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Apontamentos Para Uma Cartografia Do Pensamento Pedagógico De António Pedro -- Para Uma Arquitectura Do Teatro De Amadores, Teresa André 2014 University of Massachusetts - Amherst

Apontamentos Para Uma Cartografia Do Pensamento Pedagógico De António Pedro -- Para Uma Arquitectura Do Teatro De Amadores, Teresa André

Portuguese Cultural Studies

Abstract: António Pedro, the avejão, stood out in the Portuguese cultural landscape as one of the introducers of artistic and aesthetic concerns that were surfacing at the time in Europe. Over a period of several decades, he traced a consistent and disciplined path, breaking with prevailing ideologies and reacting against imposed artistic trends. He revealed the desire for aesthetic growth and the ambition of achieving harmony with cosmic plurality, as well as contributing to awakening other artistic creators to need for change. This article intends to illustrate the intense relationship of this artist with the various arts, and more specifically ...


António Pedro's "Monday Chronicles": The Voice Of Democracy On The Bbc Broadcasts To Portugal During World War Ii, Nelson Ribeiro 2014 University of Massachusetts - Amherst

António Pedro's "Monday Chronicles": The Voice Of Democracy On The Bbc Broadcasts To Portugal During World War Ii, Nelson Ribeiro

Portuguese Cultural Studies

P: PORTUGUESE CULTURAL STUDIES 5 Spring 2013 ISSN: 1874 - 6969 70 NELSON RIBEIRO Universidade Católica Portuguesa ANTÓNIO PEDRO’S “MONDAY CHRONICLES”: THE VOICE OF DEMOCRACY ON THE BBC BROADCASTS TO PORTUGAL DURING WORLD WAR II Abstract: In the final phase of the Second World War, António Pedro became one of the most emblematic voices of the BBC’s Portuguese Section, mainly due to his “Monday Chronicles” in which he presented his views on British society along with comments on military and geopolitical developments occurring at that time. He achieved a high level of popularity among listeners in Portugal during the ...


The [Ftaires!] To Remembrance: Language, Memory, And Visual Rhetoric In Chaucer's House Of Fame And Danielewski's House Of Leaves, Shannon Danae Kilgore 2014 University of Puget Sound

The [Ftaires!] To Remembrance: Language, Memory, And Visual Rhetoric In Chaucer's House Of Fame And Danielewski's House Of Leaves, Shannon Danae Kilgore

Honors Program Theses

Geoffrey Chaucer's dream poem The House of Fame explores virtual technologies of memory and reading, which are similar to the themes explored in Danielewski's House of Leaves. "[ftaires!]", apart from referencing the anecdotal (and humorous) misspelling of "stairs" in House of Leaves, is one such linguistically and visually informed phenomenon that speaks directly to how we think about, and give remembrance to, our own digital and textual culture. This paper posits that graphic design, illustrations, and other textual cues (such as the [ftaires!] mispelling in House of Leaves] have a subtle yet powerful psychological influence on our reading ...


Robber Barons And Humbuggers: The Rise Of Philanthropic Museums In Nineteenth-Century New York, Meaghan O'Connor 2014 Seton Hall University

Robber Barons And Humbuggers: The Rise Of Philanthropic Museums In Nineteenth-Century New York, Meaghan O'Connor

Seton Hall University Dissertations and Theses (ETDs)

New York City's most recognizable museums like the Metropolitan Museum of Art and the American Museum of Natural History came to prominence in the second half of the nineteenth century thanks to the support of wealthy benefactors. At the same time, social reformers, mostly Protestant and middle or upper-class, were combating the vice and poverty that they saw in the diversifying city with a moralizing rhetoric of character building. This paper will show that these two movements, the rise of Philanthropic Museums and the Social Reform movement were connected and that the large temple-like museums that thrive to this ...


Reflections On Canvas: Caravaggio And The Development Of Optical Stype, Eleanor Rae Harper 2014 Minnesota State University, Mankato

Reflections On Canvas: Caravaggio And The Development Of Optical Stype, Eleanor Rae Harper

Journal of Undergraduate Research at Minnesota State University, Mankato

At the height of his career, Baroque painter Michaelangelo de Mersi Caravaggio was revered for his ability to foster a heightened sense of realism never before seen upon the canvas. However as recent scholarship and a renewed interest in the history of artistic methodology reveal, the artist may have utilized optical devices such as a single lens to project reflections of his subjects upon the canvas. Due to the limitations of such devices, spatial discontinuity and unnatural proportion are just two of the discrepancies which have affected the realism and overall unity of his artwork. Caravaggio worked with naturalism in ...


Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, Melissa Seifert 2014 Minnesota State University, Mankato

Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, Melissa Seifert

Journal of Undergraduate Research at Minnesota State University, Mankato

The Black Power Movement found its beginning in the late fifties with sit-ins and freedom rides, which conveyed a new racial consciousness within the black community in the United States. However, these initial forms of protest were non-violent. The civil rights movement did not see a great deal of violence until nineteen sixty five when Huey P. Newton and Bobby Seale founded the Black Panther Party. Through the pages of the Party's newspaper the Black Panther, resident artist Emory Douglas used his drawings to persuade action and vengeance. His work is similar in style to the work of Pop ...


The Art Of Being: A Study Of The Relationship Between Daoism And Art, Jessica Ortis 2014 Minnesota State University, Mankato

The Art Of Being: A Study Of The Relationship Between Daoism And Art, Jessica Ortis

Journal of Undergraduate Research at Minnesota State University, Mankato

Ever since the beginning of time, artists have been inspired by the religion they choose to follow. Sometimes religion was the subject, but more often than not, one had to really dig deeper into a work of art to understand the religious meaning. In my paper, I focused on contemporary Chinese artist Song Dong, who uses his artistic abilities to reflect the ideals of Daoism. Focusing on a couple of more well known works by Song Dong, one can see that he shows how one is able to move down the path to lead a more full life through the ...


A Contemporary Spin On Tradition: Xu Bing's Cultural Exploration, Karen Obermeyer-Kolb 2014 Minnesota State University, Mankato

A Contemporary Spin On Tradition: Xu Bing's Cultural Exploration, Karen Obermeyer-Kolb

Journal of Undergraduate Research at Minnesota State University, Mankato

This paper analyzed the artwork of Xu Bing and his exploration of cultural values, specifically of language in China. Chinese is one of the oldest written languages of the world, with forms established by 1000CE. One of the purposes of classical Chinese calligraphy was self expression. The Cultural Revolution of the 1960s and 70s brought a shift to this tradition by using large characters as propaganda. Xu Bing uses prominent symbols of culture and language, stemming from the classical teaching of his parents and his work experience during the Cultural Revolution, to convey views of society, as well as to ...


National Museum Of Iraq: A Case For Curating A New Identity, Ajay Kapadia 2014 Minnesota State University, Mankato

National Museum Of Iraq: A Case For Curating A New Identity, Ajay Kapadia

Journal of Undergraduate Research at Minnesota State University, Mankato

In April 2003, the National Museum of Iraq was plundered and the substantial majority of its artifacts were looted. The Iraqi people have lost important elements of their socio-cultural identity; the recovery of these priceless items has been slow. By drawing on examples from past and current museum installations, this paper investigates how art has been used for formation of a new identity. Adolf Hitler‘s 1937 ―Temple of Art, for example, showed Germans that they could be descendants of a Classical ―master race.‖ The transformation of the Louvre into a public space of equality and tolerance demonstrated people‘s ...


Mona Hatoum And The Biographical Influence On Cross-Cultural Exchange, Nicole Shelton 2014 Minnesota State University, Mankato

Mona Hatoum And The Biographical Influence On Cross-Cultural Exchange, Nicole Shelton

Journal of Undergraduate Research at Minnesota State University, Mankato

Artist Mona Hatoum, a Palestinian born in Beirut and educated in London, has experienced the boundaries and displacement of exile. These have become influential in her work and are implied within some of her statements. Compared are the external experiences of a double-exile directly to her subjectivity, culminating in a discussion of works of art such as Light Sentence (Fig. 3) and Homebound (Fig. 7), and highlighting the issue of cross-cultural exchange. This artist is one of many exhibiting cultural exchange within art as a manifestation of hybridization of different cultures, even if the artist does not acknowledge this multiplicity ...


The Hierarchy Of Rococo Women Seen Through Fashion Paintings, Sanda Brighidin 2014 Minnesota State University, Mankato

The Hierarchy Of Rococo Women Seen Through Fashion Paintings, Sanda Brighidin

Journal of Undergraduate Research at Minnesota State University, Mankato

The style of Rococo evokes a variety of feminine attributions; women were usually depicted in works of art in a decorative manner. Many of the interpretations of these paintings focus on the luxurious clothes and lavish backgrounds. Artists like Jean-Antoine Watteau and Francois Boucher were responsible for elevating a very elegant view of Rococo women of Rococo within the public’s eyes. But there were also depictions of non-aristocratic women that were geared more to the middle class (bourgeois). After reading a number of articles and book chapters on Jean-Baptiste- Simeon Chardin, and visiting the Louvre museum in Paris, I ...


Benign Imperialists: Ethnographic (Mis)Representation By German Painter-Adventurers, 1840-1890, Sarah Hermes Griesbach 2014 Washington University in St. Louis

Benign Imperialists: Ethnographic (Mis)Representation By German Painter-Adventurers, 1840-1890, Sarah Hermes Griesbach

Arts & Sciences Electronic Theses and Dissertations

Throughout the mid to late nineteenth century, a new group of academic painters trained in Germany emerged as self-appointed ethnographic experts who sketched and painted heroic visions of a wild American West, and a similarly wild North Africa and Middle East. This group of artists, like their literary analog, traveled to the places they depicted. Artists Adolf Hoeffler (1825-1898), Carl Wimar (1828-1862), Friedrich Frisch (1813-1886), Adolf Schreyer (1828-1899) and Eugen Bracht (1842-1921) fused their artistic personae with their subjects to present themselves as ethnographic experts depicting scenes that asserted their own empirical authority as observers. They not only exhibited their ...


Satire And Stoicism: Pieter Bruegel The Elder's Triumph Of Death, Susan K. Gisselberg 2014 University of Kentucky

Satire And Stoicism: Pieter Bruegel The Elder's Triumph Of Death, Susan K. Gisselberg

Kaleidoscope

In Bruegel and the Creative Process, 1559 – 1563, Margaret Sullivan explains how the religious and political disorder of the Reformation in the Netherlands influenced Pieter Bruegel’s most original works, including The Triumph of Death. During this period, Bruegel combined classical elements and vernacular traditions. As a result of this process, he was able to depict similar imagery to his contemporaries, yet convey a vastly different concept. In a review, Todd Richardson argued that her claim relied heavily on classical literary sources with inadequate visual evidence in the work itself, and her correlations to antiquity rely solely on the motif ...


Imperialism, Economics And Sacred Experience In The Golden Mosaics Of San Marco, Alexandra Steadman 2014 Providence College

Imperialism, Economics And Sacred Experience In The Golden Mosaics Of San Marco, Alexandra Steadman

Art Journal

No abstract provided.


The Places Between Events: “Architectural Interest” And The Shifting Cultural Definition Of America In Stephen Shore’S Uncommon Places, John Ronalter 2014 Providence College

The Places Between Events: “Architectural Interest” And The Shifting Cultural Definition Of America In Stephen Shore’S Uncommon Places, John Ronalter

Art Journal

No abstract provided.


The Significance Of Walker Evans’ Many Are Called In Two Distinct Moments, Margaret North 2014 Providence College

The Significance Of Walker Evans’ Many Are Called In Two Distinct Moments, Margaret North

Art Journal

No abstract provided.


The Impropriety, Informality And Intimacy In Vigee Le Brun's Marie Antoinette En Chemise, Kelly Hall 2014 Providence College

The Impropriety, Informality And Intimacy In Vigee Le Brun's Marie Antoinette En Chemise, Kelly Hall

Art Journal

No abstract provided.


Gino Severini's Dancers And His Theatrical Milieu, Maria Haidinger 2014 Providence College

Gino Severini's Dancers And His Theatrical Milieu, Maria Haidinger

Art Journal

No abstract provided.


Prostitution And Prayer: An Examination Of Ruega Por Ella From Francisco Goya’S Los Caprichos, Eileen Donovan 2014 Providence College

Prostitution And Prayer: An Examination Of Ruega Por Ella From Francisco Goya’S Los Caprichos, Eileen Donovan

Art Journal

No abstract provided.


Art Journal 2014 - Bound, 2014 Providence College

Art Journal 2014 - Bound

Art Journal

No abstract provided.


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