Photography Commons^™

Imaging "Interracial": Performing Racialized Desire In "Interracial" Heterosexual Hardcore Pornography, Megan Christiansen

Masters Theses

“Interracial” is a term that implicitly categorizes sex between Black cis men and white cis women within contemporary hardcore pornographic video. The artistic and research practice described in this paper is located in, influenced, and driven by pornography itself as an important entry point for thinking about racialized desire.

Looking with care and criticality at the pornographic representation of sex between Black men and white women can allow us to think about how issues of gender and race are key in constructing notions of desire and taboo in America. Through this work I begin to consider how racism and misogyny …

Shelby Foote, Image 1

People

Portrait of Shelby Foote.

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

The “Olympiad Of Photography”: Fiap And The Global Photo-Club Culture, 1950–1965, Alise Tifentale

Dissertations, Theses, and Capstone Projects

This dissertation examines the global photo-club culture of the 1950s through the work of the International Federation of Photographic Art (Fédération internationale de l'art photographique, FIAP), founded in 1950. By 1965 FIAP united national associations of photo clubs in fifty-five countries across Western and Eastern Europe, Asia, Latin America, and Africa. The regular exhibitions and publications of FIAP provided a unique platform where photographers living in the “second” and “third worlds” were welcome to present their work on equal grounds with their peers from the “first world.” FIAP, I posit, created a nonprofit, egalitarian, and open system of image production …

1962 Yearbook, Morehead State College

Morehead State Yearbooks

No abstract provided.

I Just Can't Get You Out Of My Head : Frenetic Vortex, Animal As Image - Field Notes (1989-2021), Steffanie A. Padilla

Masters Theses

This essay is an attempt to describe a hypnosis induced by media through the accumulation of images in everyday life starting the day I was born. Raised by television and the internet, I go through a chronological timeline of my life selecting banal memories to showcase how violence to animals became neutralized/rendered invisible. The work is primarily concerned with mental health while focused on the youth, ecological destruction, and how sensory overload keeps us from knowing ourselves. The motivation of this paper is to better understand how our environment shapes our reality by using a psychological, media theory, and cognitive …

The Automation Of Aesthetics: Artificial Intelligence And Commercial Artists In North Brooklyn, Devin Sudweeks

Theses and Dissertations

Corporate elites expect generative AI to replace commercial artists but overlook their social and aesthetic expertise. This ethnographic study explores how Brooklyn-based commercial artists narrate their value amid automation, emphasizing embodied presence in cultural scenes, visual language, style, and authenticity, skills not easily mechanized but vital to aesthetic economies.

Ua1c11/57 College Of Nursing Photo Collection, Wku Archives, Katherine Chappell

WKU Archives Collection Inventories

Photographs created by and about WKU College of Nursing, includes images of graduates, Sigma Theta Tau events, orientations and award presentations.

Beyond Light, Medium, And Dark: Diversity And Inclusivity In The Makeup And Beauty Industries, Adrienne Werle

Mahurin Honors College Capstone Experience/Thesis Projects

The goal of this project is to promote diversity within beauty and continue the push for representation and inclusivity. I conducted research on the history of makeup in America during the 1900s and studied how the makeup industry has evolved into what it is today. Rihanna’s launch of Fenty Beauty in 2017 was seen as the start of a new era, challenging beauty brands to be more inclusive. As Fenty created a new industry standard of 40 shades, many other brands followed suit. I then compared my findings with the experiences of real women in my community. I interviewed 10 …

The British Photographic Industry And The Roles Of Women 1840-1920: A Survey, Michael Pritchard

Art Inquiries

This essay surveys the role of women within the British photographic industry to 1920 and attempts to quantify the numbers involved, their roles and how they were perceived by contemporary commentators. In common with so much of nineteenth century arts and sciences women are rarely present having been excluded by legal constraints on wealth and property, from the membership of professional bodies, and by being ignored by the contemporary press, this essay provides substantive numbers emphasising their significance.