Logique Circulatoire De La Photographie Imprimée. Le Cas Des Revues D’Avant-Garde Tchèques., 2016 Université Paris-Sorbonne Paris IV
Logique Circulatoire De La Photographie Imprimée. Le Cas Des Revues D’Avant-Garde Tchèques., Fedora Parkmann
The members of the Czech avant-garde group Devětsil accorded great importance to photographic illustrations in the magazines they published throughout the 1920’s. Securing photographs from foreign contributors played a key role in the group’s strategy to develop and maintain an international network. This paper examines these photographic reproductions as traces of a transfer of formal and iconographic innovations in photography from abroad to Czechoslovakia.
4 Walls And A Dying Flame, 2016 Butler University
4 Walls And A Dying Flame, Ilja Scholten
No abstract provided.
Selfie, 2016 Northwestern College - Orange City
Selfie, Phil Scorza
This body of work is comprised of a series of portraits that the artist photographed during the summer of 2014.
For the project, he questioned each participant before shooting their portrait, asking them what their relationship is to the church and then asking them to describe their relationship with God.
Scorza’s interpretation of their answers to these questions and the conversations that followed informed how he needed to shoot their portrait. The resulting imagery, or portraits, is a visual representation of the inward self-reflection these individuals shared – a selfie.
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, 2016 Scripps College
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang
Scripps Senior Theses
This paper examines nostalgia in photo-poetry book Nostos, and nostalgia’s existence as a theoretical global condition arising from displacement, looking at nostalgia specifically not as a yearning for home, but a yearning for a lost sense of feeling at home. It traces the lineage of image-text hybrid art practices and examines the significance of conveying meaning through both synergistically. It studies the psychoanalytic process of transforming loss into object, or absence into presence, ultimately using the object as a lens to view oneself and the way in which nostalgia manifests itself.
Performing The Uncanny: An Exploration Of Self Through Alternative Process Photography, 2016 Scripps College
Performing The Uncanny: An Exploration Of Self Through Alternative Process Photography, Caroline Thomas
Scripps Senior Theses
This paper considers how the tradition of self-portraiture and alternative process photography can be used in conjunction with one another to perform the uncanny. I discuss the "uncanny" through three theoretical lenses: Sigmund Freud, Hal Foster, and Rosalind Krauss. I then go on to discuss how the "uncanny" has been used in alternative processes of contemporary work by examining Robert Heinecken and Joyce Neimanas. Finally by looking at Francesca Woodman's self-portraiture, I address how self-portraiture can be a type of performance and how this influenced my own series during my 2015 Fall semester. As a whole this paper addresses ...
Dissociative Anonymity: Performative Photography And The Use Of Uncanny Disguise, 2016 Scripps College
Dissociative Anonymity: Performative Photography And The Use Of Uncanny Disguise, Catherine G. Poole
Scripps Senior Theses
In my thesis project, I aim to explore the ways in which we can perform parts of our identity by hiding the body through the use of performative disguises. These characters transgress the boundaries between societal norms and abject interactions. In these costumes, I hope to find whether or not the multiple facets of our identities can be distilled into one character--whether the self can be shifted into another character for a constructive narrative.
(Forthcoming) Stephen Livick: Midway, 2015 Sessional Professor, OCAD University
(Forthcoming) Stephen Livick: Midway, Matthew Ryan Smith, Ph.D., Matthew Ryan Smith, Ph.D.
Matthew Ryan Smith, Ph.D.
Healthy Living For A Healthy Haiti, 2015 University of South Carolina
Healthy Living For A Healthy Haiti, Elizabeth Grace Binney
This project is twofold. The art and the book work synergistically to represent Haiti and health literacy. The pieces selected for this discussion are placed in chronological order of their creation, not the thematic order as they are organized in the book. This allows for discussion of the works as individual pieces of art, artistic development, the creation of a unified theme. They are the representation of a beautiful nation and people, as well as an expression of my inner self.
The Force Of Water: Columbia After The Flood, 2015 University of South Carolina
The Force Of Water: Columbia After The Flood, Rebecca Emily Johnson
Nearly two months have passed, and South Carolina is still recovering from the unprecedented inundation of rain that pelted down in early October. Record amounts of precipitation pounded the state over just a few days, resulting in the flooding and erosion of land, the deterioration of public infrastructure and the loss of human life and capital.
The worst of it was in the capital city. Columbia recorded the highest water levels and the highest number of fatalities of all the affected areas. The city’s utilities could not handle the torrent of water: dams were destroyed, canals were compromised, roads ...
Mdocs Flyer, Fall 2015 Networking Night Graphic, 2015 Skidmore College
Mdocs Flyer, Fall 2015 Networking Night Graphic, Jesse Wakeman
Invitation graphic used for Networking Night for Skidmore students and faculty with community creative practitioners.
Pacific Portraits: The People Behind The Scenes At Pacific University (Volume One), 2015 Pacific University
Pacific Portraits: The People Behind The Scenes At Pacific University (Volume One), Sarah Alanis, Cailyn Andreasen, Bronson Barretto, Malia Bartolome, Stephanie Bultman, Chloe Chambers, Shalini Chedi, Cameron Chow, Anastasiya Dewolf, Emily Farnham, Bruno Gegenhuber, Abigail Godsil, Ashley Grogan, Josie Kochendorfer, Lesya Kravets, Jack Lloyd, Caleb Mcgee, Haley Mckinnon, Max Medrano, Madison Meltebeke, Emily Miller, Mahla Nelson, Allyxandria Offill, Carrieann Randolph, Gillian Reimann, Marie Rewick, Ricky Ridela, Mikelyn Rochford, Zachary Skaugset, Lauren Tierney, Sara Villegas, Samantha Wacker, Emily Woodworth
Bee Tree Books
When a dormitory toilet is clogged, who’s the guy charged with fixing it? Who assures that benefits and work-study monies are paid and accounted for on time? And who is tasked with ensuring Luau goes off without a hitch or that students from Saudi Arabia know how to navigate the cultural idiosyncrasies of an American university? Meet the people who work behind the scenes at Pacific University—the community of staff and faculty—as captured by Pacific’s own creative writing and photography students. Their jobs and lives are varied, but their dedication to ensuring a dynamic educational experience ...
Mdocs Newsletter - Dec 2015, 2015 Skidmore College
Mdocs Newsletter - Dec 2015, Jordana Dym, Jesse Wakeman, Sam Grant 17, Sara Marsh, Rebecca Stern, Yiyun (Evian) Pan 17
No abstract provided.
Mdocs Program, Exhibit: Sixty Years Young, 2015 Skidmore College
Mdocs Program, Exhibit: Sixty Years Young, Jordana Dym
On November 12, 2015, the Adult and Senior Center of Saratoga celebrated its 60th anniversary with a gala. MDOCS Students Eli Ruben, 17, Phoebe Radcliffe, 17, Rebecca Walker, 18, Natasha Thaler, 18 and Tracey Wingate 18 prepared a video and exhibition, Sixty Years Young, for the event. This brochure offers a brief overview of the Center's history, drawn from its archives.
Mdocs Poster, Sixty Years Young, 2015 Skidmore College
Mdocs Poster, Sixty Years Young, Michael Zhou
In support of the 60th anniversary of the Adult and Senior Center of Saratoga, Skidmore students prepared a video and exhibition, Sixty Years Young, drawing on the Center's archives and interviews, documenting its past, present and hopes for the future.
Mdocs Flyer, 2016 Storytellers' Institute Fellows Postcard, 2015 Skidmore College
Mdocs Flyer, 2016 Storytellers' Institute Fellows Postcard, Jesse Wakeman
This postcard was created with information to pass out to potential Institute Fellows applying for the 2016 Storytellers' Institute.
Details about the 2016 Storytellers' Institute:
The theme for the 2016 Storytellers' Institute is "fact and fiction." Documentary films, podcasts, exhibitions and other works are evidence-based stories, working with facts to render, reveal, and represent truth(s) to inform and, at times, inspire action. Despite relying on real people, events and events documentaries engage because of the way they interpret and represent reality (Lamarre 2009). In the words of John Grierson (1926) (considered the father of the term "documentary"), a documentary ...
Salted Paper Prints And The Harvard Class Albums, 2015 Harvard University
Salted Paper Prints And The Harvard Class Albums, Melissa Banta, Elena Bulat
Journal of Contemporary Archival Studies
The first appearance of photographs in class albums at Harvard University occurred in 1852, beginning a tradition that has continued to the present day. The albums include photographic portraits of the graduating college classes, faculty, and staff as well as views of the campus. The class photographers, including John Adams Whipple, James Wallace Black, and George Kendall Warren, created salted paper prints for the albums from 1852 until 1864. The collection of early class albums was recently surveyed, as part of a larger initiative undertaken by Harvard Library’s the Weissman Preservation Center to preserve and enhance access to salt ...
When Narrative Fails: Context And Physical Evidence As Means Of Understanding The Northwest Boundary Survey Photographs Of 1857–1862, 2015 University of California - Berkeley
When Narrative Fails: Context And Physical Evidence As Means Of Understanding The Northwest Boundary Survey Photographs Of 1857–1862, James A. Eason
Journal of Contemporary Archival Studies
The photographs of the Northwest Boundary Survey, taken chiefly in 1860–1861, present many of the problems commonly encountered in the study of nineteenth-century photography. These views documenting the international border between modern British Columbia and the American Pacific Northwest provide a useful case study in the close reading of physical attributes of photographs. They afford an opportunity to compare imagery and evidence across known sets, and to draw conclusions from sequencing, variant captioning, and other physical evidence. These details will help archivists and other collection managers make good decisions about depth of cataloging, digital imaging choices, and interfaces for ...
Mdocs Poster, Bill Daniel: Tri-X-Noise, 2015 Skidmore College
Mdocs Poster, Bill Daniel: Tri-X-Noise, Zhiyu (Michael) Zhou, Sophia Baraschi-Ehrlich
5:30-7pm: DIY Touring & Exhibition Strategies for Visual and Media Artists
Description: Artist Bill Daniel has been touring with bands, film shows, installations and pop-up photo shows for 30 years. In this discussion/workshop, he draws a parallel between DIY music networks and the potential for artists in other disciplines to reach non-traditional art audiences in cities and towns across the US. The logistics of booking and producing road shows will be discussed, as well as designing and developing visual and media-based events that can travel and set up easily. DIY attributes if self-reliance, mutual support and working ...
Mdocs Poster, Bill Daniel - General Poster, 2015 Skidmore College
Mdocs Poster, Bill Daniel - General Poster, Zhiyu (Michael) Zhou, Sophia Baraschi-Ehrlich
Bill Daniel, artist, photographer, documentary and Guggenheim Fellow (2008) visited MDOCS on November 3-4, 2015. A multi-disciplinary activist and self-described hobo filmmaker and phototramp, Daniel offers reporting from the margins in a film screening and pop-up exhibit, and lessons on how to build your own vision and opportunities with a workshop on DIY Touring & Exhibition Strategies for Visual and Media Artists.
11/3 @ 7pm: Film Screening: Who is Bozo Texino?
11/4 @ 5:30-7pm: Discussion/Workshop: DIY Touring & Exhibition Strategies for Visual and Media Artists
11/4 @ 7-10pm: Pop-Up Photography Exhibit & Concert: TRI-X NOISE, with Zine Exhibition and Musical Performances
Texas-born, San Francisco exiled, and confirmed tramp, Bill Daniel continues to experiment with survivalism and bricolage in his attempts to record and report on the various social margins he finds himself in. Currently based on the Texas gulf coast, Daniel divides his time between Texas and touring.
Daniel's work has received awards from Creative Capital, Film Arts Foundation, The Pioneer Fund, Texas Filmmaker Production Fund, the R & B Feder Charitable Foundation, and The Western States Media Alliance. He was a Wattis Foundation artist-in-residence at the Yerba Buena Center for the Arts, where his installation "Souls Harbor" was exhibited in Dec. In 1999 he was in-residence at The Headlands Center for the Arts where he produced several multi-projection 16mm film installations, including "Trespassing Sign" in collaboration with the late Margaret Kilgallen. In 2001 his hobo campfire installation "The Girl on the Train in the Moon" was included in "Widely Unknown" at Deitch Projects in New York. A veteran of the touring circuit, Daniel has programmed, booked and exhibited several mobile art shows. In 1997-98 he curated a weekly screening series, Funhouse Cinema, in Austin, that also weekly screened in Houston and San Antonio. Daniel is also recognized for his work as cinematographer and editor for filmmaker Craig Baldwin. Other endeavors include zines--contributing photography to The Western Roundup, a punk fanzine in 1981-82 designed by Michael Nott, and publishing/editing Detour, a situationist journal, in 1986. He is also the creator of an experimental sports league, The Texas Gas-Powered Leaf Blower Hockey Association.
Bill Daniel was awarded a John Simon Guggenheim Fellowship in 2008. He has exhibited film, photography and installation work at The Museum of Modern Art, New York; Sweets Lounge, Biloxi, MS; The New Museum, New York; Wayward Council, Gainesville, FL; Yerba Buena Center for the Arts, San Francisco; 24/7 House, Columbus, OH; Museum of Contemporary Art, Los Angeles; Beehive Collective, Machias, ME; Walker Arts Center, Minneapolis; Sky High Skateboards, Milwaukee, WI; IFFR ...
Mdocs Poster, Bill Daniel: Who Is Bozo Texino?, 2015 Skidmore College
Mdocs Poster, Bill Daniel: Who Is Bozo Texino?, Zhiyu (Michael) Zhou, Sophia Baraschi-Ehrlich
Who is Bozo Texino? chronicles the search for the source of a ubiquitous and mythic rail graffiti— a simple sketch of a character with an infinity-shaped hat and the scrawled moniker, “Bozo Texino”— a drawing seen on railcars for over 80 years. Daniel’s gritty black and white film uncovers a secret society and it’s underground universe of hobo and railworker graffiti, and includes interviews with legendary boxcar artists Colossus of Roads, Coaltrain, Herby, and The Rambler.
Shooting over a 16-year period, Daniel rode freights across the West carrying a Super-8 sound camera and a 16mm Bolex. During his ...