European Languages and Societies Commons^™

Thomas K. Mccraw. The Founders And Finance: How Hamilton, Gallatin, And Other Immigrants Forged A New Economy, L.B. (Bud) Kuppenheimer

Swiss American Historical Society Review

In 1789, thirteen independent states became a nation, but one lacking any sense of national purpose. The economy of the former colonies remained overwhelmingly agricultural and, despite their having ratified a federal constitution, the first loyalties of most individuals were to their states. Many also feared that an empowered central authority would lead to a return of monarchy and a class-based society.

End Matter

Swiss American Historical Society Review

No abstract provided.

Shimoda's Program For Japanese And Chinese Women's Education, Mamiko Suzuki

CLCWeb: Comparative Literature and Culture

In her article "Shimoda Program for Japanese and Chinese Women's Education" Mamiko Suzuki discusses Western developments as a facet of educational curricula in Japan in the early twentieth century. When in the early 1900s a number of elite Chinese women traveled to Tokyo — for most, their first time abroad — to receive a modern education, it was at Jissen Women's Academy, which was the first to enroll female Chinese students in Tokyo and thus a crucial site for the development of a modern pan-Asian female identity. A central figure in the popularization of women's education and household and hygiene …

Re-Defining South Korean Scholarship And Education Within The Context Of Globalization, Simon C. Estok

CLCWeb: Comparative Literature and Culture

In his article "Re-defining South Korean Scholarship and Education within the Context of Globalization" Simon C. Estok discusses effects of globalization on the educational and scholarly goals and realities of Korea. Estok argues that although the transformational impacts of globalization in terms of sports, entertainment, politics, and business in Korea are visible, efforts to produce more globally visible Korean scholarship have been ineffective and counter-productive. Estok shows that the imagined dangers to Korean nationhood are rooted in fears of invasion which have strong historical and contemporary justification. Colonized for a third of the twentieth century, Korea in the twenty-first century …

Transnational Socialist Imaginary And The Proletarian Woman In China, Anup Grewal

CLCWeb: Comparative Literature and Culture

In her article "Transnational Socialist Imaginary and the Proletarian Woman in China" Anup Grewal discusses 1930s Shanghai and representations of the proletarian woman in relation to the intellectual New Woman and the fashionable Modern Girl. Grewal considers the concept of the proletarian woman in socialist culture first within the context of a local and global field of contending modernist visions of femininity, class, and the city. Next, Grewal analyses how the figure of the Chinese proletarian woman activates a socialist transnationality through shared formal and narrative innovations of translational leftist literature and cinema. Through her analysis, Grewal suggests how the …

Wait Upon Ishiguro, Englishness, And Class, Mustapha Marrouchi

CLCWeb: Comparative Literature and Culture

In his article "Wait upon Ishiguro, Englishness, and Class" Mustapha Marrouchi analyzes Kazuo Ishiguro's novels with focus on the writer's interest in Japanese culture and his preoccupation with matters of class in England. Marrouchi analyzes Ishiguro's novels as located astride of East, West, and the in-between: his precise, exquisitely made stories are shadowed by absences and silences, balanced "between elegy and irony" (Rushdie) and this is so whether the speaker is the obsessive butler in The Remains of the Day or one of the demented heroes in The Unconsoled or When We Were Orphans or the Japanese, guilty or exiled, …

The Narration Of Transnational Territory In Kingston's China Men And Kim's 검은 꽃 (Black Flower), Ju Young Jin

CLCWeb: Comparative Literature and Culture

In her article "The Narration of Transnational Territory in Kingston's China Men and Kim's 검은 꽃 (Black Flower)" Ju Young Jin analyzes Maxine Hong Kingston's and Young-Ha Kim's novels both of which feature East Asian indentured workers in the U.S. and Mexico, respectively. Jin traces the way in which the transnational subjects in the two novels create a textual territory by displacing national histories in a period that has witnessed an increase in indentured workers from East Asia to American continents. Kim creates an apocryphal history of the Korean presence in the New World reimagining the forgotten past by interweaving …

Ironic Appropriation Of Hemingway's For Whom The Bell Tolls In Bulosan's The Cry And The Dedication, Robert Brown

CLCWeb: Comparative Literature and Culture

In his article "Ironic Appropriation of Hemingway's For Whom the Bell Tolls in Bulosan's The Cry and the Dedication" Robert Brown discusses Carlos Bulosan's The Cry and the Dedication and Ernest Hemingway's For Whom the Bell Tolls. Brown claims that Bulosan's appropriation of For Whom borders on plagiarism and that this in part defines The Cry as a postcolonial text. Brown maintains that E. San Juan Jr.'s otherwise comprehensive introduction to The Cry ignores Hemingway's text in favor of a Filipino author, Luis Taruc, with an implicit argument that Bulosan used Taruc to make his novel a more …

The Myth Of Nothing In Classics And Asian Indigenous Films, Sheng-Mei Ma

CLCWeb: Comparative Literature and Culture

In his article "The Myth of Nothing in Classics and Asian Indigenous Films" Sheng-mei Ma discusses how the desert and the permafrost region are terra incognita, except nomads and Indigenous peoples. Given the extreme conditions of these forbidding places, Western modernity sees its own shadow cast on such black holes on earth. Since the 1960s, classic Hollywood or art house films by David Lean, Akira Kurosawa, Hiroshi Teshigahara, Anthony Minghella, and Sergei Bodrov romanticize and/or mythologize what is perceived as modernity's mirror image. Indie films in recent decades, particularly by Asian Indigenous filmmakers Byambasuren Davaa, Zacharias Kunuk, and Khyentse …

Virtuality, Nationalism, And Globalization In Zhang's Hero, Ping Zhu

CLCWeb: Comparative Literature and Culture

In her article "Virtuality, Nationalism, and Globalization in Zhang's Hero" Ping Zhu examines how Yimou Zhang's martial arts film dislodges the historical tale from its spatiotemporal context by creating virtual images, characters, narratives, and ideologies, and presents the virtual idea of tianxia (天下) (all under heaven) as an active mode of participation in the virtual global. Amidst the surge of virtuality in its cinematic space, with Hero Zhang aims to eclipse the national by a higher order: a homogenizing and harmonizing order that originates in traditional Chinese culture and that is compatible with the post-9/11 world order. However, Zhu …

Masereel, Lu, And The Development Of The Woodcut Picture Book (連環畫) In China, Tie Xiao

CLCWeb: Comparative Literature and Culture

In his article "Masereel, Lu, and the Development of the Woodcut Picture Book (連環畫) in China" Tie Xiao situates Chinese "continuous pictorial narratives" (lianxu tuhua) by radical woodcut artists in the 1930s within a global exchange of the visual. Further, Xiao examines woodcut artists' efforts to develop an expressive form of mass-oriented art through creative engagement with the Japanese creative print (hanga) movement and the "woodcut novels" by the Belgian graphic artist Frans Masereel. Xiao argues that central to self-produced woodcut pictorial narratives is the dilemma between the intimate and private impulse of self-expression and the …

Rethinking Theatrical Images Of The New Woman In China's Republican Era, Li Guo

CLCWeb: Comparative Literature and Culture

In her article "Rethinking Theatrical Images of the New Woman in China's Republican Era" Li Guo analyses the multivalent representations of the New Woman and posits that they encompass a broad array of blended feminine identities following the introduction of Western literary and cultural trends into Chinese culture. The tensions between ideological discourses about nation, gender, and politics as revealed in the plays of the republican period reveal the many underlying cultural paradigms and the processes in which dramatists Sinicized foreign models of the New Woman to appeal to their domestic audiences. Guo explores how the playwrights' gendered viewpoints contribute …

Globalization And Theater Spectacles In Asia, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Globalization and Theater Spectacles in Asia" I-Chun Wang discusses how performance is an integral part of cultural discourse: in industrially advanced Asian nations governments started to examine the relationship between cultural discourse and popular culture, cultural identity and tourist attractions and artists have become prominent participants in this development in particular with regard to theater performance, an activity with old traditions in Asian cultures. With the uptake of technology and in some cases Western innovation, Asian theater performance not only became an important part of social and cultural discourse, it rejuvenated itself. Wang posits that Asian theater …

Bibliography For The Study Of Asian Culture(S) And Globalization, Chien-Hang Liu, Li Guo, I-Chun Wang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Not Gaelic, But Free. Not Free, But Gaelic: The Role Of The Irish Language In Cultural And Political Nationalism In Ireland, Jeanne Buckley

Library Faculty Scholarship

The title of this paper paraphrases a quote by Patrick Pearse, an Irish poet, writer, nationalist and political activist who was killed by the British for his participation in the Easter 1916 uprising. These words seem fitting for a discussion on the connection between politics and the Irish language in 19^th and early 20^thcentury Ireland, which this paper addresses.

The Irish language and Ireland’s creation as a nation are intricately linked. After the Great Famine of the 19^th century, the rise of cultural nationalism within Ireland, fueled by its writers, convinced the Irish that they existed …

Globalization's Shift In Accountability: Textile Suppliers And Merchants In 18th And 21st Century Bangladesh, Margaret Jennings

jenningsmargaret@icloud.com

The British East India Company in the 18th century and Wal-Mart in the 21st century share synonymous business practices: the exchange between a less developed nation's unlimited labor force and a developed country's insatiable appetite for cheap garments. By contrasting two events of corruption charges, the Warren Hastings' Trial of the Century and the Tazreen Factory Fire of 2012 illustrate how the accountability of the exchange between the merchant and the suppliers has shifted.

Intersections In Immanence: Spinoza, Deleuze, Negri, Abigail Lowe

Department of English: Dissertations, Theses, and Student Research

The connection between French philosopher Gilles Deleuze and Italian political theorist Antonio Negri has drawn attention in academic publications over the last decade. For both thinkers, the philosophical concept of immanence is central to how both respectively conceptualize the world. However, in order to consider their work with regard to a metaphysical grounding, one may benefit from turning to each thinker’s engagement with Jewish Dutch philosopher Baruch Spinoza whose immanent ontology, or monism, was indeed his Ethics. This essay concentrates on drawing out an ontological distinction between the philosophical projects of Deleuze and Negri by way of a close reading …

Molière’S Le Misanthrope, Ian B. Carlino

Renée Crown University Honors Thesis Projects - All

My Capstone project is a French-to-English translation of about 1,100 lines of Molière’s Le Misanthrope. I chose that play because I was interested in exploring translation theory and the act of translating — not because I wanted to contribute some revolutionary new work to the numerous translations of it that already exist. I had never tried to translate, so I wanted the project to be an exercise in the work.

I began by selecting the parts of the play I thought to be most significant and helpful in giving a feel for what the play means. The plot was …

Medieval Redemption For Modern Times: Representations Of Sacrifice In Perceval Le Gallois And The Fisher King, Tabitha Gerardot

Symposium on Undergraduate Research and Creative Expression (SOURCE)

Chretien de Troyes' medieval novel Perceval ou le Conte du graal tells the story of young Perceval's journey to knighthood and an understanding of selflessness and redemption. However, the tale was left unfinished, giving rise to numerous continuations, both medieval and modern. The film adaptations Perceval le Gallois, by French director Eric Rohmer, and The Fisher King, by Terry Gilliam, continue the rich tradition of Perceval with their own conclusions. While the films use different artistic styles and entirely different plots, they both solve the story with a tale of redemption. While Rohmer's adaptation is extremely faithful to the original …

The Politics Of Film Adaptation In Zola’S La Bête Humaine, Reillie Acks

Symposium on Undergraduate Research and Creative Expression (SOURCE)

In 1890, Emile Zola published a book called La Bête Humaine. The novel is essentially a psychological thriller whose story features three very dynamic characters: a train station master Roubaud, his wife Séverine, and her lover Jacques Lantier. The conflict that ensues is one of murder and deceit – and the motivations of the characters are similarly unclear and compromised. Therefore, this story can potentially be interpreted in multiple ways, providing important political commentary for their receiving audiences. It follows that when a series of film adaptations re-created the story on screen, they did so in drastically different ways. Two …