Art Practice Commons^™

Aesthetic Survival, Adrienne Devine

CGU MFA Theses

I am a mixed media artist and my creative process is guided by cultural memory, the materials I use, and the pleasure I find in the activity of making. My compulsion to make things is accompanied by a propensity for scholarship, hence, my thesis exhibition incorporates Index Obscura; a growing visual and text-based corpus of research into the history and presence of African American artists in the tapestry of American art and culture. I work with a variety of materials and techniques, and consider wide-ranging themes, connected by recurring motifs, gestures, and attributes. Abstraction creates space wherein viewers can …

The Demographic Profile For Female Textile-Design Bloggers, Khadijah Baaqil

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

A review of existing literature demonstrates the need for additional research on female home-based business owners. This study aimed to partially fill the literature gap by exploring the demographic profile of female home-based textile-design bloggers, a unique segment of the female home-based business world.

The findings of the qualitative content analysis of the 30 designers’ blogs and 138 blog posts included the findings of their age, nationality and ethnic identity, current place of residence, family status, educational background, occupation, and socioeconomic status. These findings were then reduced into numbers and percentages. Findings of the analysis show that designers vary from …

Bad Curation: Exhibiting "Degenerate Art", Hannah Colletti

Undergraduate Research Conference

In a time of censorship and social control under the ideology of the Nazi regime, Hitler and his counterparts produced an exhibition to discredit artistic developments deemed inappropriate and counterproductive for society. This project analyzed the ''Degenerate Art'' exhibition within the context of Nazi Germany, giving particular attention to the curatorial methods used to display the works, in order to understand the purpose of this exhibition and evaluate its impact.

Finding The Surface, Rafaella F. Suarez

CGU MFA Theses

I find the relationship of pool structures and water fascinating. The architecture of pools is often hard edged and geometric while water is a fluid and formless, an organic substance that takes the shape of whatever contains it. I am drawn to that paradox. Rather than pulling them apart because of their conflicting existences, they create a space that’s cohesive but inexplicable, a space that’s both reciprocally intertwined and interdependent. My work is set up within the idea of creating a conflicting yet cohesive space. Visually, corporally and conceptually, it creates experiences that are disorienting.

My work serves as a …

I Promise, Maya Luque

CGU MFA Theses

This exhibition is about Chinese burial sites and the practices that accompany the loss of a loved one. The Chinese have a practice where they build large earthen mounds as burial sites; they then visit the sites of their ancestors once a year. I have made my own burial site out of beeswax-dipped paper, which I have then stitched together, like a quilt, to form a hollow version of this mound. In traditional Western home economics quilt making is important; in my installation I use the stitch work to represent a home. In this installation my aim is for the …

She-Ra, Jennifer King

CGU MFA Theses

Painting primarily in oils on canvas, my work confronts themes of femininity and power in contemporary life. I create images through a mix of the imagined and the observed, focusing on the female form. The figures I paint exude feelings of uncertainty, unease, disconnect, but also strength and heightened awareness. There exists a sense of longing and desire to break out of her confined space, to be a strong female individual, ignoring anyone's expectations. Subtle expressions are contrasted with vibrant, sensual colors; her way of grabbing your attention. My goal is to portray a female perspective regarding identity in an …

2017 Senior Exhibition Catalog, Colby College

Senior Exhibition

This catalog was published on the occasion of the Art Department’s 2017 Senior Exhibition, May 4-22 at the Colby College Museum of Art, Waterville, Maine.

This catalog is the first publication to accompany the Senior Exhibition at Colby College; it represents a unique collaboration among students and faculty, studio artists and art historians. Featured on its pages are selected artworks and artist statements produced by the studio art majors and minors in their senior capstone seminar, co-taught by the studio faculty and coordinated this year by Professor Gary Green. Readers will find these images and texts paired with catalog essays …

Domestic Curiosities, Larry D. Buller

School of Art, Art History, and Design: Theses and Student Creative Work

My art at first glance suggests the domestic, ornamental nature of ceramic objects, but upon closer inspection one discovers a showy, transgressive content that is conceptualized around issues of gay sexuality, the phallus and fetish objects. I create decorative sculptures that resonate with my varied experiences as a gay man. Clay with its endless possibilities for form and surface, is the ideal medium for my subversive intentions. It allows me to blend the rich historical language of ceramic art with the low-brow, and in my case, kitsch nature of craft that one might find in second hand stores. I invite …

Deconstructing Ideas Of Utility Through The Making Of Ceramic Vessels, Iren Tete

School of Art, Art History, and Design: Theses and Student Creative Work

My work is a translation of memories, experiences, and languages into shapes, colors, and symbols. The fragmented relationship with my cultural identity is easier to deconstruct when paired down to an exploration of process, form, and color. Ideas of containment, strength, and beauty are translated into line, form, and color. A color palette that is predominantly white and black represents my cultural dichotomy. Addressing a perpetual, yet elusive, quest for balance, these colors coexist within forms but are never seamlessly integrated.

I address dichotomies directly through process. Through pinching, coiling, slab-building, and wheelthrowing I vacillate between the need for structure …

Ephemeral Permanence, Emily Reason

School of Art, Art History, and Design: Theses and Student Creative Work

Traditional pottery forms and images of flora, fauna and rural architecture in Ephemeral Permanence awaken memory through the sensations and associations they suggest. These works are memorials to beauty, craft, culture and nature. I capture what is fleeting, make it tangible and endow it with longevity. Graceful movement paired with an element of danger reveals the complicated nature of beauty, waning culture is depicted with meticulous stability to conjure nostalgia, and form and surface celebrate craft and beauty. Icons of nature and culture in this work play a metaphoric role and serve to ignite memories.

I am fascinated with the …

Blanket Statements, Issue 128, Spring 2017

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 128, Spring 2017

Untitled Sculpture Installation, Stephenie Bailey

Fine Arts

No abstract provided.

Untitled Sculpture, K Dietz

Fine Arts

No abstract provided.

Greedy Modern Organization (G.M.O) Paradise, Haley M. Davis Miss.

Toyon: Multilingual Literary Magazine

N/A

Flora & Fauna, Elisa N. Griego

Toyon: Multilingual Literary Magazine

N/A

Woven Woman, Rebecca J. Baldwin

Toyon: Multilingual Literary Magazine

Originally circulated for Advanced illustration

Jon Yamashiro Interview, Ciera Stokes

Asian American Art Oral History Project

BIO: Jon Masuo Yamashiro was born the oldest son and raised as a third-generation Okinawan American in the “cultural pastiche” of Honolulu, HI. He traveled from the islands to study at Washington University in St. Louis and received his BFA in 1985, then went on to earn an MFA in photography from Indiana University in 1991. Since the fall of 1993, he has had the privilege of teaching photography to college students at Miami University. Jon lives in Liberty, Indiana, with his wife Jennifer and their daughter Lydia and son Luke. http://yamashirophoto.com/

My Flesh Is Your Pasture, Dakota Noot

CGU MFA Theses

Painting my body frees it from the limits of reality. My body exists in a collaged state between man and woman, human and animal, abstract and figurative. By embracing my body’s power as an object, it isn’t limited to being a representation of myself. My painted body can be owned or identified with. It can be feared, hated, and lusted after. I submit my body, blasting it with horror, humor, and a sheer sense of enjoyment.

Orthoplanar Spring Based Compliant Force/Torque Sensor For Robot Force Control, Jerry West

USF Tampa Graduate Theses and Dissertations

A compliant force/torque sensor for robot force control has been developed. This thesis presents methods of designing, testing, and implementing the sensor on a robotic system. The sensor uses an orthoplanar spring equipped with Hall-effect sensors to measure one component of force and two moment components. Its unique design allows for simple and cost effective manufacturing, high reliability, and compactness. The device may be used in applications where a robot must control contact forces with its environment, such as in surface cleaning tasks, manipulating doors, and removing threaded fasteners. The compliant design of the sensor improves force control performance and …

Mayumi Lake Interview, Raegen Balton-Watkins

Asian American Art Oral History Project

“Mayumi Lake is a Chicago-based artist. Her photography and video work delve into childhood and pubescent dreams, phobia and desires. She employs herself and others as her models, as well as dolls, toys, weapons, vintage clothes, and altered landscape as her props.” - http://mayumilake.com/about.html-

BFA, 1997, MFA, 2000, School of the Art Institute of Chicago. Exhibitions/screenings: Miyako Yoshinaga Gallery, Asia Society, Art in General, Artists Space, New York; Fotograpie Forum International, Frankfurt; Cornelius Pleser Galerie, Munich; Director's Lounge, Berlin; Bangkok International Art Festival, Bangkok; Galleria PaciArte, Brescia; FOTOAMERICA, Santiago; Ellen Curlee Gallery, St. Louis; O Gallery, Tokyo. Monograph: Poo-Chi, …