Crossing Cultures: The Old Norse Adaptations Of Marie De France’S Lais, 2015 University of Connecticut - Storrs
Crossing Cultures: The Old Norse Adaptations Of Marie De France’S Lais, Kenna Jacobs
The Quiet Corner Interdisciplinary Journal
The representation of sin and sexuality in Marie de France’s Lais is a topic that continues to be debated among scholars, as the unexpected storylines – including adultery, bestiality, and physical violence – often clash with our preconceived notions concerning the medieval principles of modesty and restraint. The provoking, even disconcerting, nature of this work becomes quite apparent when examined in conjunction with their later adaptations in the thirteenth century, as King Hákon of Norway commissioned the translation of several lais into Old Norse as a means of promoting the courtly codes and conventions within French literature. Focusing on the lais ...
“For It Acordeth Noght To Kinde”: Remediating Gower’S Confessio Amantis In Machinima, 2015 University of Rochester, NY
“For It Acordeth Noght To Kinde”: Remediating Gower’S Confessio Amantis In Machinima, Sarah L. Higley
Visual adaptation of a medieval text, as tempting as it is in film of any kind, is never an easy conversion, and all the more so if the original is as formally structured as John Gower’s Confessio Amantis. This essay examines the philosophy and difficulties of making a “medieval motion picture” (animated and narrated by the author) reflect the message of three of Gower’s tales (“The Travelers and the Angel,” “Canace and Machaire,” “Florent”) as well as the multimedia properties of the manuscripts that house them, their illuminations beckoning us into colorful virtual worlds. In referencing theories of ...
Preface, 2015 Westminster College
Preface, Georgiana Donavin, Eve Salisbury
Co-editors Georgiana Donavin and Eve Salisbury are delighted to feature the work of medievalist and machinimatographer Sarah L. Higley in this issue of Accessus. In a machinima production that debuted during the Third International Congress of the John Gower Society at the University of Rochester (30 June through 3 July, 2014), Higley refashions three tales from the Confessio Amantis for her film The Lover's Confession. In this issue of Accessus, we present the film and Higley's commentary on the intersections between her creative work with machinima and scholarly issues surrounding "The Tale of the Travelers and the Angel ...
Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, 2015 University of Calgary
Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik
Yale Journal of Music & Religion
The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. “to cut”) and associated ritual practices as a means of eliminating “self-grasping,” which is defined as the mistaken instinct of regarding one’s “self” and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational ...
Orphic Powers In J.R.R. Tolkien's Legend Of Beren And Lúthien, 2015 University of California, Davis
Orphic Powers In J.R.R. Tolkien's Legend Of Beren And Lúthien, Jane Beal Phd
Journal of Tolkien Research
In “Orphic Powers in Tolkien’s Legend of Beren and Lúthien,” I consider three interrelated strands that influenced the development of Tolkien’s most precious story: Tolkien’s own life experience, sources from classical mythology and medieval literature, and the hope inherent to the Christian faith, especially for resurrection and eternal life, as symbolized in the Parable of the Pearl of Great Price. This study suggests that Tolkien’s relationship to his wife, Edith, inspires the legend and renders it a psychological allegory. Three Ovidian tales from classical mythology that were later re-told in medieval literature also influence it: the ...
The Rhetoric Of Exile In The Preaching And Teaching Of The Anglo-Saxon Church: Glimpses Of The Cultural Ideology In Old English Homilies, 2015 Western Michigan University
The Rhetoric Of Exile In The Preaching And Teaching Of The Anglo-Saxon Church: Glimpses Of The Cultural Ideology In Old English Homilies, Yi-Chin Huang
The Hilltop Review
This article explores how the early medieval vernacular homiletic discourse produced in Anglo-Saxon England strategically employs the rhetoric exile, a theme whose significance is also articulated widely in Old English poetry. As words denoting such similar ideas as exile, banishment, exclusion, casting/driving out, etc., recur significantly in the homilies of the Anglo-Saxon Church, including the homilies of Ælfric, Wulfstan, and the Blickling and Vercelli Codices, I propose an analysis of the instances in which the rhetoric about exile is used in preaching and theology in order to reveal not only the Church authors/teachers’ ability and effort to ...
La Ubicua Presencia Del Moro: Maurofilia Y Maurofobia Literaria Como Productos De Consumo Cristiano, Ana I. Benito
International Language and Culture Studies Faculty Publications
Maurophilia and maurophobia explained as a doubly fictional representation of Muslims as part of a process of selective cultural assimilation in Renaissance Castilian Literature.
The Evolution And Antithesis Of Western Music, 2015 Cleveland State University
The Evolution And Antithesis Of Western Music, Dan Rager
This article examines the Evolution and Antithesis of Western Music from early Biblical Times (3500 B.C.) through the Baroque Period (1600-1750 A. D.). The material presented encompasses many different cultures from around the world. Herein, the Sumerians, Babylonians, Greeks, Jews, Romans, and other cultures are examined. Religious and cultural ideologies clash while similarities parallel these mediums exposing juxtapositions that transcend throughout the ages.
The article discusses early musical systems, periodical musical practices, musical elements (voices vs. instruments) permitted and forbidden by the church, the use of sacred and secular music and the development of these “musical forms” which include ...
Three Late Medieval Kilns From The Athenian Agora, 2015 Bryn Mawr College
Three Late Medieval Kilns From The Athenian Agora, Camilla Mackay
Library Staff Research and Scholarship
This article presents pottery from three late medieval kilns excavated in the Athenian Agora in the 1930s. Wasters from the kilns provide important proof of the local production of lead-glazed wares that come into use in the early Ottoman period and are found in surveys and excavations throughout Attica and Boeotia. Some of this pottery has been identified as maiolica, but portable x-ray fluorescence (pXRF) analysis has not indicated the presence of tin in the glaze. While distinctive in appearance, the pottery from these kilns seems to continue the ceramic tradition of earlier medieval Athens.
The Fisherman By Anonymous, 2014 Western Michigan University
The Fisherman By Anonymous, Luke J. Chambers
Translated from the Old French with commentary by Luke Chambers.
The Gawain-Poet And The Textual Environment Of Fourteenth-Century English Anticlericalism, 2014 City University of New York, Graduate Center
The Gawain-Poet And The Textual Environment Of Fourteenth-Century English Anticlericalism, Ethan Campbell
Dissertations and Theses, 2014-Present
The 14th-century Middle English poems Cleanness and Patience, homiletic retellings of biblical stories which appear in the same manuscript as Pearl and Sir Gawain and the Green Knight, offer moral lessons to a general Christian audience, but the introduction to Cleanness, with its reference to men whom "prestez arn called," suggests that a central feature of their rhetoric is anticlerical critique. Priests do not appear as exemplars but as potentially filthy hypocrites who inspire God's harshest wrath, since their sins may contaminate Christ's body in the Eucharist.
Using Cleanness's opening lines as a guide, this dissertation reads ...
With One's Own Arms: Condottieri, Machiavelli, And The Rise Of The Florentine Militia, 2014 Gettysburg College
With One's Own Arms: Condottieri, Machiavelli, And The Rise Of The Florentine Militia, Michael N. Boncardo
This paper examines the use of mercenary warfare on the Italian peninsula during the late 15th and early 16th centuries. It later focuses on the unique political and economic environment in Florence that led to Niccolo Machiavelli orchestrating the creation of the Florentine militia.
Student-Centered, Interactive Teaching Of The Anglo-Saxon Cult Of The Cross, 2014 Gettysburg College
Student-Centered, Interactive Teaching Of The Anglo-Saxon Cult Of The Cross, Christopher R. Fee
English Faculty Publications
Although most Anglo-Saxonists deal with Old English texts and contexts as a matter of course in our research agendas, many of us teach relatively few specialized courses focused on our areas of expertise to highly-trained students; thus, many Old English texts and objects which are commonplace in our research lives can seem arcane and esoteric to a great many of our students. This article proposes to confront this gap, to suggest some ways of teaching a few potentially obscure texts and artifacts to undergrads, to offer some guidance about uses of technology in this endeavor, and to help fellow teachers ...
The [Ftaires!] To Remembrance: Language, Memory, And Visual Rhetoric In Chaucer's House Of Fame And Danielewski's House Of Leaves, Shannon Danae Kilgore
Honors Program Theses
Geoffrey Chaucer's dream poem The House of Fame explores virtual technologies of memory and reading, which are similar to the themes explored in Danielewski's House of Leaves. "[ftaires!]", apart from referencing the anecdotal (and humorous) misspelling of "stairs" in House of Leaves, is one such linguistically and visually informed phenomenon that speaks directly to how we think about, and give remembrance to, our own digital and textual culture. This paper posits that graphic design, illustrations, and other textual cues (such as the [ftaires!] mispelling in House of Leaves] have a subtle yet powerful psychological influence on our reading ...
The Auchinleck Manuscript: A Study In Manuscript Production, Scribal Innovation, And Literary Value In The Early 14th Century, Tricia Kelly George
The Auchinleck Manuscript (National Library of Scotland Advocates 19.2.1) was written in London by six scribes and contains 44 extant texts. This manuscript is an early 14th century English manuscript (c. 1331) best known for its many unique and first versions of texts, such as the first version of the Breton lay Sir Orfeo, a Breton adaptation of the Orpheus legend. It is also the first literary manuscript we have that is written almost entirely in English after the Norman Conquest. My research provides answers to some of the perennial questions raised by scholars concerning this manuscript ...
Long May She Reign: Portrayals And Interpretations Of Mary, Queen Of Scots, In Popular Media, Scott Culpepper
No abstract provided.
How The Axe Falls: A Retrospective On Thirty-Five Years Of Sir Gawain And The Green Knight Performance, 2014 Boise State University
How The Axe Falls: A Retrospective On Thirty-Five Years Of Sir Gawain And The Green Knight Performance, Linda Marie Zaerr
This retrospective represents a new approach to using historical performance as a tool for understanding medieval narrative performance. The core of the article traces how an individual performer’s interaction with a stable medieval text both indicates directions medieval performers may have taken and suggests the limitations imposed by modern performance conventions. The discussion touches on issues of adaptation and translation, variation in troupe composition and audience, expectations of modern audiences, impact of costume choices, and limitations of audio and video recordings as documentation of live performance. Juxtaposing eight performances of a single passage clarifies how performance can transform a ...
Semper Venalis: Gower's Avaricious Lawyers, 2014 California State University - Sacramento
Semper Venalis: Gower's Avaricious Lawyers, Robert Meindl
The first three chapters of the sixth book of the Vox Clamantis (lines 1-248) comprise a harsh critique of the many avaricious lawyers who, in Gower’s opinion, have come to dominate their profession to the disadvantage of English society in the late fourteenth century. Driven exclusively by their appetite for possessions, they have forgotten the biblical model presented in Psalm 14 that specifies the obligation of the good man to assist without recompense his neighbor’s search for justice. Falsely claiming to be men of law and inheritors of the biblical model of the good man, the causidici (as ...
Preface, 2014 bepress (DC Admins)
Preface, Georgiana Donavin, Eve Salisbury
Co-editors Georgiana Donavin and Eve Salisbury thank the readers of Accessus for an enthusiastic reception of the first issue and summarize the contents of this second issue. The second issue showcases opportunities inherent in online publishing, such as the ability to produce extended commentaries and offer video streams. Robert J. Meindl's "Semper Venalis: Gower's Avaricious Lawyers" and Linda Marie Zaerr's "How the Axe Falls: A Retrospective on Thirty-five Years of Sir Gawain and the Green Knight Performance," respectively, realize these possibilities in online publishing while adding substantially and insightfully to our knowledge of important fourteenth-century poems from ...
49th International Congress On Medieval Studies, 2014 Western Michigan University
49th International Congress On Medieval Studies, Medieval Institute, Western Michigan University
International Congress on Medieval Studies Archive
The printed program of the 49th International Congress on Medieval Studies (May 8-11, 2014), including the Corrigenda.