eggers’ supernatural horror film, The Witch (2015). Bringing together Julia Kristeva’s work on primary narcissism and identification and Justyna Sempruch’s analysis of the witch as a trace of archaic, semiotic origins, I argue that the witch can be viewed as a representation of the Imaginary Father, the site of maternal desire that assists the child in its transition from the maternal body to the Symbolic. Specifically, this ...