Art Practice Commons^™

Amy Lee Segami Interview, Bianca Rodriguez

Asian American Art Oral History Project

Bio: Amy Lee Segami (See-gah-me) is an artist of transformation. As a former mechanical engineer, she applies her technical knowledge to revive the ancient art of Suminagashi (Sue-mee-nah-gah-shee). Inspired by the physics principles and the Eastern philosophy, Segami exercises her artistic license to share the possibilities of imagination.

Artist Bio taken from http://web.mac.com/amybasic/iWeb/Segami%20Studios/Segami.html

Tim Hugh Interview, Matthew Holmes

Asian American Art Oral History Project

Bio: Tim Hugh loves what he does. For the past 12 years he has been the Executive Director for Asian American Showcase hosted by the Foundation for Asian American Independent Media (FAAIM). As a director Tim has kept the founding goals alive and at the center of everything the showcase is about. He finds happiness in helping others achieve their life time goals and in enriching and educating audiences. Tim treats the Foundation much like Herb Tam treated the Asian American artist collective Godzookie in the late 1990’s; with respect and altruism in the groups actions. Tim has steered …

A.F.M., Adam P. Mason

CGU MFA Theses

Sculpture happens.

Technological Evolution And Its Effects On Graphic Design And Textbook Design, Danielle Renae Allen

Undergraduate Honors Capstone Projects

Technological Evolution and its Effects on Graphic Design and Textbook Design Although fundamental principles of art and design have been around for thousands of years, the development of new technology has greatly altered how designers must use these foundations. This paper investigates how this complex history has changed graphic design practices and specifically the design of textbooks. It also discusses technology’s huge role in changing the way design fundamentals are taught and practiced and how this affects where the profession is headed. Through researching the history of graphic design and then examining three editions of the textbook, Design Basics by …

Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield

Department of Computer Graphics Technology Degree Theses

The primary purpose of this study was to establish whether or not students and industry professionals share the same views about what students should be learning in animation education, what skills are necessary, and whether or not students graduating with a bachelor’s degree would be adequately prepared for an entry level position. To establish where misconceptions lie, surveys were issued to three groups: undergraduate students, post-graduate students, and industry professionals. These surveys were then analyzed using paired t-test for validation and question relevance, and ANOVA models to establish whether or not groups shared viewpoints. These data established significance within the …

Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield

Department of Computer Graphics Technology Degree Theses

The primary purpose of this study was to establish whether or not students and industry professionals share the same views about what students should be learning in animation education, what skills are necessary, and whether or not students graduating with a bachelor’s degree would be adequately prepared for an entry level position. To establish where misconceptions lie, surveys were issued to three groups: undergraduate students, post-graduate students, and industry professionals. These surveys were then analyzed using paired t-test for validation and question relevance, and ANOVA models to establish whether or not groups shared viewpoints. These data established significance within the …

Mapping Community Mindscapes: Visualizing Social Autobiography As Political Transformation And Mobilization, Emily C. Bluck

Scripps Senior Theses

Historically, autobiography has been used to perpetuate neo-liberal ideologies. Yet, when autobiography becomes social and is used to engage political communities of color, political transformation is possible. This project, through the collaborative visualization of Asian American social biography using pedagogical and relational methods as a means for engagement, seeks to destabilize dominant notions of time and space, and provide a mechanism for the retention of and documentation of institutional, and social histories using the Asian American Student Union at Scripps College as the site for political praxis.

Transcendent Materiality, Lauren E. Mabry

School of Art, Art History, and Design: Theses and Student Creative Work

I make painterly, abstract, ceramic objects. My obsession with surface and materiality compels me to investigate the relationship between images and objects through the inherent qualities of ceramic material. Primarily my work communicates directly, through its formal and aesthetic qualities, but it may also be understood in relationship to abstract painting, minimal work, and process art. I exploit the intrinsic qualities of ceramic material producing works that are warm, seductive, and surprising. Ultimately, my work is a synthesis of intuitive, expressive surfaces and elemental forms.

In this body of work there are two main forms: cylinders and curved planes- as …

Poynter, Shawn (Fa 184), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 184. Paper titled “The Usage and Importance of the Rule of Thirds in Newspaper Photography” written by Shawn Poynter for a folk studies class at Western Kentucky University. The collection looks at the usage of the “rule of thirds” as it appears in the Park City Daily News. The “rule of thirds” refers to a photograph guideline that requires subjects to be in either one of the sides, top or bottom third of the frame. The collection contains analysis, graphs, tables and newspaper …

Joseph As Father In Guido Reni's St. Joseph Images, Alec Teresa Gardner

Theses and Dissertations

This study presents a psychoanalytic examination of Guido Reni's motivations for creating an innovative painting series of St. Joseph and the Christ Child. The seventeenth-century artist developed a new depiction of Joseph as the tender and loving surrogate father of Christ. This new artistic emphasis on the intimate relationship between father and son reveals Reni's own psychological need to create a replacement father. Indeed, contemporary biographers report that Reni suffered from anxiety and an aversion to women throughout his life. These odd behavioral traits appear to have stemmed from Reni's lack of a supportive father figure. Thus, the artist created …

The Influence Of The Roman Atrium-House's Architecture And Use Of Space In Engendering The Power And Independence Of The Materfamilias, Anne Elizabeth Stott

Theses and Dissertations

Architecture has a remarkable capacity to not only reflect social patterns and behaviors but to engender public image and identity. Therefore, it has proven to be a viable source for understanding the lives of ancient people. In fact, many scholars have established a connection between the atrium-house's design and the power and social identity of the paterfamilias, or male head of household. However, little has been said about what these same architectural features mean in relation to his female counterpart, the materfamilias. Therefore, this paper argues that the architecture of the atrium-house likewise engendered a sense of power …

Kuna Na Interview, E. K.

Asian American Art Oral History Project

Artist Bio:

“I like to self-identify as an artist first, and then a woman, and then as a teacher, and then as an Asian/ Korean But as an artist, it has to be universal. It’s a large picture. I’d like to be part of the large picture rather than just an Asian American.”

Kuna Na is a Korean-born artist who teaches a diverse group of pre-kindergarten students in Chicago. She and her husband, Jim, reside in the Bridgeport neighborhood of Chicago, Illinois. They opened an art gallery together in their community and named it mn Gallery after the first initials …

Interactive Web Technology In The Art Classroom: Problems And Possibilities, Marie Lynne Aitken Oxborrow

Theses and Dissertations

Research has shown that the use of technology in curriculum, and art classrooms in particular, can benefit students. This thesis outlines these benefits which include the potential for technology to make learning more personal, assist students in their future careers, and allow opportunity for collaboration. Still, several obstacles impede the full-fledged realization of that potential, often leading teachers to avoid or ignore technology in their pedagogical strategies. This thesis addresses these obstacles and provides practical and theoretical solutions. Once these obstacles are overcome, teachers will be better able to incorporate new technology in their lessons, such as social media, podcasts, …

German Nationalism And The Allegorical Female In Karl Friedrich Schinkel's The Hall Of Stars, Allison Slingting

Theses and Dissertations

In this thesis I consider Karl Friedrich Schinkel's The Hall of Stars in the Palace of the Queen of the Night (1813), a set design of Die Zauberflöte (The Magic Flute), in relation to female audiences during a time of Germanic nationalism. Although Schinkel is customarily known as the great modern architect of Germany, his work as a set designer is exceedingly telling of his feelings toward the political and geographical unification of the Germanic regions. Through his set designs, Schinkel successfully used the influential space of the theatre to articulate not only nationalism, but positive female empowerment …

Changsha: Photographs By Rian Dundon, Rian Dundon

China Beat Blog: Archive 2008-2012

Rian Dundon, whose photographs have previously appeared at China Beat, will soon be releasing a new book of photography on China, Changsha. Dundon’s book will feature a forward written by friend of the blog Gail Hershatter and includes his photos of and essays on the Hunan province city of Changsha. For more information, and to pre-order a copy of the book, see the book’s website (pre-sales of the book are part of a crowd-funding campaign raising funds for its first run with the publisher, Emphas.is). Below is a special teaser of Changsha material that Dundon has prepared for China Beat …

The Threes, Clifford Eberly

CGU MFA Theses

In the physical world I explore and gather regenerative clues that vivify the installations I build. The harshness and unforgiving power of nature’s nature, combined with the infinity of the cosmos, inspires me to cobble together sculptures that defy absorption into a finite, descriptive category. Like our beings change from second to second, I work diachronically, chugging along, shifting the purposes of supplies until they manifest like organisms that pulled themselves together from shiny and dirty matter or arrived from an extraterrestrial playground. By reusing and layering a complex blend of materials, I blur the ambiguous origins of the objects …

G-Plex Psi, Jacques Louis David

CGU MFA Theses

Monumental metal sculpture that incidentally creates sound. Heaviness and lightness displayed via large, heavy, metal sculptures of abstract geometric forms suspended from the ceiling by seemingly fragile wires that not only appear to defy gravity but provide tonal expression when plucked, hammered, or bowed. Further conversation associated with the micro to the macro is easily revealed when the sounds and shapes are compared to the vibration of life identified with imagined subatomic movement.

Spatial Phases, Eric Schott

CGU MFA Theses

No abstract provided.

Blanket Statements, Issue 107, Spring 2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 107, Spring 2012

Taking In: A Juried Selection Of Photography 2012, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.