[Insert Body Here],
2017
Washington University in St. Louis
[Insert Body Here], Katie Yun
Bachelor of Fine Arts Senior Papers
The personal is political. Using humor and my individual narrative, I illustrate the main three factors that drive my work and relate them to corresponding theoretical frameworks: 1) My OCD tendencies and labor as art concept 2) Assimilation and the appeal of the White Cube 3) Reclamation of identity and Abject art. Through textual and visual research, I provide scholarly backing and precedents set by other artists to situate these personal narratives as part of a larger structural system of oppression, while being transparent of my culpability and participation in these structures. I posit that my work provides a nuanced …
Tony Larson: 2017 Mfa Thesis Exhibition,
2017
Claremont Graduate University
Tony Larson: 2017 Mfa Thesis Exhibition, Tony Larson
CGU MFA Theses
I am interested in altering the modes of communication to which I am subjugated. I am open to participating fully in the world around me, especially in the arms of technology. With every new media channel directed at changing consumer behavior and every new gadget at its dedicated servitude, there are new cracks and chasms to inhabit. These spaces are where new propositions are made. I discover and expand these empty spaces by sticking to a regimented set of processes and self imposed limitations to the way I approach painting. My work proposes that the space of art is uniquely …
Hardcore Frivolity,
2017
Claremont Graduate University
Hardcore Frivolity, Dixie Lyn Boswell
CGU MFA Theses
I believe in experiencing the world and truth through all the senses. Digging beneath the surface and not stopping at the first thing that flutters through my head. My art installations work with light, abstract imagery, reflective surfaces, and motion, to manipulate spaces creating multi-sensory experiences that encourage a heightened awareness of being in one's body.
Everything, Everything Seemed Once-Upon-A-Time,
2017
Claremont Graduate University
Everything, Everything Seemed Once-Upon-A-Time, Denisse Leung Liu
CGU MFA Theses
The pleasant feeling of being relaxed is what I want the viewer to feel with my work. The art I make is the source of peacefulness and tranquility I treasure, in a way that there is tranquility and absence of noise, yet it whispers quietly to the viewer.
Artist Statement,
2017
Claremont Graduate University
Artist Statement, Chaoyi Wu
CGU MFA Theses
I make my work to create an experience for the viewer, so that they can have their own experience of their world. Their bodies interact with my pieces to re-recognize themselves and their lives. In this experience their body is independent of everything else but their awareness. Their sense of movement, their vision and their tactile sensations come together into my artwork for them to have their own experience. This is what I call self-body awareness.
Everything, Everything Seemed Once-Upon-A-Time,
2017
Claremont Graduate University
Everything, Everything Seemed Once-Upon-A-Time, Denisse Leung Liu
CGU MFA Theses
The pleasant feeling of being relaxed is what I want the viewer to feel with my work. The art I make is the source of peacefulness and tranquility I treasure, in a way that there is tranquility and absence of noise, yet it whispers quietly to the viewer.
Letian Luo Thesis Statement,
2017
Claremont Graduate University
Letian Luo Thesis Statement, Letian Luo
CGU MFA Theses
My work started out originating from my dreams, but recently it has moved away from that source. To make the cut outs, I would scribble on the back of a small sheet of scarp paper. Then I discovered that if I cut out the scribble, it become more interesting than the dream work. So I developed the scribbles further. I enlarged them, made them more complex and gestural, and then cut them out, meticulously and with painstaking attentiveness. The process allowed me to draw with knife. I very enjoy the process of me making the cut outs. It got increasingly …
Temp Permit,
2017
Claremont Graduate University
Temp Permit, Zhaoyang Zheng
CGU MFA Theses
My work focus on the isolation and alienation between society and individual. As an artist, I also regard myself as a tourist, tourists are people who would like to explore and find special things which are not familiar to them. Usually a tourist is isolated from others because of his unfamiliarity with culture and language. It is hard for a tourist to fit into society which is same for artists: they like to explore different and most of the time they are isolated from main stream society.
Distraction And Community: The Magic Of Playtime,
2017
Washington University in St. Louis
Distraction And Community: The Magic Of Playtime, Heather Alfaro
Graduate School of Art Theses
Experiencing awkward encounters due to an anxious disposition, I create work that fulfills my own needs to fulfill the needs of others. By manipulating environments and providing props and crafted items, I take control of the situation to function within. Using craft, gift-giving and play, I encourage the audience to participate within my work—fostering community by providing an opportunity to play. Being ever fleeting, the encounters with the work and with the other participants distracts to allow the audience to lose themselves. When the work is gone, the memory lives on to comfort, and to inspire.
Remembering Virtual Worlds: Painting And Video Games,
2017
James Madison University
Remembering Virtual Worlds: Painting And Video Games, Nathaniel M. St. Amour
Masters Theses, 2010-2019
Video games create the feeling of great achievement and place the player into a role that turns them into a great hero. These experiences feel significant because they require great time and emotional investment. The monumentality of these experiences, however, are at odds with the transience of the electrical virtual worlds. The medium of oil painting helps overcome the sense of transience because of oil painting’s durable permanent way of image making and stillness. Painting’s inherent nod to history also creates a dissonance between the newness of the video game medium and the antiquity of painting, a contrast exacerbated by …
Material Poetics,
2017
James Madison University
Material Poetics, Ellen G. Reid
Masters Theses, 2010-2019
quench: /kwen(t)SH/
a : put out, extinguish
b : to put out the light or fire
c : to cool suddenly by immersion
d : to cause to lose heat or warmth
e : to bring to an end typically by satisfying, damping, cooling, or
decreasing
f : to relieve or satisfy with liquid
This is often how projects begin, a haunting idea, word, or experience inundates my consciousness and sub-consciousness. How could the body directly relate to an experience of quenching? This provoked the idea of the extreme sport: freediving. To adequately depict the definition of quenching, any …
Black Matter,
2017
Washington University in St. Louis
Black Matter, Kahlil Irving
Graduate School of Art Theses
History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.
I explore many mediums, but an anchor material that I …
Sublime Memories: Bones As A Medium For Cyanotype Printing And Indigo Dying; The Strength Derived From Connection To The Environment; And The Power Of The Color Blue,
2017
College of Saint Benedict and Saint John's University
Sublime Memories: Bones As A Medium For Cyanotype Printing And Indigo Dying; The Strength Derived From Connection To The Environment; And The Power Of The Color Blue, Alexis R. Bernstein
All College Thesis Program, 2016-2019
This project attempts to portray how connections to the environment provide strength and opportunities for growth. By printing cyanotype images of landscapes and plant life on bones, my work links the ecological world with a representation of mortality. The symbolism of bones provide concepts of strength and life, while the symbolism of blue evokes emotions of distance and longing that create a dreamy memory-inspired image quality throughout the series. The historic processes of cyanotype printing and indigo dying were successfully modified for the medium of bones, allowing both artistic techniques to work together in harmony.
Man/Boy.,
2017
University of Louisville
Man/Boy., Nick Hartman
Electronic Theses and Dissertations
Verisimilitude, or the appearance of being true, is a concept I turn upside down; relating it to a guise I wear as a contemporary male in a society dictated by learned social behavior and gender norms. Cultural iconography and expected gender norms are tropes I confront within my artwork. Drawings of seemingly everyday objects act as meditations or a fetishized repetition of supposed unobtainable objects and ideals that deal with masculine societal norms. Manliness, machismo, masculinity… it is all a culturally learned and expected pose placed on all men. Coming to the realization that I do not necessarily fit …
Bad Girl: Feminism, Contradiction, And Transformation,
2017
Boise State University
Bad Girl: Feminism, Contradiction, And Transformation, Laura Goodwin
Boise State University Theses and Dissertations
My thesis work developed out of a personal tension and insecurity surrounding the complexity and the seemingly contradictory nature of my identity. For an example, as a feminist, artist, and scholar, is it acceptable to also be a lover of popular culture tropes, makeup, and fashion? I have learned that female empowerment comes in many different forms. This paper will discuss the ways I have been visually exploring the female identity through multiplicity, contradiction, and most importantly: acceptance. I want my work to operate in a way that communicates the complexity of identity, transcends binary thinking, and promotes introspection. Third …
June,
2017
DePauw University
June, Caleigh Bubala
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Nature, Essence And Spirit: An Artistic Process Of Space, Lines And Color From The Level Of Cells To The Large Oceanic Water World,
2017
The University of Texas Rio Grande Valley
Nature, Essence And Spirit: An Artistic Process Of Space, Lines And Color From The Level Of Cells To The Large Oceanic Water World, Odra O. Arriaga
Theses and Dissertations
The methods, experimentations, philosophies and influential artists mentioned in this thesis all form part of my artistic exploration and art from the level of cells to the large oceanic water world. As an artist of Fine Arts at the University of Texas, Rio Grande Valley, my main emphasis is to associate these concepts with my personal experiences, cultural traditions and artistic perspectives with my likes for lines, colors and spaces in what I called, Nature, Essence and Spirit. Furthermore, my artistic approach was mostly influenced by the views of artists such as, Vasily Kandinsky, Frank Stella, Piet Mondrian, Paul Klee, …
Meditative Art: A Diversion From Stress And Anxiety,
2017
[email protected]
Meditative Art: A Diversion From Stress And Anxiety, Hannah T. Justis 4239670221
Undergraduate Honors Theses
I wished to present a body of work that visually represented my own meditative process of managing stress and anxiety. Towards the end of studying for my undergraduate, I began preparing for my Final Exhibition Show, and with these preparations, my life, as well as my work, changed drastically. Within the past two years, my drawings began to take on a meditative therapeutic process. It was this development that then helped manage my growing stress levels and well as the symptoms that stemmed from high levels of anxiety and bloomed from losing control in my day to day life. It …
The Record In Question,
2017
Washington University in St. Louis
The Record In Question, Kari Varner
Graduate School of Art Theses
This thesis is an archive composed of text and image that catalogs the perpetual distance between the photograph and its subject. In my practice the fluidity of representation is examined through the frame of the photographic archive, while the notion of what constitutes a photographic archive is redefined. While seeking to describe the mutability of encounters with landscapes and past memories the materiality of the photograph is emphasized, the image and its substrate destabilized, and both experience and photograph are fleeting. In many cases water acts as the alchemical substance for transformation, leading the photographs closer to a state of …
Patricia Nguyen Interview,
2017
DePaul University
Patricia Nguyen Interview, Joyce Shoults
Asian American Art Oral History Project
BIO: Patricia Nguyen is an artist, educator, and scholar born and raised in Chicago, Illinois. She is a Ph.D. candidate in Performance Studies at Northwestern University and a Paul and Daisy Soros Fellow for New Americans. Her research and performance work examines critical refugee studies, political economy, forced migration, oral histories, inherited trauma, torture, and nation building in the United States and Vietnam. She has published work in Women Studies Quarterly, Harvard Kennedy School's Asian American Policy Review, and The Methuen Drama Anthology of Modern Asian Plays edited by Siyuan Liu and Kevin J. Wetmore, Jr. Patricia is currently …
