History of Art, Architecture, and Archaeology Commons^™

The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, Camille Ferrer

Art Conservation Master's Projects

A severely damaged 19th-century oil painting depicting a portrait of a woman was treated at Patricia H. and E. Garman Art Conservation Department. A typed letter provided by the owner mentioned that it has been previously restored yet returned with unsatisfactory results. After further examination, the painting appeared to have been previously treated multiple times by different people. There was overpaint distinctly present on the face and later discovered to be present overall. The full state of condition of the painting was initially unknown due to the sum of the surface being overpainted. However, there were evidence of paint loss …

Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren

Art Conservation Master's Projects

A potential 17^th century Anglo-Dutch military portrait painting from the Memorial Art Gallery at the University of Rochester in Rochester, New York arrived at the Garman Art Conservation Department at Buffalo State University for conservation research and treatment in 2022. The painting’s title, date, and artist were unknown and the subject was initially referred to as a “17^th Century Dutch Cavalier.” Little information existed on the provenance and history of the artwork. The painting was in a state of structural instability and aesthetic disfigurement and showed evidence of a past restoration campaign. This master’s project attempted to broadly …

Christ Child Bearing The Instruments Of The Passion Technical Study And Treatment Of A Painting On Copper From The Viceroyalty Of Peru, Daniela González-Pruitt

Art Conservation Master's Projects

Christ Child Bearing the Instruments of the Passion (acc.# 228017) is a 17^th century Peruvian Viceregal painting on copper belonging to the Carl & Marilynn Thoma Art Foundation. The painting depicts the Christ Child on a flower laid path as he carries the instruments of the passion also known as the Arma Christi Paintings executed on copper convey new and challenging preservation issues based on their materials and techniques.. The work had been heavily restored and exhibited several condition issues, including significant overpaint and broad losses. The painting was photographed using multimodal imaging techniques as well as reflectance …

Researching & Designing Marketing Materials For Rachel Messer & Connor Dale, Isabelle Bauer

Honors Projects

Isabelle Bauer’s Honors Project, “Researching and Designing Marketing Materials for Rachel Messer and Connor Dale” is split into two components. First, the research paper titled "The American West as a Cultural Phenomenon" explores the fascination with the American West and its integration into various aspects of American culture, particularly in music, film, and art. The essay discusses the historical significance of the West and its transformation into a cultural obsession. Focusing on the resurgence of Western aesthetics in modern country music, the project’s second component involves the creation of marketing materials for country artists Rachel Messer and Connor Dale.

The …

From The Outside, Looking In: Reflections On The Complex Infrastructures Of African Art History, Joanna Gardner-Huggett

Artl@s Bulletin

This essay engages with the five articles featured in this issue from the perspective of a non-specialist. Each contribution considers challenges facing scholars of African arts when confronted with incomplete and not always reliable historical evidence. The author contends that given the escalating demands for the repatriation of African objects, all art historians— not only art historians focused on African arts—should better understand the important strategies proposed by contributors to this issue. These interventions encourage the development of a more critical audience for African arts and also model ethical research, a slow critical archival practice, and sustainable provenance and digital …

Art And Evidence In Totems Of Uganda (2014), Margaret Nagawa, Taga F. Nuwagaba

Artl@s Bulletin

In his painting and book project, Totems of Uganda: Buganda Edition (2014), Ugandan artist Taga Nuwagaba asks: What is the function of a totem? In Buganda, the historical kingdom in current-day Uganda, totems serve as unique identifiers for fifty-two distinct patrilineal descent groups designated as clans, or ebika in the Luganda language, forming the primary scheme of social and political organization. Yet, totems also serve as a conservation practice. In this 2022 interview, Nuwagaba discussed his art and the evidence he relies upon to create his images, demonstrating that identities and knowledges are complex.

Munna Uganda Taga Nuwagaba abuuza nti: …

You Cannot See It: Navigating Yorùbá Religious Artistic Materials, Stephen A. Fọlárànmí

Artl@s Bulletin

My research spanning two decades in Ọ̀yọ́ Palace generated series of questions about access to artistic materials in site-locational spaces, archives and private collections. I probe how scholars have navigated and negotiated these terrains, especially artworks created for religious functions. I explore alternatives to resolve field challenges and consider the effects of such hindrances in art historical research. Drawing on the concept of ọ̀gbẹ̀rì, anecdotes and personal scholarly experiences, I interrogate research access and propose approaches based on personal experience on the importance of Yoruba religion, and practice of initiation.

Iṣẹ́ ìwádì mi fún bíi ogún ọdún sẹ́yìn lórí ààfin …

Shaky Foundations: Cultural Classifications In Museum Collections Management Systems And The Endurance Of Colonial-Era Terminology, Carlee S. Forbes, Erica P. Jones

Artl@s Bulletin

This article uses two musical instruments with attached ancestral remains and labeled as “Asante” from the Fowler Museum at UCLA to consider effects of style-based cultural classifications that appear in museum databases today. We highlight the sway of past classifications over our current understanding of objects that is prolonged by the problem of confirmation-bias in museum collections management systems. We then indicate how working across disciplines stimulated a more nuanced understanding about the complexities of artistic styles for musical instruments with attached human remains in the Akan-speaking region of West Africa.

Cet article étudie deux instruments de musique incorporant des …

Shifting Approaches, Innovative Methods: Collection Histories As A Tool To Move Beyond William Fagg’S ‘Lower Niger Bronze Industry Mystery’, Imogen Coulson, Julie Hudson, Sam Nixon

Artl@s Bulletin

At the end of 2019, the British Museum launched a new research project focusing on copper alloy objects associated with the Lower Niger Bronze Industry. The aim was to increase knowledge of these objects through a combination of provenance and collection history research and scientific analysis. This paper will outline the earlier art historical-focused approach to the Lower Niger Bronzes corpus and will then describe the new research and its methodology. Initial findings will be presented through a case study of objects from the Forcados River in the Niger Delta region of present-day Nigeria. In doing so, we aim to …

Making Absences Present: The Process Of Visualizing Knowledge Production In Museum Records, Caitlin Glosser

Artl@s Bulletin

In this paper, I evaluate the development of data visualizations as an art historical approach. By visualizing data for Senufo-labeled objects in the Musée Africain de Lyon’s collection, I demonstrate how the museum’s knowledge infrastructure privileges European collectors over African makers. I use Tableau visualizations to decenter this narrative by making silences present in a more impactful manner than through text alone. The visualizations also reveal the complex role that one maker, Bèma Coulibaly, played in the life of the collection. The addition of the individual narrative to the data was necessary to bring a human element into view.

Nous …

Technologies Of Recovery And Discovery: The Poetics Of “Artefacts”, Kathryn Simpson

Artl@s Bulletin

This article discusses the ways that objects, specifically personal belongings, held in British collections have their stories muted to become imperial signifiers. Using two pieces of jewellery acquired in 1859 by David Livingstone, British missionary and traveller (1813-1873), a lip ring from a Mang’anja woman in present day Malawi and a bracelet from the Kafue valley in present day Zambia, this article evidences how digital tools can be used to layer, in a palimpsestic way, the information available about colonially collected objects, to locate them physically, in the space they inhabit, and narratively, in the space they create.

En este …

What Does It Mean To Keep Kissing-Close To The Evidence, And Why Might It Matter?, Susan Elizabeth Gagliardi, Constantine Petridis

Artl@s Bulletin

African art specialists often lack detailed information to assess the original meanings, uses, and contexts of so-called historical or traditional arts of Africa, and they rely on indirect evidence to interpret the works. Thus, claims about African arts often reflect speculation rather than irrefutable details. When specific documentation for an object does exist, the circumstances of its creation require careful evaluation as well. The assessment of the quality and reliability of any claim is of particular importance in attempts to determine an object’s place of origin in the ongoing debates about restitution.

Building The Church Of San Vitale In Ravenna, Italy, Sally S. Morgan

LSU Master's Theses

This thesis uses the evidence concerning the design and building of the Church of San Vitale in Ravenna to reconstruct, as far as it is possible, the sequence of decisions, activities, and methods that led to the construction of the church, made of bricks and mortar, and whose interiors are covered by glorious colored mosaics and marbles. The historiography on the Church of San Vitale begins with the historian Agnellus, who wrote the Liber pontificalis ecclesiae Ravennatis in the 830s to 840s. According to Agnellus and other sources, the Church of San Vitale was founded by Bishop Ecclesius around 525, …

Bibliography: Hisban Interactive Archive Project, Terry Dwain Robertson, Patricio Ordoñez

Faculty Publications

The comprehensive bibliography represents published books, articles and reports dealing with the original Heshbon Expedition (1968-1976) through the subsequent Hisban Cultural Heritage Project (1996-2022). In addition, the bibliography also includesl publications dealing with other Madaba Plains Projects (1990-present). Support publications that reference this region, both historically and currently are also included. The current version includes over a 1000 entries.

Borglum’S Horse Flies: The Early Opposition To Mount Rushmore, Riley Merritt

Honors College Theses

This thesis explores the evolution of opposition to Mount Rushmore from 1923-1927—the period before carving began. The resistance was led by a group of preservationists who were concerned about the potential ecological and societal impacts of the project. While much of the existing scholarship has focused on the relationship between the local Indigenous community and the monument, I argue that the preservationists, who opposed the site for their own reasons, deserve similar attention. I aim to reframe the Mount Rushmore controversy within the broader context of the conservation movement, thereby contributing to wider environmental and historical debates. I also emphasize …

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Satsuma Ceramics And The Importance Of Export Craft In Japan, Avery Keys

Undergraduate Research Symposium

Japanese Satsuma ware ceramics from the Meiji Period are an example of how artisans appeal to their buyers' preferences. Developed as a means to establish Japan as a contender within the global art scene, Satsuma ceramics was quickly picked up as a favorite by collectors in the West. During the late 1800s and early 1900s, Westerners became obsessed with Japanese art after being exposed to exhibitions at World Fairs. The Japanese government took note of this and promoted the production of ceramic workshops specializing in Satsuma ware. Scholars often discuss whether this hindered the opportunity for artisans to work within …

Stephen Antonakos: The Spiritual Tenets Of Neon, Seville Partida

Undergraduate Research Symposium

Working without paint or brushes, Stephen Antonakos (1926—2013) created murals of neon light. These sweeping gestures of buzzing color achieve a meditative and spiritual quality yet remain accessible in their communal and urban settings. Douglas Crimp's 1981 essay, “The End of Painting '' argues that the most promising art of the time mounts a thorough critique on the myths of humanism, and consequently the cherished tropes of expressive painting. Antonakos’s career spans this period of upheaval, fraught by fears over the looming death of modernist painting as well as critical and curatorial activity that interrogated art’s structures. Although Antonakos seems …

Centuripe Ceramic Workshops And Their Distinct Funerary Vases, Avery Keys

Undergraduate Research Symposium

Ancient pottery from Centuripe, Sicily made during the Hellenistic period is an outlier when compared to most other red-figure, black slipped ceramics from Magna Graecia. Most Southern Italian and Sicilian vases have a distinct ornate style to them that was not a long lasting design choice in other Greek ceramic workshops. Funerary vases excavated in Centuripe's tombs provide a large collection of elaborate, decorative pottery that is not replicated anywhere else. Centuripean pottery was tempera painted with bright polychromatic colors. This unique quality of the ceramic ware has led scholars to focus on the color palette, the painted subject matters, …

The Impact Of The Gut-Brain Axis On Alzheimer’S Disease, Elissa Wakim

Best Integrated Writing

Elissa’s review for the Graduate Biomedical Review focuses on the links between the gastrointestinal tract and the brain; the gut-brain axis and the development of Alzheimer’s disease. As a student in the Microbiology and Immunology Masters Program Elissa was particularly interested in the gut microbiota and their connection to neurodegenerative disease. She tidily reviewed the literature and wrote a fascinating and compelling piece of work.