The Second Pen, 2017 CUNY Hunter College
The Second Pen, Nicholas D. Brennan
School of Arts & Sciences Theses
"The Second Pen" evaluates the historical relevancy of prevalent monikers for William Shakespeare-- namely, "The Bard," "Swan of Avon," and "Upstart Crow." While Brennan finds the general concept of the moniker to encapsulate Shakespeare's current historical legacy, he equally finds the aforementioned monikers to misrepresent this. Brennan offers "The Second Pen" as a moniker for Shakespeare that redresses the distortions of the others. He concentrates his defense of its relevancy around a defense of William Shakespeare as the "second pen" which Ben Jonson's 1605 Sejanus quarto names as a collaborator in the writing of a preceding stage version ...
Lacuna: Transcendence Of The Human Body Through The Space Between, 2017 Dominican University of California
Lacuna: Transcendence Of The Human Body Through The Space Between, Anica Bottom
Scholarly & Creative Works Conference 2017
Examination of humans as dancers interaction with our surrounding environment. Performance and experimental movement improvisation clips shown.
Letters To Mei Lanfang, 2017 Western Kentucky University
Letters To Mei Lanfang, Alexandra Dare Norman
Honors College Capstone Experience/Thesis Projects
As a male actor of female Dan characters, Mei Lanfang (1894-1961) is known throughout the world as the most representative performer of Chinese opera – particularly for his performance of Concubine Yu in the Peking opera Farewell My Concubine. A feminist analysis of his work in this opera reveals a series of assumptions about the definition of “Woman” in both theatre and life. This project is solo performance piece formatted in a series of open letters to Mei Lanfang, interspersed with personal stories investigating what it truly means to be a Woman – as an actor, a Christian, a feminist, a traveler ...
Spread Newspapers Around: Students Acting! The Invaluable Role Of Modern Theater Class In A Stem Environment, 2017 Illinois Mathematics and Science Academy
Spread Newspapers Around: Students Acting! The Invaluable Role Of Modern Theater Class In A Stem Environment, Leah Kind
All the world’s a stage, and all the men and women merely players. This line of William Shakespeare’s, itself often redrawn and refashioned to suit different intended purposes, perhaps never rings as poignantly as during high school. Students speak of trying on a particular personality or character, as they desperately seek for what TRUE player dwells behind the mask. The years between junior high and secondary education exist for many students as their own personal time of remaking. Students exit one wing in adolescence, rush behind the curtain as they take up or cast off whatever masks and ...
Acting Out The Old Sport, 2017 Illinois Mathematics and Science Academy
Acting Out The Old Sport, Leah Kind
The purpose of this exercise is twofold: one, to have students make text-based interpretations in their discussion, planning, and eventual performance of scenes from The Great Gatsby; two, to have students see the crucial (albeit sometimes frustrating) role of Nick Carraway as the narrator of the novel. In their performance groups, one student will fill the role of “performing” (verbally) Carraway’s interior monologue as conceived by the group, so it will be necessary for students to make informed decisions on his mental commentary. In being tasked with bringing Fitzgerald’s text to life for their peers, students will also ...
Sameena Mustafa Interview, 2017 DePaul University
Sameena Mustafa Interview, Uyanga Chinzorig
Asian American Art Oral History Project
Bio: Sameena Mustafa is a stand-up comedian, actor, and writer named in the Chicago Reader’s Best of Chicago 2016 issue. She has been featured in videos by The Onion and performed on world-famous stages like the Laugh Factory and Biograph Theater. A Northwestern University graduate, Sameena is a sought-after speaker and host, praised for founding Simmer Brown, a comedy showcase featured in the Chicago Sun-Times and Redeye Chicago.
Ouachita's Ten-Minute Play Festival Comes To The Verser Stage On March 11, 2017 Ouachita Baptist University, Staff writer for the Signal
Ouachita's Ten-Minute Play Festival Comes To The Verser Stage On March 11, Haley Wilkerson, Ouachita News Bureau
Ouachita Baptist University’s chapter of Alpha Psi Omega national theatre honor society will present its 15th annual All Night Theatre: Ten-Minute Play Festival on Saturday, March 11, beginning at 7:30 p.m. in Verser Theatre. The festival is entirely run by students. The plays are student-written, directed and performed. The event is free and open to the public.
This festival is unique among theatrical productions at Ouachita. While most productions take months of planning, preparation and rehearsals, this festival features a condensed production schedule. Auditions for student actors will be held on Wednesday, March 8, from 6-8 ...
Art Infested Water, 2017 Nova Southeastern University
Art Infested Water, Nova Southeastern University Department Of Visual And Performing Arts
Department of Performing and Visual Arts Newsletters
Art Infested Water Volume 4
The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, 2017 Bingöl University
The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş
CLCWeb: Comparative Literature and Culture
In his article "The Dramatization of Cultural Hybridity and the "In-Between" Turkey in Fazıl's Künye" Önder Çakırtaş addresses Turkey's historical context and exposes how political, social and cultural changes were expressed in Turkey's public sphere. Using Niyazi Berkes's theory of secularism as proceeding of modernism Çakırtaş discusses different examples of stylistic strategies of cultural hybridity in the playwright's historical-based play, Künye. He investigates how political changes in pre-Turkey times signify Turkey's national striving, and how the Ottoman-conservative past metamorphoses into Turkic-secular. The study juxtaposes the perceptions of 'introduction to Westernization' and 'departure from Islamic ...
Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, 2017 Shanghai Jiao Tong University
Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, Yili Tang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Anarcho-Feminist Melodrama And The Manic Pixie Dream Girl, 2017 Oberlin College
Anarcho-Feminist Melodrama And The Manic Pixie Dream Girl, Claire T. Solomon
CLCWeb: Comparative Literature and Culture
In her article "Anarcho-Feminist Melodrama and the Manic Pixie Dream Girl (1929-2016)" Claire Solomon analyzes the Manic Pixie Dream Girl trope as an apparatus of capture (Deleuze and Guattari, A Thousand). More precisely, her article models how such tropes imply modes of reading anachronistically and metafictionally that decontextualize gestures of resistance and conflate female writers, performers, and characters across time and place. Solomon offers a situated formalist reading of Argentine playwright Salvadora Medina Onrubia's 1929 drama, Las descentradas, revealing an avant-garde counterpoint of melodrama and metafiction as an ambiguous alternative to capture.
Contents - Edward Gordon Craig Special Issue 2017, 2017 University of Iowa
Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt
Cover, front matter, and contents for Mime Journal Special Issue, "Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig." Guest editors: Jennifer Buckley and Annie Holt.
Edward Gordon Craig, Étienne Decroux, And The Rediscovery Of Mime, 2017 Instituut Voor Scheppende Ontwikkeling
Edward Gordon Craig, Étienne Decroux, And The Rediscovery Of Mime, Harvey Grossman
In this edited transcription of his remarks at the 2013 Pomona College (California) conference “Action, Scene and Voice,” Harvey Grossman elucidates the theory and practice of his two most important teachers: Edward Gordon Craig and Étienne Decroux. Grossman elucidates Craig’s much-debated comments on the “Art of the Theatre,” as well as Craig’s influence upon the French corporeal mime Étienne Decroux. He relates in detail Craig’s positive response to seeing Decroux and his students (among them Jean-Louis Barrault and Éliane Guyon) perform in 1945.
Walk: Artist's Statement, 2017 Independent Artist, Los Angeles
Walk: Artist's Statement, Yozmit Walker
Testifying to Thomas Leabhart’s legacy as a corporeal mime performer and educator, his former student Yozmit reflects on her performance piece “Walk,” a site-specific work created for a 2013 conference on Edward Gordon Craig at Pomona College (CA). Yozmit describes the way Leabhart’s teaching – partly inspired by Craig’s work – helped her to explore the balance between artistic thought and rigorous physical training.
Edward Gordon Craig's Übermarionette And Étienne Decroux's "Actor Made Of Wood", 2017 Pomona College, Claremont, CA, USA
Edward Gordon Craig's Übermarionette And Étienne Decroux's "Actor Made Of Wood", Thomas Leabhart, Sally Leabhart
Thomas Leabhart testifies to Edward Gordon Craig’s continuing influence on postmodern mime and movement. Leabhart discusses the influences that shaped Craig’s theory of acting. He then considers what the living actor and Craig’s “übermarionette” have to say to each other, putting pressure on the binary between human and non-human performers, especially in physical theater. Himself a student from 1968-72 of Étienne Decroux, the French corporeal mime and teacher whom the elderly Craig recognized as an “artist of the theatre,” Leabhart relates how he carries on Decroux’s pedagogy and legacy as a performer and teacher of corporeal ...
The Revolutionary: On Isadora Duncan And Edward Gordon Craig, 2017 University of Iowa
The Revolutionary: On Isadora Duncan And Edward Gordon Craig, Jennifer A. Buckley, Lori Belilove
Jennifer Buckley interviews dancer, choreographer, and teacher Lori Belilove on Isadora Duncan’s practice and legacy. Belilove argues for Duncan’s modernism, and emphasizes her impact upon Edward Gordon Craig’s developing aesthetic and his career. This edited transcription of their conversation takes its point of departure from Craig’s portfolio of six drawings of Duncan in action, Isadora Duncan: Sechs Bewegungsstudien, Insel Verlag, 1906. Belilove sees both Craig and Duncan as poised between late Victorianism and modernism, and she contends they shared a modernist impulse toward abstraction. Belilove also comments on her own practice as a performer and as ...
Speaking Looks: A Conversation About Costume With Edward Gordon Craig, Léon Bakst, And Pablo Picasso, 2017 independent scholar
Speaking Looks: A Conversation About Costume With Edward Gordon Craig, Léon Bakst, And Pablo Picasso, Annie Holt
Holt focuses on Craig’s influential stage designs in relation to the performing body. Through costume design, Holt rethinks Craig’s relationship with the designs of the Ballets Russes, placing him in context with the experimentations of his contemporaries Leon Bakst and Pablo Picasso. Holt frames these designers’ historic opposition as a difference of opinion around the way that costumes can carry meaning. She argues that while all three designers used similar visual language and agreed that costumes should communicate with audiences, each artist used a different model for this communication – speech (Craig), music (Bakst) and writing (Picasso).
Picturing Robinson Crusoe: Edward Gordon Craig, Daniel Defoe And Image-Text Inquiry, 2017 Scripps College
Picturing Robinson Crusoe: Edward Gordon Craig, Daniel Defoe And Image-Text Inquiry, Eric T. Haskell
Haskell focuses on Craig’s work with art books in this essay. He offers a wealth of visual images to investigate influences upon Craig’s engraved illustrations for an edition of Defoe’s Robinson Crusoe, a project planned for the Cranach Press, executed during the late 1930s, and published posthumously by the Basilisk Press in 1979. Haskell calls attention to the way that this fascinating edition—previously overshadowed by the Craig-Cranach Press Hamlet in the scholarly literature—adds to our understanding of Craig’s theories of print as performance. He also offers a nuanced reading of the way that Craig ...
Appendix: Program, Edward Gordon Craig Conference 2013, Pomona College, 2017 Claremont Colleges
Appendix: Program, Edward Gordon Craig Conference 2013, Pomona College, Mime Journal
Conference program for "Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig," at Pomona College, Claremont, California, March 2013.
Two Unknown Essays By Craig On The Production Of Shakespeare's Plays, 2017 Bibliothèque nationale de France
Two Unknown Essays By Craig On The Production Of Shakespeare's Plays, Patrick Le Boeuf
In the 1920s and 1930s, Craig drafted two essays on Shakespeare, neither of which was completed nor published. Although they cannot be ranked among Craig’s most inspired writings, these two unfinished essays are of great interest, as they show that Craig, then in his fifties-sixties, was walking on a thin line dividing two most contrasted landscapes: on the one hand he was more attracted than ever to forms of radical modernity, on the other hand he was at risk of indulging in gratuitously archaeological reconstitutions, while being aware of that danger.