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Joseph Beuys And Social Sculpture In The United States, Cara M. Jordan 2017 The Graduate Center, City University of New York

Joseph Beuys And Social Sculpture In The United States, Cara M. Jordan

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

Alongside the rise of the activist movements in the late 1960s, the German artist Joseph Beuys (1921–1986) proposed his concept of “social sculpture” — a method of fostering creativity, aimed at transforming society through interdisciplinary dialogue — as an alternative to the chaotic political, economic, and social life of postwar West Germany. He sought to heal society through a work of art with holistic and spiritual intentions, centered on the belief that art can include the entire process of living and therefore can be created by a wide range of people beyond artists. Although his ideas are understood and even celebrated ...


Leandro Erlich: Towards A Collaborative Relationship Between Architecture And Art, Isabel Tassara 2016 The University of San Francisco

Leandro Erlich: Towards A Collaborative Relationship Between Architecture And Art, Isabel Tassara

Master's Projects

For this Museum Studies capstone project, I presented and developed a proposal and project plan for an exterior interactive exhibition of an Argentinean artist, Leandro Erlich, at the Contemporary Jewish Museum (CJM) in San Francisco, California. After researching diverse conflicts between architects and artists in the art museum context, my goal was to show an approach in which art can “dialogue” with the exterior features of the CJM’s cutting edge building. To be presented on the courtyard entrance of the Libeskind construction, the exhibition that I propose will potentially prove that an effective relationship can be established outside the ...


Iain Muirhead, Iain Muirhead 2016 Claremont Colleges

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.


A New Approach To Teaching Roman Art History, Marice Rose 2016 Fairfield University

A New Approach To Teaching Roman Art History, Marice Rose

Marice Rose

This article describes an approach to teaching ancient Roman art using historical empathy and current world events to foster students’ engagement with, and learning about, both ancient Roman art and, more broadly, the power of art. This pedagogical approach can inspire richer understanding and increased motivation to learn, while offering possibilities for civic engagement. The suggestions may be helpful for secondary or college-level teachers of Roman art, and for classics teachers who incorporate ancient visual culture.


Carol Salus. Picasso And Celestina: The Artist’S Vision Of The Procuress. Newark, De: Juan De La Cuesta, 2015. 151 Pp., José Luis Gastañaga 2016 University of Tennessee, Chattanooga

Carol Salus. Picasso And Celestina: The Artist’S Vision Of The Procuress. Newark, De: Juan De La Cuesta, 2015. 151 Pp., José Luis Gastañaga

Dissidences

No abstract provided.


Johann-Joachim Winckelmann. Les Larmes De L'Historien, 2016 Western University

Johann-Joachim Winckelmann. Les Larmes De L'Historien

Le Monde français du dix-huitième siècle

Winckelmann est en deuil de l'objet de sa discipline: l'histoire de l'art.


The Black Death In The Medieval World: How Art Reflected The Human Experience Through A Macabre Lens, Shirley M. Carrade 2016 Dominican University of California

The Black Death In The Medieval World: How Art Reflected The Human Experience Through A Macabre Lens, Shirley M. Carrade

Senior Theses and Capstone Projects

In the fourteenth century a devastating pandemic disease known as the Black Death was responsible for the tragic death of millions of Europeans. The wide ranging consequences affected Europe’s culture, religion, and economic stability. These consequences can be seen most directly in the visual arts, notably with the prevalent motif of images of the dead interacting with humans. This interaction between the dead and the living can be found in the famous Triumph of Death, by Francisco Traini (ca. 1350) and the Dance of Death, by Bernt Notke (n.d.). These paintings are just a few of the many ...


Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea 2016 St. Margaret's Episcopal School

Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea

The STEAM Journal

Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic ...


Using Photogrammetry To Document, Analyze, And Reverse-Engineer Grave Markers, Robert Z. Selden Jr. 2016 Center for Regional Heritage Research, Stephen F. Austin State University

Using Photogrammetry To Document, Analyze, And Reverse-Engineer Grave Markers, Robert Z. Selden Jr.

Robert Z. Selden Jr.

There are a wide range of applications for three-dimensional (3D) data in archaeology, and a diverse array of methods for collecting and analyzing those data. In this article, free 3D photogrammetry software (Autodesk 123D Catch) is used to document a series of grave markers. The data are subsequently exported to Geomagic Design X to demonstrate and briefly discuss the various potential analyses that might be used to illustrate the effects of preservation treatments and marker degradation through time. Further, one marker is reverse-engineered, illustrating the capacity of 3D modeling to expedite the process of design, should elements warrant replacement. Additional ...


Data Recovery Investigations: Murvaul Creek Site (41pn175), Panola County, Texas, Arlo McKee, Charles D. Frederick, Timothy K. Perttula, Robert Z. Selden Jr., Leslie L. Bush, Leonard Kemp, Brittney Gregory, Chad Yost, Linda Scott Cummings, Jeffrey R. Ferguson, Michael D. Glascock, Steve Tomka, Leslie Cecil, Caroline Masiello, Xiaodong Gao, Christopher Goodmaster, Virgil Beasley III 2016 Center for Regional Heritage Research, Stephen F. Austin State University

Data Recovery Investigations: Murvaul Creek Site (41pn175), Panola County, Texas, Arlo Mckee, Charles D. Frederick, Timothy K. Perttula, Robert Z. Selden Jr., Leslie L. Bush, Leonard Kemp, Brittney Gregory, Chad Yost, Linda Scott Cummings, Jeffrey R. Ferguson, Michael D. Glascock, Steve Tomka, Leslie Cecil, Caroline Masiello, Xiaodong Gao, Christopher Goodmaster, Virgil Beasley Iii

Robert Z. Selden Jr.

This report summarizes the archeological findings of the 2011 data recovery investigations at the Murvaul Creek site, 41PN175, in far northeastern Texas in Panola County. The site is located along Farm-to-Market Road (FM) 10 approximately 1 mile north of Gary, Texas (Figure 1). Geo-Marine, Inc. (GMI), performed this work under contract to the Texas Department of Transportation, Environmental Affairs Division (TxDOT ENV) under the Texas Antiquities Permit Number 5879 (Work Authorization [WA] 579 06 SA005; WA 590 08 SA005; CSJ:1222-01-014; Geo-Marine project numbers 22005.00.06 and 22005.00.09). The fieldwork for this project was conducted in advance ...


Archeological Investigations At The Kitchen Branch (41cp220), B. J. Horton (41cp20), And Keering (41cp21) Sites, Big Cypress Creek Basin, Camp County, Texas, Timothy K. Perttula, Mason Miller, R. Bo Nelson, Leslie L. Bush, Leslie G. Cecil, Linda Scott Cummings, Chase Earles, Rachel Feit, Jeffrey R. Ferguson, Michael D. Glascock, Melissa K. Logan, Robert Z. Selden Jr., LeeAnna Schniebs, R. A. Varney, Chester P. Walker, Mindy Bonine 2016 Center for Regional Heritage Research, Stephen F. Austin State University

Archeological Investigations At The Kitchen Branch (41cp220), B. J. Horton (41cp20), And Keering (41cp21) Sites, Big Cypress Creek Basin, Camp County, Texas, Timothy K. Perttula, Mason Miller, R. Bo Nelson, Leslie L. Bush, Leslie G. Cecil, Linda Scott Cummings, Chase Earles, Rachel Feit, Jeffrey R. Ferguson, Michael D. Glascock, Melissa K. Logan, Robert Z. Selden Jr., Leeanna Schniebs, R. A. Varney, Chester P. Walker, Mindy Bonine

Robert Z. Selden Jr.

This report details excavations at the Kitchen Branch site (41CP220) in Camp County, Texas. Working on behalf of the Texas Department of Transportation and Federal Highway Administration, archeologists from AmaTerra Environmental, Inc., Archeological and Environmental Consultants, LLC, Hicks & Company Environmental, Archeological, and Planning Consultants, Inc, and Coastal Environments Inc., completed National Register of Historic Places and State Antiquities Landmark eligibility testing and later data recovery investigations of components of the Kitchen Branch site. Work was conducted for compliance with the National Historic Preservation Act of 1966 (as amended) and the Antiquities Code of Texas (13 TAC 26) between 2004 and ...


The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, Nicolas Nercam 2016 Université Bordeaux Montaigne

The Gentleman, The Craftsman And The Activist: Three Figures Of The Sino-Indian Artistic Exchange In Colonial Bengal, Nicolas Nercam

Artl@s Bulletin

This article analyses some aspects of the Chinese-Indian exchanges, which took place in the first half of the 20th century, in the artistic circle of Calcutta and Shantiniketan, in Bengal. From the beginning of the last century, the Bengali elite was under the influence of Okakura Kakuzo’s Pan-Asian theories, in its approach to Chinese art. From the 20’s, under the auspices of Rabindranath Tagore the first direct contact between Chinese and Indian artistes took place and lasted until the 40’s. From the 30’s, the Bengali avant-garde, in its search of a new aesthetic in relation ...


Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, YIN KER 2016 School of Art, Design & Media, Nanyang Technological University

Śāntiniketan And Modern Southeast Asian Art: From Rabindranath Tagore To Bagyi Aung Soe And Beyond, Yin Ker

Artl@s Bulletin

Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation-centric narrative of modern Southeast Asian art. It brings into focus the program’s keystones on the modern, art and the artist, which have been pivotal in discoursing on the Burmese alumnus of the ashram-turned-university, and explores how the same might be applicable to fellow artists in Myanmar and the region.


Marsilio Ficino's Music Theory, Amanda E. Crossan 2016 Oglethorpe University

Marsilio Ficino's Music Theory, Amanda E. Crossan

Oglethorpe Journal of Undergraduate Research

This paper explores the musical theory of Marsilio Ficino, a 15th century Italian philosopher. Examining his own work and those works which inspired him this paper attempts to explain his theory and understand its place in the world today. Looking at modern examples of the Renaissance philosopher's ideas shows that he may not have been too far from discovering the truth.


Blending Myth And Reality: Maritime Portugal And Renaissance Portraits Of The Royal Court, Barbara von Barghahn 2016 George Washington University, Department of Fine Arts and Art History, Washington, DC

Blending Myth And Reality: Maritime Portugal And Renaissance Portraits Of The Royal Court, Barbara Von Barghahn

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Historians have long recognized the singular nautical achievements of sixteenth-century Portugal. The Renaissance age of navigation was characterized by intrepid Portuguese mariners who charted unknown waters in double or triple-masted caravels. Vasco da Gama opened a route around Africa to India in 1497. Pedro Álvares Cabral in 1500 basically steered the same course to South Asia, but deviated on his return to set anchor off the coast of Brazil, the “Land of the True Cross.” Fernão Magalhães’s ship “Victoria” managed to circumnavigate the earth between 1519 and 1521. These Portuguese voyagers substantially changed the medieval world picture. Their maritime ...


Discreet Performances, Anonymous Performances, Virtual Performances, Marco Catalão 2016 Universidade de São Paulo

Discreet Performances, Anonymous Performances, Virtual Performances, Marco Catalão

PARtake: The Journal of Performance as Research

Taking as a starting point some performances and actions of Francis Alÿs, Nate Hill and Chris Burden whose categorization as a work of art depends on a critical or narrative discourse about them, this article presents a theoretical discussion about the performative and creative character of the different discourses that are woven around concrete or imaginary artistic actions. The actions that Jacques Lennep groups under the Human Museum heading make even more evident the role of the discoursive elements in the displacement of everyday actions towards the artistic field. Finally, the article unfolds itself in a practical experiment that seeks ...


Rainbow Effect, 2016 Vocational Training Council

Rainbow Effect

SIGNED: The Magazine of The Hong Kong Design Institute

Bold and bright hues are an integral part of the Asian landscape. In November the HKDI will host an exhibition called Colours of Asia which, as Lisa Li reports, will offer new insights into the way that colour shapes every aspect of our lives.


A Home For Lucille Vinyard’S Lifework In Humboldt State University Library’S Special Collections, Carly Marino, Nicole Martensen, KayCie Voigt, Alexandria Jones, Cathlyn Garibay, Blanca Drapeau, Victoria Bruner, Kathleen C. Bromley 2733528 2016 Humboldt State University

A Home For Lucille Vinyard’S Lifework In Humboldt State University Library’S Special Collections, Carly Marino, Nicole Martensen, Kaycie Voigt, Alexandria Jones, Cathlyn Garibay, Blanca Drapeau, Victoria Bruner, Kathleen C. Bromley 2733528

ideaFest: Interdisciplinary Journal of Creative Works and Research from Humboldt State University

No abstract provided.


Legislative Art As Policy And Pedagogy, Albert Stabler 2016 University of Illinois at Urbana-Champaign

Legislative Art As Policy And Pedagogy, Albert Stabler

Marilyn Zurmuehlen Working Papers in Art Education

The primary medium for artist Laurie Jo Reynolds is that of political lobbying. She refers to her practice as “legislative art,” adapting the term “legislative theater,” a technique for grassroots lawmaking developed and coined by Brazilian director and playwright Augusto Boal, who both founded the Theater of the Oppressed and served as a member of the Rio city government from 1993 to 1997. By linking the discourses of art and law, Reynolds’ practice can be understood as a form of education, highlighting the restrictions required for creativity, and the possibilities afforded by structure. In my essay I bring together European ...


Images Of Public Places: Extending The Copyright Exemption For Pictorial Representations Of Architectural Works To Other Copyrighted Works, Andrew Inesi 2016 Mattel Overseas Operations Ltd.

Images Of Public Places: Extending The Copyright Exemption For Pictorial Representations Of Architectural Works To Other Copyrighted Works, Andrew Inesi

Journal of Intellectual Property Law

No abstract provided.


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