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148 full-text articles. Page 1 of 7.

We're Not Gonna Take It!: Limiting The Right Of Publicity's Concept Of Group Identity For The Good Of Intellectual Property, The Music Industry, And The People, Andrew W. Eaton 2016 University of Georgia School of Law

We're Not Gonna Take It!: Limiting The Right Of Publicity's Concept Of Group Identity For The Good Of Intellectual Property, The Music Industry, And The People, Andrew W. Eaton

Journal of Intellectual Property Law

No abstract provided.


"Hang 'Em High": Will The Recording Industry Association Of America's New Plan To Posse Up With Internet Service Providers In The Fight Against Online Music Piracy Finally Tame The Wild Internet?, John Eric Seay 2016 University of Georgia School of Law

"Hang 'Em High": Will The Recording Industry Association Of America's New Plan To Posse Up With Internet Service Providers In The Fight Against Online Music Piracy Finally Tame The Wild Internet?, John Eric Seay

Journal of Intellectual Property Law

No abstract provided.


Malcolm Chisholm: An Evaluation Of Traditional Audio Engineering, Paul Linden 2016 Butler University

Malcolm Chisholm: An Evaluation Of Traditional Audio Engineering, Paul Linden

Paul Linden

The career of longtime Chicago area audio engineer and notable Chess Records session recorder Malcolm Chisholm (1929-2003) serves as a window for assessing the stakes of technological and cultural developments around the birth of Rock & Roll. Chisholm stands within the traditional art-versus-commerce debate as an example of the post-World War II craftsman ethos marginalized by an incoming, corporate-determined paradigm. Contextual maps locate Chisholm’s style and environment of audio production as well as his impact within the rebranding of electrified Blues music into mainstream genres like Rock music. Interviews of former students and professional associates provide first-hand accounts of core ...


Rethinking L'Exception Culturelle In French Music Then And Now: Language, Memory, And Political Order, Melanie Ann LaFoy 2016 University of Tennessee, Knoxville

Rethinking L'Exception Culturelle In French Music Then And Now: Language, Memory, And Political Order, Melanie Ann Lafoy

Masters Theses

Through this thesis, entitled “Rethinking l'exception culturelle in French Music then and now: Language, Memory, and Political Order,” I explore the concept of exception culturelle as it relates to music in France. I break down this concept by situating current French music trends within a historical landscape, highlighting certain moments of tension between music, politics, and language that appear in the decades after the Dreyfus Affair (1894), which I consider to be a turning point in the way French music is and was perceived inside and outside French national borders. I also examine the years after the second World ...


Editorial, Radiodoc Review, Volume Two, Issue Two, 2016, Siobhan McHugh 2016 University of Wollongong

Editorial, Radiodoc Review, Volume Two, Issue Two, 2016, Siobhan Mchugh

RadioDoc Review

Overview of articles reviewed in fourth issue of RadioDoc Review


Comparing The Cost Of Preamplifiers To Their Sonic Fidelity And Frequency Output, Jackson O. Hunter 2016 California State University, Monterey Bay

Comparing The Cost Of Preamplifiers To Their Sonic Fidelity And Frequency Output, Jackson O. Hunter

Capstone Projects and Theses

This Capstone paper takes a deep look into the relationship or lack-thereof between the quality and price of preamplifiers. The purpose is to explore the world of these necessary and technologically dense pieces of audio production equipment and uncover their true worth through research and experimentation. The basis of my research is backed by a preamplifier-shootout that tested almost ten different preamplifiers that yielded interesting results. Supplementary to this study, I conducted my own experiment with preamplifiers to further seek truth in a less-than-straightforward audio equipment marketplace.


Dynamic Media: A Need For The Dynamic Use Of Media To Meet Organizational Goals, Alexander J. Scott 2016 SIT Graduate Institute

Dynamic Media: A Need For The Dynamic Use Of Media To Meet Organizational Goals, Alexander J. Scott

Capstone Collection

This qualitative research study looks at how media can be used dynamically as a vehicle for study abroad students to create more meaningful engagements with the communities they visit. It takes a post-structural approach with an emphasis on how media supports participatory community-driven initiatives. It is the result of a 3-month participatory research process that looks at how media is emerging as a resource in some of the most remote communities in Nicaragua. The study was based on interviews with community stakeholders of the study abroad program, participatory observation, questionnaires, talks with community members, and the results of dynamic media ...


Balancing Personal Trauma, Storytelling And Journalistic Ethics: A Critical Analysis Of Kirsti Melville's The Storm, Mia Lindgren 2016 Monash University

Balancing Personal Trauma, Storytelling And Journalistic Ethics: A Critical Analysis Of Kirsti Melville's The Storm, Mia Lindgren

RadioDoc Review

When Kirsti Melville’s documentary The Storm about the life-long impact of child sexual abuse was broadcast in 2014, it contributed to a public debate about sexual abuse. Hundreds of listeners commented on the ABC Radio National website and Facebook pages, expressing how deeply moved they were, praising both the subject of the story Erik and the journalist Kirsti for their bravery and honesty in making the documentary, and remarked that Erik’s personal story helped them understand the issue better. Kirsti Melville won three national awards for her program, which also documented her personal story as Erik’s former ...


The Flap-O-Phone, A Site-Specific Turntable, Christopher DeLaurenti 2016 College of William and Mary

The Flap-O-Phone, A Site-Specific Turntable, Christopher Delaurenti

Christopher DeLaurenti

This article gives an overview of the author's site specific turntable, the flapophone. Supplemental attached files include images, audio, and video of the flapophone being played by the author.


Review: On Audio Culture, Christopher DeLaurenti 2016 College of William and Mary

Review: On Audio Culture, Christopher Delaurenti

Christopher DeLaurenti

A review of the book Audio Culture edited by Christoph Cox and Daniel Warner.


The Flap-O-Phone, A Site-Specific Turntable, Christopher DeLaurenti 2016 College of William and Mary

The Flap-O-Phone, A Site-Specific Turntable, Christopher Delaurenti

Christopher DeLaurenti

This article gives an overview of the author's site specific turntable, the flapophone. Supplemental attached files include images, audio, and video of the flapophone being played by the author.


Dollhouse, Whitney Goller 2016 East Tennessee State University

Dollhouse, Whitney Goller

Electronic Theses and Dissertations

The artist discusses the work in DollHouse, her Master of Fine Arts exhibition on display at Tipton Gallery, Johnson City, Tennessee from January 25 to February 5, 2016. The exhibition was an installation consisting of five sets, each containing furniture - both 2D and 3D - and a mask with instructions relating to a room found within a dollhouse.

The sets and supporting thesis explore the ideas of social norms, feminism, and identity, and how submission to ideologies can create emptiness, while engagement can prompt social change. Topics include the process and evolution of the work and the artists who influenced it ...


Gëm Sa Bop: Performing Ethics, Claiming Space And Grabbing The Mic As Senegalese Female Hip-Hop Artists, Sophie M. Keane 2016 Macalester College

Gëm Sa Bop: Performing Ethics, Claiming Space And Grabbing The Mic As Senegalese Female Hip-Hop Artists, Sophie M. Keane

Anthropology Honors Projects

The hip-hop cultural movement has taken hold of youth communities around the world. DJs, taggers/graffiti artists, rappers/MCs, and breakers/dancers exist in every corner of the globe; Dakar, Senegal is no different. Hip-hop has historically privileged male bodies, but female artists in Dakar “grab the mic” to unapologetically express themselves and disrupt the systemic silencing of their voices. I argue that Senegalese female hip-hop artists navigate and claim gendered spaces by carving out creative spaces of their own and grabbing the mic. Gëm sa bop, a Wolof phrase meaning “believe in yourself,” grounds the ethics — how an actor ...


The Incorporation Of Hungarian Folk Song In Kodály's Psalmus Hungaricus, Sebastian A. Haboczki 2016 James Madison University

The Incorporation Of Hungarian Folk Song In Kodály's Psalmus Hungaricus, Sebastian A. Haboczki

Graduate Showcase of Scholarship and Creative Activities

My project is an introductory work that lays the foundations for my graduate dissertation. In this work I have taken numerous Hungarian folk songs and mapped what I consider important elements that identify these melodies as "Hungarian folk music". In turn I then took these elements and compared them to Bela Bartok's compositional work Psalmus Hungaricus. As he was commissioned to write this piece for the 50th anniversary of the union of Buda and Pest, the composed material is all original. My argument is that although it is all newly composed material, that Bartok distinctly composed with the elements ...


Alejandro Acierto Interview, Madeline Bolton 2016 DePaul University

Alejandro Acierto Interview, Madeline Bolton

Asian American Art Oral History Project

Artist Bio: Alejandro T. Acierto is an artist and musician working in time-based media. He has exhibited his work at the Film Society of Lincoln Center, Issue Project Room, Museum of Contemporary Art Chicago, Art Institute of Chicago, Salisbury University, SOMArts and presented performance works at the Brooklyn International Performance Art Festival, Center for Performance Research, and Center for New Music and Technology. Acierto has held residencies at Skowhegan School of Painting and Sculpture, Virginia Center for the Creative Arts, Banff Centre, High Concept Laboratories, and Chicago Artists' Coalition. He is currently a FT/FN/FG Consortium Fellow, a Center ...


From The Limbo Zone Of Transmissions: Gregory Whitehead’S "On The Shore Dimly Seen", Virginia Madsen 2016 Macquarie University, Sydney

From The Limbo Zone Of Transmissions: Gregory Whitehead’S "On The Shore Dimly Seen", Virginia Madsen

RadioDoc Review

In this review-essay, Virginia Madsen enters the polyphonous 'limbo zone of transmissions' created by Gregory Whitehead's most recent 'performed documentary' and radio provocation, "On the shore dimly seen". This composed voicing, drawn from verbatim texts courtesy of WikiLeaks and the dysfunctionality of America's Guantanamo Bay, is heard as a fortuitous chance encounter with a medium – and as an increasingly rare listening 'detour' while Madsen is on the road. This essay is thus both a reflection upon the nature of the radio offered here, the chance listening experience to work of this kind, and upon the distinctive body of ...


Sawft.Servindat... [V1.7], Ray Ferreira 2016 CUNY Hunter College

Sawft.Servindat... [V1.7], Ray Ferreira

School of Arts & Sciences Theses

A descriptor of my artistic practice, a text piece, a series of linguistic musings, and more, Sawft.servindat… [v1.7] attempts to explore the dance between language, embodiment, and performativity. More specifically, the text moves through metaphor and metonym, Englishes, Spanishes, and Images, the performativity of representation and the representation of performativity —my body. My body moving across spaces and times. As part of the Sawft.servindat… series, Sawft.servindat… [v1.7] uses the scroll down format of most PDF reading software to activate the inherently embodied experience of intra-acting with technologies, resisting the dichotomy between the virtual and analog ...


The Copyright Board And Tribunals Process: Users In The Balance, Louis J. D'Alton 2016 The University of Western Ontario

The Copyright Board And Tribunals Process: Users In The Balance, Louis J. D'Alton

Electronic Thesis and Dissertation Repository

The wholesale adoption of copyright collective management as public policy tool has had an extraordinary impact on the information landscape. The unfettered expansion of collective rights organizations throughout the 20th century has resulted in increased social costs and a burgeoning bureaucracy surrounding the collective use of rights.

This thesis considers the role of copyright tribunals within that process, and more importantly within a critical historical frame. While some work has been done with respect to copyright tribunals and their role in the policy process, none of it has considered the tribunals within a critical frame. This thesis considers those ...


Paul Yamada Interview, Bryan Nolte 2016 DePaul University

Paul Yamada Interview, Bryan Nolte

Asian American Art Oral History Project

BIO: Independent scholar and cultural critic Paul Yamada has spent forty years in different areas of the music business, in the midwest and the east. A founding editor of the pioneering rock zine Terminal Zone (1976-78), Paul has written on blues, rock, soul, jazz, and avant garde music. In addition, Yamada has written on cinema, art, and theater for a wide variety of local publications in Chicago, St. Louis and Washington DC. He has consulted for National Public Radio, the Library of Congress and the Smithsonian Institution, as well as the Washington DC Performing Arts Society and Chicago area (name ...


On The Shore Dimly Seen: Review, Götz Naleppa 2016 University of Wollongong

On The Shore Dimly Seen: Review, Götz Naleppa

RadioDoc Review

A new wave of understanding and agreement with all sorts of secret service methods which pretend to protect us against terrorism makes Whitehead’s radio performance, On The Shore Dimly Seen, even more precious and important than at the time of its production. Because it is the voice of a radical believer in democracy and human rights: today a lonely voice in the chorus of fear. We hear Gregory Whitehead’s voice chanting the interrogation log of Guantanamo Bay detainee 063 (prisoners in Guantanamo do not have names, they are only numbers), interwoven with the voices of vocalist Gelsey Bell ...


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