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Jane Eyre, Diane C. Merchant, Robert Clements, Tim Phipps, Rebecca M. Baker, Rebekah Priebe 2017 Director

Jane Eyre, Diane C. Merchant, Robert Clements, Tim Phipps, Rebecca M. Baker, Rebekah Priebe

Rebekah Priebe, M.A., M.F.A.

This new adaptation of the beloved Gothic novel imaginatively incorporates haunting visual images, dreamlike memories and innovative staging. Orphaned Jane Eyre overcomes her lonely and abusive childhood to become an accomplished governess for Mr. Rochester’s ward at mysterious Thornfield, a place with dark and terrifying secrets. Her psychological journey allows her to triumph over the oppression of the Victorian era, in a script that Chicago Magazine called “a tide of loving and sure storytelling that treats its audience with reverence and respect.”


The Music Man, Rebecca M. Baker, Robert Clements, Tim Phipps, Carlos Elias, Diane C. Merchant, Rebekah Priebe 2017 Director

The Music Man, Rebecca M. Baker, Robert Clements, Tim Phipps, Carlos Elias, Diane C. Merchant, Rebekah Priebe

Rebekah Priebe, M.A., M.F.A.

When fast-talking Harold Hill hears that no traveling salesman has ever won over stubborn River City, Iowa, he decides to give it a try! His biggest challenge is Marian the librarian, and in the process of trying to charm her, he falls in love himself. The Music Man celebrates a terrific score of marches, love songs and Barbershop quartets, along with great dance numbers and a family-friendly story.


The Complete Works Of William Shakespeare (Abridged) [Revised], Diane C. Merchant, Robert Clements, Tim Phipps, Rebekah Priebe 2017 Director and Dramaturgy Coordinator

The Complete Works Of William Shakespeare (Abridged) [Revised], Diane C. Merchant, Robert Clements, Tim Phipps, Rebekah Priebe

Rebekah Priebe, M.A., M.F.A.

The Complete Works takes us through all of Shakespeare’s Histories, Comedies and Tragedies in one hilarious show! It’s a fast-paced romp through the Bard’s well known plays. Join three actors, lots of wigs, crazy props, bona fide costumes, and iambic pentameter all rolled into this Shakespearean adventure you won’t soon forget. It’s time to get up close and personal with this in-your-face merriment staged in our black-box performance venue.


Auc Cypher: Justin Terrell Aka Twstid, Aaron Carter-Enyi, Justin Terrell 2017 Morehouse College

Auc Cypher: Justin Terrell Aka Twstid, Aaron Carter-Enyi, Justin Terrell

Africana Digital Ethnography Project

According to the artist: "My style of music always depends on how I feel at the moment. I hate having to pick a genre to identify with. One thing is for sure though: I CAN RAP. When I start recording, even I don't know what's about to come out my mouth. I surprise myself. I'm Twstid."


Precarious Democracy: "It Can't Happen Here" As The Federal Theatre's Site Of Mass Resistance, Macy Donyce Jones 2017 Louisiana State University and Agricultural and Mechanical College

Precarious Democracy: "It Can't Happen Here" As The Federal Theatre's Site Of Mass Resistance, Macy Donyce Jones

LSU Doctoral Dissertations

The scholarly consensus of the Federal Theatre Project (FTP) is that it was a massive undertaking set to employ theatre professionals during the Great Depression. That undertaking resulted in vibrant, relevant theatre that helped to build a theatre audience across the nation. Outside of the overview-style scholarship, specialized studies have delved into the FTP as a community-building enterprise, a site of racial/ethnic study, and an essential new play creator.

My scholarship fills a hole that previous FTP scholarship has left open. The FTP was a political machine engaged in producing pro-American propaganda. That aspect of production has been largely ...


Art Infested Water, Nova Southeastern University Department of Visual and Performing Arts 2017 Nova Southeastern University

Art Infested Water, Nova Southeastern University Department Of Visual And Performing Arts

Department of Performing and Visual Arts Newsletters

Art Infested Water Volume 9


Twelfth Night (Or What You Will) Postcard, USM Department of Theatre 2017 University of Southern Maine

Twelfth Night (Or What You Will) Postcard, Usm Department Of Theatre

Theatre Posters

Directed by Sara Valentine

"My master loves her dearly, and I, poor monster, fond as much on him, and she, mistaken, seems to dote on me. What will become of this?"

After surviving a shipwreck and disguising herself in the likeness of her drowned twin brother, the determined Viola becomes the center of a comic series of events: suitors and sword fights: disguise and deception; pranks and predicaments... Filled with some of Shakespeare's most unforgettable characters, eloquent poetry and poignant songs, Twelfth Night reveals the comedy and consequences of mistaken identity, unrequited love and devilish mischief.


Melodic Language And Linguistic Melodies: Singing In Tone Languages, Aaron Carter-Enyi 2017 Morehouse College

Melodic Language And Linguistic Melodies: Singing In Tone Languages, Aaron Carter-Enyi

Africana Digital Ethnography Project

Approximately 60% of the world’s languages are tonal, wherein alterations of pitch change the meaning of words. Two-syllable words in Yorùbá can have as many as five separate meanings, and single- syllable words in Mandarin up to four. Among tone-language speakers, acute pitch sensitivity is developed at an early age as part of language acquisition. The result is that speakers of tone languages are generally more sensitive to pitch than stress-language speakers. For speakers of stress languages, it is difficult to conceive of this other aurality, in which sound is perceived in a different way. But music holds the ...


Review Of Laura Engel And Elaine Mcgirr, Eds., Stage Mothers: Women, Work, And The Theater, 1660-1830, Kristina Straub 2017 Carnegie Mellon University

Review Of Laura Engel And Elaine Mcgirr, Eds., Stage Mothers: Women, Work, And The Theater, 1660-1830, Kristina Straub

ABO: Interactive Journal for Women in the Arts, 1640-1830

Stage Mothers is a collection of essays that complicate the binary between female professional and domestic mother, contributing to theater history and the history of female professionalization and maternity.


Review Of Kathryn E. Davis, Liberty In Jane Austen's Persuasion, Stephanie Russo 2017 Macquarie University

Review Of Kathryn E. Davis, Liberty In Jane Austen's Persuasion, Stephanie Russo

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.


Review Of Heteronormativity In Eighteenth-Century Literature And Culture, Kevin Bourque 2017 Elon University

Review Of Heteronormativity In Eighteenth-Century Literature And Culture, Kevin Bourque

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.


Wwabd? Intersectional Futures In Digital History, Tonya L. Howe 2017 Marymount University

Wwabd? Intersectional Futures In Digital History, Tonya L. Howe

ABO: Interactive Journal for Women in the Arts, 1640-1830

WWABD: What would Aphra Behn—world traveler and spy, playwright and poet of scandal, innovator of novelistic forms—do, were she to imagine a future for digital humanities in period-specific scholarship? This essay outlines a vision for the DH section of Aphra Behn Online: An Interactive Journal for Women in the Arts, 1640-1830. In particular, I see three important and interrelated places for development: theorizing the feminized labor of digital recovery, editing, and textual preparation; offering thoughtful and feminist approaches to digital pedagogy that are specific to the work we do in the period; and critically assessing the absences in ...


Highest Form Of Public Scholarship, Cynthia Richards 2017 Wittenberg University

Highest Form Of Public Scholarship, Cynthia Richards

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.


Women, Gender And The Arts: Intersections, Differences And Connections, Mona Narain 2017 Texas Christian University

Women, Gender And The Arts: Intersections, Differences And Connections, Mona Narain

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.


What's In A Name? New Vision For Abo, Laura Runge 2017 University of South Florida

What's In A Name? New Vision For Abo, Laura Runge

ABO: Interactive Journal for Women in the Arts, 1640-1830

Introduction to the new vision statements for the journal.


Video Chat With Robert Battle: From Liberty City To The Statue Of Liberty, Raymond Elman, Manuel Perez-Trujillo 2017 Florida International University

Video Chat With Robert Battle: From Liberty City To The Statue Of Liberty, Raymond Elman, Manuel Perez-Trujillo

Inspicio

No abstract provided.


Lourdes Lopez: A Lifetime In The Ballet, Raymond Elman, Lee Skye 2017 Florida International University

Lourdes Lopez: A Lifetime In The Ballet, Raymond Elman, Lee Skye

Inspicio

No abstract provided.


How To Turn “A Bunch Of Gang-Bangin’ Criminals Into Big Kids Having Fun”1: Empowering Incarcerated And At-Risk Youth Through Ensemble Theatre, Courtney Mohler 2017 Butler University

How To Turn “A Bunch Of Gang-Bangin’ Criminals Into Big Kids Having Fun”1: Empowering Incarcerated And At-Risk Youth Through Ensemble Theatre, Courtney Mohler

Courtney Mohler

No abstract provided.


The Native Plays Of Lynn Riggs (Cherokee) And The Question Of “Race”-Specific Casting, Courtney Mohler 2017 Butler University

The Native Plays Of Lynn Riggs (Cherokee) And The Question Of “Race”-Specific Casting, Courtney Mohler

Courtney Mohler

No abstract provided.


Little (White) Women: Locating Whiteness In (De)Constructions Of The American Female From Alcott To Split Britches, Courtney Mohler 2017 Butler University

Little (White) Women: Locating Whiteness In (De)Constructions Of The American Female From Alcott To Split Britches, Courtney Mohler

Courtney Mohler

In 1988, the feminist/lesbian performance group Split Britches performed a deconstruction of Louisa May Alcott’s canonical Little Women. Their play, Little Women, the Tragedy (LWTT) highlighted the division within the feminist movement at the time over pornography, and called into question the norms of morality and feminine virtue reflected in and by Alcott’s classic ‘American girls’ novel.’ The play, however, illustrates a problematic construction of feminist/lesbian identity as outside of racial discourse. This paper argues that feminist performances which aim to deconstruct gender and sexuality should also be examined in terms of racialization; the common omission ...


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