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The Maple Leaf Route, Dan Rager 2018 Cleveland State University

The Maple Leaf Route, Dan Rager

Dan Rager

This book chronicles the famous ‘Maple Leaf Route’ that ran through Geauga County between 1899 & 1925.  From steam rail to the Cleveland & Eastern and Chagrin Falls interurban railways, this concise historical book brings to life one of Northeast, Ohio’s favorite pastimes.


Reasserting Arts Education In K-12 Curriculum: A Qualitative Case Study And Pilot Programs, Amber Geary 2018 Hamilton College

Reasserting Arts Education In K-12 Curriculum: A Qualitative Case Study And Pilot Programs, Amber Geary

Books

From September 2015 through September 2017, the Ruth and Elmer Wellin Museum of Art at Hamilton College conducted a cross-sectional study that asked, “What makes K-12 public school educators choose to use a museum as part of their curriculum?” At the time of this research, no qualitative studies—either regional or national—could be found on this subject. Studies addressing the “how” and the “what” involved in museum-school collaborations had been published, but none looked at the “why” that motivated such partnerships.

This mixed-method, regional study reflects perspectives of teachers and administrators on the museum-school collaboration dynamic after the introduction ...


Taking Cues From Online Learning Offline In The Visual Classroom, Kimberly Datchuk 2018 University of Iowa

Taking Cues From Online Learning Offline In The Visual Classroom, Kimberly Datchuk

Art History Pedagogy & Practice

Theories of online learning can inform how academic museums provide a student-centered approach to teaching. Technology has four main advantages for teaching in the museum: it is open-ended, self-paced, collaborative, and empowering. In order to activate the art works and encourage students to contribute their ideas, I have drawn on the best practices of online teaching tools when designing university class visits. The chance to discuss works among themselves enables students to make personal connections to the works and each other. The informal environment of the class visit helps to produce a student-led experience. Encouraging students to ask questions, following ...


Museum Of Modern-Day Slavery: A Photo Essay, Micah Gamboa 2018 Museum of Modern-Day Slavery

Museum Of Modern-Day Slavery: A Photo Essay, Micah Gamboa

Dignity: A Journal on Sexual Exploitation and Violence

A photo essay from the Museum of Modern-Day Slavery in Houston, Texas, with photographs of rooms, entrances, and storage spaces in brothels following raids, including artifacts of the trade found at the scenes are documented. Photographs include brothels, bars, and strip clubs where Korean women and Mexican women were exploited. Photographs from the Mexican-American border document the violence the victims are subjected to during their journey.


Safeguarding For The Future: Managing Born-Digital Collections In Museums, Kimberly Kruse 2017 Seton Hall University

Safeguarding For The Future: Managing Born-Digital Collections In Museums, Kimberly Kruse

Seton Hall University Dissertations and Theses (ETDs)

Over the past few decades, advancements in technology have changed society entirely. Every bit of information about world news, popular culture, and art is just a tap of a touchscreen away. So many aspects of the contemporary world have become digitized so that it was only a matter of time before museums would have to face the issue of born-digital media in their collections. From videos to web-based art, museums have to tackle how to save this new form of cultural heritage. Museums have to do so now before it gets lost forever. The challenge of born-digital objects lies in ...


Cataloging Wonder: The Art And Science Of The Collection, Christine Metzger 2017 California College of the Arts

Cataloging Wonder: The Art And Science Of The Collection, Christine Metzger

The STEAM Journal

The Exploring Science in the Studio National Science Foundation grant funded three initiatives at California College of the Arts, a private four-year art and design college in the San Francisco Bay Area. The grant sponsored annual Science-in-the-Studio which embedded scientists into the art and design studio curriculum, the creation of Mobile Units for Scientific Exploration (MUSE) and a new collection of science materials, equipment, and natural specimens, and a national symposium on integrating science into the art and design studio curriculum. Approximately 30 SitS classes have been offered since 2010, and the Exploring Science in the Studio symposium was convened ...


Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead 2017 The University of San Francisco

Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead

Master's Projects and Capstones

In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks ...


Applying Agile Project Management To Art Museums: A Proposal For Implementing A Generalist Scrum Master, Vincent Sulit 2017 The University of San Francisco

Applying Agile Project Management To Art Museums: A Proposal For Implementing A Generalist Scrum Master, Vincent Sulit

Master's Projects and Capstones

This capstone project examines organizational change, along with its challenges, through case studies in museums and businesses in the private sector, subsequently providing a possible solution for museums to adapt to the current global market economy through the use of Agile Project Management (Agile). I cite recent case studies of art museums implementing Agile for digital product development. This project proposal aims to introduce Agile outside of digital departments, including Exhibitions and Education, with the goal of developing better visitor-centered offerings from museums. This may be achieved through the proposal of a job description for a new museum position of ...


The Spider: Anaylsis Of An Automaton, Susannah N. Munson 2017 Southern Illinois University Carbondale

The Spider: Anaylsis Of An Automaton, Susannah N. Munson

Proceedings from the Document Academy

[Editors' note: This paper is the 2017 winner of the Student Paper Award in Document(ation) Studies, http://documentacademy.org/award. Susannah Munson wrote the paper as a Kent State University, School of Information, Museum Studies student.]

The physical objects that surround us document vast amounts of information about themselves, their histories, and their roles in broader social and cultural contexts. To reveal this sometimes hidden information, we examine these objects through analytical frameworks that go beyond descriptive accounts to explore how an object existed and was culturally understood throughout its history. Document phenomenology (Gorichanaz and Latham, 2016), conceived in ...


Ethical Issues In Digitization Of Cultural Heritage, Zinaida Manžuch 2017 Vilnius University

Ethical Issues In Digitization Of Cultural Heritage, Zinaida Manžuch

Journal of Contemporary Archival Studies

The growing number of case studies on the ethical issues faced in cultural heritage digitization calls for a discussion of this generally neglected dimension of digitization. The importance of the ethical dimension is also supported by implicit and explicit assumptions that well-established approaches to ethics in archives, libraries, and museums do not work with digitization. The aim of this paper is to determine what ethical issues arise in cultural heritage digitization and how they affect methods of decision-making and organizing digitization. The paper identifies and discusses several areas of concern that have caused ethical issues in digitization. They include contextual ...


Artists, Debt, And Global Activism, Mark W. Rectanus 2017 Iowa State University

Artists, Debt, And Global Activism, Mark W. Rectanus

Mark W. Rectanus

This article examines how artists, activism, and works of art may contribute to a more textured understanding of debt in contemporary society and culture. The diversity of aesthetic practices and range of strategic interventions in which artists are organizers and activists are manifest in the Global Ultra Luxury Faction (G.U.L.F.), advocacy initiatives by Working Artists and the Greater Economy (W.A.G.E.), and alternative, trans-local projects such as the Arts Collaboratory. These activist interventions provide the context for an examination of how artists have seized upon discourses related to debt and finance to produce works that ...


Remembering Kate Gleason: Introducing A Twentieth-Century Businesswoman To Twenty-First Century Students, Michael J. Brown, Rebecca Edwards, Tina O. Lent 2017 Rochester Institute of Technology

Remembering Kate Gleason: Introducing A Twentieth-Century Businesswoman To Twenty-First Century Students, Michael J. Brown, Rebecca Edwards, Tina O. Lent

The Seneca Falls Dialogues Journal

In the fall of 2015, the faculty of the Museum Studies Program at RIT mounted an exhibition titled "Kate Gleason, Visionary: A Tribute on Her 150th Birthday." While Kate Gleason’s name is familiar on the RIT campus because the College of Engineering is named for her, this association obscures recognition of her many and varied accomplishments. The challenge we undertook was to contextualize her work in engineering within her other entrepreneurial endeavors in manufacturing, banking, and building, focusing on the innovation and vision that united them. In addition, we wanted Gleason’s career and accomplishments to be compelling and ...


Precolumbian Textile Conference Vii / Jornadas De Textiles Precolombinos Vii, Lena Bjerregaard, Ann H. Peters 2017 University of Copenhagen

Precolumbian Textile Conference Vii / Jornadas De Textiles Precolombinos Vii, Lena Bjerregaard, Ann H. Peters

Zea E-Books

Contents:

Introduction — Lena Bjerregaard and Ann Peters

Mexico

1. Mesoamerican Archaeological Textiles: An Overview of Materials, Techniques, and Contexts — Laura Filloy Nadal

2. Urdimbres enlazadas de Mesoamérica. Textil de la Cueva del Gallo, Morelos, México — Patricia Ochoa Castillo & Rosa Lorena Román Torres •

3. Los textiles procedentes del actual estado de Guerrero, México: una revisión a su estudio desde la perspectiva arqueológica y etnohistórica — Elizabeth Jiménez García

4. Classic Textiles from Cueva del Lazo (Chiapas, Mexico). Archaeological context and conservation issues — Davide Domenici & Gloria Martha Sánchez Valenzuela

5. Textiles y otros materiales arqueológicos del valle de Tehuacán, México, en los Museos reales de Arte e Historia (MRAH), Bruselas — Julia Montoya

6. The World on a Whorl: Considerations on Aztec Spindle Whorl Iconography — Jesper Nielsen

7. Mexica Textiles: Archaeological Remains from the Sacred Precincts of Tenochtitlan and Tlatelolco — Leonardo López Luján & Salvador Guilliem Arroyo

Peru

8. Andean Textile Traditions: Material Knowledge and Culture, Part 1 — Elena Phipps

9. Introduction into the history of the textile collection at the Ethnological Museum Berlin — Beatrix Hoffmann

10. Archaeological Textiles of Sechín Bajo – a formative Site of the North Coast of Peru: Preliminarily Results — Katalin Nagy

11. Headdress forms in the Paracas Necrópolis Mortuary Tradition — Ann H. Peters

12. Nasca Textiles of south Peru, Los Molinos, Sector B. Analysis and Insights — Dr. Daniela Biermann

13. Pre-Columbian Textile Structures at Castillo de Huarmey, Peru — Aleksandra Laszczka, Jeffrey C. Splitstoser, & Miłosz Giersz

14. The curious case of Sir Henry Wellcome’s wooden statuette clad in tie-dyed Wari cloth — Penelope Dransart

15. Tocados del Horizonte Medio al Intermedio Tardío en la costa central: Una visión desde el valle de Asia, Perú (Siglos VII-XII d.C.) — Rommel Angeles Falcón

16. Hallazgo de una Ofrenda Textil con material Horizonte Tardío e Inca Local en el valle medio de Pisco — Luis Peña Callirgos

17. Trajes de poder. Los conjuntos Chimú con borlas — Victòria Solanilla

18. Structure, Design, and Gender in Inka Textiles — Blenda Femenías

19. Lambayeque Textile Iconography and its Continuity in Chimu and Inca Cultures, and its link to modern Ecuadorian Pujilí Corpus Christi Celebrations — Yvonne Fleitman & Alisa Baginski

20. La imagen divina y el simbolismo religioso en textiles del Antiguo Perú — Uwe Carlson

Conservation, reconstruction, analyses

21. Provenance investigations of raw materials in pre-Columbian textiles from Pachacamac; strontium isotope analyses — Karin Margarita Frei & Lena Bjerregaard

22. Analysis of Paracas fibre material from the Gothenburg Collection — Anna Javér

23. La conservación de dos fardos funerarios provenientes de contextos arqueológicos: El caso de la cueva del Lazo, Ocozocoautla, Chiapas y la cueva de la Candelaria, Torreón, Coahuila, México — Gloria Martha Sánchez Valenzuela

24. The Arizona Openwork (Tonto) Shirt Project — Carol James


Mesoamerican Archaeological Textiles: An Overview Of Materials, Techniques, And Contexts, Laura Filloy Nadal 2017 Museo Nacional de Antropología, INAH, Mexico

Mesoamerican Archaeological Textiles: An Overview Of Materials, Techniques, And Contexts, Laura Filloy Nadal

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII

In Mesoamerica, unlike the Andean area, there are few instances when climatic conditions allow the preservation of the organic raw materials constituting ancient fabrics. Examples of such textiles conserved in Mexican museums are quite limited, thus even the tiniest fragments recovered in archaeological contexts greatly augment our understanding of ancient weaving technologies and their use in Mesoamerican societies. Most of the surviving fabrics come from dry caves in northern Mexico, but in recent days the exploration of relatively inaccessible rock shelters in southern Mexico has led to the recovery of additional textiles from early times that are associated with funerary ...


Textiles Y Otros Materiales Arqueológicos Del Valle De Tehuacán, México, En Los Museos Reales De Arte E Historia (Mrah), Bruselas, Julia Montoya 2017 Investigadora independiente, Guatemala-Bélgica

Textiles Y Otros Materiales Arqueológicos Del Valle De Tehuacán, México, En Los Museos Reales De Arte E Historia (Mrah), Bruselas, Julia Montoya

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII

En este trabajo se presenta una colección de materiales arqueológicos que provienen de dos cuevas no localizadas del Valle de Tehuacán, estado de Puebla, México. Los materiales datan del período posclásico (1250-1521) y pertenecen a las culturas mixteca y azteca. La colección se conserva en los Museos Reales de Arte e Historia, MRAH, de Bruselas, Bélgica. Incluye entre otros, objetos de madera con mosaico, cerámica, restos humanos, esteras, plantas, textiles de algodón, sandalias y ofrendas de papel amate, entre las cuales, tres fueron teñidas con la técnica de reserva conocida como plangi. Hasta la fecha la colección no ha sido ...


Classic Textiles From Cueva Del Lazo (Chiapas, Mexico): Archaeological Context And Conservation Issues, Davide Domenici, Gloria Martha Sánchez Valenzuela 2017 University of Bologna, Italy

Classic Textiles From Cueva Del Lazo (Chiapas, Mexico): Archaeological Context And Conservation Issues, Davide Domenici, Gloria Martha Sánchez Valenzuela

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII

The excavation of Cueva del Lazo, a cave on the cliffs of the Río La Venta River canyon in the Zoque region of Western Chiapas (Mexico), led to the discovery of a complex Late Classic post-sacrificial context where eleven children were buried wrapped in textile bundles. The environmental conditions of the dry cave allowed an extraordinary preservation of perishable materials including textiles, cordages, botanical remains, etc. In the first part of the paper we provide a brief introduction to the archaeology of the Selva El Ocote, as well as a description and interpretation of the Cueva del Lazo archaeological context ...


Andean Textile Traditions: Material Knowledge And Culture, Part 1, Elena Phipps 2017 University of California, Los Angeles

Andean Textile Traditions: Material Knowledge And Culture, Part 1, Elena Phipps

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII

The development of rich and complex Andean textile traditions spanned millennia, in concert with the development of cultures that utilized textiles as a primary form of expression and communication. Understanding the importance of textiles in the Andean world, we can examine elements of their genesis and look at the trajectory from the earliest developments of fiber- made items to the extraordinarily complex and specific processes of textile making, such as warp-wrapping and discontinuous warp and weft weaving. These processes are examined in the context of the relationship between textiles and the sacred, highlighting the significance and agency of cloth in ...


Introduction Into The History Of The Textile Collection At The Ethnological Museum Berlin, Beatrix Hoffmann 2017 University of Bonn & Ibero-Amerikanische Institut, Berlin

Introduction Into The History Of The Textile Collection At The Ethnological Museum Berlin, Beatrix Hoffmann

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII

When the Ethnological Museum at Berlin was founded, it counted already with several hundred pieces from South America. Only a minor part them belonged to pre-Columbian cultures from the Andes. While most of these pieces were ceramics almost no ancient fabrics could be found in the collection. This reflected the collector’s interests focusing on objects made of ceramic, stone or metal and on human remains. Consequently, the first pieces of fabric reached the museum at Berlin as parts of mummy cloths. This did not change until 1879, when the collection of Reiss and Stübel was acquired for the museum ...


Structure, Design, And Gender In Inka Textiles, Blenda Femenías 2017 Catholic University of America

Structure, Design, And Gender In Inka Textiles, Blenda Femenías

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII

This paper focuses on Inka textiles that apparently were made specifically for or were used by males or females in pre-Columbian times. In particular, I address relationships among tapestry-woven objects (especially those featuring tukapus, rectangular design blocks) and those created using warp-patterned structures, centering on garments and personal accessories. While there are fewer extant full-size garments associated with females than with males, the availability of a large number of miniature female-associated garments both facilitates and complicates gendered comparisons.

Estructura, Diseño y Género en Inka Textiles

Resumen -- Este ensayo se enfoca en textiles Inka que aparentemente fueron creados o utilizados específicamente ...


Pre-Columbian Textile Structures At Castillo De Huarmey, Peru, Aleksandra Laszczka, Jeffrey C. Splitstoser, Miłosz Giersz 2017 University of Warsaw, Poland

Pre-Columbian Textile Structures At Castillo De Huarmey, Peru, Aleksandra Laszczka, Jeffrey C. Splitstoser, Miłosz Giersz

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII

Systematic excavations at the Castillo de Huarmey archaeological site, located on the North Coast of Peru, enabled researchers to collect an immense number of fabrics. During the first season of textile investigations, carried out in July of 2014 by American and Polish researchers, 724 objects were examined, including textile fragments, yarns, and cordage. A general description of the basic structures indicates a variety of weaving techniques. Although the collection consists mainly of plain weave of all kinds, new structures such as three-dimensional cross-knit looping and feather-mosaic work were recognized, none of which were encountered among textiles collected from the surface ...


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