Museum Studies Commons^™

Experiential Humanitiesx

DePaul Magazine

DePaul University's HumanitiesX program promotes project-based learning through innovative community collaborations.

Connecting The Past To The Present: The Tiger Tales Oral Histories Digital Exhibit, H. Andrew Tincknell, Brian Gribben

Kansas Library Association College and University Libraries Section Proceedings

The Tiger Tales Oral History Digital Exhibit began in 2018 as an effort to promote Forsyth Library’s self-service video studio and Special Collections. The project is a marriage of the creative technologies of the library’s Learning Commons Media Lab paired with images from its archives to capture the stories of Tiger alumni, students, faculty, and staff spanning generations about their time at Fort Hays State. Forsyth’s Outreach Team adds their talents to the project recruiting interview subjects, often in collaboration with the FHSU Foundation and Alumni Office. Over its five-year history, these connections have served to gather first-hand stories from …

Providing Risk Of The Environment’S Changing Climate Threats For Galleries, Libraries, Archives, & Museums (Protecct-Glam) Data File, Edward Benoit Iii, Jill Trepanier, Jennifer Vanos, Haley Moore, Kaitlyn Bailey, Emily Fisher, Annie Waddell, Mandy Hatman, Mary Sidwell, Symonne Russell, Virginia Seger, Paige Boutte, Amanda Latta, Zoe Mohammad, Kyriel Felton, Erin Deliman, Breanna Benson-Pearce, Wendy Johnson, Allyson Russell, Baillie Pretzer, Christopher Reeder, Melissa Mcconnell, Lisa Dahlke, Kaitlynn Melear, Lillian Bodi, Savannah T. Lyle, Zach Lannes, Gwen L. Wells, Benjamin A. Teincuff, Jason M. Straight, Tiffany Rockwell, Shane T. Manthei, Jennifer L. Benner, Jane Fiegel, Amanda Lima, Elizabeth Rininger, Caroline Melinger, Deborah Metz-Andrews, Meryl Roepke, Karen Isaac, Mallory Collins

School of Information Studies Datasets

The data file was created as part of the IMLS-funded project, PROTECCT-GLAM: Risk of The Environment’s Changing Climate Threats for Galleries, Libraries, Archives, and Museums in an effort to gather the identities and georeferences of all galleries, libraries, archives, and museums located within the United States.

The data file includes 22,388 archives, 21,189 libraries, and 29,781 museums.

Art Through A Digital Lens: A Study Of The Effects Of New Medias On The Museum, Its Works, And The Public., Shelley Kopp

Electronic Thesis and Dissertation Repository

Over the last two decades imagery viewed on the internet has grown immensely. Museums, though slow to embrace it, have begun to upload digital images of their traditional artwork to their websites and onto their social media channels. In large measure, the COVID pandemic accelerated this move to engage audiences they feared would dissipate as museum doors closed. Moving digital images online though means giving over control to the protocol and systems of the internet, to profit-seeking corporations, and the volatility of social media platforms. The museum’s long-established authority over artists, artworks, and exhibitions is usurped by power structures existing …

Museums, Covid-19 And The Pivot To Social Media, Jamie Larkin, Andrea Ballatore, Ekaterina Mityrova

CCI Articles and Research

This paper examines social media activity by UK museums during the COVID-19 pandemic. There is a general perception that as museums closed their doors for extended periods, their digital presence increased to maintain connections with their audiences. However, much of the research conducted in this area is based on small-scale studies and examples of best practice from large, well-resourced museums. By contrast, this study utilizes a comprehensive database of over 3300 active UK museums to understand the use of Facebook and Twitter across the sector. Specifically, the paper examines the frequency with which museums posted to these digital platforms as …

Physical Accessibility And Historic Preservation In Historic House Museums Of The Southeast, Abby Milonas

All Theses

Museums are a public good, as they provide educational recreation and preserve cultural history, and so it is crucial that they are physically accessible to as many visitors as possible. The aim of this study was to understand what architectural features of historic house museums are the least accessible and what has been done to ameliorate these challenges. The survey used in the study was developed using the guidelines for making historic buildings accessible as described in the Americans with Disabilities Act and the Uniform Federal Accessibility Standards. It was distributed by email to representatives of 220 historic sites, of …

/////// Babaamiwizh – Blood Memory And How We Carry Ancestral Histories /////// On Memory, Immersive Theatre, Improvisation, & Absurdity, Olivia Shortt

Dartmouth College Master’s Theses

babaamiwizh – blood memory and how we carry intergenerational histories: a collection of fragmented stories and thoughts on making Indigenous art. These writings attempt to find the balance of an artist's humanity, the artistic process and working with colonial institutions. I am stitching together my perspective on Indigeneity, museums and the process of repatriation, collaboration with trusted community members, as well as the land and its medicines.

Intensifying The Experience Of Contemporary Art, Wanjin Feng

Masters Theses

Contemporary Art museums, emphasizing visual experience- es, struggle to accommodate multi-sensory art forms. This thesis introduces a groundbreaking exhibition design mod- el focused on creating immersive, multi-sensory experiences for visitors. The model transitions from a passive observation paradigm to an interactive perception approach, fostering a deeper understanding and emotional connection to art.

Applied to the Institute of Contemporary Art (ICA), the model introduces strategies such as narrative sculptures, interactive drawing spaces, integrated reading within exhibitions, and emotionally-driven spatial design. These strategies aim to make art more accessible, promoting personal connections with artworks.

In conclusion, the proposed model transforms contemporary art …

"A Shadow Of A Magnitude": The Parthenon Marbles Through The Eyes Of Keats And Byron, Annie Griffin

Honors Projects

In 1817, The British Museum put on display a collection of sculptures taken by Lord Elgin from the Parthenon in Greece, and the controversy of the so-called “Elgin Marbles” began. The event of the marbles’ removal from Greece and display in Britain inspired poets such as John Keats and Lord Byron, who wrote of the beauty of the sculptures and the loss for Greece. The subject of the Marbles and the poets have been critically discussed at length—one need only type “Elgin Marbles” into a search bar to be met with countless recent articles about them. On the other hand, …

Evanescent: Animating Space, Kyle Servando

City and Regional Planning

A redesign of the open space of The Geffen Contemporary at MOCA into an plein air gallery for the public to be their own artists.

Myths, Museums, Mothers, And The Power Of Letitia Carson, Hailey Brink

University Honors Theses

Letitia Carson was a trailblazing Black Oregon pioneer woman whose life offered remarkable and unprecedented departures from the white pioneer status quo. Letitia's story presents numerous points at which she could be heralded for her successes; her pregnant journey across the Overland Trail, giving birth in the shadow of the Rocky Mountains, cultivating and maintaining two separate homesteads, challenging and conquering two lawsuits against administrator Greenberry Smith, her midwifery and community involvement, and lastly, becoming the first Black woman to own land in Oregon in 1862. And yet, her story fell to obscurity, only to be revived nearly a century …

The Artistry Of Mediation: A Look At Mediation’S Effectiveness For Resolving Cross-Cultural Disputes Through The Leonardo Da Vinci Conflict Between France’S Louvre Museum And Italy’S Uffizi Gallery, Sophia D. Casetta

Pepperdine Journal of Communication Research

Art is powerful, as it symbolizes the history and identity of the country that claims it. However, through timely transitions, such as trade and wars, the ownership of meaningful artworks blurs, with museums fighting to claim their heritage to put on honorable display for their people. Mediation can be a peaceful means to resolve art ownership disputes, as it accounts for respecting the individual cultures of the countries represented in the dispute. Using the key medication traits described within this essay, a prepared mediator involved in such a cross-cultural conflict should be able to help resolve the issue at hand. …

“I’M Not Searching The Right Words”: User Experience Searching Historic Clothing Collection Websites, Arden Kirkland, Monica Sklar, Clare Sauro, Leon Wiebers, Sara Idacavage, Julia Mun

School of Information Studies - Faculty Scholarship

This study investigates the search processes of users accessing public websites representing historic clothing collections, examining where their searches are supported by the metadata in the collection databases and what factors could make their experience more inclusive. With IRB approval from four universities, we performed a recorded experiment with twenty adults: ten students of historic dress and ten fashion professionals. Four tasks included search scenarios and images representing diverse historic garments. Results indicate that both the descriptive metadata and search features on collection websites present challenges for the typical user search process. Users search for historical dress content the way …

To Open A Clearing: Cultivating Spaces Of Endurance In The Upper Amazon, Brunno De Melo Meirelles Douat

Masters of Environmental Design Theses

To effectively challenge the policies of extraction implemented by late liberal regimes, the Waorani communities from Upper Amazon have devised spatial strategies to defend their traditional territory. By re-examining the concept of the contact zone and unfolding settler and Indigenous literature, spatialities, and worldviews, this thesis suggests the concept of forest Clearings as a means to explore spatial forms of endurance.

Clearings emerge within the Amazon in sites where encounters between divergent worldviews embody otherwise modes of existence. Through a series of fieldwork reflections, these Clearings are perceived as spaces where ontological negotiations are more likely to occur, strategies of …

Ci Guardiamo Il Culo: A Phenomenology Of Relevance In Ancient Italian Cultural Heritage, Sophia Hudzik

Seton Hall University Dissertations and Theses (ETDs)

Relevance to the public has become critical for Italian cultural heritage institutions, as domestic visitation to archaeological parks and museums remains low while expectations to engage communities rise. This paper presents a phenomenological analysis of the experience of ancient cultural heritage through the lens of individuals located nearby the Villa of the Antonines Archaeological excavation, in Genzano di Roma, Italy. The findings conclude with a set of recommendations for ancient cultural heritage institutions to become more relevant to the existing needs and lived experiences of the community.

Our Magnitude And Bond: An Ethics Of Care For Art Museum Education, Dana Carlisle Kletchka

Journal of Social Theory in Art Education

This work responds to contemporary concerns about the future of art museum education and public practice and art museums more broadly in the wake of a global pandemic that has, at present, killed more than a million people in the United States and sickened millions more. I respond to questions posed by the board of the Journal of Social Theory in Art Education in relation to the theme of Inclusion Invasion, expand upon the relations between art museums and communities posited by a post-critical, socially responsive museological framework, and explore the potential for a feminist philosophical Ethics of Care …

Reframing Culture: The Decolonization And Repatriation Process In The Italian Museum System, Leila De Gruy

Honors Theses

In 2022, the collections of the former Museo Coloniale, Colonial Museum, were reopened to the public as a part of the Museo delle Civiltà in Rome. This reopening, viewed by many as an exhumation of fascist dictator Mussolini’s former collection, in the neighborhood he built for the World Fair, reinvigorated the debate surrounding museum decolonization and brought Italy into the spotlight for this topic. This thesis seeks to explore the conversation surrounding the topic of Italian museum decolonization, using the Museo Coloniale’s collection as the primary example of a colonial museum in a post colonial world. Through this, it asks …

James Blair Historical Review: Volume 12, Issue 2

James Blair Historical Review

No abstract provided.

A Pastor's Fine Art Collection: From Down-To-Earth To World-Renowned, Lily Hampton

Undergraduate Theses

Art collecting and the methods of acquiring art are constantly changing with the times. While some world-class collections are filled with a wide range of art types-- paintings, sculptures, ceramics, photographs--the public has little knowledge of how these pieces are chosen and accumulated. Competition in the art scene is undoubtedly a factor, but an argument can be made about whether some collectors choose works for highly personal reasons. The subject of this thesis is a local fine art collection, the Mary and Al Shands Collection of the Great Meadows estate based in Crestwood, Kentucky. This stunning in-home art gallery is …

Tejiendo Imágenes. Homenaje A Victòria Solanilla Demestre, Catalina Simmonds Caldas , Editora, Marina Valls I García , Editora

Zea E-Books Collection

A collection of 35 essays in honor of the retirement of Prof. Victòria Solanilla Demestre, a renowned and respected scholar of the pre-Columbian culture and iconography of the Americas.

SUMARIO — Miquel-Àngel Sànchez i Fèrriz: El porqué de este homenaje a la Dra. Victòria Solanilla Demestre • Catalina Simmonds Caldas: Un pensamiento sin fronteras • Luz Adriana Alzate Gallego: «A lomo de piedra»: rescatando una gran colección lítica • Denise Y. Arnold: Los textiles andinos teñidos por amarras, el motivo del punto en el rombo y su patrón de difusión: Felinos, serpientes y el cultivo del maíz en un mundo …