Pickering, Tammie & Gary Collins (Fa 348),
2017
Western Kentucky University
Pickering, Tammie & Gary Collins (Fa 348), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 348. Student paper titled “Trees in Folk Crafts” in which Tammie Pickering and Gary Collins explore the connection between trees and traditional folkways. Paper details the medicinal properties of sassafras tea, which is made from tree roots, the production of maple syrup, and the expressive crafts of wood-carving and carpentry. Data collected from three working-class residents of Caldwell County. Paper also includes field journals, recorded interviews, and transcripts.
Materialized Practices Of Food As Borderlands Performing As Pedagogy,
2017
The Pennsylvania State University
Materialized Practices Of Food As Borderlands Performing As Pedagogy, Christen Sperry García
Journal of Social Theory in Art Education
In this paper, I examine the interrelationship between borderlands, food, and ways in which they perform as pedagogy. First, I define borderlands in relation to art. Second, I discuss food and borderlands as authenticity, hybridity, and race/body. Lastly, I examine various fields of pedagogy including public, border, and food pedagogy and consider how they relate to food. I suggest that the interrelationship between borderlands and food can be used as a pedagogical tool to teach and learn about liminality, tension, contradiction, and hybridity. The hybrid spaces of consumable borderlands challenge food purity and yield unexpected foods such as carne asada …
Graphic Activism: Lesbian Archival Library Display,
2017
CUNY Graduate Center
Graphic Activism: Lesbian Archival Library Display, Shawn(Ta) Smith-Cruz
Publications and Research
This chapter outlines the implementation of Graphic Activism, an exhibition of archival material from the Lesbian Herstory Archives, the oldest and largest lesbian archive in the world, located inside the display cases of the Graduate Center library of the City University of New York. The two-semester-long display stems from an institutional need to showcase material inside of the main library display cases, and the interest of including visual representations of Women's Studies material from the collection as well as those which represent the collection. The chapter discusses collaborative relationships outside of the academic institution, pointing to select challenges when …
The Status Is Not Quo: Unraveling Music Videos,
2017
Brigham Young University
The Status Is Not Quo: Unraveling Music Videos, Gary T. Hanby
Theses and Dissertations
The Utah State Standards for media arts are general and therefore give teachers a great deal of freedom in how they present the content for media arts courses. How the teacher engages students and project assignments are left to the teacher as they walk the students through the process of making films. This thesis explores how an art teacher might use music videos to teach filmmaking techniques and engage students in the process of meaning making. My research hypothesis is that, by educating students to understand and interpret the messages they consume through media, I can help them recognize the …
The Art Of Reflection,
2017
University of Missouri
The Art Of Reflection, Amy L. Ruopp, Mae Debruyn
Artizein: Arts and Teaching Journal
This writing shares a course designed to reconnect middle school students to the natural world. In reconnecting to nature while IN nature students are afforded the opportunity for deep reflection, and the space to wonder and realize the inter-connectivity between things. We highlight transformational thinking and feeling awareness as students’ connection with nature is expressed though art and writing while deeply immersed in the natural environment.
Embroidered Meteorology,
2017
artist, independent
Embroidered Meteorology, Bettina L. Matzkuhn
Artizein: Arts and Teaching Journal
Weathering is a series of embroidered works that explore the symbolic and cartographic language of meteorology. Through research, mentorship and the physical work, my understanding and anxiety around weather has grown. Making art is a learning process for me: the haptic is a means for understanding. From embroidered world maps to animation to painted laundry, I conflate the intricacy of textiles with the complicated nature of the atmosphere.
When Art Is Rooted In Place: Strawtown Studio's Environmental Education And Water Advocacy,
2017
Strawtown Studio
When Art Is Rooted In Place: Strawtown Studio's Environmental Education And Water Advocacy, Laurie Seeman, Joanna Dickey
Artizein: Arts and Teaching Journal
When art is rooted in place, it gives voice to the place. To create art from the earth and to advocate for the natural places we know and love is our work as Strawtown artists and educators. We develop place-based arts programs that connect people with their natural surroundings and show them new ways of seeing and being.
Book Review Of "Point Of Departure: Returning To A More Authentic Worldview For Education And Survival" By Four Arrows (Aka Don Trent Jacobs),
2017
Southern Illinois University Carbondale
Book Review Of "Point Of Departure: Returning To A More Authentic Worldview For Education And Survival" By Four Arrows (Aka Don Trent Jacobs), Barbara Bickel
Artizein: Arts and Teaching Journal
Four Arrows’ new book, according to his Wikipedia page, is his 22nd book. Prolific in his life work as a professor, Indigenous educator, writer, musician and activist, he describes this book as his most honest and most radical. It is radical in how it reveals the damage inflicted by what he labels the Dominant (Western) Worldview. He urges us to return to the primal healing ways of the contrasting ancient Indigenous Worldview in order to limit the largely anthropogenic 6th mass extinction on planet earth. The good news that Four Arrows highlights at the opening of the book …
Being In Sync: Practicing Creative Nature Connection With Youth,
2017
Creative by Nature Art Center
Being In Sync: Practicing Creative Nature Connection With Youth, Lisa M. Lipsett
Artizein: Arts and Teaching Journal
This article and companion video detail the Creative Nature Connection program, its theory and application, in five place based learning classrooms. Opening the senses, repeated practice, using simple materials, making encounters personally meaningful, following the principles of contemplative practice and supporting improvisational free play all support the shift to being in- sync with nature building a love of nature, creative confidence and environmental knowledge. Themes of resilience, well-being, trust, calm, creative confidence, focus, self-change, alternative ways to know, belonging and connection to self, others and nature, are briefly shared using student's and teacher's words. The companion video shares short student …
Biology, Art And Sustainability,
2017
Norwegian University of Life Sciences
Biology, Art And Sustainability, Linda Jolly, Jan Van Boeckel, Solveig Slåttli
Artizein: Arts and Teaching Journal
How can the teaching of biology contribute to sustainability education? The authors of this article suggest that their approach has the potential to increase the students’ level of engagement with the natural environment. The scope of biology teaching can be widened by allowing room for more experience and art-based activities. Such a change may deepen and expand the learners’ insights in natural phenomena, which in turn might foster or enhance an attitude of care-taking for the natural environment.
Art-Based Perceptual Ecology: An Alternative Monitoring Method In The Assessment Of Rainfall And Vegetation In A Ciénaga Community,
2017
EcoArt Expeditions
Art-Based Perceptual Ecology: An Alternative Monitoring Method In The Assessment Of Rainfall And Vegetation In A Ciénaga Community, Lee Ann Woolery
Artizein: Arts and Teaching Journal
As an artist, educator, researcher, and scholar, with a focus on divergent ways of knowing, I use art-making as a way to connect with the natural world. In the following article, I explore the making of an image with my hands when practicing Art-Based Perceptual Ecology (ABPE) as a way of extending my understanding and ecological knowing of the natural world, or what will also be referred to as the landscape. ABPE methodologies may offer the means by which humans reconnect to a pre-discursive (mimetic) language, a sentient language our ancestors used to communicate with the animate world. In …
Art & Ecology In The West Of Ireland: Finding, Understanding, & Creating Relationships Between Artistic Practice And The Burren,
2017
Burren College of Art
Art & Ecology In The West Of Ireland: Finding, Understanding, & Creating Relationships Between Artistic Practice And The Burren, Eileen C. Hutton
Artizein: Arts and Teaching Journal
In this essay I describe how my engagement with the Burren in the west of Ireland became the foundation for my doctoral research and subsequently the development of an Art & Ecology Masters in Fine Art. I present a brief overview of the unique ecology of the Burren, including its geological, archaeological and agricultural history, so as to provide a context for both my artistic inquiry and the Burren College of Art students’ immersive experience. I then discuss my collaborative practice with small birds and honeybees as a means for exploring and expanding the traditional notion of ecology through artistic …
An Exotic Journey Into The Commonplace,
2017
Hartford Art School, University of Hartford
An Exotic Journey Into The Commonplace, Linda Weintraub
Artizein: Arts and Teaching Journal
Standardized mass-produced commodities, reliance upon electronic data-gathering, and sanitized material manipulations are so pervasive in contemporary industrialized societies that today, ‘exotic’ experiences activate sensory interactions with the substances and conditions of planet Earth. ‘Plugging in’ to the international flow of goods and information commonly results in ‘tuning out’ connections with the immediate surroundings. This essay highlights the capacity of the un-aided mind and body to explore the wondrous complexity of planet Earth. The first part presents four artists who, by engaging geological, biological, and meteorological components of their surroundings, exchange dematerialized surfing activities offered by the World Wide Web, for …
The World Breathing Me. Introduction To Artizein,
2017
Estonian Academy of Arts
The World Breathing Me. Introduction To Artizein, Jan Van Boeckel
Artizein: Arts and Teaching Journal
This introductory article argues why it is both relevant and timely to reflect on ways in which art and ecology can be brought together in educational practices – the theme of this edition of Artizein. It also provides an overview of all written contributions.
Front Matter,
2017
Eastern Washington University
Front Matter, Jodi A. Patterson
Artizein: Arts and Teaching Journal
This file contains cover for Volume II, Issue II, Editorial Board, Acknowledgements.
Review Of Martens, Sacred Scraps: Quilt And Patchwork
Traditions Of Central Asia,
2017
Graduate Theological Union
Review Of Martens, Sacred Scraps: Quilt And Patchwork Traditions Of Central Asia, Carol Bier
Textile Research Works
Sacred Scraps: Quilt and Patchwork Traditions of Central Asia
Author: Christine Martens
Published by: International Quilt Study Center & Museum, University of Nebraska-Lincoln, 2017.
Drawing upon years of extensive travel, field research, and personal interviews with craftsmen and scholars in Central Asia, Chris Martens has produced a magnificent book to accompany the 2017 exhibition at the International Quilt Study Center & Museum in Lincoln, Nebraska, for which she served as guest curator. This book, and the exhibition, documents the prolific quilt and patchwork traditions of Turkmenistan, Tajikistan, Uzbekistan, Kazakhstan, and Kyrgyzstan. Funds for travel, research, and systematic collecting came from …
The Abandoned Garden_Paintings From 2016 To 2017,
2017
Southern Methodist University
The Abandoned Garden_Paintings From 2016 To 2017, Juan A. Negroni
Art Theses and Dissertations
This thesis articulates my process of conceiving and creating a cohesive body of work based on imagery rooted in the domestic garden. By the depiction of floral motifs, I explore and visit the garden, a place of transcendental importance for me and my father. It now symbolizes a portal between two worlds and a moment and space to have a last conversation with him. By exploring the presence and roles of the garden and the household environment in the work of Myrna Báez and Arnaldo Roche-Rabell the thesis explicates the constant appearance of these elements in my practice. I approach …
Blanket Statements, Issue 130, Fall 2017,
2017
University of Nebraska - Lincoln
Blanket Statements, Issue 130, Fall 2017
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 130, Fall 2017
Review Of The Cultural Legacy Of Uzbekistan In World Collections Conference,
2017
University of Calgary
Review Of The Cultural Legacy Of Uzbekistan In World Collections Conference, Michele Hardy, Carol Bier
Textile Research Works
In May 2017, over 370 scholars convened in Tashkent and Samarkand, Uzbekistan, to share their research and mark the publication of an important new series of handsomely produced volumes. Among the participants were former TSA President, Carol Bier, and past TSA Board Member, Michele Hardy. The Cultural Legacy of Uzbekistan in World Collections is a ten-volume series that documents the richness and diversity of Uzbek tangible and intangible heritage, particularly in the collections of international museums. The volumes-each lavishly illustrated, trilingual (Uzbek, Russian, and English), and beautifully bound-examine some of the richest collections of Uzbek art and culture: the Tretyakov …
You Can Teach Design: A Survival Guide For Studio Art Professors,
2017
Brigham Young University
You Can Teach Design: A Survival Guide For Studio Art Professors, Katharine Anne Grierson-Merryweather
Theses and Dissertations
This thesis defines both design and the role of a designer, and includes an exploration of the differences between art and design. Additional topics covered are the history of design education, the principles of design, and the expectations for design education held by students and the design industry itself. From my own research and experiences as a professional designer and design instructor, I have outlined a curriculum on how to produce students who can create good designs, as well as know how to act as professional designers.
