Furman University
La Salle University
Providence College
Trinity College
William & Mary
Bard College
University of Iowa
University of Pennsylvania
Un-Done: The Historiographical Dialogue Between Past And Present,
2022
Rhode Island School of Design
Un-Done: The Historiographical Dialogue Between Past And Present, Rachel Cobler Wollert
Masters Theses
Art critic for The Nation and professor of at Columbia, Arthur C. Danto led the charge with his essay “The End of Art” in 1984 to declare the end of art. Thirty-eight years later, the awareness of colonial problematics in the elite institutionalism of art history today warrants a reanalysis of art historical ontologies of progress (and their ties to colonialism), which have seemingly disbanded in the discipline’s current rhetoric. Because Danto’s historical framework to end art focuses on progress through artistic means, does it fall short or even negate itself by missing the deconstruction of colonial afterlives ...
Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980,
2022
The Graduate Center, City University of New York
Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta
Dissertations, Theses, and Capstone Projects
“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that ...
The Ephemerality Of The Living And The Persistence Of The Inanimate,
2022
Washington University in St. Louis
The Ephemerality Of The Living And The Persistence Of The Inanimate, Erin Johnston
MFA in Visual Art
I create fragile, sculptural works with paper. Either cast from pre-existing objects or constructed forms, my three-dimensional works ultimately become pure paper objects. I use the visual language of absence, memory, ruin and ephemerality to present modern artifacts and address the now. I am interested in how the manufactured crumbs we leave behind as a species reveal our collective desires, and our relationship to the body and mortality. I am fascinated with, and even enchanted by, the proliferation of material objects and their tendency to surpass the lifespan of any single human. Perhaps this behavior of producing lasting creations is ...
The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age,
2022
Washington University in St. Louis
The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith
MFA in Visual Art
Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I ...
Sanctuary: The-Construction Of Communion,
2022
Washington University in St. Louis
Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont
MFA in Visual Art
This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. This idea ...
Framing Colonialism: An Analysis Of Kent Monkman’S Mistikôsiwak (Wooden Boat People),
2022
Lindenwood University
Framing Colonialism: An Analysis Of Kent Monkman’S Mistikôsiwak (Wooden Boat People), Jasen D. Evoy
The Confluence
The 2019 diptych mistikôsiwak (Wooden Boat People) by Kent Monkman is one of a series of recent commissions by the Metropolitan Museum in New York granted to diverse artists, shifting the Museum’s focus to a broader, inclusive, and global scope. Monkman’s large scale paintings are site specific, exploring interactions between the work and the permanent collection of the Metropolitan Museum. The work uses visual quotation to connect to historical works within the collection of the Met, thereby commenting on the legacy of colonialism and subsequent impacts on Native peoples and cultures. The analysis of the work focuses on ...
Using Color To Identify Neotropical Parrots In Early Modern European Art: Recognizing Limitations And Avoiding Pitfalls Through Integration Of Scientific And Artistic Knowledge,
2022
Lindenwood University
Using Color To Identify Neotropical Parrots In Early Modern European Art: Recognizing Limitations And Avoiding Pitfalls Through Integration Of Scientific And Artistic Knowledge, Deniz Martinez
The Confluence
Colorful Neotropical parrots were amongst the first and most frequent exotic animals to be imported by Europeans from the “New World” of the Americas, becoming key figures in what would become known as the Columbian exchange. There has been an ongoing effort to locate and identify images of Neotropical parrots in the visual record of early modern Europe, with the classification of many remaining unsettled in the scholarship. Proper identification of these images can be valuable data for reconstructing historical biogeography and transatlantic trade; especially compelling is the potential of certain “mystery parrots” in the visual record to support the ...
Partisan Genealogies: Radical Visual (And Political) Practices. An Introduction,
2022
Université Grenoble Alpes
Partisan Genealogies: Radical Visual (And Political) Practices. An Introduction, Paula Barreiro López
Artl@s Bulletin
This special issue has been conceived in the framework of the project Ré.Part. - Résistance(s) Partisane(s): Culture visuelle, imaginaires collectifs et mémoire révolutionnaire (Université Grenoble Alpes, ANR-15-IDEX-02) and the research project MoDe(s) – Decentralized Modernities: Art, Politics and Counterculture in the Transatlantic Axis during the Cold War (Universidad de Barcelona, HAR2017-82755-P).
We are very thankful for the support of the Jean Monnet Excellence Centre IMAGO (École normale supérieure - Université Paris Sciences Lettres, co-funded by the Erasmus + Program of the European Union) and of the Laboratoire de Recherches Historiques Rhône Alpes.
Many thanks to the editorial team of Artl ...
Ressusciter La Lutte Antifasciste: Art, Politique Et Mémoire Entre La Guerre Civile Et L'Espagne D’Aujourd’Hui,
2022
Université Grenoble Alpes
Ressusciter La Lutte Antifasciste: Art, Politique Et Mémoire Entre La Guerre Civile Et L'Espagne D’Aujourd’Hui, Paula Barreiro López
Artl@s Bulletin
Prenant pour point de départ l’œuvre Resurrección de Núria Güell (2013), cet article aborde le rôle que les artistes contemporains ont assumé, en Espagne, dans la contestation du passé fasciste. Il traite les politiques de terreur mises en œuvre pendant et après la guerre civile, ainsi que la résistance antifasciste pendant la dictature, menée par le maquis, mais aussi par des artistes associés à des organisations d’extrême gauche. Enfin, il réintègre l’œuvre de Güell dans un contexte de création militant de son époque où l’on cherchait à réactiver l’antifascisme face aux survivances structurelles du franquisme ...
Antifascism And Wildness. “Partisan Ecologies” Between The Spanish Civil War And The Global Warming Era,
2022
Institute of History, Spanish National Research Council (CSIC)
Antifascism And Wildness. “Partisan Ecologies” Between The Spanish Civil War And The Global Warming Era, Jaime Vindel
Artl@s Bulletin
This short essay uses the concept of “partisan ecologies” in order to analyse certain past and present chapters on the relationship between anti-fascism and nature. According to the Swedish eco- Marxist Andreas Malm, wilderness has not only represented an essentialist idea resulting from the projections of conservationist environmentalism about a supposedly untouched nature, but has also been one of the real spaces of a modern antagonism. Taking this theoretical point of departure, the text describes the Alpine Battalion of the Sierra del Guadarrama during the Spanish Civil War and its resonances in some contemporary events.
Infancia Y Revolución. Reflexiones Sobre La Figura Del Niño Combatiente Dentro De Las Narrativas Visuales Revolucionarias Y De Liberación A Partir Los Casos De Nicaragua Y El Salvador En La Década De 1980,
2022
Universidad Autónoma de Madrid
Infancia Y Revolución. Reflexiones Sobre La Figura Del Niño Combatiente Dentro De Las Narrativas Visuales Revolucionarias Y De Liberación A Partir Los Casos De Nicaragua Y El Salvador En La Década De 1980, Laura Ramírez Palacio
Artl@s Bulletin
Tomando como punto de partida el caso de imágenes referentes a los procesos revolucionarios en Nicaragua y El Salvador durante la década de 1980, el presente artículo reflexiona sobre antecedentes en la historia de las revoluciones, donde la incorporación de los niños no solo fue una realidad, sino también un elemento simbólico asociado a la idea de liberación en pos de una transformación social duradera en el tiempo. De este modo el texto analiza y busca situar la figura del niño combatiente dentro de las narrativas visuales revolucionarias y de liberación en la historia reciente de Occidente.
Partisan Dilemmas Between Activism And Socially Engaged Art: Situations In Loisaida At The End Of The Seventies,
2022
Universidad Autonoma de Madrid
Partisan Dilemmas Between Activism And Socially Engaged Art: Situations In Loisaida At The End Of The Seventies, Olga FernáNdez López
Artl@s Bulletin
The end of 1970s is an interesting moment to understand the epistemic shift that involves the passage from partisan artistic activism to contemporary socially engaged art. Then, a significant convergence took place in the neighborhood of Loisaida (NYC), where artists and local residents coincided in their modes of action. However, its subsequent cultural interpretations have overlooked each other. Art history cosmopolitan approaches clashed with migration identities, traversed by victimhood, but also by transnational heritages. This article examines and reunites both traditions looking for a reparative art history.
An Antifascist Biennale: ‘Libertà Al Cile’ In And From Venice,
2022
Universidad de Barcelona / Université Grenoble Alpes
An Antifascist Biennale: ‘Libertà Al Cile’ In And From Venice, Anita Orzes
Artl@s Bulletin
The article analyses the section Libertà al Cile [Liberty for Chile] of 1974 Venice Biennale. Even if this cultural proposal against Pinochet’s regime had a significant role and was the most visible face of La Biennale per una cultura democratica e antifascista [The Biennial for a democratic and anti- fascist culture], a detailed study of this exhibition is still missing. The aim of this article is to contextualize Libertà al Cile within the project of the New Biennale and its new exhibition formula, as well as within the ties of brotherhood that united Italy and Chile by paying attention ...
Exposición Mexicana De Pintura Y Estampa Contemporáneas. Mexican Art In The Eastern Front 1955: Poland And Bulgaria,
2022
Saint Louis University, Madrid
Exposición Mexicana De Pintura Y Estampa Contemporáneas. Mexican Art In The Eastern Front 1955: Poland And Bulgaria, Fabiola Martínez Rodríguez
Artl@s Bulletin
The subject of this paper is a travelling exhibition organized by the National Front of Plastic Arts which toured various cities in the Eastern Bloc between 1955 and 1956. Its objective was to introduce the public to Mexican art, and to promote the socially committed art of the Mexican School and its enduring revolutionary spirit. Attention will be given to two of its venues: Poland and Bulgaria. It is hoped that this focused analysis will provide a deeper understanding of its artistic and political objectives, whilst highlighting the activism of the Mexican School in the context of the Cultural Cold ...
Giandante X: An Artist For Gramsci And The International Brigades (1920–1941),
2022
IUAV, University of Venice
Giandante X: An Artist For Gramsci And The International Brigades (1920–1941), Jacopo Galimberti
Artl@s Bulletin
Dante Pescò, also known as Giandante X, was a Milanese anarchist who participated as a militant, militiaman and artist in some of the major struggles of antifascism in the 1920s and 1930s, from the street clashes against the Blackshirts in Italy to the Spanish Civil War. The article retraces two decades of Giandante X’s oeuvre, concentrating on his work for Antonio Gramsci’s l’Unità and on his manifold agit-prop production for the International Brigades.
Memorial Craze: How War Memorials Have Been Changed By War,
2022
Chapman University
Memorial Craze: How War Memorials Have Been Changed By War, Jillian Bass
War and Society (MA) Theses
This thesis project argues that memorials constructed after 9/11 were designed specifically in a way that privileged and focused on the dead individually. By taking a look at memorials throughout American history, the study of memorialization sets up the stage for the way the lives of ordinary people have been memorialized throughout history. 9/11 is one of the most memorable days in the history of the world in the 21st century. However, the academic world has generally ignored the study of war memorials throughout American history as a subset of memorials. Chronicling memorials from the Civil War period ...
Searching For Hades In Archaic Greek Literature,
2022
East Tennessee State University
Searching For Hades In Archaic Greek Literature, Daniel Stoll
Electronic Theses and Dissertations
No single volume of mythological or philological research exists for Hades. In the one moment Hades appears in archaic Greek literature, speaking for only ten lines, Hermes stands nearby. Thus, to understand and journey to Hades is to reckon with Hermes’ close presence. As I synthesize research by writers from several different disciplines, may some light be brought into the depths. May we analyze Hades’ brief appearance in archaic Greek literature, examining how what I define as the “Hermetic” emits from his breath in the one moment he physically appears and speaks.
Operatic Mysticisms: Mountains, Deserts, Waterscapes,
2022
East Tennessee State University
Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk
Electronic Theses and Dissertations
Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. With ...
The Artists Of The Walter Crane Fan: Gender And Performance In 1895,
2022
Lindenwood University
The Artists Of The Walter Crane Fan: Gender And Performance In 1895, Caroline Haller
Theses
The curiosity of the Walter Crane Fan, an autograph fan created in 1895, is that despite featuring forty signatures of famed artists, writers, musicians and public figures, it has received little critical examination. The re-discovery of the Walter Crane Fan when it came to auction, prompted its inclusion in The Cult of Beauty: The Aesthetic Movement 1860-1900 exhibition originally held at the Victoria and Albert Museum in London in 2011. Then, the Crane Fan was the focus of Robyne Calvert’s essay “An Artistic Fan in Victorian Society” in Connecting Whistler: Essays in Honour of Margaret F. Macdonald. However, to ...
Gamification Of Education And Learning: Heuristic Elements, Player Types, And Learning Outcomes For Art History Games,
2022
Lindenwood University
Gamification Of Education And Learning: Heuristic Elements, Player Types, And Learning Outcomes For Art History Games, James L. Hutson Jr.
Theses
The technology of virtual reality (VR) and the gamification of education and learning has had proven educational benefits, especially in secondary education. However, there remains little to no research on the heuristic elements and mechanics that contribute to learning at the postsecondary level of education. Most research conducted has been refined to science programs, but even in these instances, a study of the effects and interests of different demographics has yet to be considered. Given the visual nature of how the discipline of art history has traditionally been taught, there are a number of virtual reality (VR) applications to assist ...
