History of Art, Architecture, and Archaeology Commons^™

Un-Done: The Historiographical Dialogue Between Past And Present, Rachel Cobler Wollert

Masters Theses

Art critic for The Nation and professor of at Columbia, Arthur C. Danto led the charge with his essay “The End of Art” in 1984 to declare the end of art. Thirty-eight years later, the awareness of colonial problematics in the elite institutionalism of art history today warrants a reanalysis of art historical ontologies of progress (and their ties to colonialism), which have seemingly disbanded in the discipline’s current rhetoric. Because Danto’s historical framework to end art focuses on progress through artistic means, does it fall short or even negate itself by missing the deconstruction of colonial afterlives ...

Partisan Genealogies: Radical Visual (And Political) Practices. An Introduction, Paula Barreiro López

Artl@s Bulletin

This special issue has been conceived in the framework of the project Ré.Part. - Résistance(s) Partisane(s): Culture visuelle, imaginaires collectifs et mémoire révolutionnaire (Université Grenoble Alpes, ANR-15-IDEX-02) and the research project MoDe(s) – Decentralized Modernities: Art, Politics and Counterculture in the Transatlantic Axis during the Cold War (Universidad de Barcelona, HAR2017-82755-P).
We are very thankful for the support of the Jean Monnet Excellence Centre IMAGO (École normale supérieure - Université Paris Sciences Lettres, co-funded by the Erasmus + Program of the European Union) and of the Laboratoire de Recherches Historiques Rhône Alpes.
Many thanks to the editorial team of Artl ...

Ressusciter La Lutte Antifasciste: Art, Politique Et Mémoire Entre La Guerre Civile Et L'Espagne D’Aujourd’Hui, Paula Barreiro López

Artl@s Bulletin

Prenant pour point de départ l’œuvre Resurrección de Núria Güell (2013), cet article aborde le rôle que les artistes contemporains ont assumé, en Espagne, dans la contestation du passé fasciste. Il traite les politiques de terreur mises en œuvre pendant et après la guerre civile, ainsi que la résistance antifasciste pendant la dictature, menée par le maquis, mais aussi par des artistes associés à des organisations d’extrême gauche. Enfin, il réintègre l’œuvre de Güell dans un contexte de création militant de son époque où l’on cherchait à réactiver l’antifascisme face aux survivances structurelles du franquisme ...

Antifascism And Wildness. “Partisan Ecologies” Between The Spanish Civil War And The Global Warming Era, Jaime Vindel

Artl@s Bulletin

This short essay uses the concept of “partisan ecologies” in order to analyse certain past and present chapters on the relationship between anti-fascism and nature. According to the Swedish eco- Marxist Andreas Malm, wilderness has not only represented an essentialist idea resulting from the projections of conservationist environmentalism about a supposedly untouched nature, but has also been one of the real spaces of a modern antagonism. Taking this theoretical point of departure, the text describes the Alpine Battalion of the Sierra del Guadarrama during the Spanish Civil War and its resonances in some contemporary events.

Infancia Y Revolución. Reflexiones Sobre La Figura Del Niño Combatiente Dentro De Las Narrativas Visuales Revolucionarias Y De Liberación A Partir Los Casos De Nicaragua Y El Salvador En La Década De 1980, Laura Ramírez Palacio

Artl@s Bulletin

Tomando como punto de partida el caso de imágenes referentes a los procesos revolucionarios en Nicaragua y El Salvador durante la década de 1980, el presente artículo reflexiona sobre antecedentes en la historia de las revoluciones, donde la incorporación de los niños no solo fue una realidad, sino también un elemento simbólico asociado a la idea de liberación en pos de una transformación social duradera en el tiempo. De este modo el texto analiza y busca situar la figura del niño combatiente dentro de las narrativas visuales revolucionarias y de liberación en la historia reciente de Occidente.

Partisan Dilemmas Between Activism And Socially Engaged Art: Situations In Loisaida At The End Of The Seventies, Olga FernáNdez López

Artl@s Bulletin

The end of 1970s is an interesting moment to understand the epistemic shift that involves the passage from partisan artistic activism to contemporary socially engaged art. Then, a significant convergence took place in the neighborhood of Loisaida (NYC), where artists and local residents coincided in their modes of action. However, its subsequent cultural interpretations have overlooked each other. Art history cosmopolitan approaches clashed with migration identities, traversed by victimhood, but also by transnational heritages. This article examines and reunites both traditions looking for a reparative art history.

An Antifascist Biennale: ‘Libertà Al Cile’ In And From Venice, Anita Orzes

Artl@s Bulletin

The article analyses the section Libertà al Cile [Liberty for Chile] of 1974 Venice Biennale. Even if this cultural proposal against Pinochet’s regime had a significant role and was the most visible face of La Biennale per una cultura democratica e antifascista [The Biennial for a democratic and anti- fascist culture], a detailed study of this exhibition is still missing. The aim of this article is to contextualize Libertà al Cile within the project of the New Biennale and its new exhibition formula, as well as within the ties of brotherhood that united Italy and Chile by paying attention ...

Exposición Mexicana De Pintura Y Estampa Contemporáneas. Mexican Art In The Eastern Front 1955: Poland And Bulgaria, Fabiola Martínez Rodríguez

Artl@s Bulletin

The subject of this paper is a travelling exhibition organized by the National Front of Plastic Arts which toured various cities in the Eastern Bloc between 1955 and 1956. Its objective was to introduce the public to Mexican art, and to promote the socially committed art of the Mexican School and its enduring revolutionary spirit. Attention will be given to two of its venues: Poland and Bulgaria. It is hoped that this focused analysis will provide a deeper understanding of its artistic and political objectives, whilst highlighting the activism of the Mexican School in the context of the Cultural Cold ...

Giandante X: An Artist For Gramsci And The International Brigades (1920–1941), Jacopo Galimberti

Artl@s Bulletin

Dante Pescò, also known as Giandante X, was a Milanese anarchist who participated as a militant, militiaman and artist in some of the major struggles of antifascism in the 1920s and 1930s, from the street clashes against the Blackshirts in Italy to the Spanish Civil War. The article retraces two decades of Giandante X’s oeuvre, concentrating on his work for Antonio Gramsci’s l’Unità and on his manifold agit-prop production for the International Brigades.

Memorial Craze: How War Memorials Have Been Changed By War, Jillian Bass

War and Society (MA) Theses

This thesis project argues that memorials constructed after 9/11 were designed specifically in a way that privileged and focused on the dead individually. By taking a look at memorials throughout American history, the study of memorialization sets up the stage for the way the lives of ordinary people have been memorialized throughout history. 9/11 is one of the most memorable days in the history of the world in the 21st century. However, the academic world has generally ignored the study of war memorials throughout American history as a subset of memorials. Chronicling memorials from the Civil War period ...

Searching For Hades In Archaic Greek Literature, Daniel Stoll

Electronic Theses and Dissertations

No single volume of mythological or philological research exists for Hades. In the one moment Hades appears in archaic Greek literature, speaking for only ten lines, Hermes stands nearby. Thus, to understand and journey to Hades is to reckon with Hermes’ close presence. As I synthesize research by writers from several different disciplines, may some light be brought into the depths. May we analyze Hades’ brief appearance in archaic Greek literature, examining how what I define as the “Hermetic” emits from his breath in the one moment he physically appears and speaks.

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. With ...

Stepping Into A Moment: A Historical Reconstruction Of Lord Dunmore's Portrait, Slade Nakoff

Undergraduate Honors Theses

The study of material culture study has long been estranged from mainstream academic discourse often dismissed as the examination of pots and pans. Historians are beginning to realize that material culture and cultural reconstruction offer vital insights into the past. Building upon new developments, my project reconstructs the items painted by Joshua Reynolds in his famous painting of Lord Dunmore. This reconstruction allows for the efforts of unnamed tradesmen to be retraced, making a few people and their efforts which were lost to history known once again. By employing written documentation in tandem with extant artifacts, the project recreates every ...

The Artists Of The Walter Crane Fan: Gender And Performance In 1895, Caroline Haller

Theses

The curiosity of the Walter Crane Fan, an autograph fan created in 1895, is that despite featuring forty signatures of famed artists, writers, musicians and public figures, it has received little critical examination. The re-discovery of the Walter Crane Fan when it came to auction, prompted its inclusion in The Cult of Beauty: The Aesthetic Movement 1860-1900 exhibition originally held at the Victoria and Albert Museum in London in 2011. Then, the Crane Fan was the focus of Robyne Calvert’s essay “An Artistic Fan in Victorian Society” in Connecting Whistler: Essays in Honour of Margaret F. Macdonald. However, to ...

Gamification Of Education And Learning: Heuristic Elements, Player Types, And Learning Outcomes For Art History Games, James L. Hutson Jr.

Theses

The technology of virtual reality (VR) and the gamification of education and learning has had proven educational benefits, especially in secondary education. However, there remains little to no research on the heuristic elements and mechanics that contribute to learning at the postsecondary level of education. Most research conducted has been refined to science programs, but even in these instances, a study of the effects and interests of different demographics has yet to be considered. Given the visual nature of how the discipline of art history has traditionally been taught, there are a number of virtual reality (VR) applications to assist ...

A Proposal For A Survey Of American Art History Course: An Intersectional Approach, Fernando Mejia

Theses

The purpose of this project is to propose and create a course surveying American art history that currently is not offered at the Los Angeles Community College (LACCD). The creation of this course is important because it will fill a void within the curriculum in art history at LACCD. Most importantly, however, the course will offer students interested in American art an opportunity to take this course at the community college, which will prepare them for upper-division coursework before transferring, allowing them to focus on upper-division courses in the field. The Thesis Project addresses the state-of-field in the teaching of ...

Architecture In Anime: Miyazaki's Motifs, Jack Collins

Honors Projects

Internationally known, celebrated, and respected, director Hayao Miyazaki has become a household name by transforming an industry through his films. This research focuses on Miyazaki’s process and the similarities he shares with architects, both in and out of his works. By initially examining his background, the three motifs of architecture, inspiration, and sustainability are explored through works like Spirited Away, Howl’s Moving Castle, Princess Mononoke and more. The results of this research are to inform fans of both architecture and anime about the connection between someone who designs and builds the world, and one who designs and builds ...

Choppy Forgeries: A Vr Sculpting Game, Jonah Warren

Frameless

Choppy Forgeries is a fast-paced sculpting game made for virtual reality headsets. The game is intended to give players the opportunity to practice and appreciate the skills associated with artmaking and sculpture (Seeley and Kozbelt, 2008, 163–166) in a fun, light- hearted, competitive context. The game also requires players to closely examine and engage with famous classical sculpture from art history through its gameplay.

Exploring The Psychological Consequences Of Distances In Virtual Reality, Gary D. Jacobs

Frameless

This presentation will examine common concepts of traveling between formalized spaces inside virtual reality (VR) experiences.

The common method for traveling in virtual reality is to click on an area or trigger and be transported to that location. These “teleportations”, however, remove the notion of distances from our virtual worlds. This is akin to a magic wand that eliminates the consequences of travel in VR. Often heralded as a boon for the virtual worlds we can create, wherein we can travel to far away lands without lag in time and without effort on the part of the participant. We posit ...

Cultural Preservation Using Game Architecture, Atia Newman

Frameless

This talk is an overview of the Lahore Fort Digital Preservation Project, which offers a new approach to the field of Digital Preservation of Cultural Heritage Sites by using game technology. The resulting digital preservation technique will allow us to preserve historic sites and objects in a manner that is scientifically appropriate but also accessible to general audiences, regardless of economic and geographic restrictions.