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Rudolph Süss’S Lyrische Suite No. 1, Op. 23, Matanya Ophee

Soundboard Scholar

This article reproduces the Lyrische Suite [no. 1], op. 23, by the Austrian composer Rudolph Süss, with a short introductory commentary. First published in Vienna around 1921, this suite is a fine example of the enthusiasm for the guitar in early twentieth-century Austria and Germany, which resulted in much music that has been overlooked, overshadowed as it was by the emerging Spanish repertoire.

Note

This article is one of a series of seven celebrating the work of Matanya Ophee (1932–2017) on the ninetieth anniversary of his birth. Written between 1982 and 1991, these articles first appeared in early issues of …

Diversity Of Choral Festival Literature And The Selection Process, Abigail L. Mcmichen

Honors College Theses

In music education, festival events are a chance to receive feedback from experts in the field. Often, these events have literature lists from which directors are required to choose literature for the event. With choral festivals being so prevalent in music education, the literature lists provided to choral music educators have a major impact on young singers. Literature selection can be intense for choral music educators who decide what factors to consider when selecting literature. The purpose of this study was to explore and analyze the diversity of choral literature through analysis of the Georgia LGPE list while also gaining …

Laurie Smukler Guest Masterclass, Andrews University

Concerts and Events 2022-2023

Admired for her vivid musical intensity and the beauty of her sound, Laurie Smukler is an artist who is active as a soloist and recitalist, as well as a much sought-after chamber musician. Growing up in Cleveland, she began her studies at the Cleveland Institute of Music, with pedagogue Margaret Randall. She started performing early, winning local competitions, and playing as a soloist with the Cleveland Orchestra at the age of fourteen. She received a Bachelor of Music degree from the Juilliard School where she studied with Ivan Galamian. Other teachers who had a powerful influence on her development have …

Cedarville Chamber Orchestra Italy Tour 2023, Cedarville University

Ensemble Concerts

No abstract provided.

Christ Our Passover (Pascha Nostrum), Anthony Elia

Bridwell Library Research

Work was originally written for the Congregation of the Episcopal Church of the Redeemer (Irving, TX) in 2021, but not completed till 2023. Given in honor of Canon Victoria Heard's Distinguished Service and Retirement in Spring 2023. (9 pages). [Based off of texts from 1 Corinthians and Romans].

Femme Fatale In Lieder: Songs Of Lorelei By Clara Schumann, Franz Liszt, And Alexander Zemlinsky, Eun Chong Kang

LSU Doctoral Dissertations

The femme fatale, a seductive and dangerous woman, is a popular archetype found in literature, art, and music. In German literature, the character of Lorelei is a well-known example of the femme fatale. She is associated with a steep rock cliff on the Rhine River and, from the cliff, convicted of bewitching men resulting in their murder. This written document focuses on Lorelei as the femme fatale character in German literature as seen in three musical settings by composers Clara Schumann, Franz Liszt, and Alexander Zemlinsky. The document also includes limited musical analyses of and singer’s commentary on …

Healing For The Soul: Richard Smallwood, The Vamp, And The Gospel Imagination, Horace J. Maxile Jr.

Yale Journal of Music & Religion

A book review is presented for Braxton D. Shelley's Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination (Oxford: Oxford University Press, 2021).

The Malay Nobat: A History Of Power, Acculturation, And Sovereignty, Abdul Haque Chang

Yale Journal of Music & Religion

A book review is presented for Raja Iskandar Bin Raja Halid's The Malay Nobat: A History of Power, Acculturation, and Sovereignty, The Lexington Series in Historical Ethnomusicology: Deep Soundings (Lanham, MD: Lexington Books, 2022).

(Special Section) The Hymn As Protest Song In England And Its Empire, 1819–1919, Oskar Cox Jensen

Yale Journal of Music & Religion

Hymns played a role in envoicing the politics of protest in England long before their integration in the established Church – and do so to this day. Yet it was nineteenth-century radical movements that embraced the hymn as in many ways the ideal musical form. From the bloody field of Peterloo to the secularising South Place Society, from the mass meetings of Chartists to the top-down productions of the Fabian socialists, the century resounded with this increasingly familiar music.

Many writers laid claim to the rhetoric of the hymn to advance causes from abolitionism to solidarity with Poles exiled to …

(Special Section) Translating Race: Mission Hymns And The Challenge Of Christian Identity, Philip Burnett

Yale Journal of Music & Religion

“Ye seed of Israel’s chosen race,” “The race that long in darkness pined,” “To heal and save a race undone,” and “Sanctify a ransomed race” are a few examples of many references to “race” that exist in English-language hymnody. Throughout the nineteenth-century, hymns containing lines such as these, were exported from Britain into mission fields where translators had to find new ways to conceptualize notions of race and, in effect, created new group identities. This requires asking critical questions about the implications of what happened when ideas of race, in the Christian sense, interacted with non-religious notions of race in …

(Special Section Introduction) Hymns Beyond The Congregation: Constructions Of Identity And Legacies Of Meaning, Erin G. Johnson-Williams, Philip Burnett

Yale Journal of Music & Religion

We offer here the first of two special sections on the theme of "Hymns Beyond the Congregation." Divided into the two sub-themes of “Hymns Beyond the Congregation: Constructions of Identity,” and “Hymns Beyond the Congregation: Legacies of Meaning,” our authors (based in institutions both in the USA and the UK) comprise both early career and senior scholars and come from a range of disciplinary backgrounds in American history, South African colonial history, political history, the history of mission education, and historical musicology. Together, these two special issues will pave the way for facilitating new dialogues between historians, musicologists and congregational …

Church Music Leaders In The Usa: Prioritizing Technical Competence And Inclusion, Heather Maclachlan

Yale Journal of Music & Religion

Church music leaders in the United States pursue two priorities: technical accuracy and fluency in the music-making of their church ensembles, and, including as many volunteers as possible in those same ensembles. At times, the prioritization of technical competence and inclusion conflict, because volunteers whose playing or singing is less than competent seek to be included in church music groups. Facing this ethical dilemma, church music leaders operate ethically; that is, they employ strategies and develop policies based on their understanding of their responsibilities to other people (Warren 2014). During interviews, they verbally espouse an ethic of deontology, but in …

Observant Dominican Nuns’ Processionals In Fifteenth-Century Germany: Evidence From Manuscripts Of The Beinecke Library, Eleanor J. Giraud

Yale Journal of Music & Religion

This article examines three Dominican processionals held in the Beinecke Library: Ms. 205, Music Deposit 60 and Music Deposit 61, all of which can be linked to the Observant Dominican convent of St Catherine in Nuremberg. Ms. 205 was undoubtedly used in Nuremberg, while Music Deposit 60 and 61 were likely copied from a Nuremberg Processional but made for use elsewhere, probably Regensburg. This small collection presents the opportunity to consider the Observant experience of procession, the dissemination of Observant liturgical books, and the relationship between the practices of Dominican nuns and friars. To a vast extent, these manuscripts reveal …

Tracking The Harmonium From Christian Missionary Hymns To Sikh Kirtan, Gurminder Kaur Bhogal

Yale Journal of Music & Religion

The harmonium is prominent in Sikh practices of devotional music known as kirtan and yet its significance has barely been addressed in Euro-American scholarship. Following on the heels of a recent ban against using the instrument at the holiest temple of the Sikhs, Harmandir Sahib (popularly known as the Golden Temple), this article explores how the ban seeks to discard this colonial instrument and return to playing traditional string instruments (tanti saz) associated with the courts (darbar) of the Sikh Gurus. This study is the first to examine primary missionary sources from the nineteenth and early …

Florence Price: Forgotten No More, Kathryn E. Amdahl

2023 Symposium

Florence Price was a composer and musician who lived from 1887 to 1953. She composed music in every genre except for opera. The music of Florence Price traveled practically everywhere; from the radio to the concert halls to the church. Throughout her life, she became well-known as the first African American female composer who was featured by a major symphony. Florence Price was tenacious, brave, and courageous during her era which contributed to the level of acceptance that society now holds for African American composers. Despite the challenges she faced during her lifetime, she never gave up or collapsed due …

Functional And Non-Functional Harmonic Devices In The Music Of Wayne Shorter From The 1960'S: Analysis And Application, Max Reynolds

University Honors Theses

During the 1960's, composers within the jazz genre began to expand their harmonic palette, diverging aesthetically from the compositional tendencies of music from the Great American Songbook and the Bebop repertoire. Of the people making these developments, Wayne Shorter was among the pioneers and is one of the most widely influential composers in jazz from the mid 20th century. My project has identified a selection of techniques that he used to explore new harmonic territory and applied them within an original body of work.

"That's The Way I Am, Heaven Help Me": The Role Of Pronunciation In Billy Bragg's Music, Mary Blake Bonn

Electronic Thesis and Dissertation Repository

British singers do not always sound British. Indeed, it is common—and sometimes expected—for singers in a variety of styles and genres to sing with accents that do not match their speech. The specific phenomenon of British (or more precisely, English) popular musicians singing with Americanized pronunciation is so common that it was the point of departure for an entire subfield of sociolinguistics that is focused on the ‘singing accent’ in popular music: the pronunciation patterns that singers use in their singing and how these differ from the pronunciation patterns these singers use in speech (e.g., Trudgill 1983). Nevertheless, some English …

Music In The Liturgy: An Education-Focused Approach, Robert M. Beatty

College of Education Theses and Dissertations

This project examines how people engage with music in the Latin Rite Roman Catholic Liturgy. Despite ongoing debates in the field of liturgical music regarding musical style, music may express theological concepts, explore critical historical developments, reflect different cultural influences, and challenge commonly held beliefs. This inquiry explores these dynamics from the standpoints of educational theory and theology by examining the process of 'doing' and ‘receiving’ music in the liturgy. The site for this study was St. Vincent de Paul Parish in Chicago, whose current curriculum-based, liturgical music program developed over the last twenty-five years. Qualitative, case-study research methods, personal …

Rejoice In The Lamb: Preparation To Performance, John Gladen

University Honors Theses

Rejoice in the Lamb is a masterpiece of the choral music world by Benjamin Britten. This thesis documents one educators journey of preparing and performing this piece with a choir. Exploring the life of Britten and the poet, Christopher Smart, a greater context for the this work is discovered. The educators personal take on the piece is also included.

A Comparative Study Of The Marching Bands At Four Historically Black Colleges And Universities, Taylor Leonard Whitehead

Doctoral Dissertations and Projects

Since the late nineteenth century, marching bands have served as an integral component of the fabric of Historically Black Colleges and University (HBCU) campuses. In addition to performing for millions of fans annually, HBCU marching bands serve as brand ambassadors for their university's communities. Marching bands at four HBCUs from the southeastern United States comprised the sample for this study. Despite their many successes, each band experiences significant challenges, including declining school enrollment, limited recruitment opportunities, low retention rates, insufficient budgets and staffing, hazing allegations, and increasingly expensive travel costs. More research currently needs to be done that details the …