Art Practice Commons^™

Maybe That's What It Means, Anael Berkovitz

Theses and Dissertations

Anael Berkovitz explores personal and collective memory through the use of storytelling and interpretation. Focusing on how identity is shaped by stories, her three part video details the nomadic nature of her own family, the obfuscation of language in translation and the incorporation of an invasive species into a culture.

A Chair In The Woods, Victoria Dolloff

Theses and Dissertations

Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.

Pockets Of Proximity, Christian Breed

Theses and Dissertations

My current paintings begin with images of people from the back, wearing hijabs, turbans, saris, kufis, or rasta gauzy shawls. I do not paint my subjects frontally, because I do not have access to them personally or culturally, and because it is their cultural indicators that fascinate me.

Healthy People Are Bad For Capitalism, Eri King

Theses and Dissertations

Healthy People are Bad For Capitalism is a four part installation that creates an alternative space for the chemicals, Red 40 and Monosodium Glutamate. Presented as a holistic center that offers healing services and remedies, Center for the Red 40 and MSG Healing explores the homeopathic doctrine of Like Cures Like (what make a human ill also cures them) through the relationship between Traditional Japanese Healing Practices, and Western Capitalism.

Healthy People are Bad For Capitalism presents Red 40 MSG Apothecary, Red 40 Zen MSG Healing Rock Garden, Theta Wave Eternal Flame Meditation and Red 40 MSG …

Music From The Harpsichord House, Julie Zhu

Theses and Dissertations

Music from the Harpsichord House is an installation and series of concerts that exists in the binary of in and out of performance. During a concert, the harpsichordist is hidden inside the house and his face is live-projected outside. Fifteen new musical compositions were commissioned for the harpsichord house.

"Nothing Is Wrong With You", Carlos Rigau

Theses and Dissertations

Just as one object can give rise to multiple percepts, so an object may fail to give rise to any percept at all: if the percept has no grounding in a person's experience, the person may literally not perceive it.”

Perception literally guides human understanding as to what reality and truth is. My work intends to ruffle up commonly understood western percepts and their normality. I consistently choose media comprised of static images, moving images and sculpture. These forms are used to convey a singular and independent meaning, as well as a larger collective expression.

On The Borders Of The Document: Trip To Turakia, Sabine Roux, Caroline Courbieres

Proceedings from the Document Academy

Analysis of documentary boundaries through the study of a set of documents related to the French Theater Company Turak. We describe as artistic documents the different documents that circulate during the creation of a play. There is an initial documentary collection comprised of the documentation for the performance on which the company relies to stage the play itself. At different stages of artistic creation, the company designs documents that are useful for the pursuit of creative reflection. The theater company also develops documents aimed at promoting the play for professionals and the public. Finally, the spectators also produce many documents …

Everything I Thought I Was Supposed To Do, Jeff Conefry

Theses and Dissertations

It is within the liminal space between traditional mediums that my creative practice deconstructs the materiality of painting to subvert historical expectations. The irony associated with this deconstruction, excavates one medium to generate the building blocks for something inimitable. These blocks are most easily re-categorized into Words, Limits, and Power. It is these three themes that are the foundation of my thesis exhibition.

All Glory Is Fleeting, Steven Beswick

CGU MFA Theses

The statement is specifically linked to my MFA thesis exhibition.

Challenging The Self : An Examination Of The Media's Role In Creating Idealized Bodies And The Artists That Challenge Them., Jessica Oberdick

Electronic Theses and Dissertations

Seeking to understand the media’s influence over society, and the way the media motivate us to conform to specific ideals, this thesis focuses on how female bodies in particular are consistently idealized and objectified in mainstream media. Through television, print, and the internet, the media serve as our world’s main means of mass communication. Noting this, this text seeks to understand the female body’s historical objectification through art history and genres of the nude, how this has transferred to contemporary media, and finally states that these stereotypes and norms can be challenged through the work of contemporary artists. By reclaiming …

Deprivation, Caleigh Bubala

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Cover Art, Kerrigan Clark

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Material Forms: What Is Really Going On? Shaping Who We Are And What We Do, Vicky J. Grube

The Qualitative Report

Using visual and ethnographic methods the author forms a connection between materiality and the memories of childhood. The researcher begins by asking the question, “Can a studio environment create encounters between a researcher and preschool children that deepen understanding of culture?” To this end, the researcher engaged in sensory research practices through ethnographic methods in a preschool art studio. Through free choice art making, children were found expressing their emotions and demonstrating an awareness of adult culture. In particular, the researcher’s encounter with four-year old George was enriched through sensory participation and triggered embodied and empathetic knowing. As it happens, …

Why Munch?, Robert Jensen

Art and Visual Studies Presentations

Why Munch? was a keynote lecture for the conference "Marketing the North," sponsored by the society Munch, Markets and Modernism, in November 2017. In asking the question, the paper explores Munch's canonical status, especially vis-a-vis other Scandinavian artists of his time. In particular, the essay addresses the evolving nature of artistic professionalism at the end of the 19th century, and how Munch's personal and artistic behavior evoked a new definition of bohemianism that resonated deeply with the rise of European modernism and the post-1900 avant-gardes.

"Some Kinda Alchemy", Chelsea Boxwell

CGU MFA Theses

Multiple pieces and paintings come together in “Some kinda Alchemy” to create one large-scale painting environment that increases your interaction and perception of two- dimensional painting. The sculptural aspect is solely a means to an end, to allow the viewer to see more. I want everyone to see as much as possible- as much of the physical painting as possible and as much of the process and actions as possible. There’s more than just a front and 4 sides to my paintings. This structure also inhabits the space the way it does in order to direct you all the way …

Cosgrove, John (Fa 1111), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of the paper (Click on "Additional Files" below) for Folklife Archives Project 1111. Student folk studies project titled: “The Process of Basket Making” which includes survey sheets with descriptions of the traditional basket making process in Edmonson County, Kentucky. Sheets may include a brief description of pictured equipment, traditional practice, tale, and belief.

P-05 Wyoming Landscapes, Greg Constantine

Celebration of Research and Creative Scholarship

The "discovery" of a particular red rock formation 15 miles from Cody, Wyoming, has inspired me to investigate the theme of stratification. The results of this exploration are 35 paintings of the mountain I refer to as "Mont St Gregoire," as well as a series of works that utilize the mountain's shape in featuring the possibilities of variations of the sky above it.

Pickering, Tammie & Gary Collins (Fa 348), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 348. Student paper titled “Trees in Folk Crafts” in which Tammie Pickering and Gary Collins explore the connection between trees and traditional folkways. Paper details the medicinal properties of sassafras tea, which is made from tree roots, the production of maple syrup, and the expressive crafts of wood-carving and carpentry. Data collected from three working-class residents of Caldwell County. Paper also includes field journals, recorded interviews, and transcripts.

Materialized Practices Of Food As Borderlands Performing As Pedagogy, Christen Sperry García

Journal of Social Theory in Art Education

In this paper, I examine the interrelationship between borderlands, food, and ways in which they perform as pedagogy. First, I define borderlands in relation to art. Second, I discuss food and borderlands as authenticity, hybridity, and race/body. Lastly, I examine various fields of pedagogy including public, border, and food pedagogy and consider how they relate to food. I suggest that the interrelationship between borderlands and food can be used as a pedagogical tool to teach and learn about liminality, tension, contradiction, and hybridity. The hybrid spaces of consumable borderlands challenge food purity and yield unexpected foods such as carne asada …

Graphic Activism: Lesbian Archival Library Display, Shawn(Ta) Smith-Cruz

Publications and Research

This chapter outlines the implementation of Graphic Activism, an exhibition of archival material from the Lesbian Herstory Archives, the oldest and largest lesbian archive in the world, located inside the display cases of the Graduate Center library of the City University of New York. The two-semester-long display stems from an institutional need to showcase material inside of the main library display cases, and the interest of including visual representations of Women's Studies material from the collection as well as those which represent the collection. The chapter discusses collaborative relationships outside of the academic institution, pointing to select challenges when …