Museum Studies Commons^™

The "I" Of The Artist-Curator, Natalie Musteata

Dissertations, Theses, and Capstone Projects

This dissertation charts the proliferation of artist-curated exhibitions in museums and institutions of art from 1969 to the early 2010s. It is my contention that the artist-curated exhibitions of these four decades can be divided chronologically into several types: in the 1970s and ’80s, they disrupted museological conventions and helped contemporize the (perceived) aging collections of historical institutions; in the late 1980s and ’90s, they tackled pressing social and political issues, reimagining the practice of “institutional critique”; in the late 1990s and 2000s, they indulged in solipsistic investigations of the artist’s psyche, reinforcing the traditional, romantic conception of the artist …

These Are My People: An Ethnography Of Quiltcon, Kristin Barrus

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

This thesis presents the first ethnography of QuiltCon, the annual fan and artist convention for quiltmakers who identify with and participate in a social phenomenon called the Modern Quilt Movement (MQM) within the 21st century quilt world. QuiltCon (QC) is one product of this movement. This study considers the following questions: What kinds of people attend QC, and what types of experiences and encounters do they expect at the convention? What needs are met at QC for this subset of quiltmakers who attend and for the greater community of Modern quiltmakers? What role does QC play in cementing the identity …

Japanese Kimono Fashion Of The Early Twentieth Century, Annie Van Asche

Textile Society of America: Symposium Proceedings

This paper examines the development of popular kimono fashion from the late 19th century through the mid-20th century. I focus on kimono worn by modem-thinking young women whose wardrobes, by the 1920's, included both new Western and recreated Japanese garments and accessories. The meisen kasuri kimono, the most popular new style of kimono among women living in the growing urban metropolitan centers, is highlighted. It covers an unprecedented historical period of rapid modernization and Westernization of Japan, which brought about societal changes that dramatically--and positively--transformed the lives of Japanese women. I begin with a historical sketch of the industrialization of …

Ethical Issues In Digitization Of Cultural Heritage, Zinaida Manžuch

Journal of Contemporary Archival Studies

The growing number of case studies on the ethical issues faced in cultural heritage digitization calls for a discussion of this generally neglected dimension of digitization. The importance of the ethical dimension is also supported by implicit and explicit assumptions that well-established approaches to ethics in archives, libraries, and museums do not work with digitization. The aim of this paper is to determine what ethical issues arise in cultural heritage digitization and how they affect methods of decision-making and organizing digitization. The paper identifies and discusses several areas of concern that have caused ethical issues in digitization. They include contextual …

Tapestry Crochet In The Americas, Europe, Africa, And The Middle East: Tradition And Innovation, Carol Ventura

Textile Society of America: Symposium Proceedings

Tapestry crochet was historically done in just a few countries, but globalization and the internet have spread this versatile art form around the world. Publications and online groups have helped keep this tradition alive and have inspired many innovative uses-from designer accessories to contemporary museum installations. Tapestry crocheted fabric is solid and smooth with motifs and imagery, much like tapestry woven cloth. Because of the similar look and feel, most people cannot tell the difference between the two. Techniques vary from place to place, perhaps because they developed from different types of looped bags, gloves, and bags. For instance, in …

Tejiendo Imágenes. Homenaje A Victòria Solanilla Demestre, Catalina Simmonds Caldas , Editora, Marina Valls I García , Editora

Zea E-Books Collection

A collection of 35 essays in honor of the retirement of Prof. Victòria Solanilla Demestre, a renowned and respected scholar of the pre-Columbian culture and iconography of the Americas.

SUMARIO — Miquel-Àngel Sànchez i Fèrriz: El porqué de este homenaje a la Dra. Victòria Solanilla Demestre • Catalina Simmonds Caldas: Un pensamiento sin fronteras • Luz Adriana Alzate Gallego: «A lomo de piedra»: rescatando una gran colección lítica • Denise Y. Arnold: Los textiles andinos teñidos por amarras, el motivo del punto en el rombo y su patrón de difusión: Felinos, serpientes y el cultivo del maíz en un mundo …

Please Don’T Break: Best Practices For Digitizing And Archiving Glass Plate Photographs, Ariel Hammond, Noelle Zocco, Alejandra Tomeo, Diego Jimenez

Journal of Western Archives

Glass plate photographs, taken primarily between 1860-1930, were meant to document and preserve imagery, however, these photographs developed directly on glass are increasingly prone to destruction. With recent advances in imaging techniques, metadata, and collections care, the preservation of glass photography has evolved. This paper is a snapshot of the current best practices for preserving, digitizing, and storing glass plate and lantern slide photographs. It also features a case study from the San Diego Natural History Museum Library & Archives, which digitized a collection of 2,000+ glass photographs depicting the earliest images of flora and fauna in San Diego County, …

Rediscovering Ancient Greek Pigmentation, Cynthia-Rose Seeds

Departmental Honors & Graduate Capstone Projects

This thesis paper will discuss various questions relating to pre-Greco-Roman Ancient Greek paint pigments. In recent years discoveries of paint samples on Ancient Greek sculptures and architecture are becoming increasingly common, contradicting the stereotype that history has made of Ancient Greece having a pristine white aesthetic in their artwork. (Brinkmann, 2008) The various paint pigments that can be found throughout excavations in Greece, as well as the general history of pigments, create a new narrative when it comes to the art of Ancient Greece. Using various evidence such as pigment samples, artworks, textual primary sources, and scholarly research, this thesis …

Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The principal element of the fashion in clothing introduced in Egypt with the arrival of the Romans was a tunic made of two rectangular pieces of fabric sewn together. Such a tunic either would leave the arms naked, or cover the arms to the elbow (fig. 1). This fashion changed with the turn of the 2nd and 3rd century AD. At this time, in addition to the tunics without sleeves, the inhabitants of Egypt started to wear tunics with ‘true’ sleeves – long or short, wide or tight – inspired by the Eastern fashion: the manner of making the tunics …

Redefining Reference Services In The 21st Century, Johanna Tunon

School of Information Student Research Journal

The role of reference services in libraries has evolved significantly in the 21st century, driven by technological advancements and changing user needs. This paper explores how reference services have transitioned from traditional, desk-centric interactions to encompass a wide array of platforms and tools, including digital innovations and generative AI. The decline in reference transactions has prompted librarians to adapt, shifting focus towards more complex consultations and instructional roles, while also navigating the blurred boundaries between reference assistance and formal instruction. The paper also examines the updated definitions and limitations of reference services by the Reference and User Services Association (RUSA), …