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Code Of Best Practices In Fair Use For The Visual Arts, College Art Association, Patricia Aufderheide, Peter Jaszi 2015 American University

Code Of Best Practices In Fair Use For The Visual Arts, College Art Association, Patricia Aufderheide, Peter Jaszi

Copyright, Fair Use, Scholarly Communication, etc.

The mission of the College Art Association (CAA) is to promote the visual arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners. CAA contributes to the visual arts profession as a whole through scholarly publications, advocacy, exchange of research and new work, and the development of standards and guidelines that reflect the best practices of the field. The Code of Best Practices in Fair Use for the Visual Arts is based on a consensus of professionals in the visual arts who use copyrighted images, texts, and other materials in their creative …


Feminist Markup And Meaningful Text Analysis In Digital Literary Archives, Hannah M. Schilperoort 2015 San Jose State University

Feminist Markup And Meaningful Text Analysis In Digital Literary Archives, Hannah M. Schilperoort

Library Philosophy and Practice (e-journal)

In this research paper, I examine three digital archives of women writers--University of Nebraska-Lincoln’s Willa Cather Archive, Northeastern University’s Women Writers Online, and University of Alberta’s Orlando Project--for evidence of encoding practices and computational text analysis experimentation that supports feminist scholarship. I provide a brief overview of text encoding practices and controversies in digital literary studies, emphasizing research that suggests heavily detailed and interpretative markup results in more meaningful text analysis outcomes. I situate feminist text encoding and analysis practices and technologies within a larger argument for the use of detailed, interpretative and critical markup. I begin my research on …


Interim Report, Hd-51897-14, Image Analysis For Archival Discovery (Aida), Elizabeth M. Lorang, Leen-Kiat Soh 2015 University of Nebraska-Lincoln

Interim Report, Hd-51897-14, Image Analysis For Archival Discovery (Aida), Elizabeth M. Lorang, Leen-Kiat Soh

CDRH Grant Reports

In the first six months of work on "Image Analysis for Archival Discovery," the project team has made significant strides toward our goal of analyzing more than 7 million newspaper pages in Chronicling America for poetic content. Although we have made some adjustments to our work plan, we remain on task to perform the major research outlined in our proposal. Activities undertaken from June–November 2014:
• Preparation of training set images (completed)
• Processing of initial data sets to extract/derive features from image data (completed)
• Development of algorithms for describing image characteristics (completed, but future iterations/revisions are likely)
• …


And Or Not – The System, The Body And Time, Brian Fay 2015 Technological University Dublin

And Or Not – The System, The Body And Time, Brian Fay

Articles

This catalogue text discusses artists and artworks featured in the exhibition BOOLEAN EXPRESSIONS: Contemporary Art and Mathematical Data, presented at The Lewis Glucksman Gallery, University College Cork, Ireland, 23 July – 8 November 2015. For an overview of the exhibition see the link https://vimeo.com/137620854


Between Glorification And Catastrophization, Liat Berdugo 2015 University of San Francisco

Between Glorification And Catastrophization, Liat Berdugo

Art + Architecture

The Print Screen Festival is hosting 13 international video artists this year exploring the ways in which digital technology is changing our senses and relationships with each other and the world around us. The works glorify the digital apparatus and at the same time criticize it to raise questions about our relationship to the digital.


Tarl_41ce19_424-21, Robert Z. Selden Jr. 2015 Center for Regional Heritage Research, Stephen F. Austin State University

Tarl_41ce19_424-21, Robert Z. Selden Jr.

CRHR: Archaeology

Three-dimensional (3D) model of a Caddo burial vessel (TARL_41CE19_424-21) from Caddo Mounds SHS (41CE19) curated at the Texas Archeological Research Laboratory.


Tarl_41ce19_2006-4-84, Robert Z. Selden Jr. 2015 Center for Regional Heritage Research, Stephen F. Austin State University

Tarl_41ce19_2006-4-84, Robert Z. Selden Jr.

CRHR: Archaeology

Three-dimensional (3D) model of a Caddo burial vessel (TARL_41CE19_2006-4-84) from Caddo Mounds SHS (41CE19) curated at the Texas Archeological Research Laboratory.


Using Photogrammetry To Document, Analyze, And Reverse-Engineer Grave Markers, Robert Z. Selden Jr. 2015 Center for Regional Heritage Research, Stephen F. Austin State University

Using Photogrammetry To Document, Analyze, And Reverse-Engineer Grave Markers, Robert Z. Selden Jr.

CRHR: Archaeology

There are a wide range of applications for three-dimensional (3D) data in archaeology, and a diverse array of methods for collecting and analyzing those data. In this article, free 3D photogrammetry software (Autodesk 123D Catch) is used to document a series of grave markers. The data are subsequently exported to Geomagic Design X to demonstrate and briefly discuss the various potential analyses that might be used to illustrate the effects of preservation treatments and marker degradation through time. Further, one marker is reverse-engineered, illustrating the capacity of 3D modeling to expedite the process of design, should elements warrant replacement. Additional …


"Hills Like White Elephants": Epistemic, Nonepistemic And Nonseeing, Gene Washington 2015 Utah State University

"Hills Like White Elephants": Epistemic, Nonepistemic And Nonseeing, Gene Washington

English Faculty Publications

This essay, a though-experiment, explores the value of reading literary texts (with the example of Hemingway's "Hills Like White Elephants") from the point of view of epistemic, nonepistemic and nonseeing. Epistemic seeing is defined as seeing with "belief-content" nonepistemic seeing without it. The technique is to examine each example of the word "seeing" (or one of the members of its family, "look, watch," "blink") and let it "lead" you to the object, its contest, and implications in the story as a whole..


Mvst 4654 Medieval London: Syllabus, 2015, Maryanne Kowaleski 2015 Fordham University

Mvst 4654 Medieval London: Syllabus, 2015, Maryanne Kowaleski

Digital Pedagogy: Omeka Medieval London

Course syllabus for the 2015 offering of MV 4654 Medieval London at Fordham University


Mvst 4654 Medieval London: Bibliography For Reports, 2015, Maryanne Kowaleski 2015 Fordham University

Mvst 4654 Medieval London: Bibliography For Reports, 2015, Maryanne Kowaleski

Digital Pedagogy: Omeka Medieval London

Bibliography of resources that will assist students in completing their object and site assignments for the 2015 offering of MV 4654 Medieval London at Fordham University


The Trees Within The Forest: Extracting, Coding, And Visualizing Subjective Data In Authorship Studies, Krista Kennedy, Seth Long 2015 Syracuse University

The Trees Within The Forest: Extracting, Coding, And Visualizing Subjective Data In Authorship Studies, Krista Kennedy, Seth Long

Writing Studies, Rhetoric, and Composition - All Scholarship

Kennedy and Long tackle questions related to the treatment of digital texts as evidence of writing activity, where the object of inquiry is the author and authorship more generally. With sections on extracting, coding, and visualizing data, they offer a useful set of methods that can form the core of a study or be recruited to triangulate analysis of primary source materials.


On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich 2015 Fordham University

On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich

Articles and Chapters in Academic Book Collections

An overview of The Hallelujah Effect concentrating on priming or sonic branding, media, online porn as well as marketing and media programming, with a special excursus on the space of music --and radio in Adorno's Current of Music, and a detailed discussion on Nietzsche and music in antiquity as he explores this with reference ot Beethoven in The Birth of Tragedy.


The ‘New’ Heidegger, Babette Babich 2015 Fordham University

The ‘New’ Heidegger, Babette Babich

Articles and Chapters in Academic Book Collections

If discussion of “new” approaches to Martin Heidegger contradicts Heidegger’s own indictment of the passion for “novelty” in philosophy, today’s Black Notebooks scandal reminds us of the ontic problem of new news. Indeed the backwards working evidence of the notebooks kept before, during, and after WWII both vindicates and problematizes his notion of temporality temporalizing from the future -- lapsing into the past -- setting up what is now regarded as patent in the present. Simultaneously, we see that if heretofore many philosophers of technology sought to dismiss engagement with Heidegger’s critique of technology, these critical contributions turn out to …


Developing Civil War Washington, Katherine L. Walter, Elizabeth M. Lorang, Stacy Rickel, Karin Dalziel 2015 University of Nebraska-Lincoln

Developing Civil War Washington, Katherine L. Walter, Elizabeth M. Lorang, Stacy Rickel, Karin Dalziel

University of Nebraska-Lincoln Libraries: Faculty Publications

The Civil War Washington project team at the University of Nebraska–Lincoln includes scholars, librarians, technologists, and students, both undergraduate and graduate. Individuals are affiliated with the English and History Departments, the University Libraries, the School of Geography, and the Center for Digital Research in the Humanities. Our successes as a team can be attributed to many things, including sound project management and the fact that our participants have been committed to achieving set goals. Most important, the interdisciplinary nature of the team has been highly advantageous in the research itself and in creating the composite web site.

The project was …


Lone Wolves And Stray Dogs: The Japanese Crime Film, 1931-1969, Aaron Gerow, Rea Amit, Samuel Malissa, Noriko Morisue, Hsin-Yuan Peng, Stephen Poland, Grace Ting, Takuya Tsunoda, Justine Wiesinger, Young Yi, Inuhiko Yomota, Jō Ōsawa, Phil Kaffen 2015 Yale University

Lone Wolves And Stray Dogs: The Japanese Crime Film, 1931-1969, Aaron Gerow, Rea Amit, Samuel Malissa, Noriko Morisue, Hsin-Yuan Peng, Stephen Poland, Grace Ting, Takuya Tsunoda, Justine Wiesinger, Young Yi, Inuhiko Yomota, Jō Ōsawa, Phil Kaffen

Film Series Commentaries

“Lone Wolves and Stray Dogs: The Japanese Crime Film, 1931–1969” is a continuing collaboration between the Council on East Asian Studies at Yale University and the National Film Center of the National Museum of Modern Art, Tokyo. Ever since the success of the French crime film Zigomar in 1911, the Japanese film industry has produced numerous movies depicting criminals and the detectives who try to apprehend them. Chivalric yakuza, modern mobsters, knife-wielding molls, hardboiled gumshoes, samurai detectives, femme fatales, and private eyes populate Japanese cinema, from period films to contemporary dramas, from genre cinema to art film, from the …


"Dark And Wicked Things": Slender Man, The Folkloresque, And The Implications Of Belief, Jeffrey A. Tolbert 2015 Bucknell University

"Dark And Wicked Things": Slender Man, The Folkloresque, And The Implications Of Belief, Jeffrey A. Tolbert

Faculty Journal Articles

In this paper I examine the media discourses surrounding the May 2014 stabbing of a 12-year-old girl in Waukesha, Wisconsin by two of her friends, supposedly to please the online legendary monster Slender Man, and several subsequent events which media outlets also attempted to link to the horror meme. I consider the implications of folkloric believability, by which I mean the interplay of belief about a tradition’s status as folklore, which in turn has important implications for the believability of the tradition’s content. I argue that an understanding of the processes through which individuals interact with and shape emergent traditions …


Digital Aids Documentary: Webs, Rooms, Viruses And Quilts, Alexandra Juhasz 2015 CUNY Brooklyn College

Digital Aids Documentary: Webs, Rooms, Viruses And Quilts, Alexandra Juhasz

Publications and Research

No abstract provided.


Locative Media As Remix, Conor McGarrigle 2015 Technological University Dublin

Locative Media As Remix, Conor Mcgarrigle

Books/Book Chapters

While data-driven art is not new, recent developments in technical, artistic, and social spheres have coalesced to produce new opportunities for artists and activists who remix data with space and place to form locationally specific political critiques of great power and flexibility.


Procedural Modeling For Ancient Maya Cityscapes: Initial Methodological Challenges And Solutions, Heather Richards-Rissetto, Rachel Plessing 2015 University of Nebraska-Lincoln

Procedural Modeling For Ancient Maya Cityscapes: Initial Methodological Challenges And Solutions, Heather Richards-Rissetto, Rachel Plessing

Department of Anthropology: Faculty Publications

Digital reconstruction of 3D cityscapes is expensive, time-consuming, and requires significant expertise. We need a 3D modeling approach that streamlines the integration of multiple data types in a time-efficient and low-cost manner. Procedural modeling—rapid proto-typing of 3D models from a set of rules— offers a potential solution to this problem because it allows scholars to create digital reconstructions that can be quickly updated and used to test and formulate alternative hypotheses that are derived from and linked to underlying archaeological data. While procedural modeling is being used to visualize ancient Roman, Etruscan, and Greek cities, in the Maya region the …


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