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A Field Guide For Weathering: Embodied Tactics For Collectives Of Two Or More Humans, Jennifer Mae Hamilton, Astrida Neimanis 2018 University of New England, Armidale

A Field Guide For Weathering: Embodied Tactics For Collectives Of Two Or More Humans, Jennifer Mae Hamilton, Astrida Neimanis

The Goose

In our inherited meteorological practices and frameworks, weather conditions are managed for us in a range of ways (for example, through architecture, technology, commodity culture, infrastructure, economic rationale). This field guide brings the weather back to the body. A traditional field guide provides tools for the individual sovereign human subject to observe and document nature “over there”. In contrast, through a range of different activities, our field guide not only invites investigation and cataloguing of the field that we also comprise, but also challenges what counts as a noteworthy observation regarding the weather and also climate.


Sea Squad, Liam Geary Baulch 2018 Goldsmiths, University of London

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.


Next To A River: Mobility, Mapping, And Hand Embroidery, Sharmistha Kar 2018 The University of Western Ontario

Next To A River: Mobility, Mapping, And Hand Embroidery, Sharmistha Kar

Electronic Thesis and Dissertation Repository

This MFA project explores identity, mapping, and embroidery as broadly considered regarding ideas of place and landscape. Concepts such as travel, the familiar, the temporary, the known, and the unknown are motivating notions that I examine through academic study alongside techniques of hand embroidery. Throughout my MFA project, a series of material and technical choices were crucial to my reflecting on ideas of resemblance, mapping, migration, and archiving in order to further understand my identity.

A series of texts on resemblance, archiving, and mapping by Michel Foucault, Arjun Appadurai, and Tom Vanderbilt, along with references to the art practices and ...


Buffer, Graham Macaulay 2018 The University of Western Ontario

Buffer, Graham Macaulay

Electronic Thesis and Dissertation Repository

This thesis dossier is separated into the following distinct sections. The first is an extended artist statement that attempts to locate the uncertain objects of my practice within a relational field, involving writing around becoming, unaccountability and empathy, among other things. The second is a portfolio of photographic documentation of artworks made during my MFA candidacy, primarily attending to documentation of my concurrent thesis exhibition. The third is a case study exploring the work of artist Erin Shirreff, who works between photography, video and sculpture, among other media, drawing attention to bodily presence and duration through mediated structures.


Visual Pleasure And Racial Ambiguity, Ruth M. Owens MD 2018 University of New Orleans

Visual Pleasure And Racial Ambiguity, Ruth M. Owens Md

University of New Orleans Theses and Dissertations

I struggle to present work that reflects a psychological expressivity which at the same time conveys intellectual concepts that are of concern to me. It seems that the fluidity of an image can communicate a certain pathos, and correspond to the fluid nature of one’s identity. Drippy paint, distorted bodies, and vertiginous video clips can give an indication about what a body feels like from within. Depictions of these bodily feelings help to communicate ideas about what it means to be alive in general, and a mixed race woman, in particular.


A Bookbinder’S Journey, Peter D. Verheyen 2018 Syracuse University

A Bookbinder’S Journey, Peter D. Verheyen

Peter D Verheyen

The Syracuse University Libraries Assembly (SULA) presents Peter Verheyen, Librarian at Syracuse University Libraries. At this illustrated lecture on July 30, 2018 Verheyen spoke to his career as a bookbinder with a focus on his creative work. A video recording that also includes the questions & answers can be viewed here. Among the facets discussed were how his experiences and the mentorship he received as a work-study student guided him to apprentice in his “native” Germany; the materials and techniques he uses to craft his bindings, many of which have been exhibited throughout the US and abroad; and a recent project ...


Artworks From "Desert Divinity" Exhibit, Kevin J. Comerford 2018 University of New Mexico - Main Campus

Artworks From "Desert Divinity" Exhibit, Kevin J. Comerford

University Libraries & Learning Sciences Faculty and Staff Publications

This 360-degree video tours the "Desert Divinity" art exhibit, held at the South Broadway Cultural Center in Albuquerque, New Mexico, from April 12 to May 31, 2018.

The exhibit was curated by Augustine Romero and featured works by Kevin Comerford, Associate Professor and Director of Digital Initiatives at University Libraries, University of New Mexico. Other artists included in the show are Julie Reichert, Gabriel Luis Powers, and Richard Hazel. "Each artist brings in a sense of transcendentalist ideals of self-reliance and idealism as they explore nonobjective art," Romero said. "The studio becomes an environment of independence. The collective sense of ...


Migiwa Orimo Interview, Jessica Ruiz 2018 DePaul University

Migiwa Orimo Interview, Jessica Ruiz

Asian American Art Oral History Project

Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.

In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”

She exhibits her work nationally ...


Reflective Documentation As A Movement Potential: Two Digital Platforms Building A Professional Learning Community, John Taylor, Defne Erdur 2018 Amsterdam University of the Arts

Reflective Documentation As A Movement Potential: Two Digital Platforms Building A Professional Learning Community, John Taylor, Defne Erdur

Proceedings from the Document Academy

Creating dance and training dancers is a collaborative and co-creative process, and teaching has a central role in the co-creative artistic processes. Yet dance teachers, whether free-lance or working in an institution, often develop and maintain their physical teaching practice in isolation. Additionally, because of the ephemeral nature of dance and the relational nature of dance education, these practices usually do not end up being recorded or documented as a body of knowledge. In the face of such a reality the online database IDOCDE.net provides a platform for the development and maintenance of an inclusive professional learning community through ...


Performing The Quality Of Imperceptible Interactions Between Individuals: A Technological Challenge Regarding The Collective, Marine Theunissen 2018 Université du Québec à Montréal

Performing The Quality Of Imperceptible Interactions Between Individuals: A Technological Challenge Regarding The Collective, Marine Theunissen

Proceedings from the Document Academy

Contemporary technologies allow incredible possibilities of capturing individuals, but a problem arises when it comes to capturing a chorus, that is to say a "collective body" in motion. This proposal will address the problem of the sensitive capture of the quality of the interrelations between individuals, and of their refined interpretation through algorithms to "output” them in other forms. We will address two questions on the subject: how to capture the relations between individuals within a collective? How to create a circular-causal loop, whose artistic material (the digital data) is the interrelations of a collective, without engendering redundancy in their ...


Collaboration In Musical Theatre Writing, John Coyne 2018 Pace University

Collaboration In Musical Theatre Writing, John Coyne

Honors College Theses

Good musical theatre writing is generally assessed by how intentional it is in telling its story. Since it is a very difficult thing to tell a story using music, writers must exercise extreme caution in allowing a story to unfold in an effective, economic way. Recently, there has been a trend in theatre for projects to be developed in a way that utilizes less time of writers sitting alone in a room, and more of material being developed on its feet. Devised theatre, as it is often called, is anathema to the traditional practices of musical theatre writing. The results ...


Radical Joy Performed Into Action: A Study Of Feminist Performance Art, Kaylee Simonson 2018 Honors College, Pace University

Radical Joy Performed Into Action: A Study Of Feminist Performance Art, Kaylee Simonson

Honors College Theses

Although traditionally excluded from the art world as from all major institutions, women artists staked their claim by revolutionizing performance art as a medium in the 1960s and 70s. By integrating life and art, feminist artists developed the powerful ideology that “the personal is political,” especially in art. From this foundation of radical assertion, feminist artists explored, resisted, and deconstructed their struggles. Contemporary feminist artists not only have different battles to fight, they fight them in a different format: digital media. In this project, I seek to explore the ways performance artists before me have used the medium of performance ...


Interfaces Of Nearness: Documentary Photography And The Representation Of Technology, Mark Kasumovic 2018 The University of Western Ontario

Interfaces Of Nearness: Documentary Photography And The Representation Of Technology, Mark Kasumovic

Electronic Thesis and Dissertation Repository

The central aim of this dissertation is to provide insights into the ways in which documentary photography, in theory and practice, can be employed in the representation of evolving and difficult to visualize technologies. Examining technology via its relationship to scientific inquiry offers a framework for considering the production of knowledge through instruments and their inscriptions. This relationship is examined from diverse perspectives, such as the philosophy of technology, social constructivism, the philosophy of science, and media studies. Considering the relationship between the function of instruments within the scientific laboratory and the camera as used within the visual arts can ...


Artists' Genres: A Brief Introduction To Post-Medieval Western Art History, Robert Jensen 2018 University of Kentucky

Artists' Genres: A Brief Introduction To Post-Medieval Western Art History, Robert Jensen

Art & Visual Studies Faculty Book Gallery

Artists' Genres is a brief introduction to the history of post-medieval Western art organized by the major genres. The book is designed as a basic textbook for high school- or introductory college-level courses or for individuals simply looking for an interesting guidebook into the art of this period and geographical region.


Kioto Aoki Interview, Austin Sandifer 2018 DePaul University

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/


Mitsu Salmon Interview, David Yonamine 2018 DePaul University

Mitsu Salmon Interview, David Yonamine

Asian American Art Oral History Project

Artist Bio:
Mitsu Salmon creates original performance and visual works, which fuse multiple disciplines. She was born in the melting pot of Los Angeles to a Japanese mother and American father. Her creation in different mediums, the translation of one medium to another, is connected to the translation of differing cultures and languages.

Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater, studying theater and visual arts. She has lived in India, England, Germany, Amsterdam, Japan, and Bali.

She has performed solo ...


Rudolf Laban's Dream: Re-Envisioning And Re-Scoring Ballet, Choreutics, And Simple Functional Movements With Vector Signs For Deflecting Diagonal Inclinations, Jeffrey Scott Longstaff 2018 Taizhou University

Rudolf Laban's Dream: Re-Envisioning And Re-Scoring Ballet, Choreutics, And Simple Functional Movements With Vector Signs For Deflecting Diagonal Inclinations, Jeffrey Scott Longstaff

Journal of Movement Arts Literacy

Several methods of movement notation, forerunners of modern-day Labanotation/Kinetography were published by Rudolf Laban in his 1926 book Choreographie. One of these has been referred to as vector signs because they represent movement as orientations (slopes) of lines through space. This article begins by comparing Labanotation direction symbols with Laban's earlier vector signs by looking at differences when simple sequences are scored in both formats. Concepts of space within the vector signs are examined, particularly Laban's idea of deflecting inclinations where movements are categorized as mixtures of two fundamental contrasting spatial and dynamic tendencies: dimensional stability and ...


Soheila Azadi Interview, Jillian Bridgeman 2018 DePaul University

Soheila Azadi Interview, Jillian Bridgeman

Asian American Art Oral History Project

Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in ...


Sarah-Ji (Love & Struggle Photos) Interview, Aggie Kallinicou 2018 DePaul University

Sarah-Ji (Love & Struggle Photos) Interview, Aggie Kallinicou

Asian American Art Oral History Project

Artist Bio:

Artist Bio: Sarah-Ji is a movement photographer who has been documenting freedom struggles in Chicago since 2010. Her long term work is to build a world in which prisons and police are not necessary, and no one is disposable. Sarah is a core member of For The People Artists Collective and organizes with Love & Protect and documents under the name Love & Struggle Photos. She and her daughter Cadence currently live in Rogers Park.


Tony Moy Interview, Sarah Song 2018 DePaul University

Tony Moy Interview, Sarah Song

Asian American Art Oral History Project

Artist Bio:
Tony Moy is a mixed media artist who focuses on watercolor and Gouache living in downtown Chicago. He has published art in books from the X-files, Dungeons and Dragons, Tome I & II, Memory Collectors and among others. In addition, Tony has over 10 years of teaching experience and currently teaches illustration and design at the School of the Art Institute. His inspiration comes from studying traditional and classic watercolorists combined with the modern influences of pop culture comics, anime and fantasy. https://www.tonymoy.art/about-me


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