Museum Studies Commons^™

Providing Risk Of The Environment’S Changing Climate Threats For Galleries, Libraries, Archives, & Museums (Protecct-Glam) Data File, Edward Benoit Iii, Jill Trepanier, Jennifer Vanos, Haley Moore, Kaitlyn Bailey, Emily Fisher, Annie Waddell, Mandy Hatman, Mary Sidwell, Symonne Russell, Virginia Seger, Paige Boutte, Amanda Latta, Zoe Mohammad, Kyriel Felton, Erin Deliman, Breanna Benson-Pearce, Wendy Johnson, Allyson Russell, Baillie Pretzer, Christopher Reeder, Melissa Mcconnell, Lisa Dahlke, Kaitlynn Melear, Lillian Bodi, Savannah T. Lyle, Zach Lannes, Gwen L. Wells, Benjamin A. Teincuff, Jason M. Straight, Tiffany Rockwell, Shane T. Manthei, Jennifer L. Benner, Jane Fiegel, Amanda Lima, Elizabeth Rininger, Caroline Melinger, Deborah Metz-Andrews, Meryl Roepke, Karen Isaac, Mallory Collins

School of Information Studies Datasets

The data file was created as part of the IMLS-funded project, PROTECCT-GLAM: Risk of The Environment’s Changing Climate Threats for Galleries, Libraries, Archives, and Museums in an effort to gather the identities and georeferences of all galleries, libraries, archives, and museums located within the United States.

The data file includes 22,388 archives, 21,189 libraries, and 29,781 museums.

Japanese Kimono Fashion Of The Early Twentieth Century, Annie Van Asche

Textile Society of America: Symposium Proceedings

This paper examines the development of popular kimono fashion from the late 19th century through the mid-20th century. I focus on kimono worn by modem-thinking young women whose wardrobes, by the 1920's, included both new Western and recreated Japanese garments and accessories. The meisen kasuri kimono, the most popular new style of kimono among women living in the growing urban metropolitan centers, is highlighted. It covers an unprecedented historical period of rapid modernization and Westernization of Japan, which brought about societal changes that dramatically--and positively--transformed the lives of Japanese women. I begin with a historical sketch of the industrialization of …

These Are My People: An Ethnography Of Quiltcon, Kristin Barrus

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

This thesis presents the first ethnography of QuiltCon, the annual fan and artist convention for quiltmakers who identify with and participate in a social phenomenon called the Modern Quilt Movement (MQM) within the 21st century quilt world. QuiltCon (QC) is one product of this movement. This study considers the following questions: What kinds of people attend QC, and what types of experiences and encounters do they expect at the convention? What needs are met at QC for this subset of quiltmakers who attend and for the greater community of Modern quiltmakers? What role does QC play in cementing the identity …

Cultural Competence In Research, Michele A. L. Villagran

School of Information Student Research Journal

No abstract provided.

The "I" Of The Artist-Curator, Natalie Musteata

Dissertations, Theses, and Capstone Projects

This dissertation charts the proliferation of artist-curated exhibitions in museums and institutions of art from 1969 to the early 2010s. It is my contention that the artist-curated exhibitions of these four decades can be divided chronologically into several types: in the 1970s and ’80s, they disrupted museological conventions and helped contemporize the (perceived) aging collections of historical institutions; in the late 1980s and ’90s, they tackled pressing social and political issues, reimagining the practice of “institutional critique”; in the late 1990s and 2000s, they indulged in solipsistic investigations of the artist’s psyche, reinforcing the traditional, romantic conception of the artist …

Ethical Issues In Digitization Of Cultural Heritage, Zinaida Manžuch

Journal of Contemporary Archival Studies

The growing number of case studies on the ethical issues faced in cultural heritage digitization calls for a discussion of this generally neglected dimension of digitization. The importance of the ethical dimension is also supported by implicit and explicit assumptions that well-established approaches to ethics in archives, libraries, and museums do not work with digitization. The aim of this paper is to determine what ethical issues arise in cultural heritage digitization and how they affect methods of decision-making and organizing digitization. The paper identifies and discusses several areas of concern that have caused ethical issues in digitization. They include contextual …

Making The Macc: Communities Of Practice And Cultural Citizenship In Austin, Texas, Cassie Lynn Smith

Anthropology ETDs

Meaningful community engagement is a challenge for local governments without a thorough understanding of constituents’ histories and their relationship with City government. This dissertation investigates the City of Austin’s (COA) Emma S. Barrientos Mexican American Cultural Center (MACC) in Austin, Texas, to understand how this culture and arts institution engages with and is influenced by its patrons. This study analyzes the role of the MACC’s community of practice (Lave and Wenger 1991)—an evolving group of educators, activists, artists, and COA staff—in shaping public policy and educational programming as well as creating places of belonging for marginalized people in the city. …

Ancient Near Eastern Fibers And The Reshaping Of European Clothing, Elizabeth J. W. Barber

Textile Society of America: Symposium Proceedings

In April of 1994, an amazing story hit the news-stands. A group of naturally mummified corpses dated to 2000 BC and later had been found in Chinese Turkestan. Not only were their Caucasian features and blondish hair well preserved by the dry heat of the xinjiang desert, but also their clothes--brightly colored plaids and twills among them (Hadingham 1994). We know from later linguistic records that a group of Indo-European speakers we call the Tocharians had made their way to Xinjiang and the Tarim Basin in early times. We also know that the Indo-Europeans began to spread across Eurasia from …

Tapestry Crochet In The Americas, Europe, Africa, And The Middle East: Tradition And Innovation, Carol Ventura

Textile Society of America: Symposium Proceedings

Tapestry crochet was historically done in just a few countries, but globalization and the internet have spread this versatile art form around the world. Publications and online groups have helped keep this tradition alive and have inspired many innovative uses-from designer accessories to contemporary museum installations. Tapestry crocheted fabric is solid and smooth with motifs and imagery, much like tapestry woven cloth. Because of the similar look and feel, most people cannot tell the difference between the two. Techniques vary from place to place, perhaps because they developed from different types of looped bags, gloves, and bags. For instance, in …

Please Don’T Break: Best Practices For Digitizing And Archiving Glass Plate Photographs, Ariel Hammond, Noelle Zocco, Alejandra Tomeo, Diego Jimenez

Journal of Western Archives

Glass plate photographs, taken primarily between 1860-1930, were meant to document and preserve imagery, however, these photographs developed directly on glass are increasingly prone to destruction. With recent advances in imaging techniques, metadata, and collections care, the preservation of glass photography has evolved. This paper is a snapshot of the current best practices for preserving, digitizing, and storing glass plate and lantern slide photographs. It also features a case study from the San Diego Natural History Museum Library & Archives, which digitized a collection of 2,000+ glass photographs depicting the earliest images of flora and fauna in San Diego County, …