A Neural Network Approach To Handwriting Recognition In The Codex A, 2016 University of Mississippi. Sally McDonnell Barksdale Honors College
A Neural Network Approach To Handwriting Recognition In The Codex A, Eleanor C. Anthony
Honors Theses
In this research, an attempt to create a neural network classifier for the Latin uncial alphabet found in the Codex A, a late fourth century manuscript held by the Archivo Capitolare in Vercelli, Italy and the oldest of the Latin Gospels, is outlined. Training data collection methods, as well as image processing and artificial data creation methods used for expanding the training set, are discussed, as is their contribution to the success of the neural networks. While successful results are achieved for the testing sets, classification of new image data is largely unsuccessful. Potential improvement and avenues for expanding the …
Review Article: Could Isidore’S Chronicle Have Delighted Cicero? Using The Concept Of Genre To Compare Ancient And Medieval Chronicles, 2015 Wesleyan University
Review Article: Could Isidore’S Chronicle Have Delighted Cicero? Using The Concept Of Genre To Compare Ancient And Medieval Chronicles, Jesse W. Torgerson
Jesse W Torgerson
Characters Through Time, 2015 Loyola Marymount University
Characters Through Time, Alyssa Venezia
Honors Thesis
T. S. Eliot once wrote that we “often find that not only the best, but the most individual parts of [an author’s] work may be those in which the dead poets, his ancestors, assert their immortality most vigorously” (Eliot 37). By focusing on character adaptations, one comes to understand how authors of children’s books are able to adapt classic literature into age-appropriate texts that retain the merits of the original. Five sets of characters shall be analyzed to demonstrate the success of the adaptations presented in children’s literature. In the first, Sir Bedivere from Sir Thomas Malory’s Le Morte Darthur …
Tilting Toward The Light: Translating The Medieval World On The Ming-Mongolian Frontier, 2015 University of British Columbia
Tilting Toward The Light: Translating The Medieval World On The Ming-Mongolian Frontier, Carla Nappi
The Medieval Globe
Ming China maintained relationships with neighboring peoples such as the Mongols by educating bureaucrats trained to translate many different foreign languages. While the reference works these men used were designed to facilitate their work, they also conveyed a specific vision of the past and a taxonomy of cultural differences that constitute valuable historical sources in their own right, illuminating the worldview of the Chinese-Mongolian frontier.
Japan On The Medieval Globe: The Wakan Rōeishū And Imagined Landscapes In Early Medieval Texts, 2015 University of Illinois, Urbana-Champaign
Japan On The Medieval Globe: The Wakan Rōeishū And Imagined Landscapes In Early Medieval Texts, Elizabeth Oyler
The Medieval Globe
This essay explores how the poetry collection Wakan rōeishū becomes an important allusive referent for two medieval Japanese works, the travelogue Kaidōki and the nō play Tsunemasa. In particular, it focuses on how Chinese poems from the collection become the means for describing Japanese spaces and their links to power, in the context of a changing political landscape.
The Painter, The Warrior, And The Sultan: The World Of Marco Polo In Three Portraits, 2015 University of California, Santa Cruz
The Painter, The Warrior, And The Sultan: The World Of Marco Polo In Three Portraits, Sharon Kinoshita
The Medieval Globe
In the wake of Edward Said’s Orientalism and postcolonial theory, Marco Polo is often cast as a quintessentially Western observer of Asian cultures. This essay seeks to break his text out of the binaries in which it is frequently understood. Returning the text to its original title, “The Description of the World,” it reconstructs the diversity of late thirteenth-century Asia through the portraits of three figures who were Marco’s contemporaries.
Towards A Connected History Of Equine Cultures In South Asia: Bahrī (Sea) Horses And “Horsemania” In Thirteenth-Century South India, 2015 De Montfort University
Towards A Connected History Of Equine Cultures In South Asia: Bahrī (Sea) Horses And “Horsemania” In Thirteenth-Century South India, Elizabeth Lambourn
The Medieval Globe
This article explores ways that the concept of equine cultures, developed thus far principally in European and/or early modern and colonial contexts, might translate to premodern South Asia. As a first contribution to a history of equine matters in South Asia, it focuses on the maritime circulation of horses from the Middle East to Peninsular India in the thirteenth century, examining the different ways that this phenomenon is recorded in textual and material sources and exploring their potential for writing a new, more connected history of South Asia and the Indian Ocean world.
The Geographic And Social Mobility Of Slaves: The Rise Of Shajar Al’Durr, A Slave-Concubine In Thirteenth-Century Egypt, 2015 University of Illinois, Urbana-Champaign
The Geographic And Social Mobility Of Slaves: The Rise Of Shajar Al’Durr, A Slave-Concubine In Thirteenth-Century Egypt, D. Fairchild Ruggles
The Medieval Globe
Large numbers of outsiders were integrated into premodern Islamic society through the institution of slavery. Many were boys of non-Muslim parents drafted into the army, and some rose to become powerful political figures; in Egypt, after the death of Ayyubid sultan al-Salih (r. 1240–49), they formed a dynasty known as the Mamluks. For slave concubines, the route to power was different: Shajar al-Durr, the concubine of al-Salih, gained enormous status when she gave birth to his son and later governed as regent in her son’s name, converting to Islam after her husband’s death and then reigning as sultan in her …
Identity In Flux: Finding Boris Kolomanovich In The Interstices Of Medieval European History, 2015 Wittenberg University
Identity In Flux: Finding Boris Kolomanovich In The Interstices Of Medieval European History, Christian Raffensperger
The Medieval Globe
The politics of kinship and of monarchy in medieval eastern Europe are typically constructed within the framework of the modern nation-state, read back into the past. The example of Boris Kolomanovich, instead, highlights the horizontal interconnectivity of medieval Europe and its neighbors and demonstrates the malleability of individual identity within kinship webs, as well as the creation of situational kinship networks to advance individuals’ goals.
Periodization And “The Medieval Globe”: A Conversation, 2015 University of Rhode Island
Periodization And “The Medieval Globe”: A Conversation, Kathleen Davis, Michael Puett
The Medieval Globe
The period categories “medieval” and “modern” emerged with—and have long served to define and legitimate—the projects of western European imperialism and colonialism. The idea of “the medieval globe” is therefore double edged. On the one hand, it runs the risk of reconfirming the terms of the colonial, Orientalist history through which the “medieval” emerged, thus homogenizing the plural temporalities of global cultures and effacing the material effects of the becoming of the Middle Ages and its relationship to conditions of globalization. On the other hand, “the medieval globe” brings to bear a comparative focus that does not ask when and …
Editor’S Preface, 2015 University of Illinois, Urbana-Champaign
The Medieval Globe 2.1 (2016), 2015 University of Illinois, Urbana-Champaign
Timon Of Athens: The Iconography Of False Friendship, 2015 Western Michigan University
Timon Of Athens: The Iconography Of False Friendship, Clifford Davidson
Clifford Davidson
The realization that iconographic tableaux appear at central points in the drama of Shakespeare no longer seems to involve a radical critical perspective. Thus a recent study is able to show convincingly that the playwright presented audiences with a Hamlet who upon his first appearance on stage illustrated what the Renaissance would certainly have recognized as the melancholic contemplative personality. As I have noted in a previous article, the hero of Macbeth when he sees the bloody dagger before him is in fact perceiving the image which most clearly denotes tragedy itself; in the emblem books, the dagger is indeed …
York Art: A Subject List Of Extant And Lost Art, 2015 Selected Works
York Art: A Subject List Of Extant And Lost Art, Clifford Davidson, David O'Connor
Clifford Davidson
A list, classified by subject, of extant and lost art from pre-Reformation York originally compiled by Clifford Davidson and David E. O'Connor in 1978 and updated by Clifford Davidson, apparently in 2003. This digital reprint was created in 2014 for ScholarWorks at WMU.
The Dramatic Tradition Of The Middle Ages, 2015 Western Michigan University
The Dramatic Tradition Of The Middle Ages, Clifford Davidson
Clifford Davidson
The twenty-five essays in this collection provide unusual insights into early European drama. Written by American, European, and Japanese scholars, the contributions focus on such subjects as recent discoveries of medieval music-dramas and the conditions of their composition and performance pictorial elements in English and Continental vemacular drama, the later history of medieval drama, and secular plays and playing. The articles first appeared in The Early Drama, Art, and Music Review, which was the official journal of the EDAM project at the Medieval institute Western Michigan University and are included here for their unique contribution to drama studies. Altogether, the …
The Apocalyptic Adventures Of Private Winfred Scott Biegle, 2015 Western Michigan University
The Apocalyptic Adventures Of Private Winfred Scott Biegle, Clifford Davidson
Clifford Davidson
A modernist novel, describing a dystopian military in the imaginary dictatorship of Atlantis, written more than a half century ago when the author was a conscript in the army during the Cold War. As editor of the post newspaper at the Granite City Engineer Depot, Clifford Davidson was in a privileged position for observing the military mentality of the time, in particular the propensity for bullying intended to turn men into mindless killing machines. From other soldiers he was also able to hear disturbing stories at first hand about World War II and the very recent Korean War, only concluded …
Iconography: A Checklist Of Some Useful Sources For Scholars And Students Of Medieval Art And Drama, 2015 Selected Works
Iconography: A Checklist Of Some Useful Sources For Scholars And Students Of Medieval Art And Drama, Clifford Davidson
Clifford Davidson
A classified bibliography of scholarship on medieval drama, art, and music compiled by Clifford Davidson in 2002. This reprint was created in 2014 for ScholarWorks at WMU, with some corrections to the content and the formatting of the 2002 version.
The Early Drama, Art, And Music Project: Publications 1977-2002, 2015 Selected Works
The Early Drama, Art, And Music Project: Publications 1977-2002, Timothy Christiansen, Clifford Davidson
Clifford Davidson
A bibliography of publications of the Early Drama, Art, and Music project at Western Michigan University, originally compiled by Timothy Christiansen and updated in 2002 by Clifford Davidson. This digital reprint was created in 2014 for ScholarWorks at WMU, with an addendum, an update, and a few corrections to the formatting of the 2002 publication.
Norwegians In Michigan, 2015 Western Michigan University
Norwegians In Michigan, Clifford Davidson
Clifford Davidson
In Norwegians in Michigan, Clifford Davidson shows how Norwegians took advantage of opportunities when they began settling in Michigan in the nineteenth century. Norwegians sailed Lake Michigan, joined the lumber trade, farmed the northwest part of the state, and mined copper and iron in the Upper Peninsula. At the same time, they brought a unique culture that came to be associated with Michigan and the Midwest. The first generations of Norwegians in Michigan maintained close cultural ties with their homeland. Some Norwegian immigrants adjusted to life in a new land more quickly than others. Among these, according to Davidson, were …
The York Corpus Christi Plays, 2015 Western Michigan University
The York Corpus Christi Plays, Clifford Davidson
Clifford Davidson
The feast of Corpus Christi, celebrated annually on Thursday after Trinity Sunday, was devoted to the Eucharist, and the normal practice was to have solemn processions through the city with the Host, the consecrated wafer that was believed to have been transformed into the true body and blood of Jesus. In this way the “cultus Dei” thus celebrated allowed the people to venerate the Eucharistic bread in order that they might be stimulated to devotion and brought symbolically, even mystically into a relationship with the central moments of salvation history. Perhaps it is logical, therefore, that pageants and plays were …