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Bringing Students Into The Picture: Teaching With Tableaux Vivants, Ellery E. Foutch 2018 Middlebury College

Bringing Students Into The Picture: Teaching With Tableaux Vivants, Ellery E. Foutch

Art History Pedagogy & Practice

This article explores a recent experiment in implementing tableaux vivants as a college-level art history assignment, in which students researched works of art and also assumed the pose, posture, and attributes of the work; students were also invited to reconceptualize and think transformatively about these historical works. Drawing upon the principles of Universal Design for Learning, the assignment offers an impetus for close looking, research, critical thinking, interpretation and creativity, and an engagement in metacognitive and embodied experiences, as will be demonstrated by the resulting assignments and students’ written self-reflections. While the assignment was originally designed for a course focused ...


True, Valerie (Fa 1122), Manuscripts & Folklife Archives 2018 Western Kentucky University

True, Valerie (Fa 1122), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1122. Student paper titled “Making of Lye Soap” in which Valerie True details the processes behind soap production. True’s informants include her grandmother, Delora True, and her boyfriend’s mother, Frances Chaney. Additional information regarding the uses of lye soap, necessary ingredients, and tools of the trade are also included. Black and white photographs of the process are provided as well.


Fraktured Homeland, Jennifer Shenk 2017 University of Colorado, Boulder

Fraktured Homeland, Jennifer Shenk

Art Practices MFA Theses

My installation, titled Fraktured Homeland, is a tribute to the fraktur. By translating it into a different material and releasing it from the confines of the two dimensional page, I seek to breathe new life into the space of the fraktur, moving the tradition forward.


You Are Not Here, Peter Cullum 2017 University of Colorado, Boulder

You Are Not Here, Peter Cullum

Art Practices MFA Theses

These paintings embody the shadowy memories of my time within nature. I have turned the front of each painting to face the wall, allowing only a fleeting glimpse of an unobtainable image to be experienced through the reverse. The landscapes recorded on the painterly and drawn surfaces exist now only as an elusive glimpse, appearing, disappearing, and shifting at different viewing angles.

These works stand as a monument to humility. They are mementos of my fluctuating and imperfect memory, charged with the desire for an original experience that I can never again possess. This is presented, not merely to frustrate ...


Vesuvius At Home, Christin Elizabeth Turner 2017 University of Colorado, Boulder

Vesuvius At Home, Christin Elizabeth Turner

Art Practices MFA Theses

Vesuvius At Home is a 14-minute experimental essay film that de-contextualizes Pompeii as a site of personal mythology and memory; beginning with a VHS tape of third-graders re-enacting The Fall of Pompeii in 1993.


Splitting Water With Wood, Matthew Smith 2017 University of Colorado, Boulder

Splitting Water With Wood, Matthew Smith

Art Practices MFA Theses

My thesis project Splitting Water with Wood is an installation consisting of a handmade boat and projected video of a durational performance that engaged the boat in unconventional ways. Throughout the project and paper, I employ conceptions of faith as a crucial lens to begin to understand my current body of work; a handcrafted boat as an exploratory apparatus, the labor surrounding it as an act of devotion, and a resulting performance that experiments with ideas about baptism. By challenging presupposed notions of how a boat traditionally functions, I rely on the lively materiality of the object and its environment ...


Par-Delà Toute Comparaison : Présentation, Alain Agnessan 2017 University of Western Ontario

Par-Delà Toute Comparaison : Présentation, Alain Agnessan

Mouvances Francophones

Présentation sur la dévaluation de la primauté du verbal sur le visuel dans la bande dessinée vue d'Afrique


« Je Suis Fier D’Amener ‘Mon Soleil’ Dans La Bd Universelle. » Entretien Avec Barly Baruti, Alain Agnessan 2017 University of Western Ontario

« Je Suis Fier D’Amener ‘Mon Soleil’ Dans La Bd Universelle. » Entretien Avec Barly Baruti, Alain Agnessan

Mouvances Francophones

Interview de Barly Baruti par directeur de ce numéro, Alain Agnessan


Les Nouveaux Territoires De L’Istoriographie. Se Dessiner À Partir D’Une Faille., Alain Agnessan 2017 University of Western Ontario

Les Nouveaux Territoires De L’Istoriographie. Se Dessiner À Partir D’Une Faille., Alain Agnessan

Mouvances Francophones

La fiction –non plus uniquement le roman –istorique ou istoriographique, entend investir, par le truchement d'une subjectivité qui se sait complexe et hétérogène, les failles d'un présent qui demeure aussi, sinon beaucoup plus, fuligineux que le passé. Parce que l'istor, ce témoin et cet agent oculaire, ramène au voir, aux politiques du visible, je bifurquerai contrairement à Emmanuel Bouju, vers un ailleurs du domaine littéraire : la bande dessinée. L'exercice permettra de déceler les stratégies grâce auxquelles un istor graphique donne de voir son soi immobilisé et fragmenté dans les failles d'un présent chaotique et continument ...


On Affame Bien Les Rats D’Abdelaziz Mouride : « Les Années De Plomb » Au Maroc Dans Un Bédé - Reportage, Chourouq Nasri 2017 Université Mohammed 1, Oudja, Maroc

On Affame Bien Les Rats D’Abdelaziz Mouride : « Les Années De Plomb » Au Maroc Dans Un Bédé - Reportage, Chourouq Nasri

Mouvances Francophones

Dans cet article, je propose de remettre en question les clichés sur la bande dessinée et d’explorer la façon dont ce livre permet la transmission d’une mémoire dont les dimensions sont à la fois personnelles et collectives. Même si les événements (résistance, torture, enlèvement, incarcération, assassinats, etc.) que le livre évoque sont derrière nous, cette bande dessinée est un témoin privilégié de l’histoire et de l’évolution de notre société. Mouride explore une nouvelle forme de récit historique et nous invite à conduire une réflexion sur notre propre histoire. Son ouvrage est à la fois historique, artistique ...


Stumbling Into The Spiral: A Serendipitous Steam Exploration, David Rufo 2017 Fordham University

Stumbling Into The Spiral: A Serendipitous Steam Exploration, David Rufo

The STEAM Journal

An artist-educator discovers how a STEAM-based approach to making art brings together a variety of subject areas in surprising ways.


Passing, Paul Kelley 2017 Claremont Graduate University

Passing, Paul Kelley

The STEAM Journal

Passing is a Site-specific public installation assembled with plastic and an iPad. At its center, the iPad displays a video loop of a human image repeatedly walking in and out of the frame. The work maintains my foundational interest in having the viewer slow down to have a more thoughtful and absorptive experience with the work and surrounding space – continuing my practice of challenging viewer’s expectations and putting them in a position to stop and question.


Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg 2017 Amsterdam University of Applied Sciences

Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg

The STEAM Journal

One might wonder how intuitive art can connect to neuroscience and how this could be accomplished. In this descriptive article, research connecting art therapy and neuroscience has been collected and a workshop on Intuitive Painting has been described in detail. The connection was made by the author based on an article by Barker (2017), ‘4 Rituals to be more Happy,’ who writes a popular science blog. The rituals: gratefulness, expressing negative emotions, decision making and human touch were combined with Dr. Pinkie Feinstein’s method of Intuitive Painting in a small group setting. Although subjective, it would seem that at ...


Wonder, Walking, And Water, Rachel Mayeri 2017 Harvey Mudd College

Wonder, Walking, And Water, Rachel Mayeri

The STEAM Journal

Art and Science is a seminar and studio course on science-inspired art practices. We will survey and discuss cutting-edge art-science theory, practice, and institutions in seminar. In studio, we examine art-science topics in hands-on experiments, and guided activities leading to art projects.


Elements Of Art, Mike Doyle 2017 Claremont Colleges

Elements Of Art, Mike Doyle

The STEAM Journal

Through these paintings and my writing I share how elements of art and science overlap in the strokes of paint that create the perceptions of something familiar in our minds.


A New Generation For Art And Science, Alice Marie Perreault 2017 Claremont Graduate University

A New Generation For Art And Science, Alice Marie Perreault

The STEAM Journal

My interest in this cross-over between art and science, specifically, the body and supportive technologies, has lead me to mixed media and installations where I can examine degeneration and a “new” generation using a combination of conventional and unconventional materials. Unlike re-generation, which is a return to an original state, “new” generation gives way to new arrangements.


Blowouts, Bricks, And Lines, Kenneth Fandell 2017 Harvey Mudd College

Blowouts, Bricks, And Lines, Kenneth Fandell

The STEAM Journal

This essay shares the interdisciplinary insights from three projects


Sediment - Behind The Cover Art, Melanie Moore Bermudez 2017 Claremont Graduate University

Sediment - Behind The Cover Art, Melanie Moore Bermudez

The STEAM Journal

Ideas of mapping, topography, erosion and evaporation have been loosely connected to my work for several years now. In my latest series I have put more of a focus on those ideas. In particular I am interested in the movement of sediment pushed by a flow of water and then left, stranded in a new location, as that water source dries up and diminishes. The pigments of the ink in the paintings are my sediment that I build up layer after layer to create a mini geological world caught in a moment of shift, pause and flow.


Sediment, Melanie Moore Bermudez 2017 Claremont Graduate University

Sediment, Melanie Moore Bermudez

The STEAM Journal

Ideas of mapping, topography, erosion and evaporation have been loosely connected to my work for several years now. In my latest series I have put more of a focus on those ideas. In particular I am interested in the movement of sediment pushed by a flow of water and then left, stranded in a new location, as that water source dries up and diminishes. The pigments of the ink in the paintings are my sediment that I build up layer after layer to create a mini geological world caught in a moment of shift, pause and flow.


Discovering And Demonstrating Patterns, Maria Klawe 2017 Harvey Mudd College

Discovering And Demonstrating Patterns, Maria Klawe

The STEAM Journal

Harvey Mudd College's President Maria Klawe shares her personal journey in combining a love of mathematics and art.


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