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Articles 1 - 30 of 4688
Full-Text Articles in Art Practice
Art Inquiries, Vol. 21, Oct. 15, 2026 - Full Issue, Kris K. Belden-Adams
Art Inquiries, Vol. 21, Oct. 15, 2026 - Full Issue, Kris K. Belden-Adams
Art Inquiries
No abstract provided.
On Canvas: The Origins And Implications Of A Common Phrase, Kerr Houston
On Canvas: The Origins And Implications Of A Common Phrase, Kerr Houston
Art Inquiries
Why do modern art historians and conservators describe paintings executed on cloth in Europe in the fourteenth and fifteenth centuries as works on canvas, when late medieval and early Renaissance sources never do the same? This article answers that question by tracing and analyzing the evolution of canvas as a term in the history of painting. Until the late 1400s, it will be argued, the term canvas and its regional variants connoted coarse woven fabrics made of hemp that were associated with rugged, utilitarian needs and rural poverty—but not with painting. By contrast, artists and related texts relied on …
Front Matter, Art Inquiries, Kris K. Belden-Adams
Alison Place, Ed., Feminist Designer: On The Personal And The Political In Design, Anmol Shrivastava
Alison Place, Ed., Feminist Designer: On The Personal And The Political In Design, Anmol Shrivastava
Art Inquiries
No abstract provided.
Robert Indiana, Love, Biblical Authority, And American Art In The 1960s, David Mccarthy
Robert Indiana, Love, Biblical Authority, And American Art In The 1960s, David Mccarthy
Art Inquiries
Years before Robert Indiana suggested that his canonical LOVE paintings and sculptures carried erotic connotations, he was explicit in indicating that the series was to be understood as spiritual. In 1973, as the United States Postal Service issued some three hundred and thirty million stamps with his design, he specifically explained that the genesis of LOVE should be traced to his childhood training in Christian Science. Although scholars have certainly acknowledged this background, none, so far, have sufficiently addressed the actual foundational text of the faith, nor have they adequately addressed the evidence of Christian references found in the artist’s …
Harry Boone: From Entropy To Renewal, Gertrude Herbert Institute Of Art, Augusta, Ga, Mysoon Rizk
Harry Boone: From Entropy To Renewal, Gertrude Herbert Institute Of Art, Augusta, Ga, Mysoon Rizk
Art Inquiries
No abstract provided.
Book Review: The Art Of Anna Dorothea Therbusch (1721-1782) By Christina K. Lindeman, Amanda Strasik
Book Review: The Art Of Anna Dorothea Therbusch (1721-1782) By Christina K. Lindeman, Amanda Strasik
Art Inquiries
No abstract provided.
Encoded, The Metropolitan Museum, New York, Ny, Tamara Smithers
Encoded, The Metropolitan Museum, New York, Ny, Tamara Smithers
Art Inquiries
No abstract provided.
On Loss And Absence: Textiles Of Mourning And Survival, Art Institute Of Chicago, Chicago, Il, Elizabeth S. Hawley
On Loss And Absence: Textiles Of Mourning And Survival, Art Institute Of Chicago, Chicago, Il, Elizabeth S. Hawley
Art Inquiries
No abstract provided.
Floating World: A.A. Murakami, Museum Of Fine Arts, Houston, Tx, Yumi Park
Floating World: A.A. Murakami, Museum Of Fine Arts, Houston, Tx, Yumi Park
Art Inquiries
No abstract provided.
Marie Taylor Barton And Southern Modernism, Cynthia Fowler
Marie Taylor Barton And Southern Modernism, Cynthia Fowler
Art Inquiries
This paper examines the efforts by Southern artist Marie Taylor Barton (1904-1992) of Nashville, Tennessee to spread the principles of modern art to her community through her art practice and her advocacy for modern art. Barton emerged as an artist in the first half of the twentieth century. She studied with New York modern artist Ralph Pearson (1883-1958), an underrecognized but highly influential art teacher, at his summer school in Gloucester, Massachusetts. While in Gloucester, she also heard lectures by artist Hans Hofmann and visited Dartmouth College to see José Clemente Orozco’s mural The Epic of American Civilization (1932-34) that …
Aspek Ergonomi Dalam Virtual Tour Museum Nasional Pada Pembelajaran Mata Kuliah Ornamen Nusantara, Irving Gustav Salim, Gumilar Pratama, Irni Resmi Apriyanti
Aspek Ergonomi Dalam Virtual Tour Museum Nasional Pada Pembelajaran Mata Kuliah Ornamen Nusantara, Irving Gustav Salim, Gumilar Pratama, Irni Resmi Apriyanti
Journal of Language, Literature, and Arts
The development of educational technology has encouraged the use of interactive digital media as learning tools, including in art and design education. In their application, visual ergonomics should be considered to support user comfort and ensure clear information delivery. This study aims to examine visual ergonomic aspects, particularly the principles of clarity, legibility, readability, and visibility, in the virtual tour of the National Museum of Indonesia (Museum Gajah) used as a learning medium for the Nusantara Ornament course. The study employed a phenomenological approach involving 24 students enrolled in the Nusantara Ornament course in the Fine Arts Education Study …
Remixing Dialogue: A Case Study On Perceptions Of Hip Hop Pedagogy In A Professional Learning Course, Kelly J. Thelen
Remixing Dialogue: A Case Study On Perceptions Of Hip Hop Pedagogy In A Professional Learning Course, Kelly J. Thelen
Dissertations, Theses, and Projects
This qualitative case study examines how teachers’ decision-making and professional autonomy shift while participating in a Hip Hop Pedagogy Professional Learning course supported by structured FIXIT (Lo & Wachter, 2023a, 2023b, 2023c, 2023d; Wachter & Lo, 2024) game-facilitated dialogue in a rural, culturally and linguistically diverse Midwest community. Grounded in Freire’s (1970) Critical Pedagogy, Ladson-Billings’ (1995) Culturally Relevant Pedagogy, Culturally Sustaining Pedagogy (Paris and Alim, 2017), and Adult Learning Theory (Knowles et al., 2005), the study explores the reclamation of agency by teachers in a time of constrained creativity and educator autonomy shaped by strict policy environments, an emphasis on …
Tubuh Yang Mengingat (The Body Remembers): Ecology, Ritual, And Embodied Memory In Contemporary Cirebon Mask Performance, Prameswari Mrajabwana
Tubuh Yang Mengingat (The Body Remembers): Ecology, Ritual, And Embodied Memory In Contemporary Cirebon Mask Performance, Prameswari Mrajabwana
Theses and Dissertations
Tubuh yang Mengingat (The Body Remembers) is a single-channel, site-specific performance film set across coastal and extractive landscapes in Cirebon, West Java, Indonesia. Reinterpreting the five transformations of Cirebonese mask dance—Panji, Pamindo, Rumyang, Tumenggung, and Kelana—the project examines how colonial extraction, ecological deterioration, and systems of social regulation continue to shape embodied experience materially and somatically. Drawing from Karen Barad’s concept of intra-action and Stacy Alaimo’s notion of trans-corporeality, the work approaches body, land, technology, and history as relationally entangled rather than separate entities. Through live biodata sonification generated from environmental sensors and bodily movement, the film establishes …
Examining Transcultural Approaches In Art Education: Transversality, Identity Formation, And Intercultural Understanding, Alexandra Grace Parsons
Examining Transcultural Approaches In Art Education: Transversality, Identity Formation, And Intercultural Understanding, Alexandra Grace Parsons
Master's Theses
Art education is often treated as marginal within formal schooling, valued as enrichment rather than recognized as a vital contributor to students' intellectual, cultural, and emotional development. Funding and policy decisions made by state and local bodies produce significant regional disparities in access to art education across the United States. This thesis examines how transcultural approaches to art education can respond to increasingly diverse, post-migrant school communities. Using a comparative qualitative case study design, the study analyzes program structures, partnership models, and pedagogical practices at Birmingham Arts School in the United Kingdom alongside schools within Fulton County and Atlanta Public …
West Coast Workshop To Southwest Institute, Hannah Marie Cerne
West Coast Workshop To Southwest Institute, Hannah Marie Cerne
Art & Art History ETDs
This thesis considers Tamarind Institute in Albuquerque, New Mexico (originally established as Tamarind Lithography Workshop in Los Angeles, CA), and its contributions to collaborative printmaking. Originally founded in 1960 by June Wayne with Clinton Adams and Garo Antreasian, Tamarind Lithography Workshop (the precursor to Tamarind Institute) revitalized lithography through structured collaboration between artists and master printers, alongside rigorous training programs. This thesis provides an institutional history of the workshop during its relocation to the University of New Mexico, highlighting its transformation into a university-based institute that integrated education and professional production. Using social and labor-based methodologies, this study analyzes how …
Electronic Literature In Ai Data Work, Mihai Bacaran
Electronic Literature In Ai Data Work, Mihai Bacaran
ELO (un)supervised 2026
This paper is based on my personal experience of working as a transcriber for AI projects between 2023 and 2025 in a Business Process Outsourcing company located in Eastern Europe. The job of transcribers is to listen to audio recordings provided by The Client (a major tech company whose name cannot be mentioned due to nondisclosure agreements) and either transcribe them from scratch or correct an AI generated transcription. The recordings are gathered from users of digital devices, many of whom appear unaware of being recorded.
During the transcription work, probably due to the excruciating boredom of performing the same …
Quilt Poems: Encoding Craft Traditions As Generative Poetry, Lee Tusman
Quilt Poems: Encoding Craft Traditions As Generative Poetry, Lee Tusman
ELO (un)supervised 2026
This talk presents Quilt Poems, a generative literature project that finds unexpected common ground between quilting, data, and computational poetry. Beginning as a NaNoGenMo (National Novel Generating Month) entry, the project encodes a library of traditional quilt patterns as structured data, pairs them with a curated word corpus, and uses software to produce visual poems whose form is literally shaped by quilt geometries. I'll walk through the process of translating a tactile, domestic craft tradition into a formal data schema — the interpretive choices that entails, what gets lost and what gets discovered — and how that encoded knowledge …
A Review Of “Enlightenment: An Oak Tree (Koan)”, Elijah Arenas
A Review Of “Enlightenment: An Oak Tree (Koan)”, Elijah Arenas
The Agora
This is a review of the installment art piece “Enlightenment: an Oak Tree (koan)” by Elijah Arenas. The piece seeks to demonstrate to viewers that enlightenment consists in a change in perspective, not knowledge. The piece effects this through a unique space which viewers can fill with their own subjective world.
Representations Of Women Safeguarding Living Cultural Heritage For The Future In 21st Century Kabyle Cinema, Sheila Petty
Representations Of Women Safeguarding Living Cultural Heritage For The Future In 21st Century Kabyle Cinema, Sheila Petty
Journal of Amazigh Studies
This article examines cinematic representations of how some Kabyle women relate to and shape claims to Amazigh (Kabyle) land, language, tangible and intangible cultural heritage; how they navigate and safeguard cultural memory; and how this is depicted in three Kabyle films: La Langue de Zahra/ Zahra’s Mother Tongue (Fatima Sissani, France/Algeria, 2011); Nnuba (Sonia At Qasi-Kessi, Algeria, 2019; and Azar/Racine/Root (Malik Bourkache Daoud, Algeria, 2023). The article also probes how the filmmakers use tangible cultural heritage (documentary film) to document, transpose, and transmit intangible cultural heritage (memories, poetry, song, stories). Through an analysis of the narrative form and cinematic style …
Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges
Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges
Artizein: Arts and Teaching Journal
This article extends She-Hero through an inquiry into drawing as a creation-centred practice of continuance. Five drawings are engaged as aesthetic encounters through which relational and perceptual shifts become perceptible, allowing inner authority to emerge as a cultivated capacity to remain responsive to what is unfolding. Drawing is approached as a site of metramorphic reconfiguration where imagination, memory, and embodied sensing participate in the decolonizing of perceptual habits and the restoration of relational ways of knowing.
The Intertidal Zone As Never-Ending Painting, Alison Shields
The Intertidal Zone As Never-Ending Painting, Alison Shields
Artizein: Arts and Teaching Journal
An intertidal zone, the area where the ocean meets the land is, by definition, in a constant state of change. As the tides move in and recede daily, the ecosystem continuously transforms as new stimuli are washed in and out, prompting constant motion. Tide pools are thus mini worlds, rhythmically changing throughout the days. I similarly view a painting as an ever-changing ecosystem, each layer responding to new elements while always evolving in relation to what came before. Throughout the past decade, I have sought out a space of not knowing, uncertainty and emergence through the development of both physical …
Showing It! Art Matters. But Why? How?, Holly Edwards
Showing It! Art Matters. But Why? How?, Holly Edwards
Artizein: Arts and Teaching Journal
This article addresses the agency of art with reference to an exhibition entitled “The Nature of Spirit”. That show appeared in the local public library, resonating strongly with notions of “heartwork”. My first Artizein publication was written in response to 9/11, and this one maintains comparable urgency, seeking solace in art precisely when the world seems to be sliding into lunacy. The prose explores the powers of art in traumatizing times with words, while the images offer the reader insight and support energetically.
Text/Ures, Kathy Mantas
Text/Ures, Kathy Mantas
Artizein: Arts and Teaching Journal
By entwining the voices of other co-creators, text and images, I share a brief site-specific photo-reverie of my life-long allure to trees—in this instance, by attending to the trees near my home. This offering is rooted in peripatetic aesthetic practices that embrace a slower creative approach and more spellbinding ways of living, learning and knowing. In essence, this is an invitation to have an artful encounter with text/ures of trees.
Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk
Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk
Artizein: Arts and Teaching Journal
A dreamscape using pastiche is used for reflecting upon the value of creative-centred practice and research. Attending to the image through reflection and circumambulation offers entry to a centring practice. In holding both, a new image emerged. The dreamscape—an unexpected scene of cranes in joyous dance—unfolds as actual dream and offers a metaphor for understanding an arc within the dreamer’s life. In this condensed yet nuanced rumination, personal and professional, poetic and haptic, participating and witnessing blur. This practice, the way of the Crane, is timely because it introduces relational pedagogy and testimonial teaching for our times—while touching the pulse …
The Verge, Reconsidered: Love, Salt, Seed, Time, Origin, Interweave––Triptychs In Conversation Across Time, Marna Hauk
The Verge, Reconsidered: Love, Salt, Seed, Time, Origin, Interweave––Triptychs In Conversation Across Time, Marna Hauk
Artizein: Arts and Teaching Journal
Sparked particularly by the poetic and the emergent data conversation analysis from an earlier Artizein: Arts and Teaching Journal article (Hauk & Kippen, 2020) piece, which discussed data from 2016, the author creates a contemporary “conversation” from visual and poetic material, in 2026, and imagines forward a further 10 years to 2036. The three-plated visual-poetic artworkings speak also back and forth across the verges of spacetimemattering, riding the dip and wave, tide and weave, of deeper time and meaning sensing, with visual and poetic material. The original article proposed collaborative workings with other researchers. This work imagines the artworkings and …
Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair
Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair
Artizein: Arts and Teaching Journal
This essay is a reflection of an artist residency focused on the environmental legacy of California’s cinnabar mining. The mineral cinnabar is a primary source of mercury that was used to mine gold in California in the 1800s, and is still used globally. For this residency, I asked, “How can I creatively map the emotional and sensory landscapes of Cinnabar mining sites?” “How can art making serve to expose elements of an ecological crisis?” To answer these questions, I created cyanotypes made in and with the Santa Ynez River, which flowed through two abandoned cinnabar mines. Cyanotypes are made by …
Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko
Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko
Artizein: Arts and Teaching Journal
This visual essay unfolds through acts of careful noticing. Drawing from materials encountered through repeated walks across forested landscapes on Vancouver Island, it translates moss, soil, plant matter, and animal traces into immersive digital environments. Working through atmosphere, texture, and shifting forms rather than fixed representation, the project explores how perception is shaped by time spent with what is often overlooked. Digital processes are used not to stabilize or explain, but to hold uncertainty, fragility, and partial presence. The work invites readers to slow their looking and consider how learning, relation, and meaning can emerge through sustained attention.
Moving Forward: The Pulse Of Arts-Centred Research [Editorial], Darlene St. Georges
Moving Forward: The Pulse Of Arts-Centred Research [Editorial], Darlene St. Georges
Artizein: Arts and Teaching Journal
Editorial
Artizein Editorial Team: Movements And Transitions, Barbara Bickel
Artizein Editorial Team: Movements And Transitions, Barbara Bickel
Artizein: Arts and Teaching Journal
Editorial overview of movements and transitions taking place with the Artizein editorial team.