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Comics And Illustration From The Written; The Conversion Of A Story From Prose To Graphic Depiction., Kayla A. White Ms. 2014 East Tennessee State University

Comics And Illustration From The Written; The Conversion Of A Story From Prose To Graphic Depiction., Kayla A. White Ms.

Undergraduate Honors Theses

This is a thesis that details the process of writing a short 30 page novel, and then converting the subsequent story into a graphic format via illustrations and into a comic book layout. The story itself deals in reworking our learned assumptions of good and evil, specifically in the supernatural and human possibility for both. The comic book format is an exploration of my reader’s different responses to the written and the graphic.


Apontamentos Para Uma Cartografia Do Pensamento Pedagógico De António Pedro -- Para Uma Arquitectura Do Teatro De Amadores, Teresa André 2014 University of Massachusetts - Amherst

Apontamentos Para Uma Cartografia Do Pensamento Pedagógico De António Pedro -- Para Uma Arquitectura Do Teatro De Amadores, Teresa André

Portuguese Cultural Studies

Abstract: António Pedro, the avejão, stood out in the Portuguese cultural landscape as one of the introducers of artistic and aesthetic concerns that were surfacing at the time in Europe. Over a period of several decades, he traced a consistent and disciplined path, breaking with prevailing ideologies and reacting against imposed artistic trends. He revealed the desire for aesthetic growth and the ambition of achieving harmony with cosmic plurality, as well as contributing to awakening other artistic creators to need for change. This article intends to illustrate the intense relationship of this artist with the various arts, and more specifically ...


Estratégias De Deformação E Transformação Em Apenas Uma Narrativa, Bruno Silva Rodrigues 2014 University of Massachusetts - Amherst

Estratégias De Deformação E Transformação Em Apenas Uma Narrativa, Bruno Silva Rodrigues

Portuguese Cultural Studies

Abstract: Apenas uma narrativa uses several core principles of Surrealism to construct a circular journey between reality and dream. Above all, there is an intention in this work to praise the unconscious. This is part of a general attempt by twentieth century artists to propose an alternative to the prevailing rational and logical mode. In the case of Apenas uma narrativa, this is not only achieved by the surrealist matrix, but also through the semiotics of the illustrations and the use of the Freudian concept of the uncanny. The various experimental journeys carried out by the protagonist of the story ...


Da Dor -- Um Percurso Vital (A Propósito Do Poema Inédito De António Pedro, "Annuaire Confidentiel"), Isabel Ponce de Leão 2014 University of Massachusetts - Amherst

Da Dor -- Um Percurso Vital (A Propósito Do Poema Inédito De António Pedro, "Annuaire Confidentiel"), Isabel Ponce De Leão

Portuguese Cultural Studies

Abstract: The unpublished poem “Annuaire Confidentiel” (undated) by António Pedro, which belongs to the estate of the Belgian surrealist E. L. T. Mesens, calls for a reflection on the author’s literary and pictorial production. Without denying surrealism, what it draws on is, above all, abjectionism, tracing a vital circuit which aproximates art and life. On the other hand, on the path towards dimensionism, of which the author was one of the pioneers, this poem represents a visuality that relates it to the pictorial arts in general and “Le crachat embelli” (1934) in particular. I propose to consider here these ...


António Pedro Pintor, José-Augusto França 2014 University of Massachusetts - Amherst

António Pedro Pintor, José-Augusto França

Portuguese Cultural Studies

Abstract: António Pedro became interested, from fairly early on, in visual and mixed media expression, alongside literature and theatre. From the mid 1930s onwards, he produced a significant number of works (sketches, dimensional poems, invented objects, paintings, sculptures, ceramics) that were to have a significant impact on the artistic context in Portugal throughout the 1930s and 1940s. This article provides an overview of some of his most emblematic paintings, influenced to varying degrees by Surrealism or some aspects of it, and often characterized by subversive and oniric compositions. As such, it sheds light on the extent to which the pictorial ...


Performance Sculpture--An Exploratory Collaboration Between Sculpture And Dance, Cesia G. Kearns 2014 Minnesota State University, Mankato

Performance Sculpture--An Exploratory Collaboration Between Sculpture And Dance, Cesia G. Kearns

Journal of Undergraduate Research at Minnesota State University, Mankato

Kinetic sculpture suggests new visual possibilities when combined with dance. Wishing to explore such avenues of interaction for sculpture, this artist sought to develop pieces that could be incorporated into choreography. An artist and a choreographer wove their concepts and styles together to create a performance art piece that rose from the reciprocal influences of interactive sculpture and dance. The creative process included development of concepts, visual imagery, and movement as the artist and choreographer shared ideas. The choreography of the original dance influenced the form, structure, and conceptual elements of the sculpture, which was developed in reaction to the ...


Early Taishō Japanese Juvenile Pocket Fiction: Tatsukawa Bunko And Its Imitators, Michael P. Williams 2014 University of Pennsylvania

Early Taishō Japanese Juvenile Pocket Fiction: Tatsukawa Bunko And Its Imitators, Michael P. Williams

Unique at Penn

Essay on the Penn Libraries' collection of juvenile pocket fiction (bunkobon) published in Japan in the Taishō period (1912-1926), centered around the most famous of these series, Tatsukawa Bunko (also known as Tachikawa Bunko). Explores the origins of this genre, the connection of Sarutobi Sasuke—this series's most famous protagonist,—to the birth of popular ninja culture, and the literary divides between Tokyo and Osaka as seen through the content of their respective juvenile series.


Evangelizing The ‘Gallery Of The Future’: A Critical Analysis Of The Google Art Project Narrative And Its Political, Cultural And Technological Stakes, Alanna Bayer 2014 Western University

Evangelizing The ‘Gallery Of The Future’: A Critical Analysis Of The Google Art Project Narrative And Its Political, Cultural And Technological Stakes, Alanna Bayer

University of Western Ontario - Electronic Thesis and Dissertation Repository

This thesis explores the digitization initiative Google Art Project and the ways in which the Project negotiates its place between rapidly developing Web technologies and the often-contradictory fine art tradition. Through the Project’s marketing and website design, Google constructs a narrative that emphasizes the democratization of culture, universal accessibility and a new progressive future for the art world while obscuring more complex political, social and cultural questions. Bringing together scholarship from various disciplines including library studies, digital studies, art history, and cultural studies this thesis highlights how the Project might open up a space to talk about art publics ...


A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner 2014 Western University

A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner

University of Western Ontario - Electronic Thesis and Dissertation Repository

What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic. This dissertation is composed of two parts that engage both the question “What is photography?” and the ontological anxiety that shadows it. These lines of questioning are pursued in two ways: directly through considering the qualities of the photographic as elucidated by ...


Impact Of Combining Traditional Printmaking With Contemporary Digital Print, Harumi Okoshi 2014 Minnesota State University, Mankato

Impact Of Combining Traditional Printmaking With Contemporary Digital Print, Harumi Okoshi

Journal of Undergraduate Research at Minnesota State University, Mankato

For this project, I would like to combine the precision of computer-generated graphics with the warm-feel of traditional printmaking as a way to integrate traditional art practices with new technology. Graphic design is regarded as commercial art, such as designing packages or posters, and is separate from fine art. As a graphic designer, my goal is to develop meaningful visual solutions. Through the presentation of my project, I will demonstrate a way to introduce traditional printmaking into contemporary graphic art. There are a lot of preparations involved for traditional printmaking. You have to make several proofs before you actually print ...


Morphological Operations Applied To Digital Art Restoration, M. Kirbie Dramdahl 2014 University of Minnesota Morris Digital Well

Morphological Operations Applied To Digital Art Restoration, M. Kirbie Dramdahl

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

This paper provides an overview of the processes involved in detecting and removing cracks from digitized works of art. Specific attention is given to the crack detection phase as completed through the use of morphological operations. Mathematical morphology is an area of set theory applicable to image processing, and therefore lends itself effectively to the digital art restoration process.


Crossing The Divide Between Art And Craft, Kristin Harsma 2014 Minnesota State University, Mankato

Crossing The Divide Between Art And Craft, Kristin Harsma

Journal of Undergraduate Research at Minnesota State University, Mankato

Throughout history, various qualities of art have gone in and out of fashion, works declared high art being considered most important. However, there has always been a hierarchy of not only subjects of art but also of media used to create art. Some media, such as fibers, stained glass, mosaics, and even ceramics, are considered on the lower end of this scale, due to their associations with certain processes and function. I argue that it is illegitimate to maintain a hierarchy based on processes and function, for all works of art require some knowledge and skill of one's craft ...


From Runway To Museum: Creating Successful Exhibitions Showing The Interrelationship Between Fashion And Art, Erica Kroening 2014 Minnesota State University, Mankato

From Runway To Museum: Creating Successful Exhibitions Showing The Interrelationship Between Fashion And Art, Erica Kroening

Journal of Undergraduate Research at Minnesota State University, Mankato

Historically, high-end fashion has been reduced to ideas of materialism and functionality in the eyes of the average person. What has commonly been overlooked on the runways of New York, Paris, and Milan was the idea of fashion as an object of art. Some designers, artists, and art historians have always given fashion the warranted classification as art, but this concept is not yet accepted by the regular museum visitor. This paper focuses on three high-end fashion exhibitions that show when a designer’s inspiration and vision is successfully translated into a museum setting, it encourages the visitor to see ...


The Hierarchy Of Rococo Women Seen Through Fashion Paintings, Sanda Brighidin 2014 Minnesota State University, Mankato

The Hierarchy Of Rococo Women Seen Through Fashion Paintings, Sanda Brighidin

Journal of Undergraduate Research at Minnesota State University, Mankato

The style of Rococo evokes a variety of feminine attributions; women were usually depicted in works of art in a decorative manner. Many of the interpretations of these paintings focus on the luxurious clothes and lavish backgrounds. Artists like Jean-Antoine Watteau and Francois Boucher were responsible for elevating a very elegant view of Rococo women of Rococo within the public’s eyes. But there were also depictions of non-aristocratic women that were geared more to the middle class (bourgeois). After reading a number of articles and book chapters on Jean-Baptiste- Simeon Chardin, and visiting the Louvre museum in Paris, I ...


Faculty Artists, Bevin Engman, Deborah Randal, Harriett Matthews, Scott Reed 2014 Colby College

Faculty Artists, Bevin Engman, Deborah Randal, Harriett Matthews, Scott Reed

Colby Magazine

A sampling from the recent faculty art show.


The Laureate, 13th Edition (2014), 2014 Western Michigan University

The Laureate, 13th Edition (2014)

The Laureate

No abstract provided.


.Psd, Kate Ryan 2014 Providence College

.Psd, Kate Ryan

Art Journal

When I began this project, I was equipped with an extensive Photoshop vocabulary; I decided that my thesis would involve expanding this vocabulary and establishing new personal ways of making an image. My goal is to create a body of work that cannot be replicated on any other platform. I use color, texture, shape, line, and layering to showcase Photoshop and my firm grasp of the program. My work has seen many transformations, and this is where the success of each piece lies. I have always been attracted to the ability within Photoshop to infinitely edit and layer my projects ...


Skeptical Magnetism, Olivia Myers 2014 Providence College

Skeptical Magnetism, Olivia Myers

Art Journal

My work examines the idea of distortion of the human face. Many of my drawings focus on the nose, the element of the face that I find most structural. The idea of the face as a flat object and the nose protruding out, almost looking as if it is placed on the face, is very interesting to me, perhaps connecting back to my fascination with architectural structures. I have used the nose as the main focus of distortion, oversized and often asymmetrical. These exaggerations should make the viewer feel as if they could crawl into this opening and explore its ...


Thanks For Having Us, Ryan Martin 2014 Providence College

Thanks For Having Us, Ryan Martin

Art Journal

My work depicts late-adolescent masculinity and the sometimes suspect behavior attached to it. I represent a type of lifestyle that is generally familiar from college sports and chum movies, which I treat with humor and aggression. I approach it in a personal way, recording my own daily life with my friends and describing these moments with found materials and messy demanding mark-making. I often select imagery from the past that deals with male role models, for example my heroic Grandfather, Evel Knievel, movie characters, and manipulate those pictures through cutting, painting, embroidery, digital drawing, and wood burning. My work uses ...


Arsy Varsy, Kristen Kern 2014 Providence College

Arsy Varsy, Kristen Kern

Art Journal

My goal in my work is to connect to people through stories. I use my characters and narratives to turn people inward towards their own lives; my drawings may remind them of a person, a place, an event, or an experience or emotion. I use ink and Photoshop, which are clear, easy to read, and familiar. This is one way in which my art evokes the feel of comics, cartoons, video games, and other geek-culture influences from my childhood and today. I gravitate most noticeably toward the aesthetic of Japanese manga, applying various elements of this aesthetic to nearly all ...


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