Music Commons^™

Rudolph Süss’S Lyrische Suite No. 1, Op. 23, Matanya Ophee

Soundboard Scholar

This article reproduces the Lyrische Suite [no. 1], op. 23, by the Austrian composer Rudolph Süss, with a short introductory commentary. First published in Vienna around 1921, this suite is a fine example of the enthusiasm for the guitar in early twentieth-century Austria and Germany, which resulted in much music that has been overlooked, overshadowed as it was by the emerging Spanish repertoire.

Note

This article is one of a series of seven celebrating the work of Matanya Ophee (1932–2017) on the ninetieth anniversary of his birth. Written between 1982 and 1991, these articles first appeared in early issues of …

Cedarville Chamber Orchestra Italy Tour 2023, Cedarville University

Ensemble Concerts

No abstract provided.

What Is Competency? Exploring Perceptions Of Functional Musicianship In Music Therapy, Catherine Befi-Hensel

Expressive Therapies Dissertations

The purpose of this study was to examine the perceptions of music therapy clinicians, educators, clinical supervisors, and students in the United States regarding functional music skill competence. The study further attempted to identify potential factors that may influence perceptions of functional music skill competence, including the principal instrument, amount of clinical and supervision experience, and educational background of the rater. Data for this study were collected using an online survey that asked participants to listen to 12 musical excerpts and rate each for proficiency in overall musicality, instrumental accompaniment, vocal performance, and musical competence. Additionally, participants had the option …

Using Vignettes To Change Music Therapists' Attitudes Toward Research, Adrienne Flight

Expressive Therapies Dissertations

This study used a three-condition experimental design to determine which was more effective in changing music therapists’ attitudes toward research: a vignette demonstrating positive outcomes of using research to inform clinical work (PO), a vignette showing negative outcomes of not using it to inform clinical work (NO), or a research summary (RS). The outcome measure had three subscales, focused on perceptions of usefulness, anxiety, and positive predispositions.

Respondents (N = 656) included students and professionals. Findings indicated that anxiety decreased more for the RS than the NO condition, F(2, 653) = 4.0, p = .02, η² = …

Jewish Wordless Singing In Music Therapy And Burnout Prevention With Outpatient Mental Health Clinicians, Elizabeth Zinn

Expressive Therapies Capstone Theses

Existing literature has shown a rise in burnout levels for mental health clinicians, especially in light of the recent and ongoing COVID-19 pandemic. This capstone project focused on understanding how Jewish wordless melodies (niggunim) may be used as a technique in group singing in music therapy as a strategy for preventing clinician burnout. Research has demonstrated that music therapy techniques may be beneficial in addressing the causes and components of burnout though there is minimal research on the use of niggunim in music therapy, and none on the use of niggunim to prevent burnout. A single-session niggunim-based intervention was …

Examining The Use Of Expressive Arts Therapies In Neurorehabilitation Treatment Planning, Rebecca J. Horner

Expressive Therapies Capstone Theses

Those undergoing neurorehabilitation after stroke and traumatic brain injury report a diminished sense of overall wellness. This paper examines the conceivable benefits of introducing expressive arts therapies, which is the therapeutic use and combination of the visual arts, movement, drama, music, writing and other intermodal creative processes, into physical therapy and neurorehabilitation treatment planning. Expressive arts therapies have the capacity to engage with an individual’s physical, emotional, social and spiritual states concurrently. They simultaneously offer the ability to promote an increased sense of well-being, address mind-body disconnects, and process trauma non-verbally.

The sections of this narrative literature review focus on …

Exploring The Hinterland: The Development Of A Person-Centered Music Therapy Method For A Hospice Patient With Lewy Body Dementia, Paige Chaplin

Expressive Therapies Capstone Theses

This thesis explores the development and implementation of a music therapy method with an individual diagnosed with dementia with Lewy Bodies (DLB) receiving home hospice services. There is very little known about the effect of music therapy on patients diagnosed with DLB. Informed by Tom Kitwood’s Person-Centered Care (PCC) philosophy for dementia care, Yumiko Sato’s Musical Life Review (MLR) model, and Lisa Kelly and Bill Ahessy’s Reminiscence-Focused Music Therapy (RFMT) model, a clinical method was developed to explore the effects of person-centered music therapy on reminiscence, caregiver connection, and identity. I drew inspiration from music therapy concepts by Tony Wigram …

Talking Heads, Fear Of Music, And The "Different Thinking" Of David Byrne, John Bruni

Ought: The Journal of Autistic Culture

This article proposes that the 2006 post on the website of David Byrne, the vocalist/guitarist of Talking Heads, announcing his self-diagnosis as an autistic person, invites a reappraisal of the band’s discography, especially Fear of Music (1979), which foregrounds his lyrical approach. Fear of Music, I suggest, relies on “autistic misdirections” that illustrate Byrne’s “different thinking” about his body, mind, communicative (in)ability, and relationship to physical spaces – all prominent and productive areas of exploration within critical autism studies.

“Different thinking” is taken from the 2020 memoir of Chris Frantz, the drummer of Talking Heads, in describing, retroactively, how …

Jeff Scott’S "Startin’ Sumthin’, Composed For The Monmouth Winds," Transcribed For Full Wind Band, Trevor Butts

LSU Doctoral Dissertations

The goal of this project is to create a wind band transcription of a work for a chamber music ensemble by Jeff Scott. Jeff Scott creates works that he considers “Urban Classical Music”. These works are rooted in European traditions and informed by his African American culture. His music is unapologetically influenced by the cultural experiences of his diverse, urban environment upbringing.

This project is intended to contribute to the overall body of wind band literature, specifically the body of wind band literature composed by underrepresented composers. There has been a lack of representation of African American composers throughout the …

Texas Exceptionalism And Texas Style Fiddling: Fiddle Contests, Patriarchs, And Musical Markers, Emilie Catlett

Music Theses and Dissertations

The phrase “Texas Fiddle Player” indicates a unique musical identity within the Greater North American Fiddling community. Beyond fiddle tunes, fiddling culture involves technical diversity, interpersonal relationships, various performance contexts, teaching and learning, and the stories making up a community’s collective memory. The Texas Fiddle Player identity is the result of a process of connecting these aspects of fiddling culture to symbols and narratives that evoke a specific kind of “Texan-ness.” This process is a form of musical Texas Exceptionalism, in that it asserts a belief that Texas Fiddle Players are somehow different from their American fiddling peers. This manifests …

A Tale Of Two Good Bands: Students’ And Directors’ Perceptions Of Middle School Non-Varsity Band, Carson Ross

Masters of Education in Teaching and Learning

This action-research study was conducted with two middle school bands in West Texas. The researcher primarily studied student and director perceptions in the non-varsity band to identify recurring themes within the ensembles. Fifteen non-varsity band students were given a survey, and eight were interviewed. Four directors participated in small focus groups at each of the two campuses. Data was coded to observe any major themes that occurred simultaneously in the collection process. The findings of this study indicated UIL was a contributing factor to these schools’ non-varsity bands. Another significant factor was the importance of challenging music and social relationships …

An Introduction To Five Selected Modern Korean Art Songs, Gagok, By Composers Guisook Lee And Jiyoun Chung, Ji Kim

Dissertations, 2020-current

Modern Korean art song, Gagok, is the Western-style vocal music genre that developed in the twentieth century in Korea, predominantly through the influence of western music curricula in missionary schools and the presence of Korean military bands. These influences led to the first generation of Western music leaders who contributed to the birth of Gagok. As a result, this new genre rapidly became popular and continued to be developed despite the Japanese occupation of Korea (1910-1945) and up to the present day. Since the birth of Gagok, two divergent compositional styles have emerged.

This DMA document aims to introduce professional …

Friedrich Warnecke: Toward A New Edition Of Ad Infinitum, Elton Machado

Dissertations

The dissertation collects and organizes information on German double bassist, pedagogue, and author Friedrich Warnecke and investigates the significance of his life and work to the double bass history. The ever-changing European musical environment throughout Warnecke’s life, the challenges double bassists faced during that time, and the rapid developments of the double bass at the turn of the twentieth century provide a rich historical background. The study addresses Warnecke’s life, pioneering writings on the history of double bass, pedagogical contribution and influence as a teacher and author, and work as a performing double bassist. Finally, it discusses Warnecke’s substantial pedagogical-technical …

A Study On Vivian Fine’S Chamber Concerto For Cello And Six Instruments, Andrea Beltran Landers

Dissertations

The music of American composer Vivian Fine (1913-2000) has fallen into obscurity despite its high quality. Her musical career has led her from being a child-prodigy at the piano to being a part of the elite inner circle of avant-garde composers in New York in the early 1930s, and ultimately to a faculty position at Bennington College in the 1960s. Due to the stability and job security that the academic world brought to Fine, she was able to dedicate most of her time to composition. The Chamber Concerto for Cello and Six Instruments belongs to this fruitful period in her …

Elsewhere: In Defense Of Daydreaming, Alex Braden

MFA in Visual Art

Much like music, organic life is an absurd, improbable, and serendipitous instance. I set circular, electric, acoustic, and magnetic forces in motion and allow them to coalesce freely in the hopes of synthesizing unexpected moments of beauty, connection, and harmony.

Farida Aït Ferroukh, Kateb Yacine Et Debza Au Cœur Du Printemps Berbère, Mestafa G'Idir

Journal of Amazigh Studies

N/A

Mehenna Mahfoufi, Chants Et Poèmes De La Kabylie Dans La Lutte De Libération. Algérie 1954-1962, Marielle Rispail

Journal of Amazigh Studies

N/ A

Hearing Idir In Bouïra, Hugh Roberts

Journal of Amazigh Studies

N/A

Proceedings Of The 21st Century Guitar Conference 2019 & 2021

The 21st Century Guitar

This volumeʼs contributions grew from 20 of the 94 scheduled keynotes, lectures and lecture-recitals of the first and second editions of The 21st Guitar Conference. Five items stem from the inaugural edition (2019, 44 contributions) and 15 from the second edition (2021, 50 contributions).1 This conference is unique in that it is centered on contemporary guitar research, performance and pedagogy.2 Previously, guitar research had gained increased visibility thanks to the International Guitar Research Centre, launched in 2014 (Stephen Goss, President), which regularly (co-)organizes conferences on guitar research; and Soundboard Scholar, launched in 2015 (Jonathan Leathwood, Editor) ‒ currently the only …

Osmosis: Asymmetries In Telematic Performance, Matthias Ziegler

Journal of Network Music and Arts

For the 2022 edition of the NowNet Arts Conference on October 31st, the telematic research team of the Zurich University of the Arts (ZHdK) presented a project entitled OSMOSIS. OSMOSIS was a concert event, highlighting how telematically connected spaces always confront each other asymmetrically. Their telematic connection is part of a continuous space in which information is fragmented and selectively reassembled. Like the biochemical process of osmosis in which molecules diffuse across a cell membrane from one level of concentration to another, in telematic connections certain elements such as sound, physicality, movement, and empathy are diffused across spaces, each being …