Film and Media Studies Commons^™

Surfing The Revolutionary Wave 2010-12: A Social Theory Of Agency, Resistance, And Orders Of Dissent In Contemporary Social Movements, Athina Karatzogianni, Michael Schandorf

Athina Karatzogianni

Masculinidades En Crisis Y Prácticas De Resistencia Feminista En La Literatura Y El Cine Españoles De Autoría Femenina, Carmen Sanchis-Sinisterra

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

This dissertation examines the representation of masculinity in crisis in films and novels by contemporary female authors of Spain. The films are El último viaje de Robert Rylands by Gracia Querejeta, Te doy mis ojos by Iciar Bollaín and La vida sin mí by Isabel Coixet. The novels are Amado amo by Rosa Montero, Los aires difíciles by Almudena Grandes and La conquista del aire by Belén Gopegui. The question this dissertation asks is if by introducing male characters that lack power, control and success the works promote practices of feminist resistance. The answer is that they do but, as ...

Screening Male Crisis: A Comparative Analysis Of The Alternative Coming-Of-Age Motion Picture, Matthew J. Tesoro

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

This thesis will identify how the principle male character in select film narratives transforms from childhood through his adolescence in multiple locations and historical eras. The primary film narratives include Satyajit Ray’s Apu Trilogy: Pather Panchali (1955), Aparajito (1956), and Apur Sansar (1959), François Truffaut’s "Antoine Doinel" cycle: Les Quatre cents coups (1959), Antoine et Colette (1962), Baisers volés (1968), Domicile conjugal (1970), and L’Amour en fuite (1979), and Richard Linklater’s Boyhood (2014). These images of experience/maturation in motion are all intended to exemplify how the boy physically and psychologically changes over an extended period ...

Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper

The Kennesaw Journal of Undergraduate Research

This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.

Intenciones Enmascaradas En La Pantalla Plateada. El Santo Y El Mimetismo Imperial, David S. Dalton

Alambique: Revista académica de ciencia ficción y fantasia / Jornal acadêmico de ficção científica e fantasía

El cine Mexploitation de los 1960 y 1970 ha recibido poca atención académica debido a las supuestas fallas estéticas que emergieron cuando los directores de este movimiento yuxtaponían los tropos de la ciencia ficción y el horror hollywoodenses a películas protagonizadas por luchadores enmascarados. No obstante, este cine elucida los discursos imperialistas que abundaban en México a mediados del siglo veinte. En este ensayo analizamos el personaje del Santo —el luchador más exitoso del cine Mexploitation— a través de varias películas. Luego afirmamos que su cine postula una colonialidad liminal mexicana. El Santo interpretaba una versión ficticia de sí mismo ...

Televisual Subjectivities In Pepe Rojo’S Speculative Fiction From Mexico: 1996-2003, Stephen C. Tobin

Alambique: Revista académica de ciencia ficción y fantasia / Jornal acadêmico de ficção científica e fantasía

Pepe Rojo, a key author often tied to the Mexican cyberpunk movement of the 1990s, has been most effective in articulating a kind of visual dystopia in the country that focuses upon television as a key site for constructing dislocated subjectivities. His writing reacts to larger shifts occurring in the country’s field of vision that have been catalyzed by the neoliberal political-economic policy changes and have altered the way in which the mass media culture industry in Mexico functioned in the 1990s. This brought a multitude of changes in how the media industry functioned both internally and externally, ultimately ...

Muybridge In Minnesota, Bradley Chisholm

Film Studies Faculty Working Papers

Photographer Eadweard Muybridge is considered, if not the father of the motion picture, then at least its grandfather. His revolutionary work in instantaneous photography directly inspired inventors in Europe and North America to create the earliest motion picture cameras.[i] Muybridge’s breakthrough came in 1878 when he used twelve cameras with trip wires to photograph running horses at split-second intervals. He had been commissioned to settle a “dispute among horsemen,” as he often put it, as to whether a trotting horse ever had all four hooves off the ground at once, a phenomenon known as unsupported transit. Muybridge’s ...

Internet Of Things And Automation Of Imaging: Beyond Representationalism, Anna Nacher Dr

communication +1

It is no doubt that the production of digital imagery invites for the major update of theoretical apparatus: what up until now was perceived solely or primarily as the stable representation of the world gives way to the image understood in terms of “the continuous actualization of networked data”[1] or “networked terminal”.[2] In my article I would like to argue that analysis of this new visual environment should not be limited to the procedures of data processing. What also invites serious investigation is acknowledging the reliance of contemporary media ecology on wireless communication which according to Adrian Mackenzie ...

Partisanship In The Media: A Comprehensive Look At The History And Potential For Bias In News Media, Henry Ferguson

Advanced Writing: Pop Culture Intersections

On July 10, 2016 Republican Presidential Nominee Donald Trump tweeted, “The media is so dishonest. If I make a statement, they twist it and turn it to make it sound bad or foolish. They think the public is stupid!”^[1] On August 10, 2016 Trump’s campaign released a statement titled, “Trump Campaign Statement on Dishonest Media.”^[2] The statement itself had nothing to do with media dishonesty, but rather the statement clarified some remarks the candidate made during a speech about gun control. Both of these statements were made due to Trump’s feeling that his words had been ...

The Colonial Remix: Power And Language In Colonial And Digital Spaces, Susana Aho

The Quiet Corner Interdisciplinary Journal

This paper maps the similarities between colonial and digital media histories, as well as the repercussions these similarities might have on constructions of power and language in a digital age. The colonial encounter in sixteenth century led to the eventual displacement of indigenous pictographic forms by Western alphabetic ones. However, the first years of encounter are also marked by experimentation in which these two forms were combined in unique ways, creating hybrid reading and writing methods. Similarly, digital platforms are able to combine previously separate media (photography, film, 3D animation, print design, maps, etc) in the same files and environments ...

Cinderella

Children's Book and Media Review

Ella, the daughter of a successful merchant and his wife, is taught from a young age to "have courage and be kind," and this will bring magic into her life. Years after his wife’s death, Ella's father remarries Lady Tremaine, who has two daughters of her own. When Ella's father dies unexpectedly while traveling, Lady Tremaine cruelly forces Ella to take over all the household chores and begins to call her Cinderella. Ella decides to run away, but a chance meeting with the prince in the forest reminds her to have courage and be kind. Ella’s ...

Infringicus Maximus! An Exploration Of Motion Picture Title Protection In An International Film Industry Through The Legal Battles Of Harry Potter, Emily Kathryn Tyler

Journal of Intellectual Property Law

No abstract provided.

The Immediacy Of Narrated Combat: Operation Iraqi Freedom As Public Spectacle, Jason Mcentee

Jason McEntee

From the Vietnam War to Operation Desert Storm to Operation Iraqi Freedom, Americans have seen a dramatic shift in the ways they see combat - countless, and often dubious, images certainly impact how they interpret their warriors' actions. Iraqi Freedom presents an interesting shift in the immediate availability of numerous fiction and non-fiction narratives often stemming from the accounts of the soldiers themselves. I refer to this shift as the immediacy of narrated combat. Iraqi Freedom, unlike Vietnam and Desert Storm, has seen an almost immediate response in terms of the narratives we see and read, including movies, television programs, CD-ROM ...

‘The Future’S Not Ours To See’: How Children And Young Adults Reflect The Anxiety Of Lost Innocence In Alfred Hitchcock’S American Movies., Jason Mcentee

Jason McEntee

Introduction:

In The Man Who Knew Too Much (1956), the Ambassador, while plotting to kill the Prime Minister, orders the kidnapped American child Hank McKenna killed, telling his would-be gunman, Edward Drayton: “Don’t you realize that Americans dislike having their children stolen?” Earlier in the movie, Jo McKenna entertains her son and husband by singing “Que Sera Sera,” and its playfulness becomes darkly ironic when she sings “the future’s not ours to see” on the eve of her son’s kidnapping.
The movie unfolds as a cat-and-mouse game in which the McKennas desperately try to locate and save ...

Children In The Films Of Alfred Hitchcock, Debbie Olson, Jason Mcentee

Jason McEntee

Jason McEntee is a contributing author, "'The Future’s Not Ours to See’: How Children and Young Adults Reflect the Anxiety of Lost Innocence in Alfred Hitchcock’s American Movies.”, pp.31-46.

Children and youth perform both innocence and knowingness within Hitchcock's complex cinematic texts. Though the child often plays a small part, their significance - symbolically, theoretically, and philosophically - offers a unique opportunity to illuminate and interrogate the child presence within the cinematic complexity of Hitchcock's films.

Green Religion: Manipulation Transcending Ideology, Miranda Wittmond

Advanced Writing: Pop Culture Intersections

As more Americans become aware of the environmental consequences of their actions and decisions, corporations have moved to profit off of rising environmental consciousness. However, instead of changing their practices to actually become environmentally conscious, many corporations often instead present a false front to make our society perceive them as green when they are not, an action commonly referred to as greenwashing. This allows them to gain advantage over their competitors, some of which might actually be sustainable, by taking advantage of consumers’ environmental consciousness. Despite legal action taken to stop this and federal laws putting restrictions on green advertising ...

Tinder: True Love Or A Nightmare?, Anthony Kao

Advanced Writing: Pop Culture Intersections

The computer first played matchmaker in the late 1950s. Data would have been fed into the system, and after some data crunching, it would spit out a match based on common interests. Today’s dating sites, such as eHarmony.com, PlentyOfFish, and Match.com are reminiscent of the earliest days of online dating - they rely on algorithms to pair potential matches based on shared interests. With the advent of mobile dating apps such as Tinder, of which I will examine in-depth in my paper, the ability for geo-location, which allows users to “see” other users that are nearby their location ...

Digital Gaming And Tolkien, 1976-2015, Helen Young

Journal of Tolkien Research

‘Tolkien’ the cultural phenomenon is far bigger than J. R. R. Tolkien the author, or even J. R. R. Tolkien the author-and-oeuvre. When Christopher Tolkien asserted in 2012 that his father’s legacy has been rendered monstrous he blamed its fate on the gross depredations of commercialization generally and the Warner Bros’ franchise in particular. Explorations of – and encomiums on – the afterlives of Tolkien’s novels generally focus on the impact of Peter Jackson’s films. The forces which have shaped contemporary ‘Tolkien’ are not only commercial however; fans also ‘do things’ with Tolkien’s writings. The drive to ...

Playing With The History Of Middle Earth: Board Games, Transmedia Storytelling, And The Lord Of The Rings, Adam Brown, Deb Waterhouse-Watson

Journal of Tolkien Research

Contemporary cases of transmedia storytelling have thrown many conventional understandings of ‘adaptation’ into disarray. The resurgence of tabletop game culture has thus far played a significant role in this, though scholars have largely neglected the subject, particularly in terms of how transmedia relationships reconfigure the meaning(s) shaped by and through games by players. This paper addresses this phenomenon through a close analysis of two board games based on The Lord of the Rings, in which the (re)construction of the story-world of the source text(s) impacts strongly on ‘conventional’ modes of narrative and identification. Governed by the adoption ...

"The Effort To Translate": Fan Film Culture And The Works Of J.R.R. Tolkien, Maria Alberto

Journal of Tolkien Research

In his 1940 preface “On Translating Beowulf,” J.R.R. Tolkien contends that “The effort to translate, or to improve a translation, is valuable, not so much for the version it produces, as for the understanding of the original which it awakes” (53). Though made with a specific literary tradition in mind, Tolkien’s assertion about the value of translation bears re-visitation in light of circumstances where the terminology has shifted. Specifically, Tolkien’s own work has since become the myth undergoing translation, and in popular parlance, translation itself has changed from simply describing the transference of a text between ...