Fine Arts Commons^™

Marshall University Music Department Presents The Mu Jazz Ensemble Ii, Marshall University

All Performances

No abstract provided.

Stalling Life, Leslie Rogers

Theses and Dissertations

Using a diagram, glossary, anecdotes, and first-person narrative histories, I explain how I use sculptural installation, image making, and serendipity to exploit the illogical to the point of being meaningful.

Forever Starts Now, Lior Modan

Theses and Dissertations

Moms as historical perspectives, abstraction and image making; Through stoves, swimwear and carpets. Then, one hope- That one-day history will become yours and mine.

Wing Young Huie Interview, Anna Hendrickson

Asian American Art Oral History Project

Artist Bio: Photographer Wing Young Huie earned a B.A. in journalism from the University of Minnesota in 1979. Huie became a full time professional photographer in 1989 and is most well known for his photographs documenting people in a culturally diverse and changing urban landscape. Several of his projects focus on Minneapolis and St. Paul neighborhoods. Huie’s photographs have been exhibited nationally and internationally in St. Paul, Minneapolis, Chicago, Westport, New York City, West Palm Beach, Budapest, and Rotterdam. Four books based on Huie’s photography projects have been published and are listed in the Selected Works. – Bio from …

Marshall University Music Department Presents Other People’S Music, Michael Stroeher, Trombone, Henning Vauth, Piano, Michael Stroeher, Henning Vauth

All Performances

No abstract provided.

Marshall University Music Department Presents The Violauta Duo, Wendell B. Dobbs, Júlio Ribeiro Alves

All Performances

No abstract provided.

Marshall University Music Department Presents The Marshall University Percussion Ensemble, Steven Hall

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive Faculty Recital , Violautalino Duo, Wendell Dobbs, Flute, Júlio Ribeiro Alves, Guitar, Wendell B. Dobbs, Júlio Ribeiro Alves

All Performances

No abstract provided.

Path - Loss, Gregory S. Cook

School of Art, Art History, and Design: Theses and Student Creative Work

The term “path loss” could be considered somewhat idiomatic – it refers at once to a very specific technical definition and an easily relatable conceptualization, but perhaps its most immediate read is one of defeat, literally “a path, lost.” I find this beautifully problematic. In its original end as a term in radio-engineering, it’s used to describe the attenuation of a signal through physical space on its way to a receiver – that is, “path loss” describes some kind of thin-ness of intensity, the parts of something snagged along the way; parts caught in bedrock, lost in soil, or tangled …

When The World Went Quiet, Megan E. Mcleay

School of Art, Art History, and Design: Theses and Student Creative Work

The basis of my work is a consciousness of the presence of the soul and the choices that compose our reality. I use light to illuminate space and manipulate human emotion. The landscapes are mirror images of my mind, dreams both light and dark, of beauty and brutality, the expression of my invisible world. My practice uses destructive drawing actions to produce creation and suggest emotional trials. My images represent this deeper bond when all emotions are felt and experienced together. The figures are not saints, but are meant to generate the idea of divinity within the restraints of the …

Marshall University Music Department Presents The M.U. Guitar Ensemble, Assisted By Ed Bingham, Ed Bingham

All Performances

No abstract provided.

Threshold, Alexandria Knipe

School of Art, Art History, and Design: Theses and Student Creative Work

My decisions in the studio are tied to my experiences outside of the studio, intertwining the complex relationship of memory and sentience. Each work precariously balances between softness and rigidity, vessel and sculpture, monumentality and intimacy. These tensions transform the familiar into the enigmatic and are an integral part of my philosophical approach to making.

Soft curves and billowing planes are punctuated by the structure of defined edges, hard angles, and areas of dark shadows. This duality suggests two worlds, one of feeling, intuition, sensuality, and dreams, the other of intellect, reason, structure, form, rhythm, and geometry.

By contradicting the …

Marshall University Music Department Presents A Senior Recital, Olivia Hughes, Clarinet, Jiao Li, Piano With Christopher Kimes, Bassoon, Mila Markun, Piano, Olivia Hughes

All Performances

No abstract provided.

Marshall University Music Department Presents A Guitar Studio Recital, Students Of Dr. Júlio Ribeiro Alves, Júlio Ribeiro Alves

All Performances

No abstract provided.

Marshall University Music Department Presents The Mu Opera Theatre, 2013 Opera Gala, Linda Dobbs

All Performances

No abstract provided.

Taking In: A Selection Of Undergraduate Photography 2013, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography in 2013. The book in your hands is the end result of a collective effort by those in the class.

Marshall University Music Department Presents Live From The Alamo: The Hindenburg Experience Presents The Final Tango, Marshall University

All Performances

No abstract provided.

Marshall University Music Department Presents A Woodwind Ensembles Recital, Wendell B. Dobbs, Ann Marie Bingham, Ed Bingham, Kay Lawson

All Performances

No abstract provided.

Arts & Letters: The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor, Potter College Of Arts & Letters, Western Kentucky University

PCAL Publications

No abstract provided.

Bearing Likeness, Christine M. Salama

CGU MFA Theses

The world is saturated with images and things. I have chosen to put more images and things into the world. In doing so, I complicate and further saturate these connections, but I also find clarity and answers through the mark, the gesture, the image, and material. I make marks with materials that are closely related to the meanings of the things I depict. The images and objects I make are ones that I know and understand because they are close to me, but the process of making leaves room for inquiry and unfamiliarity with these same objects.

I am guided …