Renaissance Studies Commons^™

The Source And Application Of Thomas Müntzer's Theology Of Divination In His Marginal Notes On Tertullian, Roger Drinnon

Master of Sacred Theology Thesis

Drinnon, Roger A. “The Source and Application of Thomas Müntzer’s Theology of Divinization in His Marginal Notes on Tertullian.” Thesis, Concordia Seminary, 2021. 101 pp.

Traditional Lutheran and Marxist interpretations of Thomas Müntzer inadequately account for Müntzer’s theology and practice. The doctrine of the order of creation tied Müntzer’s theology and practice together. According to the order of creation, the goal of the material world was to return to God at the end of time. Müntzer’s writings on the order of creation stated the doctrine was the central tenet of Christianity. By returning to God, Müntzer ...

The Medici Example: How Power Creates Art And Art Creates Power, Margaret Hayden

Electronic Theses and Dissertations

This project looks at two members of Florence’s Medici family, Cosimo il Vecchio (1389-1464) and Duke Cosimo I (1519-1574), in an attempt to assess how they used the patronage of art to facilitate their rule. By looking at their individual political representations through art, the specifics of their propagandist works and what form these pieces of art came, it is possible to analyze their respective rules. This analysis allows for a clearer understanding of how these two men, each in very different positions, found art as an ally for their political endeavors. While they were in power only one ...

A Voice From The Convent: Arcangela Tarabotti In Tridentine Venice, Zoe Connell

Undergraduate Honors Theses

In 1617, at the tender age of 13, Arcangela Tarabotti was forced by her family to leave their home and enter the Venetian convent of Sant’Anna. As an advocate not only of gender equality, but female superiority, Tarabotti fought on behalf of women who suffered under Venice’s patriarchal institutions that robbed them of their liberty. This study aims to examine the intersection between the time and space in which Tarabotti lived and her experiences as expressed through her writings. In this thesis, I will examine the manner in which the contents of her writings — emotions, tone, self-image, and ...

In The Orbit Of The Sphere: Sacrobosco’S De Sphaera Mundi In Upenn Ms Codex 1881, Aylin Malcolm

Manuscript Studies

Johannes de Sacrobosco’s De sphaera mundi was the most popular astronomical text in Europe from the late thirteenth century to the late seventeenth, and a core component of the university curriculum. This essay is the first published study of a remarkable copy of De sphaera in a manuscript recently acquired by the University of Pennsylvania (MS Codex 1881), which includes an unedited commentary on De sphaera and a variety of diagrams. I begin by addressing the textual relationships between this codex and other fifteenth-century copies of the main text and commentary, including both manuscripts and incunables. I then evaluate ...

Scribes And Soldiers: A Brief Introduction To Seventeenth-Century Military Manuscripts, Lucian Staiano-Daniels

Manuscript Studies

The history of early-modern European manuscripts has rarely focused on the use of manuscripts in armies. Some historians have even presented early-modern armies as unconcerned with daily records of the common soldiers under their command. Others have used early-modern handwritten documents as sources of information, without examining them as artifacts. But these documents are interesting works of vernacular art, created under difficult circumstances. They also provide clues to things like the literacy rate of some common soldiers. This article introduces early-modern military manuscripts. The focus is on the army of Electoral Saxony during the Thirty Years War (1618-1648).

Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale

Doctoral Dissertations

In periods of social and political upheaval like ours, it is more important than ever to interrogate constructions of identity and difference and to understand the histories of alterity that separate us from one another. Stranger Compass of the Stage: Difference and Desire in Early Modern City Drama reimagines the cultural and social effect of alien, foreign, and stranger characters on the early modern stage and re-envisions how these characters contribute to, alter, and imaginatively build new epistemologies for understanding difference in early modern London. Resisting the field’s current critical inclination toward English identity formation, this project works intersectionally ...

Death, Discipline, And The Dead: Biopolitical Rhetoric In Early Modern English Texts, Leslie Raybuck Malland

Theses and Dissertations--English

Death, Discipline, and the Dead: Biopolitical Rhetoric in Early Modern English Texts locates allusions to the biopolitical culture of Early Modern England within popular English texts. Through my examination of the period’s fascination with death—public executions, newly-authorized anatomies—and the ways in which death, as well as the treatment of the dead, was authorized by and supported the ideological aims of the state, my research identifies how those themes carry over into the most popular works of the day, reviewing instances of both verbal and nonverbal rhetoric across genres to find allusions to biopower — or, state control of ...

Alt Wars Of The Roses: A Guide To The Women In Shakespeare's First Tetralogy (Especially Richard Iii) For Fans Of Philippa Gregory's White Queen Series, Joanne E. Gates

Presentations, Proceedings & Performances

Since The Other Boleyn Girl made such a splash, especially with its 2008 film adaptation starring Natalie Portman and Scarlett Johansson, novelist Philippa Gregory has turned out book after book of first person female narratives, historical fiction of the era of the early Tudors and the Cousins’ War. (Gregory has an aversion to calling it "Wars of the Roses" but seems to be the sole voice against that classification.) With the film series of The White Queen released in 2013, we have what some consider a fuller pop culture alternative perspective on the women who intersect with the plays that ...

Man, Myth, Legend: The Many Faces Of Thomas More, Salma Rios

Honors Theses at the University of Iowa

In the centuries after his death, the perceptions of Sir Thomas More have changed over 500 years. In works spanning from the seventeenth century to the twentieth century, the perception of More have shifted from ones of overwhelming praise to increasingly critical of his actions. This thesis seeks to explore how the perceptions of More have changed over time, especially within the 1980s due to new scholarship and new ways of interpreting More’s character. Events within the twentieth century, which include the canonization of Thomas More as a saint in 1935, the creation of the peer-reviewed journal Moreana in ...

Marginalia E Versi Inediti Su Un Incunabolo Dei Furs De València (1482), Andrea Lai, Lluís Cabré

Translat Library

This article offers an overall description of a 1482 incunabulum of the Furs de València held at the Biblioteca Universitaria di Cagliari (Inc. 71). The book is full of juridical marginalia. Particular attention is paid to its provenance. Jurist Baptista Factor is identified afresh as one of its owners (c. 1547-1576) before the volume travelled to Sardinia. Both marginalia (in Latin and Catalan) and four hitherto unknown poems (three in Catalan and one in Spanish) that were copied on blank leaves are briefly discussed. A tentative edition of the poems is provided in appendix.

Reading Plague Images: Visual Literacy In The History Classroom, Katherina Fostano

Developing Pedagogy Graduate Student Showcase

In 2016 Peter Felten, Director of the Center for Advancement of Teaching and Learning at Elon University, wrote, “Our students live in a highly visual world, where images are fundamental in shaping their understandings of history before they ever enter our classrooms.” This observation prompted me to create a series of exercises that introduce students to general visual literacy skills in the History classroom. These exercises aim to help students use visual sources to make evidence-based interpretations of the past with rigor and efficacy. In this presentation, I focused on images of past plagues since the recent proliferation of plague-related ...

Teaching The Black Death During Covid-19, Rachel Podd

Developing Pedagogy Graduate Student Showcase

On the 13th of November 2020, the Renaissance Society of America, in conjunction with Fordham University, hosted on a symposium, “Plagues, Pandemics, and Outbreaks of Disease in History”, including a series of presentations focused on pedagogical strategies related to the topic of disease in Early Modern History. As part of this pedagogy roundtable, Rachel Podd developed a variety of materials suitable for educators in secondary or higher education; these materials use the current pandemic, COVID-19, as a teaching tool and analytical lens for the study of historical pandemics and, more specifically, of the Black Death of the fourteenth century. Conceived ...

Literary Response To Plague, Mark Host

Developing Pedagogy Graduate Student Showcase

This is a unit with a series of assignments that has been conceptualized as a drop-in that can be included in a variety of classes such as History/Western Civilization, English, Humanities, etc. and uses The Decameron to illustrate how react to the trials of disease through artistic expression. The target students would be advanced high school students or freshman-level college students. The assignments progress to higher levels of Bloom’s Taxonomy, starting from asking the students to simply answer reading comprehension questions about the introduction to asking students to develop their own imitative stories in the vein of The ...

The Shadow Of Dante In French Renaissance Lyric: Scève's Délie, Alison Baird Lovell

Research in Medieval and Early Modern Culture

This book presents an interpretation of Maurice Scève's lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the evident allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch's vernacular poetry, in a time when imitatio was an established literary practice, signifying the ...

Damnatio Memoriae: On Deleting The East From Western History, Koert Debeuf

New England Journal of Public Policy

The story we read in books about the Renaissance tells us that Petrarch and Poggio rediscovered the books of antiquity that had been copied for centuries in medieval abbeys. The re-introduction of Greek science and philosophy, however, began in the twelfth century but occurred mainly in the thirteenth century. These works were first translated into Syriac and Arabic in the eighth and ninth centuries and stored in the House of Wisdom in Baghdad. There they were read, used, and commented on by Arab philosophers, of whom the most famous was Averroes (1126–1198), who lived in Cordoba. The translation of ...

Wherein To Catch The Conscience Of The Queen: Dystopian Politics In Elizabethan Drama, Helen Fielding

Senior Honors Theses

Though established English history portrays Elizabeth I (1533-1603) as uniting England under the new Protestant religion, recent historical evidence reveals that extensive counter-currents still existed. This thesis examines how the politico-religious beliefs of Elizabethan and Jacobean playwrights manifest themselves in their drama, particularly through imagery and allusions. It draws especially from Frances Yates to assert that imagery of white magic, Christian Cabala, and alchemy in these dramatists’ works refers to the pure imperial reform movement of Elizabeth’s reign, and also from Clare Asquith to illuminate a reading of Shakespeare as a playwright who encoded in his plays a Catholic ...

Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey

LSU Master's Theses

Early in 1562, France was experiencing a state of high religious tension between Protestants and Catholics that would precipitate the outbreak of the Religious Wars on March 1. A week before, Bernard Palissy, a Huguenot potter, wrote a letter to his Catholic patron from prison inBordeaux where he was being held on charges associated with an iconoclastic incident in his home city of Saintes. This letter would later be published as a dedication letter for the pamphlet Architecture et Ordonnance, which featured the description of a grotto commissioned by Anne de Montmorency, Palissy’s patron, seven years earlier. This thesis ...

Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella

Dissertations, Theses, and Capstone Projects

This thesis offers a new reading of William Shakespeare’s late play The Winter’s Tale (1623), positing that in order to understand this complex and eccentric work, we must read it with a complex and eccentric eye. In The Winter’s Tale, planets strike without warning, pulling at hearts, wombs, and blood, impacting the health and emotional experience of characters in the play. This work is renowned for its inconsistent formal structure; the first half is a tragedy set in winter, but abruptly shifts to a comedy set in spring/summer in its latter half. What’s more, is ...

Female Torture Poetry: Petrarchan Love And Carpe Diem, Luke C. Widlund

School of Arts & Sciences Theses

My MA thesis examines sixteenth and seventeeth-century lyric poetry by the male poets Sir Philip Sidney, John Donne, Thomas Carew, and Andrew Marvell. These poets make use of different lyric genres and forms, including Petrarchan sonnets and carpe diem arguments, to torture the purported female mistresses. A close examination of specific works, including Sidney’s Astrophil and Stella, Donne’s “The Apparition”, Carew’s “Song: Persuasion to Enjoy”, and Marvell’s “To His Coy Mistress” demonstrates that they all share a preoccupation with weaponizing poetry in their depiction of mistresses and female lovers in pain and punishment. Poetry functions as ...

Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale

School of Arts & Sciences Theses

Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.