The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, 2024 SUNY University at Buffalo
The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, Camille Ferrer
Art Conservation Master's Projects
A severely damaged 19th-century oil painting depicting a portrait of a woman was treated at Patricia H. and E. Garman Art Conservation Department. A typed letter provided by the owner mentioned that it has been previously restored yet returned with unsatisfactory results. After further examination, the painting appeared to have been previously treated multiple times by different people. There was overpaint distinctly present on the face and later discovered to be present overall. The full state of condition of the painting was initially unknown due to the sum of the surface being overpainted. However, there were evidence of paint loss …
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, 2024 State University of New York College at Buffalo - Buffalo State College
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
Art Conservation Master's Projects
A potential 17th century Anglo-Dutch military portrait painting from the Memorial Art Gallery at the University of Rochester in Rochester, New York arrived at the Garman Art Conservation Department at Buffalo State University for conservation research and treatment in 2022. The painting’s title, date, and artist were unknown and the subject was initially referred to as a “17th Century Dutch Cavalier.” Little information existed on the provenance and history of the artwork. The painting was in a state of structural instability and aesthetic disfigurement and showed evidence of a past restoration campaign. This master’s project attempted to broadly …
Christ Child Bearing The Instruments Of The Passion Technical Study And Treatment Of A Painting On Copper From The Viceroyalty Of Peru, 2024 State University of New York College at Buffalo - Buffalo State College
Christ Child Bearing The Instruments Of The Passion Technical Study And Treatment Of A Painting On Copper From The Viceroyalty Of Peru, Daniela González-Pruitt
Art Conservation Master's Projects
Christ Child Bearing the Instruments of the Passion (acc.# 228017) is a 17th century Peruvian Viceregal painting on copper belonging to the Carl & Marilynn Thoma Art Foundation. The painting depicts the Christ Child on a flower laid path as he carries the instruments of the passion also known as the Arma Christi Paintings executed on copper convey new and challenging preservation issues based on their materials and techniques.. The work had been heavily restored and exhibited several condition issues, including significant overpaint and broad losses. The painting was photographed using multimodal imaging techniques as well as reflectance …
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, 2024 Whittier College
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
User Perception Of Gender Studies In Video Games, 2024 University of South Dakota
User Perception Of Gender Studies In Video Games, Quinn T. Gienapp
Honors Thesis
Alongside the increase in video game popularity, a subclass of games was formed that offer very unconventional gaming experiences. These games offer different stories that differ greatly from games made on multi-million-dollar budgets. Many of these types of games exist on the fringes of the industry and portray LGBTQ+ themes through their writing or gameplay. One of these games uses the medium of video games to process their trauma by relaying their own story. The game “He Fucked the Girl Out of Me” is an autobiographical video game that highlights the story of the Author and their experiences with …
Researching & Designing Marketing Materials For Rachel Messer & Connor Dale, 2024 Bridgewater College
Researching & Designing Marketing Materials For Rachel Messer & Connor Dale, Isabelle Bauer
Honors Projects
Isabelle Bauer’s Honors Project, “Researching and Designing Marketing Materials for Rachel Messer and Connor Dale” is split into two components. First, the research paper titled "The American West as a Cultural Phenomenon" explores the fascination with the American West and its integration into various aspects of American culture, particularly in music, film, and art. The essay discusses the historical significance of the West and its transformation into a cultural obsession. Focusing on the resurgence of Western aesthetics in modern country music, the project’s second component involves the creation of marketing materials for country artists Rachel Messer and Connor Dale.
The …
Retrieving Images From Tarnished Daguerreotypes Using X-Ray Fluorescence Imaging With An X-Ray Micro Beam With Tunable Energy, 2024 Western University
Retrieving Images From Tarnished Daguerreotypes Using X-Ray Fluorescence Imaging With An X-Ray Micro Beam With Tunable Energy, Tsun-Kong Sham, Y. Zou Finfrock, Qunfeng Xiao, Renfei Feng, Sarah Bassnet
Visual Arts Publications
We report recent observations using a synchrotron X-ray micro-beam to retrieve images from tarnished 19th century daguerreotypes. We confirm that high quality image can always be retrieved from tarnished plates using Hg Lα XRF as long as the bulk of the image particles and their distribution remains intact. We also report results from using tunable tender X-rays (2 - 7 keV) to conduct imaging in high vacuum at energy above the Ag L-edge and the Hg M-edge, extracting images using Ag Lα and Hg Mα, respectively among others (e.g., S to track corrosion). Images obtained with the surface sensitive total …
The Reproductive Politics Of Maiolica: Birth, Abortion, And Gendered Authority During The Italian Renaissance, 2024 Bowling Green State University
The Reproductive Politics Of Maiolica: Birth, Abortion, And Gendered Authority During The Italian Renaissance, Rose Brookhart
Honors Projects
In the aftermath of several plagues that decimated the population of the Italian peninsula since 1348, men and women from all socioeconomic backgrounds safeguarded their individual corporeal health and collective societal well-being through a variety of routines and rituals, which were prescribed but at the same time extremely personalized. This increased attention in personal and civic health promoted new trends in both literal and material consumption during the fifteenth and sixteenth centuries. Purgative drugs and medicines were a common facet of medicine during the Italian Renaissance and were ingested regularly to alleviate commonplace bodily discomforts in addition to more serious …
At The Death Of Architecture: Frank Lloyd Wright's Dreams Of America In Japan, 2024 Binghamton University, State University of New York
At The Death Of Architecture: Frank Lloyd Wright's Dreams Of America In Japan, Matthew L. Delgaudio
Binghamton University Undergraduate Journal
In 1832, French writer Victor Hugo declares the death of the edifice as a result of the totalizing popularity of Gutenberg’s printing press since the fifteenth century. American architect Frank Lloyd Wright would echo this sentiment to an intrigued Chicago audience almost 70 years later in his 1901 lecture, “The Art and Craft of the Machine.” The argument went that architecture, chief among the arts, would employ ornament, applied art, and symbolic meaning to capture and spread lasting imprints of human thought before the book usurped this position on account of its greater efficiency in accomplishing the same ends. While …
“When White Men And Indians United Shall Praise:” Indigenous Inclusion In The Hartford Music Company, 2024 Arkansas Tech University
“When White Men And Indians United Shall Praise:” Indigenous Inclusion In The Hartford Music Company, Savannah N. Skaggs
ATU Research Symposium
The Hartford Music Company and Institute of Hartford, Arkansas has attracted increasing academic interest, particularly within the last twenty years. This southern gospel music publishing company and singing school based in southern Sebastian County published a collection of shape note hymnals which boasted some of the genre’s most prolific literature. Though a growing number of Arkansans are learning that these gospel staples came from their own hill country, many do not realize that several of these songs were premiered by or recorded by Indigenous people. While this may not initially seem particularly impactful, this genre developed its own distinct identity …
The First Foundation Of A Good House: Ferryland's Mansion House Kitchen, 2024 Memorial University of Newfoundland
The First Foundation Of A Good House: Ferryland's Mansion House Kitchen, John D. Archer
Northeast Historical Archaeology
The community of Ferryland, located on Newfoundland’s Avalon Peninsula, is home to the remains of George Calvert’s initial attempt at colonial settlement in North America. Over 25 years of excavations and research at the site have produced an increasingly detailed image of life in the seventeenth-century community there. As part of this ongoing work, the project discussed in this paper explores the use and provisioning of a detached kitchen which would have served Ferryland’s Mansion House. Built between 1621 and 1627, the structure makes up one half of a detached service wing adjacent to the Mansion House, fitting a pattern …
"From The Sea, Work": Investigating Historical French Landscapes And Lifeways At Anse À Bertrand, Saint-Pierre Et Miquelon, 2024 Memorial University of Newfoundland
"From The Sea, Work": Investigating Historical French Landscapes And Lifeways At Anse À Bertrand, Saint-Pierre Et Miquelon, Meghann Livingston, Catherine Losier
Northeast Historical Archaeology
Given its history and changing role within the French salt-cod fishery, Saint-Pierre et Miquelon was essential for French colonial expansion throughout the Atlantic World. Saint-Pierre’s sheltered harbour paired with the archipelago’s proximity to the Grand Banks made these islands an ideal locale for carrying out shore-based activities associated with the salt-cod fishery. In this way, Saint-Pierre et Miquelon can be viewed not only as an integral component of the French presence within the greater region but also as a unique cultural landscape within its own right. With particular reference to Anse à Bertrand, a site located on the southeastern edge …
A Material History Of The Early Eighteenth-Century Cod Fishery In Canso, Nova Scotia, 2024 Fisheries Museum of the Atlantic and Memorial University of Newfoundland
A Material History Of The Early Eighteenth-Century Cod Fishery In Canso, Nova Scotia, Adrian Lk Morrison
Northeast Historical Archaeology
In the early eighteenth century, Canso, Nova Scotia housed an influential Anglo-American fishing and trading community with far-reaching connections across Europe and the Americas. The islands were inhabited by a small permanent population joined each year by hundreds of migratory workers who established seasonal operations along their shores. Despite high hopes for long-term development, success would be short lived. Canso was a volatile space: the islands were contested territory and existed within a tense and turbulent frontier. The settlement was attacked multiple times and was destroyed in 1744. This paper draws upon new research and previous archaeological studies to discuss …
Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, 2024 Independent
Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
Critics have observed that Beren and Lúthien’s tale is a Christian retelling of the myth of Orpheus and Eurydice. The “Harrowing of Hell” tradition is widespread in Italy as attested by the mosaic of San Marco among others, but it is in France that the Ovid Moralized reconnects it to Orpheus who descended into the Underworld to save Eurydice (an already late antique parallel) and therefore attests a happy ending version of the story that can be found in medieval England and also in various classical sources, perhaps even in the original legend of Orpheus. The apocryphal Harrowing is also …
From The Outside, Looking In: Reflections On The Complex Infrastructures Of African Art History, 2024 DePaul University
From The Outside, Looking In: Reflections On The Complex Infrastructures Of African Art History, Joanna Gardner-Huggett
Artl@s Bulletin
This essay engages with the five articles featured in this issue from the perspective of a non-specialist. Each contribution considers challenges facing scholars of African arts when confronted with incomplete and not always reliable historical evidence. The author contends that given the escalating demands for the repatriation of African objects, all art historians— not only art historians focused on African arts—should better understand the important strategies proposed by contributors to this issue. These interventions encourage the development of a more critical audience for African arts and also model ethical research, a slow critical archival practice, and sustainable provenance and digital …
Art And Evidence In Totems Of Uganda (2014), 2024 Emory University
Art And Evidence In Totems Of Uganda (2014), Margaret Nagawa, Taga F. Nuwagaba
Artl@s Bulletin
In his painting and book project, Totems of Uganda: Buganda Edition (2014), Ugandan artist Taga Nuwagaba asks: What is the function of a totem? In Buganda, the historical kingdom in current-day Uganda, totems serve as unique identifiers for fifty-two distinct patrilineal descent groups designated as clans, or ebika in the Luganda language, forming the primary scheme of social and political organization. Yet, totems also serve as a conservation practice. In this 2022 interview, Nuwagaba discussed his art and the evidence he relies upon to create his images, demonstrating that identities and knowledges are complex.
Munna Uganda Taga Nuwagaba abuuza nti: …
You Cannot See It: Navigating Yorùbá Religious Artistic Materials, 2024 Rhodes University, South Africa
You Cannot See It: Navigating Yorùbá Religious Artistic Materials, Stephen A. Fọlárànmí
Artl@s Bulletin
My research spanning two decades in Ọ̀yọ́ Palace generated series of questions about access to artistic materials in site-locational spaces, archives and private collections. I probe how scholars have navigated and negotiated these terrains, especially artworks created for religious functions. I explore alternatives to resolve field challenges and consider the effects of such hindrances in art historical research. Drawing on the concept of ọ̀gbẹ̀rì, anecdotes and personal scholarly experiences, I interrogate research access and propose approaches based on personal experience on the importance of Yoruba religion, and practice of initiation.
Iṣẹ́ ìwádì mi fún bíi ogún ọdún sẹ́yìn lórí ààfin …
Shaky Foundations: Cultural Classifications In Museum Collections Management Systems And The Endurance Of Colonial-Era Terminology, 2024 Fowler Museum at UCLA
Shaky Foundations: Cultural Classifications In Museum Collections Management Systems And The Endurance Of Colonial-Era Terminology, Carlee S. Forbes, Erica P. Jones
Artl@s Bulletin
This article uses two musical instruments with attached ancestral remains and labeled as “Asante” from the Fowler Museum at UCLA to consider effects of style-based cultural classifications that appear in museum databases today. We highlight the sway of past classifications over our current understanding of objects that is prolonged by the problem of confirmation-bias in museum collections management systems. We then indicate how working across disciplines stimulated a more nuanced understanding about the complexities of artistic styles for musical instruments with attached human remains in the Akan-speaking region of West Africa.
Cet article étudie deux instruments de musique incorporant des …
Shifting Approaches, Innovative Methods: Collection Histories As A Tool To Move Beyond William Fagg’S ‘Lower Niger Bronze Industry Mystery’, 2024 Digital Benin
Shifting Approaches, Innovative Methods: Collection Histories As A Tool To Move Beyond William Fagg’S ‘Lower Niger Bronze Industry Mystery’, Imogen Coulson, Julie Hudson, Sam Nixon
Artl@s Bulletin
At the end of 2019, the British Museum launched a new research project focusing on copper alloy objects associated with the Lower Niger Bronze Industry. The aim was to increase knowledge of these objects through a combination of provenance and collection history research and scientific analysis. This paper will outline the earlier art historical-focused approach to the Lower Niger Bronzes corpus and will then describe the new research and its methodology. Initial findings will be presented through a case study of objects from the Forcados River in the Niger Delta region of present-day Nigeria. In doing so, we aim to …
Making Absences Present: The Process Of Visualizing Knowledge Production In Museum Records, 2024 Kenyon College
Making Absences Present: The Process Of Visualizing Knowledge Production In Museum Records, Caitlin Glosser
Artl@s Bulletin
In this paper, I evaluate the development of data visualizations as an art historical approach. By visualizing data for Senufo-labeled objects in the Musée Africain de Lyon’s collection, I demonstrate how the museum’s knowledge infrastructure privileges European collectors over African makers. I use Tableau visualizations to decenter this narrative by making silences present in a more impactful manner than through text alone. The visualizations also reveal the complex role that one maker, Bèma Coulibaly, played in the life of the collection. The addition of the individual narrative to the data was necessary to bring a human element into view.
Nous …