Santa Clara University
Kutztown University of Pennsylvania
Xavier University - Cincinnati
University of Nebraska at Omaha
East Tennessee State University
University of Massachusetts Amherst
Bank Street College of Education
State University of New York, Buffalo State College
University of Texas
University of Alberta
A History Of The Scottish P.E.N. Organization, Part 1: 1927-1949,
2023
University of Glasgow
A History Of The Scottish P.E.N. Organization, Part 1: 1927-1949, Helen Stoddart
Studies in Scottish Literature
The first article in a two-part series charting the history of Scottish PEN, from its founding in 1927, through political struggles in the 1930s, and at the international congress in Edinburgh in 1934, over issues of intellectual freedom and the rise of Hitler, till the need to reestablish the organization after World War II, exploring Scottish PEN's relationship to the 20th century Scottish Renaissance movement, and examining the roles in Scottish PEN of H.J.C. Grierson, C.M. Grieve (Hugh MacDiarmid), Helen Cruikshank, William Power, Willa and Edwin Muir, and many others.
Liz Lochhead And The Fairies: Context And Influence In Grimm Sisters And Dreaming Frankenstein,
2023
Massachusetts Institute of Technology
Liz Lochhead And The Fairies: Context And Influence In Grimm Sisters And Dreaming Frankenstein, William Donaldson
Studies in Scottish Literature
Examines the Scottish poet Liz Lochhead's period of North American travel and her response to American second-wave feminist poetics, particularly to the anthology No More Masks! (1973) and the poetry of Adrienne Rich and Anne Sexton, the treatment of myth by J.G. Frazer and Robert Graves, and the perspective on Scottish fairy tales offered by folklorists, to explore Lochhead's creative reworking of both fairy tale and classical myth in her collections Grimm Sisters (1981) and Dreaming Frankenstein (1984).
Fiqws Killer Stories Syllabus For Writing Section,
2023
CUNY City College
Fiqws Killer Stories Syllabus For Writing Section, Serhiy Metenko, Serhiy Metenko
Open Educational Resources
This syllabus informs the students of the course and their expected deliverables.
Fragments Of A Writer’S Mind: Virginia Woolf In Her Own Words,
2023
American University in Cairo
Fragments Of A Writer’S Mind: Virginia Woolf In Her Own Words, Baheya Zeitoun
Theses and Dissertations
This thesis provides a thematic reading of select autobiographical and theoretical works by Virginia Woolf. It utilizes Deleuze and Guattari’s philosophy of the rhizome as a methodological framework. The rhizome does not have a hierarchal structure but is rather interconnected. In the same way, the chapters interweave the multi-disciplinary theoretical approaches to connect the disparate factions of the modernist writer’s mind and life.
The early twentieth century saw the rise of post-suffrage writers with narratives that diverged from male-centric values. Woolf is one of the writers who makes a clear distinction between male and female values by championing women’s experiences …
Dinesen’S Diana: The Transformative Power Of Symbols In Ehrengard,
2023
Portland State University
Dinesen’S Diana: The Transformative Power Of Symbols In Ehrengard, Aishwarya A. Marathe
Anthós
This analysis of Dinesen's Ehrengard aims to illuminate the subversive transformation of the titular character of the novel, using the literal and symbolic application of artistic power.
Tolkien And Diversity (2023), Edited By Will Sherwood,
2023
Central Connecticut State University
Tolkien And Diversity (2023), Edited By Will Sherwood, Kristine Larsen
Journal of Tolkien Research
Book review, by Kristine Larsen, of Tolkien and Diversity (2023) edited by Will Sherwood
Review Of Figurations Of The Feminine, By Siobhán Mcilvanney,
2023
Russell Sage College, Troy, NY
Review Of Figurations Of The Feminine, By Siobhán Mcilvanney, Tonya J. Moutray
ABO: Interactive Journal for Women in the Arts, 1640-1830
A review of Siobhán McIlvanney's Figurations of the Feminine, by Tonya J. Moutray
Review Of Sapphic Crossings, By Ula Lukszo Klein,
2023
University of Tennessee, Knoxville
Review Of Sapphic Crossings, By Ula Lukszo Klein, Ziona K. Kocher
ABO: Interactive Journal for Women in the Arts, 1640-1830
A review of Ula Lukszo Klein’s Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature, by Ziona Kocher.
Review Of Carrying All Before Her, By Chelsea Phillips,
2023
University of Galway
Review Of Carrying All Before Her, By Chelsea Phillips, Jennifer Buckley
ABO: Interactive Journal for Women in the Arts, 1640-1830
A review of Chelsea Phillips’s Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689-1800, by Jennifer Buckley
Plotting The Plantationocene With The History Of Mary Prince,
2023
Oklahoma State University - Main Campus
Plotting The Plantationocene With The History Of Mary Prince, Shelby Johnson
ABO: Interactive Journal for Women in the Arts, 1640-1830
In this essay, I consider how The History of Mary Prince, A West Indian Slave, Related by Herself (1831) extends vital affordances for assembling a literary history of ecological rupture, settler colonialism, and transatlantic slavery. These insights arise from my experiences teaching Prince in “Plotting the Plantationocene in Early Atlantic Literature” (Fall 2021), a course which took up what it means to orient to historical formations of climate change as co-emergent with plantation systems. I argue that my students explored how figures like Prince open politically vibrant pathways for being in the world otherwise to plantation modernity.
Subversive Cartography: Teaching Mary Prince And Saidiya Hartman,
2023
University of Texas, San Antonio
Subversive Cartography: Teaching Mary Prince And Saidiya Hartman, Carolina Hinojosa
ABO: Interactive Journal for Women in the Arts, 1640-1830
This chapter utilizes Hartman’s methodology of retrieval to create a map1 in StoryMap JS2 (“the map” or “this map”) that analyzes multiple geographic spaces in The History of Mary Prince: A West Indian Slave Narrative and Saidiya Hartman’s Lose Your Mother: A Journey Along the Atlantic Slave Route. The map is an archive or a witness to some of the geographical spaces Mary Prince lived (and was sold) as an enslaved woman seeking freedom and the places in which Saidiya Hartman has conducted research or visited in Ghana as a “free” woman. Layering the past over present creates a …
Along And Against The Grain: Close Reading The History Of Mary Prince,
2023
University of Wisconsin-Madison
Along And Against The Grain: Close Reading The History Of Mary Prince, Kristina Huang
ABO: Interactive Journal for Women in the Arts, 1640-1830
Due to the highly mediated conditions of its production, The History of Mary Prince presents a challenge to New Critical methods of reading that are frequently taught in undergraduate literature classrooms. Without questioning the British abolitionists’ textual representation of Prince’s experiences, readers unfamiliar with the historical conditions for slave narratives may attribute the publication’s sentimentalism and representations of violence as direct expressions of Prince. This essay mobilizes close reading towards contrary ends: I throw the editor’s (Thomas Pringle’s) paratextual material, particularly the Preface, under scrutiny by close reading its insistence on transparency and symmetry between the first-person narrative and Prince …
Mary Prince’S Undisciplining Lessons: Counter-Narrative And Testimonio In The History,
2023
University of Texas at San Antonio
Mary Prince’S Undisciplining Lessons: Counter-Narrative And Testimonio In The History, Kerry Sinanan
ABO: Interactive Journal for Women in the Arts, 1640-1830
This essay discusses teaching The History of Mary Prince at a Hispanic Serving Institution via Ethnic Studies praxis. It develops Nicole Aljoe’s definition of Prince’s narrative as counter-story and testimonio and explores the undisciplining effects of reading Prince’s history as relevant to the lives of Borderlands students. To understand the multiple meanings of “undisciplining’ this essay draws on the theory of Sylvia Wynter and shows how Prince’s testimonio offers an alternative to Western epistemologies via communal resistance and resurgence. Several pedagogic tools are explored for teaching Prince in this way.
The Black Wanderer: Reading The Black Diaspora, Resistance, And Becoming In The History Of Mary Prince In The Classroom,
2023
Texas A&M San Antonio
The Black Wanderer: Reading The Black Diaspora, Resistance, And Becoming In The History Of Mary Prince In The Classroom, Nicole Carr
ABO: Interactive Journal for Women in the Arts, 1640-1830
This paper examines The History of Mary Prince as a pedagogical tool for exploring complexities within the Black Diaspora. As Paul Gilroy’s articulations of the Black Atlantic inform my approach, Prince’s circuitous journey through the West Indies and England situates her process of becoming as one mired in longing and loss. Encouraging students to consider Prince as a wandering soul in search of not only freedom, but also solid familiar connections lays the foundation for merging her narrative with other enslaved Black people traversing countries and regions on ships against their will. Ample research material available on the survivors of …
Introduction: Teaching The History Of Mary Prince (1831), Guest Edited By Kerry Sinanan,
2023
University of Texas at San Antonio
Introduction: Teaching The History Of Mary Prince (1831), Guest Edited By Kerry Sinanan, Kerry Sinanan
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Black Lives, White Witnesses: An Argument For A Presentist Approach To Teaching Aphra Behn's Oroonoko,
2023
South Dakota State University
Black Lives, White Witnesses: An Argument For A Presentist Approach To Teaching Aphra Behn's Oroonoko, Sharon Smith
ABO: Interactive Journal for Women in the Arts, 1640-1830
This essay outlines a presentist approach to teaching Aphra Behn’s Oroonoko (1688), in which a white woman witnesses a Black man’s brutal execution at the hands of enslavers. This approach explores the capacity of Behn’s novel—a colonialist narrative scholars frequently identify as troubling or frustrating—to generate discussions about “white witnessing,” particularly white people’s consumption of images of Black people in peril. This includes recent videos of Black people killed by police or white citizen vigilantes. Many Black individuals identify these videos as traumatizing, frequently noting how they have failed to spur structural reform. Of central concern in the classroom discussion …
Chawton House And Its Library: Legacies And Futures,
2023
Chawton House
Chawton House And Its Library: Legacies And Futures, Kim Simpson
ABO: Interactive Journal for Women in the Arts, 1640-1830
In a review of Women’s Writing, 1660-1830: Feminisms and Futures, Paula Backscheider draws attention to “the miracle that is Chawton House, whose conferences nurtured these essays” in the collection. This essay will examine the legacy of this unique institution and explore the futures for the organization both as heritage site and as home to a substantial collection of women’s writing of the long eighteenth century. The community encouraged and nurtured by Chawton House since it opened to the public in 2003, as is so often the case with all things related to Jane Austen, complicates divisions between the academic …
Why Austen, Not Burney? Tracing The Mechanisms Of Reputation And Legacy,
2023
West Virginia University
Why Austen, Not Burney? Tracing The Mechanisms Of Reputation And Legacy, Marilyn Francus
ABO: Interactive Journal for Women in the Arts, 1640-1830
During the 200th anniversary of Austen’s death in 2017, the narrative of Austen’s rise to fame and her ongoing celebrity circulated throughout modern culture. But how did this happen? When Austen died in 1817, it was not obvious that Austen would become the archetypal British woman writer. Frances Burney was far more famous in her lifetime than Austen was in hers, and Burney’s novels (particularly Evelina and Cecilia) achieved as much, if not more, critical acclaim than Austen’s works. By comparing the afterlives of Jane Austen and Frances Burney, the factors that shape legacy come into focus—and scholars …
“Before I Am Quite Forgot": Women’S Critical Literary Biography And The Future,
2023
California State University, Long Beach
“Before I Am Quite Forgot": Women’S Critical Literary Biography And The Future, Susan Carlile
ABO: Interactive Journal for Women in the Arts, 1640-1830
“‘Before I am Quite Forgot’: Women’s Critical Literary Biography and the Future” extends the conversation about literary “worth” in the twenty-first century as it still judges and ignores women authors of the past. Specifically, this essay explores the role of women’s literary historical biography as a primary marker of worth and as a means of shaping legacy. I also discuss my (perhaps more non-traditional) experience—both my personal circumstances and particular material conditions—writing the critical biography Charlotte Lennox: An Independent Mind. Without a substantial biography that shows the scope of Lennox’s mind, her significant corpus, and her interventions in literary history …
Forgotten Encounters: The Legacy Of Sculptresses And Female Muses,
2023
Duquesne University
Forgotten Encounters: The Legacy Of Sculptresses And Female Muses, Laura Engel
ABO: Interactive Journal for Women in the Arts, 1640-1830
Sculpture as a medium is inherently connected to legacy making. In producing three- dimensional monuments designed to withstand the test of time, women artists provided evidence of the lasting quality and permanence of their creative acts. This article examines the actress, sculptress and novelist Anne Damer’s sculpture of the famous actress turned Countess Eliza Farren (c. 1788), paying particular attention to the relationship between sculpture as a static art form that captures tactile embodied presence and the ephemerality of performance. Farren’s involvement in Damer’s staging of the private theatricals at Richmond House (Farren directed and Damer starred) suggests that their …
