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Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield 2012 Purdue University

Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield

Department of Computer Graphics Technology Degree Theses

The primary purpose of this study was to establish whether or not students and industry professionals share the same views about what students should be learning in animation education, what skills are necessary, and whether or not students graduating with a bachelor’s degree would be adequately prepared for an entry level position. To establish where misconceptions lie, surveys were issued to three groups: undergraduate students, post-graduate students, and industry professionals. These surveys were then analyzed using paired t-test for validation and question relevance, and ANOVA models to establish whether or not groups shared viewpoints. These data established significance within the …


Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield 2012 Purdue University

Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield

Department of Computer Graphics Technology Degree Theses

The primary purpose of this study was to establish whether or not students and industry professionals share the same views about what students should be learning in animation education, what skills are necessary, and whether or not students graduating with a bachelor’s degree would be adequately prepared for an entry level position. To establish where misconceptions lie, surveys were issued to three groups: undergraduate students, post-graduate students, and industry professionals. These surveys were then analyzed using paired t-test for validation and question relevance, and ANOVA models to establish whether or not groups shared viewpoints. These data established significance within the …


Poynter, Shawn (Fa 184), Manuscripts & Folklife Archives 2012 Western Kentucky University

Poynter, Shawn (Fa 184), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 184. Paper titled “The Usage and Importance of the Rule of Thirds in Newspaper Photography” written by Shawn Poynter for a folk studies class at Western Kentucky University. The collection looks at the usage of the “rule of thirds” as it appears in the Park City Daily News. The “rule of thirds” refers to a photograph guideline that requires subjects to be in either one of the sides, top or bottom third of the frame. The collection contains analysis, graphs, tables and newspaper …


Joseph As Father In Guido Reni's St. Joseph Images, Alec Teresa Gardner 2012 Brigham Young University - Provo

Joseph As Father In Guido Reni's St. Joseph Images, Alec Teresa Gardner

Theses and Dissertations

This study presents a psychoanalytic examination of Guido Reni's motivations for creating an innovative painting series of St. Joseph and the Christ Child. The seventeenth-century artist developed a new depiction of Joseph as the tender and loving surrogate father of Christ. This new artistic emphasis on the intimate relationship between father and son reveals Reni's own psychological need to create a replacement father. Indeed, contemporary biographers report that Reni suffered from anxiety and an aversion to women throughout his life. These odd behavioral traits appear to have stemmed from Reni's lack of a supportive father figure. Thus, the artist created …


The Influence Of The Roman Atrium-House's Architecture And Use Of Space In Engendering The Power And Independence Of The Materfamilias, Anne Elizabeth Stott 2012 Brigham Young University - Provo

The Influence Of The Roman Atrium-House's Architecture And Use Of Space In Engendering The Power And Independence Of The Materfamilias, Anne Elizabeth Stott

Theses and Dissertations

Architecture has a remarkable capacity to not only reflect social patterns and behaviors but to engender public image and identity. Therefore, it has proven to be a viable source for understanding the lives of ancient people. In fact, many scholars have established a connection between the atrium-house's design and the power and social identity of the paterfamilias, or male head of household. However, little has been said about what these same architectural features mean in relation to his female counterpart, the materfamilias. Therefore, this paper argues that the architecture of the atrium-house likewise engendered a sense of power …


Kuna Na Interview, Edward Kim 2012 DePaul University

Kuna Na Interview, Edward Kim

Asian American Art Oral History Project

Artist Bio:

“I like to self-identify as an artist first, and then a woman, and then as a teacher, and then as an Asian/ Korean But as an artist, it has to be universal. It’s a large picture. I’d like to be part of the large picture rather than just an Asian American.”

Kuna Na is a Korean-born artist who teaches a diverse group of pre-kindergarten students in Chicago. She and her husband, Jim, reside in the Bridgeport neighborhood of Chicago, Illinois. They opened an art gallery together in their community and named it mn Gallery after the first initials …


Interactive Web Technology In The Art Classroom: Problems And Possibilities, Marie Lynne Aitken Oxborrow 2012 Brigham Young University - Provo

Interactive Web Technology In The Art Classroom: Problems And Possibilities, Marie Lynne Aitken Oxborrow

Theses and Dissertations

Research has shown that the use of technology in curriculum, and art classrooms in particular, can benefit students. This thesis outlines these benefits which include the potential for technology to make learning more personal, assist students in their future careers, and allow opportunity for collaboration. Still, several obstacles impede the full-fledged realization of that potential, often leading teachers to avoid or ignore technology in their pedagogical strategies. This thesis addresses these obstacles and provides practical and theoretical solutions. Once these obstacles are overcome, teachers will be better able to incorporate new technology in their lessons, such as social media, podcasts, …


German Nationalism And The Allegorical Female In Karl Friedrich Schinkel's The Hall Of Stars, Allison Slingting 2012 Brigham Young University - Provo

German Nationalism And The Allegorical Female In Karl Friedrich Schinkel's The Hall Of Stars, Allison Slingting

Theses and Dissertations

In this thesis I consider Karl Friedrich Schinkel's The Hall of Stars in the Palace of the Queen of the Night (1813), a set design of Die Zauberflöte (The Magic Flute), in relation to female audiences during a time of Germanic nationalism. Although Schinkel is customarily known as the great modern architect of Germany, his work as a set designer is exceedingly telling of his feelings toward the political and geographical unification of the Germanic regions. Through his set designs, Schinkel successfully used the influential space of the theatre to articulate not only nationalism, but positive female empowerment …


Changsha: Photographs By Rian Dundon, Rian Dundon 2012 University of Nebraska - Lincoln

Changsha: Photographs By Rian Dundon, Rian Dundon

China Beat Blog: Archive 2008-2012

Rian Dundon, whose photographs have previously appeared at China Beat, will soon be releasing a new book of photography on China, Changsha. Dundon’s book will feature a forward written by friend of the blog Gail Hershatter and includes his photos of and essays on the Hunan province city of Changsha. For more information, and to pre-order a copy of the book, see the book’s website (pre-sales of the book are part of a crowd-funding campaign raising funds for its first run with the publisher, Emphas.is). Below is a special teaser of Changsha material that Dundon has prepared for China Beat …


The Threes, Clifford Eberly 2012 Claremont Graduate University

The Threes, Clifford Eberly

CGU MFA Theses

In the physical world I explore and gather regenerative clues that vivify the installations I build. The harshness and unforgiving power of nature’s nature, combined with the infinity of the cosmos, inspires me to cobble together sculptures that defy absorption into a finite, descriptive category. Like our beings change from second to second, I work diachronically, chugging along, shifting the purposes of supplies until they manifest like organisms that pulled themselves together from shiny and dirty matter or arrived from an extraterrestrial playground. By reusing and layering a complex blend of materials, I blur the ambiguous origins of the objects …


G-Plex Psi, Jacques Louis David 2012 Claremont Graduate University

G-Plex Psi, Jacques Louis David

CGU MFA Theses

Monumental metal sculpture that incidentally creates sound. Heaviness and lightness displayed via large, heavy, metal sculptures of abstract geometric forms suspended from the ceiling by seemingly fragile wires that not only appear to defy gravity but provide tonal expression when plucked, hammered, or bowed. Further conversation associated with the micro to the macro is easily revealed when the sounds and shapes are compared to the vibration of life identified with imagined subatomic movement.


Spatial Phases, Eric Schott 2012 Claremont Graduate University

Spatial Phases, Eric Schott

CGU MFA Theses

No abstract provided.


Blanket Statements, Issue 107, Spring 2012, 2012 University of Nebraska - Lincoln

Blanket Statements, Issue 107, Spring 2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 107, Spring 2012


Someone/No One, Jamie L. Fritz 2012 University of Nebraska-Lincoln

Someone/No One, Jamie L. Fritz

School of Art, Art History, and Design: Theses and Student Creative Work

I am obsessed with the pieces of existence; the memories, experiences and emotions that make up human identity. Our lives are defined by entropy that causes these pieces to fragment and become distorted over time. Looking back at the pieces they become almost unrecognizable, and it becomes unclear if they are something or if they are nothing. My work centers on a compulsive desire to put these pieces into something that makes sense. The photograph serves as a representation of the memory and experience, broken down into parts that remove them as a piece of an identifiable whole. The photographs …


Untitled (12th Istanbul Biennial), Dave Colangelo 2012 Portland State University

Untitled (12th Istanbul Biennial), Dave Colangelo

School of Film Faculty Publications and Presentations

A review of the 12th Istanbul Biennial, held in 2011 in Istanbul, Turkey, with a focus on curatorial decision making and how this is thematically expressed in the exhibition.


Taking In: A Juried Selection Of Photography 2012, AIB Students 2012 Lesley University

Taking In: A Juried Selection Of Photography 2012, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.


Face Value, Rebecca Moffett-Moore 2012 Governors State University

Face Value, Rebecca Moffett-Moore

All Student Theses and Dissertations

The human face is the most universally important focus of communication. It is a significant source of identity and the most expressive means of nonverbal communication. We use our faces to speak and express emotions. We use faces to recognize friends or foes; to spot family resemblances; and to consider attractiveness or unattractiveness. Gleaned from a number dictionaries, my interpretation of what is meant by taking something or someone at "face value" means to accept that idea, object, or person because of the way it first looks or seems, without thinking about what else it could mean, and to accept …


Travis Novak, Travis Novak 2012 Claremont Graduate University

Travis Novak, Travis Novak

CGU MFA Theses

Flawed memory is a tool that allows an altered reality to exist in the disconnect between a past reality and a present fiction. My work starts with scenarios that evolve into things bigger than themselves, going beyond nostalgia to become celebrations, landmarks, or memorials. Exaggeration, embellishment, adornment, stylization, modification, and customization are methods I use to move through these scenarios and often arrive at a transformative shift...

This preservation process begins the moment a thing dies. Its optimum resides in the past allowing the function of the memory to operate as a preserver. This is the human longing for greater …


Freedom In Creation: Global Village Education Program, Daniel C. Maxwell 2012 SIT Graduate Institute

Freedom In Creation: Global Village Education Program, Daniel C. Maxwell

Capstone Collection

This capstone paper introduces the Freedom in Creation: Global Village Education Program, an international education program with a focus in service-learning for undergraduate students designed for the organization, Freedom in Creation (FIC). Global Village Education (GVE) will pilot the five-week intensive program in various locations throughout Uganda. As a short-term, service-learning program focusing on experiential education, social identity development, critical thinking, and reciprocity; the goal is to instill conceptual clarity and intellectual growth by introducing participants to new knowledge, concepts and experiences through cross-cultural interaction. The main purpose of the program seeks to build intercultural communication skills as well as …


Baa Baa Black Sheep, Olan Quattro 2012 Rollins College

Baa Baa Black Sheep, Olan Quattro

SPECS journal of art and culture

No abstract provided.


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