"A Decorator In The Best Sense": Ludwig Mies Van Der Rohe, Lilly Reich, The Fabric Curtain Partition, And The Articulation Of The German Modern Interior, 2023 The Graduate Center, City University of New York
"A Decorator In The Best Sense": Ludwig Mies Van Der Rohe, Lilly Reich, The Fabric Curtain Partition, And The Articulation Of The German Modern Interior, Marianne E. Eggler-Gerozissis
Dissertations, Theses, and Capstone Projects
Contributing to the burgeoning study of the domestic interior, a field of inquiry existing in the interstices of architecture, design, interior decoration, and material culture, this dissertation presents a thematic study of the modern domestic interiors of German/American architect/designer Ludwig Mies van der Rohe (1886–1965) designed in collaboration with fellow German architect/designer Lilly Reich (1885–1947) during the 1920s and early 1930s in Weimar Germany. Inspired by a revealing but hitherto overlooked statement by Philip Johnson in the catalogue for the influential 1932 International Style exhibition at the Museum of Modern Art in New York that ...
Field Guide To A Hybrid Landscape, 2023 University of Nebraska - Lincoln
Field Guide To A Hybrid Landscape, Dana Fritz, Katie Anania, Rebecca Buller, Rose-Marie Muzika, Salvador Lindquist
Faculty Publications and Creative Activity, School of Art, Art History and Design
In Field Guide to a Hybrid Landscape Dana Fritz traces the evolution of the Bessey Ranger District and Nursery of the Nebraska National Forest and Grasslands. Fritz’s contemporary photographs of this unique ecosystem, with provocative environmental essays, maps, and historical photographs from the U.S. Forest Service archives, illuminate the complex environmental and natural history of the site, especially as it relates to built environments, land use, and climate change.
The Nebraska National Forest at Halsey, as it is known colloquially, is the largest hand-planted forest in the Western Hemisphere, and formerly in the world. This hybrid landscape of ...
Michelangelo Buonarroti And Homophobia In The Renaissance, 2022 Lindenwood University
Michelangelo Buonarroti And Homophobia In The Renaissance, Grace T. O. Ray
Tommaso de’ Cavalieri was a young man with an aristocratic background when he first met famous artist Michelangelo Buonarroti in Rome. Tommaso was known to be an incomparable physical beauty, with intelligence and elegant manners, as well as being a member of one of the most illustrious families of Rome—the Orsini. Some have said this is what drew the artist to Cavalieri from the start. Though not much is known about their encounter, it is confirmed that Cavalieri remained a close and loyal companion to Michelangelo for thirty-two years until the artist’s death in 1564. Furthermore, throughout their ...
Creating A 1940s Costume: A Historical Investigation, 2022 Lindenwood University
Creating A 1940s Costume: A Historical Investigation, Jennifer Mott
The purpose of this Art History research investigation was to create a costume from the 1940s by immersing myself in a time period when people often made their own clothing. This was done to better understand what it means to have a personal connection to the items I wear. Our experiences as consumers in the twenty-first century are vastly different than those belonging to the people that lived during the mid-twentieth century because almost all of our clothing is purchased from corporations and created by people that we will likely never meet. For this investigative study, I shopped for and ...
Propagation Vs Intrusion: Islamic Influences In Medieval Georgia, 2022 Brigham Young University
Propagation Vs Intrusion: Islamic Influences In Medieval Georgia, Jake Hubbert
No abstract provided.
Introverse Arrangements: Rediscovering The Typewritings Of Ruth Wolf-Rehfeldt, 2022 University of Massachusetts Amherst
Introverse Arrangements: Rediscovering The Typewritings Of Ruth Wolf-Rehfeldt, Savannah M. Champion
This thesis aims to understand Wolf-Rehfeldt’s place in the unofficial art world of the GDR by examining her work in light of her status as a clerical worker with social rather than professional ties to the art world. She stands out within the East German Mail Art context, not just for her inventive use of a typewriter to create abstract figurations, but for the way she used it to interject considerations of gender and power into a network of artists overwhelmingly dominated by men with her open-ended Typewritings.”
Through historical research and close readings of her work, this study ...
Artistic Novelties Or Political Tools? Circulating Cold War Art Exhibitions In Finland, 2022 University of Turku, Finland
Artistic Novelties Or Political Tools? Circulating Cold War Art Exhibitions In Finland, Maija Koskinen
The cultural Cold War was a global phenomenon, but how was it fought in Finland, on the periphery of Northern Europe? The essay brings a previously insufficiently known Finnish perspective into the study of cultural Cold War by introducing a research project, Mission Finland – Cold War cultural diplomacy at the cross roads of East and West, 1945–1991. The essay discusses study methods of international art exhibitions as soft power and introduces – with concrete Finnish examples – the concept of “state- run exhibition” as a means to comprehend the role of circulating art exhibitions as Cold War cultural diplomacy.
Exhibiting Across The Iron Curtain: The Forgotten Trail Of Danish Artists Exhibiting In The Context Of State Socialism, Ca. 1955–1985, Kristian Handberg, Yulia Karpova
The article presents the research project “Exhibiting across the Iron Curtain: The forgot-ten trail of Danish artists exhibiting in the context of state socialism, ca. 1955–1985” (The University of Copenhagen, 2021–24). Project researchers Kristian Handberg and Yulia Karpova introduce the project and its most important ambitions, especially those related to the theme of cross- border connectivity in the Nordic region through a few examples taken from their most recent work. These case studies illustrate how they approach this particular material and will tackle the questions and challenges that may rise.
Exhibiting Art In A European Periphery? International Art In Sweden During The Cold War, 2022 Södertörn University
Exhibiting Art In A European Periphery? International Art In Sweden During The Cold War, Katarina Wadstein Macleod, Marta Edling, Pella Myrstener
The project Exhibiting Art in a European Periphery? International Art in Sweden during the Cold War aimed to investigate international exhibitions in Sweden during the postwar period from circa 1945 to the end of the 1980s. The main objective was to find information beyond preconceived ideas of what is important, interesting, or simply good art. In this article, we present our method for searching through the archives and some of the findings and insights generated.
Exhibiting Contemporary Art In The Early 1990s Nordic–Baltic Realm, 2022 Södertörn University
Exhibiting Contemporary Art In The Early 1990s Nordic–Baltic Realm, Annika Öhrner
This article investigates exhibitions of Baltic contemporary art in the Early 1990s, that were directed towards an international audience. Notions of an art life finally freed from the heavy institutional power of the Soviet occupation has served to obscure the arrival of other inter-national and political presences, the ones from Norden. While new Baltic art practices were widely made public in the three Baltic capitals after 1991, the fact that the highest political level of Nordic foreign policy provided an infrastructure for this, was not. “The Nordic–Baltic realm,” is here suggested as a notion of interactions between the contemporary ...
Art Contre/Against Apartheid At Lunds Konsthall: An Entangled History Of Art And Solidarity From Paris To Pretoria, Katarina Wadstein Macleod
This article concerns the international touring exhibition Art contre/against Apartheid originating in France and which reached Lunds konsthall, Sweden in 1984 and was to tour the world for ten years. The aim with this exhibition was to raise awareness of the apartheid regime, cause international protest and ultimately remove the repressive political system. Using histoire croisée as a method this article investigates the different interests and stake-holders in the exhibition at Lunds konsthall, including the critique of the exhibition as resting on white supremacy. The purpose of the article is to locate the different intersections regarding international art, international ...
The Afterlife Of Danish Modern: Design Exhibition In Moscow, 1969–70, 2022 University of Copenhagen
The Afterlife Of Danish Modern: Design Exhibition In Moscow, 1969–70, Yulia Karpova
The exhibition Contemporary Danish Design arrived in Moscow in December 1969, when Danish design was undergoing a crisis. The popularity of “Danish Modern,” the notion centered on excellent artisanship, natural materials, and a balance between tradition and modernity, was diminishing due to shifting tastes in home furnishing and consumer society critiques. This article considers the Moscow exhibition as a twin effort to include design in Danish- Soviet cultural diplomacy and to revive the cultural importance of Danish Modern in the era of waning techno-optimism and student protests.
Exhibiting Cobra Across The Iron Curtain: Exhibition Diplomacy And Modernism As Ostpolitik Across Borders In Northern Europe During The Cold War, Kristian Handberg
The article examines how the Danish artists of the group Cobra appeared in front of exhibitions organized by the Danish state touring the state socialist countries during the Cold War from the early 1960s to the late 1980s. This unknown aspect of the international circulation of the artists were part of the official cultural diplomacy of the Danish state and can contribute to a new understanding of art exhibitions in the Cold War as “Ostpolitik” and the commitment of the artists in these efforts. The article observes the importance of cultural diplomacy in relation to border- crossing exhibitions and the ...
Art For All! Nordic Art And Cultural Democracy, 1945–1959, 2022 Södertörn University
Art For All! Nordic Art And Cultural Democracy, 1945–1959, Marta Edling
The article will by emphasizing a transnational and geopolitical approach, investigate eight exhibitions of modern art from Denmark, Finland, Iceland, Norway and Sweden presented in Nordic cities 1946–1959. The text highlights the importance of this regional context and argues that the artworks can be seen as socially interconnected signs mediated through the communicative agency of the exhibitions. By focusing on subject matter and artwork titles presented, the article suggests that the exhibitions can be viewed as part of interacting artistic, civic, and political agendas aiming to democratize culture in the postwar Nordic welfare states.
Charting The Beyond. On The Two “First” International Surrealist Exhibitions In Scandinavia, 2022 Stockholm University
Charting The Beyond. On The Two “First” International Surrealist Exhibitions In Scandinavia, Andrea Kollnitz
This article examines two exhibitions introducing international surrealism in the North: Paris 1932 in Stockholm 1932 and Kubisme = Surrealisme in Copenhagen in 1935. Focusing on contents, networks and agents, the analysis shows competitive negotiations of national and local identities in interaction with the promotion of surrealism as a universal international phenomenon. Using a decentralising approach, the article reflects on the role of Paris and other cities as stations as well as elucidates national, transnational and transcultural processes and interactions in the international dissemination of surrealism.
Routes And Ruptures. Swedish Artistic Mobility In The Early Twentieth Century, 2022 Stockholm University
Routes And Ruptures. Swedish Artistic Mobility In The Early Twentieth Century, Jessica Sjöholm Skrubbe
This article presents the results of an empirical study of Swedish artistic mobility during the first decades of the twentieth century, a period associated with the emergence of modernism in Swedish art and with Paris as an unquestionable point of reference. Without questioning Paris as an artistic node, it highlights the discrepancy between art history’s narrativisation of transnational mobility and the diverse artistic itineraries that empirical material evidences. Focusing on Swedish artists’ travels in France, Germany, Denmark, and Italy, it offers a geohistorical trajectory that differentiates established narratives.
Entanglements And Cross-Border Connectivity Of The Nordic–Baltic Region, 2022 Södertörn University
Entanglements And Cross-Border Connectivity Of The Nordic–Baltic Region, Marta Edling, Annika Öhrner
At the center of attention of this issue is trans-local, transnational, regional, and worldwide contacts inside and outside the Nordic-Baltic region from the late 1800s to the late 1900s. As an introduction, this text attempts to give an overview of some of its major themes and findings. It highlights how the interactive function of cross-border contacts is demonstrated by cases of art and design transfers, artistic travels, Scandinavian intellectual contacts, and cross-border connections over 100 years. Together, the texts published in this issue reflect the interdependent nature of international relations and the vital function of intermediate positions.
Splendors Of The Serenissima In A Digital Age: The Master Of The Murano Gradual Reconsidered, 2022 University of Cambridge
Splendors Of The Serenissima In A Digital Age: The Master Of The Murano Gradual Reconsidered, Stephanie Azzarello, Bryan C. Keene
The Master of the Murano Gradual is one of the most enigmatic illuminators working in early fifteenth-century Venice. The eponymous choir books were commissioned by the Camaldolese monastery of San Mattia a Murano and today comprise a single intact volume in the Kupferstichkabinett in Berlin (MS 78 F.1) and about fifty historiated initials dispersed in twenty-five public and private collections in Europe and the United States. The fragmentary nature of the overall corpus is a central challenge to studying the artist and to understanding the contours of the workshop. This article provides a reassessment of the corpus of work ...
Art, Work: Subsumption, Posthumanism And Artistic Responses To Surveillance Capitalism, 2022 The University of Western Ontario
Art, Work: Subsumption, Posthumanism And Artistic Responses To Surveillance Capitalism, Anna Mirzayan
Electronic Thesis and Dissertation Repository
This dissertation brings together multiple discourses, including surveillance studies, autonomist Marxism and posthumanism, as the groundwork for a novel discussion of contemporary visual art— in particular surveillance art, that is, art that addresses and problematizes the omnipresent digital monitoring now part of everyday life. Because in this dissertation contemporary art is defined as necessarily political, aesthetic (in the Kantian sense) and responsive to conditions of current history and society, I use Marxist theory to identify the particular features of contemporary capitalism that this art is responding to. I first characterize post-Fordist capitalism, focusing on the increasing reliance on extracting network ...
Collaborative Constructions: Designing High School History Curriculum With The Lost & Found Game Series, 2022 Rochester Institute of Technology
Collaborative Constructions: Designing High School History Curriculum With The Lost & Found Game Series, Owen Gottlieb, Shawn Clybor
This chapter addresses design research and iterative curriculum design for the Lost & Found games series. The Lost & Found card-to-mobile series is set in Fustat (Old Cairo) in the twelfth century and focuses on religious laws of the period. The first two games focus on Moses Maimonides’ Mishneh Torah, a key Jewish law code. A new expansion module which was in development at the time of the fieldwork described in this article that introduces Islamic laws of the period, and a mobile prototype of the initial strategy game has been developed with support National Endowment for the Humanities. The series pays ...