Classics Commons^™

De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review: An Online Peer-reviewed Journal

In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …

The Development And Adoption Of The Codex, Rutherford Allison

Honors Bachelor of Arts

One of the longest-lasting and least recognized changes that occurred under the Roman Empire is the transition from scrolls as a vessel for literature to codices, the format which, in some way, is still used today. Indeed, until the invention of the printing press, texts had not undergone as impactful a shift as was experienced during the period between 250 and 450 AD. This shift was tied closely to the spread of Christianity; the codex’s rise to dominance maps closely to the spread of Christianity, and this is no accident. As will become apparent, Christians possessed a strong and distinctive …

Woven Together: Women Creating Stories Through Textiles, Jamie Eason

Self-Determined Majors Final Projects

A series of textile art pieces exploring the relationship between women, textiles, and storytelling.

Feminist Retellings Of Homer's The Odyssey, 2005-2022, Brenna R. Bretzinger

Honors Capstones

Over the past two decades, there has been a significant increase in the number of feminist retellings of Greek mythology. These retellings serve to give voice to the marginalized female characters from ancient stories whose characterizations were deprioritized over their male counterparts. Furthermore, these stories connect the plights of ancient women with modern feminists to champion issues that women continue facing today. This study focuses on retellings of Homer’s The Odyssey, but these ideas and arguments are still largely applicable to other retellings of Greek mythology. Along with discussing The Odyssey, this project also analyzes three feminist retellings: …

Mythos Series (Mythos: The Greek Myths Reimagined, Heroes: The Greek Myths Reimagined, And Troy: The Greek Myths Reimagined) By Stephen Fry, Phillip Fitzsimmons

Faculty Articles & Research

Book review of Stephen Fry's Mythos series, reviewed by Phillip Fitzsimmons.

The Political Power Of Roman Empress Julia Domna, 193-217 C.E., Abigail Sanchez

Whittier Scholars Program

This research paper aims to analyze the extent of Roman Empress Julia Domna’s political power and how her power would have influenced the Roman empire. Roman women faced many limitations in the political world, including being unable to be elected to public office; however, Roman imperial women were in the unique position of being able to take up space in the political world. Empress Julia Domna’s role was symbolic and active, putting her nearly in equal standing to her husband, Emperor Septimius Severus, and her son, Emperor Caracalla. When considering the political limitations of Roman women, analyzing the extent of …

The Structure Of Human Redemption As Demonstrated In Dante's The Divine Comedy, Erick S. Flores

Student Research

Dante Alighieri's The Divine Comedy is renowned all around the globe for its impact on literary history as a whole. This research paper delves into the structure of human redemption as portrayed in Dante's epic masterpiece. Through a comprehensive analysis of the narrative structure, allegory, and symbolism, employed by Dante, this study illuminates the underlying framework that guides the protagonist and readers on a transformative journey through the afterlife. By examining the divisions of Inferno, Purgatorio, and Paradiso, this paper reveals the hierarchical nature of sin, the ever-progressive path of spiritual growth, and the ultimate attaining of salvation and understanding …

The Curia Julia: Its History, Materials, Use, And Preservation Through The Centuries, Katharine Bogen

Student Research Submissions

The Curia Julia has one of the most fascinating histories out of all the buildings in Rome. Julius Caesar began its construction in 44 BCE in the Forum Romanum as the meeting place for the Roman Senate, and it continued to serve as such until the eventual fall of the Roman Empire. Today, the building stands almost completely intact, a feat that is not common for other structures of the same period. The reason why it has remained standing for so many centuries is due to its history of use: it was transformed into a church in the 7th century …

Review Essay: Lewis’S Lost Aeneid: Arms And The Exile, Nikolay Epplée, B. N. Wolfe, Louis Markos

Sehnsucht: The C. S. Lewis Journal

An extended review of C. S. Lewis, C. S. Lewis’s Lost Aeneid: Arms and the Exile, ed. by A. T. Reyes (New Haven, 2011). xxiii + 184 pages. $27.50. ISBN:: 9780300167177

Demythologizing Homer: Investigating Religion In Minoan Crete, Elizabeth Rybarczyk

Student Research Submissions

The Minoan civilization of Bronze-Age Crete has, until recently, been obscured in mythological uncertainty. As a prehistoric civilization, the available evidence for historic analysis is sparse and ambiguous. This paper evaluates the material evidence for ritual activity to chart the religious developments of Minoan Crete. In the earliest periods of their civilization, the Minoans practiced animism, which reflected their ideals towards survival and cooperation. As their prosperity grew due to technological advancements, a social hierarchy formed. The emerging elite employed religion to justify their claim to power by appropriating religion, which culminated in a dual-monotheistic Knossian theocracy. This lasted until …

Review Of The Myth Made Fact: Reading Greek And Roman Mythology Through Christian Eyes, Charlie W. Starr

Sehnsucht: The C. S. Lewis Journal

Charlie W. Starr: Review of Louis Markos, The Myth Made Fact: Reading Greek and Roman Mythology Through Christian Eyes (Camp Hill, Pennsylvania: Classical Academic Press, 2020). 448 pages. $27.99. ISBN 9781600513954.

What C.S. Lewis Really Did To "Cupid And Psyche", Charles Huttar

Sehnsucht: The C. S. Lewis Journal

The story of Lewis's engagement, starting at age 18, with Apuleius's story of Cupid and Psyche.

No Mere Materialism: The Revelatory Nature Of Death In C.S. Lewis's Space Trilogy, Laurel Wood

Global Tides

This paper explores the role which death plays in the narrative of C.S. Lewis’s Space Trilogy. During the time of the trilogy’s composition, materialist philosophy was becoming increasingly popular in the Western world as individuals looked to science as the source of absolute truth. As a former materialist, Lewis was alarmed by this development and confronted materialist ideology in numerous fiction and non-fiction works.

Blending textual evidence from the trilogy with scholarly commentary, this paper demonstrates that Lewis uses death, particularly the fear of annihilation and the afterlife which it evokes, to bypass materialist assertions of the atheistic nature of …

"Like A Shadow Or Even A Dream": Memory And Haptic Motifs On Classical Attic Funerary Stelai, Vonne Daszkilewicz

Student Research Submissions

During the third quarter of the fifth century BCE, Athens witnessed the revival of funerary stele reliefs. Sculpted motifs representing touch and interaction, often situated within familial scenes, characterized the grave monuments and contributed strongly to their tactility. Haptic stele motifs promoted the construction of memory by heightening the depiction of lasting bonds between living and deceased individuals. Grave reliefs provide a lasting representation of the deceased, while also serving as conspicuous reminders of the permanence of death. However, Attic funerary stelai provided a physical substitute for the departed towards which the living could direct their continued care and dedication. …

Discovering Dune: Essays On Frank Herbert’S Epic Saga., Edited By Dominic J. Nardi And N. Trevor Brierly, G. Connor Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

G. Connor Salter reviews Discovering Dune: Essays on Frank Herbert’s Epic Saga, edited by Dominic J. Nardi and N. Trevor Brierly, considering its new contributions to studies of Frank Herbert's work. Essays included fit into four categories (Politics and Power, History and Religion, Biology and Ecology, and Philosophy, Choice and Ethics) and range from Herbert's use of ecology in Dune to how game theory may help explain certain characters' apparent ability to see the future. Discovering Dune also includes an appendix which contains the only up-to-date bibliography of Herbert's work (primary and secondary sources).

Rape Jokes, Sexual Violence, And Empire In Revelation And This Is The End, Meredith J.C. Warren

Journal of Religion & Film

The Book of Revelation is one of the most borrowed-from texts of the New Testament when it comes to popular culture. Although there are dozens of other ancient apocalyptic writings, it is John’s apocalyptic visions that directly inform contemporary ideas of apocalypse. The apocalyptic comedy This Is The End (Dir. Seth Rogen and Evan Goldberg, 2013) not only invokes imagery from Revelation but also adapts portions of the text in its portrayal of the end times. However, it also reproduces and expands upon the use of sexual violence as a means of punishment found in Revelation. This paper will examine …

Justice For All: Moira, Tyche And Nemesis In The Marvel Cinematic Universe, Jason Osborne

Journal of Religion & Film

This article explores the ways in which the ancient concepts of moira, tyche, and nemesis permeate the films and series of the Marvel Cinematic Universe.

Collation Model For Ms. Codex 1242: [Annotations : To Graeciae Excellentium Oratorum, Aeschinis Et Demosthenis, Orationes Adversariae]., Dot Porter

Collation Models

Two student texts of the Attic orators Demosthenes and Aeschines from the prosecution of Athenian orator Ctesiphon, edited by German humanist Johann Reuchlin, published in Paris by Christian Wechel in 1543, together with an edition of Isocrates' Encomium Helenae published in Paris by Joannes Lodoicus (Jean Loys) in 1538. 64 pages of Demosthenes's oration On the crown have extensive interlinear annotations in Latin and marginal annotations in Greek. The opening of the Helen is annotated in the same manner.

Dreaming Of Empire: Visions Of Rome And Imperialist Ideology In Twenty-First Century Cinema, Nathan Keckley

Undergraduate Research Symposium

The blockbuster film Gladiator kickstarted a new wave of ancient historical epics. Some of these, following Gladiator’s lead, drew explicit parallels between ancient Rome and contemporary America – notably Centurion (2010) and The Eagle (2011). The Rome-America analogy allowed Gladiator and its progeny to critique American society, and these critiques have received substantial scholarly attention. Given that these films were produced while America was waging controversial wars, it is unsurprising that one of the critiques they chiefly employ – and one of those scholars have most readily seized upon – is that of American imperialism. Gladiator, Centurion, and The Eagle …