T. Hanks For Nostalgia: The Power Of Tom Hanks And Film Branding,
2023
East Tennessee State University
T. Hanks For Nostalgia: The Power Of Tom Hanks And Film Branding, Jacob Higgs
Electronic Theses and Dissertations
In March 2020, Tom Hanks announced he had contracted COVID-19 while shooting the Elvis Presley Biopic in Australia. On Instagram, he encouraged fans to take the disease seriously and be aware of how severe of a disease it was. Character brands and nostalgia have been found to foster trust in products and encourage relationships with those brands. Using the lens of nostalgia and uses and gratification to examine Tom Hanks as a character brand, the researcher analyzed five blockbuster films with Tom Hanks as the lead character. The study used narrative thematic analysis to observe Hanks and the depictions of …
Kitchen Witch: Animated Independent Property Pitch Bible Research And Development,
2023
Clemson University
Kitchen Witch: Animated Independent Property Pitch Bible Research And Development, Kelsey Eaves
All Theses
My thesis project centers around the production process for creating an animated program. My paper is a record of the development of my pitch bible and my efforts to raise outside interest in the property. I intend to use my work here to enter the animation industry as a jumping off point in my career. My research materials include various “Art Of” production books, Creating Cartoons with Character by Rocko’s Modern Life creator Joe Murray, and firsthand interviews from present and former television industry personnel. In this text I explore television animation pre production to highlight the creation of an …
Georgia,
2023
Kennesaw State University
Georgia, Lesley Brian Bargo
Master of Arts in Professional Writing Capstones
The Vietnam War cast a massive shadow, both home and abroad. Relationships, morality, and humanity hang in the balance.
Remembering Complicity And Resistance: A Review Of Mihaela Mihai’S Political Memory And The Aesthetics Of Care: The Art Of Complicity And Resistance (2022),
2023
Radboud University Nijmegen
Remembering Complicity And Resistance: A Review Of Mihaela Mihai’S Political Memory And The Aesthetics Of Care: The Art Of Complicity And Resistance (2022), Sofía Forchieri
CLCWeb: Comparative Literature and Culture
This article offers a review of Mihaela Mihai’s book Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance (2022). In it, Mihai courageously brings together insights from critical theory, political and legal science, philosophy, literary studies, and feminist theory to argue for the need of rearticulating how we remember complicity and resistance in the aftermath of political violence. Mihai develops her argument in three steps. First, she provides an account of how complicity and resistance are misremembered after systemic violence. Second, she tracks the political, epistemic and ethical consequences that this faulty work of memory-making holds …
Terada Torahiko, A Physicist And A Haikai Poet,
2023
Tokyo Woman's Christian University
Terada Torahiko, A Physicist And A Haikai Poet, Akira Komiya
CLCWeb: Comparative Literature and Culture
Terada Torahiko is known as a scientific essayist in Japan, but hardly anyone knows he was a haikai poet as well as a physicist. According to him, haikai poetry and physics are two different ways of conceiving Nature, both valid and perhaps complementary to each other. Seeing his research in physics looking for regularities in apparently irregular phenomena in everyday life, we may say his haiku haikai spirit is manifest there and that he was pioneering a new science such as the one developed later by Ilya Prigogine. His association of haiku haikai poetry and Freudian interpretations of dreams leads …
Orature: The Political Interpretation Of Performance Framework In Anthills Of The Savannah And Half Of A Yellow Sun,
2023
Changsha University of Science & Technology
Orature: The Political Interpretation Of Performance Framework In Anthills Of The Savannah And Half Of A Yellow Sun, Jing Duan
CLCWeb: Comparative Literature and Culture
The focus of discussion in this paper lies in a perception that orature of African written literature is not innocent but a form of control. Operated through its performance framework, the concept of orature provides an angle to observe how African oral tradition penetrates written literature and cultivates an awareness of the political nature both of the material to be written and of the writing process itself. This paper explores the performance framework in two African novels — Achebe’s Anthills of the Savannah and Adichie’s Half of a Yellow Sun. Through such key concepts as event, narrative and self-reflexivity …
Bozo The Clown: An Icon As American As An Apple Pie In The Face,
2023
The Graduate Center, City University of New York
Bozo The Clown: An Icon As American As An Apple Pie In The Face, Gregory Kent Oswald
Dissertations, Theses, and Capstone Projects
There is no single path toward the creation of an American icon, a person or item with resonance to all in the country as well as having an ability to serve as a symbol of America itself for those outside the borders. This thesis considers certain elements that propelled the journey of the entertainment for children, Bozo the Clown, into a representational figure in the minds of young and old. Like all things American, his roots include many elements from outside the country: the name derives from foreign tongues mostly in derisory terms, but in at least one instance as …
The Social Sinthome,
2023
Pomona College
The Social Sinthome, Ryan Engley
CLCWeb: Comparative Literature and Culture
Much of the critical discourse on social media misidentifies its problematic features as bugs, or problems to solve. Supposed solutions to these problems tend to focus on individual actions. We should delete the apps, own our own data, never click on recommended videos, and realize that we are the product. But if predatory algorithms succeed by individuating people—selling people “choice” and “options” as it harvests user data—then an entire online ecosystem arranged through the logic of that design can neither be meaningfully challenged nor effectively understood at the level of the individual alone. Transformative action addressing social media can only …
Lacan And The Algorithm,
2023
Simon Fraser University
Lacan And The Algorithm, Clint Burnham
CLCWeb: Comparative Literature and Culture
Exploring the development of algorithms in Lacanian theory, specifically the "R schema" in the 1950s, I argue that psychoanalysis, read through contemporary debates about the "algorithmic cult" of Netflix and other avatars of popular culture, can be said to reveal the inhuman, machinic essence of subjectivity. The etiology of algorithms, mathemes, and other formulae and diagrams in Lacan’s oeuvre has been under-studied, in part because for some readers they are not as attractive as his more bravura flourishes of word play as exegetical excess, and in part because they derive largely from the ‘hard’ structuralist moment of his work in …
Platform Psychoanalysis: What Does The Algorithm Want?,
2023
University of Winnipeg
Platform Psychoanalysis: What Does The Algorithm Want?, Matthew Flisfeder
CLCWeb: Comparative Literature and Culture
No abstract provided.
Identity And Perception Among Aspec Consumers Of Mass Media,
2023
University of Kentucky
Identity And Perception Among Aspec Consumers Of Mass Media, Jericho Franke
Theses and Dissertations--Communication
The portrayals of sex and romance, as well as asexuality and aromanticism, in mass media can have a profound impact on the way asexual and aromantic media consumers view relationships and their own identities, and affect the perception and treatment of the aspec community as a whole. This study uses mixed qualitative methods of online discourse analysis and participant interviews to examine the how mass media has shaped the self-perception and life experiences relating to sex and romance among aspec audience members.
New Frontiers In Technology: Can Traditional Intellectual Property Rights Laws Be Adapted And Applied To Nfts?,
2023
Catholic University of America (Student)
New Frontiers In Technology: Can Traditional Intellectual Property Rights Laws Be Adapted And Applied To Nfts?, Mariyah S. Wakhariya
Catholic University Journal of Law and Technology
A decade ago, ‘NFTs’ were rarely heard of or known to anyone, unless they worked in or kept up with the tech world. However, they are not new - they have been around for almost two decades. Their popularity has grown over the past few years. ‘NFT’ stands for ‘non-fungible token’. An NFT is a digital file with a unique identity that is verified on a blockchain and is therefore not interchangeable - i.e., a kind of crypto asset, like an authentication certificate for digital artifacts. In theory, NFTs can represent almost any real or intangible property. These days, it …
Me, Myself, And My Muppets,
2023
Kennesaw State University
Me, Myself, And My Muppets, Sara Jones
Emerging Writers
In this personal narrative, the author explores her relationship and upbringing in relation to Jim Henson’s Muppets. She illustrates her experience at puppet camps, on long Muppet-filled road trips, and the special connection her mother and her share with the Muppets. Find out how the Muppets have shaped the author’s life, morals, and aspirations, as well as how Jim Henson’s creations have influenced and brought joy to past generations and future generations to come.
The Cyclotron An Animated Motion Picture,
2023
University of the Pacific
The Cyclotron An Animated Motion Picture, Oliver A. Livoni
University of the Pacific Theses and Dissertations
The study of the atom received great impetus from the invention of the cyclotron in 1932 by Dr. E. 0. Lawrence of the University of California. Many valuable discoveries and many possibilities for future investigations have resulted directly from its use. So important is the cyclotron that every high school and college student should have a knowledge of the basic principles of the machine and its operation.
The Burden Of Artificiality: Always The Servant, Never The Patron,
2023
Claremont Colleges
The Burden Of Artificiality: Always The Servant, Never The Patron, Alia Biswas
Scripps Senior Theses
I examine three robots in Science Fiction, Data from the television series Star Trek: The Next Generation, David from the movie A.I.: Artificial Intelligence, and Deckard from the novel Do Androids Dream of Electric Sheep? to examine how they are analogous to marginalized bodies. I analyze how the marginalization of robots works to disorient robots so their labor can be extracted, as I focus through their embodiment of a happy object, and how their desire is directed towards the narrative of the good life, the myth that a happy life is achieved through adhering to heteronormativity. I use heteronormativity as …
The Bachelor Franchise: Every Rose Has Its Thorn,
2023
St. John Fisher University
The Bachelor Franchise: Every Rose Has Its Thorn, Olivia Green
Soaring: A Journal of Undergraduate Research
No abstract provided.
Biblography For George Takei Display,
2022
Chapman University
Biblography For George Takei Display, Ruby Blakesleay
Library Displays and Bibliographies
A bibliography created to accompany a display about George Takei in November 2022 at the Leatherby Libraries to commemorate his visit to Chapman University.
Audiovisual Afterlives: The Soundtrack Of Liberal Nostalgia,
2022
The Graduate Center, City University of New York
Audiovisual Afterlives: The Soundtrack Of Liberal Nostalgia, Max W. Kaplan
Dissertations, Theses, and Capstone Projects
Following the 2016 American Presidential election, celebrity endorsements proved to be a more narrow gauge of public opinion than ever. The symbolic alignment with popular musicians, which had long abetted the Democratic Party’s standing with youth and particular identity groups, seemed only to reaffirm the party’s establishment status, drawing disavowal in a wave of anti-establishment sentiment on both the left and right. ‘Retromania,’ a term first coined by Simon Reynolds in 2010, can be tracked conceptually from the nostalgic inclinations of twenty-first century popular culture to the ideological sphere, where nostalgic, essentialized constructions of community, identity, and progress have coalesced …
Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay,
2022
University of Edinburgh
Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya
CLCWeb: Comparative Literature and Culture
This review essay reads literary-critical works of what is broadly understood as ‘postcolonial disasters’. It outlines how literary critics in the last decades have drawn upon cultural-geographical and anthropological readings of disasters to develop critical frameworks around how literary writers have used style, form, and aesthetics to represent postcolonial catastrophes. It then offers a detailed review of Pallavi Rastogi’s 2020 monograph, Postcolonial Disasters: Narrating Catastrophe in the Twenty-First Century. Through an engaged and critical reading, the essay attends to Rastogi’s insightful theorizing of the topic of ‘Disaster Unconscious’ and her wide-ranging interrogation of fiction from South Asia and Southern …
Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures,
2022
University College Dublin
Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry
CLCWeb: Comparative Literature and Culture
In her article, “Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures,” Treasa De Loughry focuses on different visual responses to e-waste in West Africa, from eco-documentary film and photography responses to the infamous Agbogbloshie e-waste yard in Ghana; to techno-utopian visions of e-waste bricoleurs, and e-waste as a signifier and artefact of the neocolonial nature of the capitalist world-ecology. The first half of this article focuses on Florian Weigensamer and Christian Krönes’ documentary film, Welcome to Sodom (2018), grounding it in critiques of the transmedial influence of the documentary form, while attending to the film’s pyrotechnical “optical regime” (Schoonover). …
