Medieval Studies Commons^™

Designing Analog Learning Games: Genre Affordances, Limitations And Multi-Game Approaches, Owen Gottlieb, Ian Schreiber

Articles

This chapter explores what the authors discovered about analog games and game design during the many iterative processes that have led to the Lost & Found series, and how they found certain constraints and affordances (that which an artifact assists, promotes or allows) provided by the boardgame genre. Some findings were counter-intuitive. What choices would allow for the modeling of complex systems, such as legal and economic systems? What choices would allow for gameplay within the time of a class-period? What mechanics could promote discussions of tradeoff decisions? If players are expending too much cognition on arithmetic strategizing, could that …

Galadriel And Wyrd: Interlace, Exempla And The Passing Of Northern Courage In The History Of The Eldar, Richard Z. Gallant

Journal of Tolkien Research

Two important characters in J. R. R. Tolkien’s Legendarium are pivotable to a Germanic narrative of the Eldar: Fëanor and Galadriel. Fëanor pivots the narrative of the Eldar to one resembling the Germanic heroic epic by invoking a wyrd, through his free choice, against himself and the Noldor who followed him, which leads to their doom. Galadriel, on the other hand, as the last of the Noldorin rebels and a penitent, pivots the fatalistic and heroic Elvish narrative to eucatastrophe through own her free will and choice.

This article examines First Age themes of free will, banishment and exile, …

A Land Of Poets And Warriors: The Connection Between Warrior Culture And Bardic Culture In Medieval Wales C. 1066-1283, Sarah Lynn Alderson

Dissertations and Theses

Wales in the Middle Ages was a region both divided by war and united by culture. Frequent raids from the Hiberno-Irish, Scandinavians, and Flemish threatened Wales from the outside, while the kings within the borders of Wales fought for supremacy. During the late eleventh century, William the Conqueror made his way to the Welsh border in an attempt to secure his fledging kingdom. Under the premise of protecting his borders, William established the first March of Wales on the eastern border of Wales in 1087. This started the slow process of Anglo-Norman expansion and colonization into Wales.

The Welsh maintained …

"Saint Galadriel?: J.R.R. Tolkien As The Hagiographer Of Middle-Earth", Jane Beal Phd

Journal of Tolkien Research

Abstract: Galadriel is perceived in different, sometimes contradictory ways both within the world of Middle-earth and the world of Tolkien scholarship. In some ways, she is a liminal figure, on the threshold between Middle-earth and Valinor, and between secular and sacred influences from the primary world Tolkien actually lived in. One neglected context that may help readers to understand Tolkien’s characterization of Galadriel is the medieval cult of the saints.

The cult of the saints provides specific practices and beliefs that shaped how Tolkien consciously characterized Galadriel as saint-like, especially in terms of her beauty, holiness, and power. Her saintliness …

Containing The Blemmye: Anxiety Towards Congenital Difference In The Old English Wonders Of The East, Jessica L. Carrell

Master's Theses

This thesis aims to illuminate early medieval anxieties about sex, procreation, and congenital physical difference by applying a lens of critical disability theory to the Old English Wonders of the East, primarily as it survives in the eleventh-century manuscript, London, British Library, Cotton MS Tiberius B.v. This thesis focuses on the textual and illustrative representation of one Wonder, the Blemmye—an approximately eight-foot-tall, eight-foot-wide androgynous humanoid, whose eyes and mouth are in their chest and who does not possess a head—as a historic embodiment of what disability meant in relation to the early medieval English worldview. This thesis considers the …

“Este Diablo De Vieja”: Revealing The Conversa Voice In Celestina, Morgan B. Mccullough

Masters Theses

Due to the extraordinary socio-religious situation of the Inquisition’s aggressive attempt at unification looming over late Medieval Spain, the existence of a converso influence in Fernando de Rojas’ masterpiece, Celestina, is rarely up for debate. However, the way in which this influence manifests itself in Rojas’ only known work remains open for discussion among scholars of the work. Despite critics who struggle to view Celestina as an expression of converso literature, arguments have been made to establish the likelihood of converso status for Pleberio, Calisto, and Melibea, but have yet to look profoundly to Celestina’s own origins. Thanks to …

‘We Don’T Need Another Hero’ – Problematic Heroes And Their Function In Some Of Tolkien’S Works, Thomas Honegger

Journal of Tolkien Research

This paper discusses the potentially problematic nature of certain forms of heroism in Tolkien’s works and their representatives, such as Túrin Turambar or Beorhtnoth. It analyses not only the problems that may arise on the battlefield from an excess of pride (ofermod), but it also investigates the problem of how to contain and deal with the more aggressive forms of military prowess when its energies are not employed on the battlefield or in fighting an adversary such as a dragon. As will be shown, Tolkien contrasts his ‘unlucky’ heroes implicitly with heroic figures such as Aragorn Elessar, who …

Hysteria, Perversion, And Paranoia In The Canterbury Tales: "Wild" Analysis And The Symptomatic Storyteller, Becky Renee Mclaughlin

Research in Medieval and Early Modern Culture

Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other—conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like …

Malory, Chivalric Medievalism, And New Imperialist Masculinity, Andrew Livecchi

Electronic Thesis and Dissertation Repository

Over the course of the nineteenth century, Sir Thomas Malory’s fifteenth-century work of Arthurian romance, Le Morte Darthur, underwent significant reevaluation, from being warily considered a trivial, morally problematic text to being hailed as a national epic with a central place in the English canon. This shift in Malory’s status coincided with the rise of an increasingly competitive and unabashedly aggressive model of imperialism in the 1870s, which historians conventionally term New Imperialism. At the same time, a new model of masculinity emerged, one that bemoaned the “decadence” of the modernized, leisurely man and that celebrated the hypermasculine ideal …

Boethian Variations: Musical Thought In Sir Orfeo, Troilus And Criseyde, And Robert Henryson’S Orpheus And Eurydice, Joshua T. Parks

Masters Theses

This study approaches three poems from the late medieval British Isles—the Middle English Breton lay Sir Orfeo, Geoffrey Chaucer’s Troilus and Criseyde, and Robert Henryson’s Orpheus and Eurydice—through the lens of medieval music theory. The most important authority for medieval music theorists was the late antique philosopher Boethius, who held to a Neoplatonic philosophy of music that valued reason, theory, and contemplation of the music of the spheres. Later medieval theorists cited Boethius extensively while also adapting his thought to suit their own purposes. In particular, the early fourteenth-century French theorist Johannes de Grocheio, influenced by Aristotle, departed …

No Nazis In Valhalla: Understanding The Use (And Misuse) Of Nordic Cultural Markers In Third Reich Era Germany, Lena Nighswander

International ResearchScape Journal

While medieval concepts are frequently used as a means for the general public to understand emerging global political institutions around the world, they also have immense capability to be purposely misused by political groups due to the generally vague and misguided understanding of these concepts by the masses. At one core of these movements is the legacy of Vikings and the misrepresentation of their history by far-right political groups, especially in mid-20^th century Europe, in order to push a fictitious agenda of a prosperous, all-white race of seafaring warriors. Through the appropriation of medieval Old Norse imagery and mythology, …

Elessar Telcontar Magnus, Rex Pater Gondor, Restitutor Imperii, Richard Z. Gallant

Journal of Tolkien Research

The nature of the heroic-ethos changes in the late Third Age of J. R. R. Tolkien’s Legendarium. At the beginning of the First Age, a Germanic ethos that Tolkien called the theory of Northern courage accompanied the exile of the Noldor. However, at the dawn of the dominion of Men, a new ethos emerges. It is an ethos of hope rather than the “sad light of fatalism” of the “long defeat.” This ethos is exemplified, ad bono exemplum, in the character of Aragorn who fuses the old ethos and tradition into a new ‘pseudo-chivalry’ appropriate for the Age …

Talking Back: Sodomy Laws And Transgressive Subjectivity In Medieval Venice, Alex Baldassano

Medieval Feminist Forum: A Journal of Gender and Sexuality

Urban Italian law, by the fifteenth-century, would become particularly aggressive in comparison to the rest of Europe not only in prosecuting sodomy, but also in implementing the threatened capital punishment. The 1354 Venetian court case of Rolandinus/a Ronchaia, in the century leading up to the officialization of the law, both exemplifies this trend and yet also stands out as unique because of the subject’s gender presentation; the case seeks to resolve whether or not this person, perceived either as ambiguously gendered or as a man dressed as a woman, can be convicted of committing sodomy or prostitution. Ronchaia, however, is …

Melusine, Invisible Leadership And The Future (In The Past), Jan Shaw

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper considers the operation of “invisible” leadership in the figure of Melusine from the late Middle English romance Melusine. By invoking contemporary leadership theory, this paper identifies leadership maneuvers in Melusine that are similar to those often practiced by women today, but the discourses of gender identity then ultimately render Melusine’s leadership invisible, just as leadership discourses today often render female leadership invisible. By uncovering the operation of “invisible” leadership in the figure of Melusine and identifying commonalities with the leadership of women today, this paper aims to improve our understanding of the contemporary problem of the marked …

Matrons, Mothers, And Monsters: The Heroine In Beowulf, Grendel, And The Mere Wife, Grace Lucier

College Honors Program

This thesis examines the relationship between gender and heroism in the Beowulf tale and two of its modern retellings. It includes an exploration of the medieval gender roles of the original epic using Seamus Heaney and E. Talbot Donaldson’s translations. This thesis also addresses the ways in which some characters disturb gender binaries and social roles — especially in the case of Grendel’s mother. The second and third chapters focus on two retellings of the Beowulf text respectively: John Gardner’s Grendel , told from the perspective of the monster Grendel; and Maria Dahvana Headley’s The Mere Wife , which is …

Pratiquer Ou Incarner La Vertu? L'Agentivité Des Femmes Chez Marie De France Et Christine De Pizan, Kathe Blydenburgh

Theses and Dissertations

This thesis studies the treatment of women in Medieval literature as active agents in their roles of upholding the virtues of the societies in which they live. This study focuses on works written by the female authors Marie de France and Christine de Pizan.

The Aesthetics Of Storytelling And Literary Criticism As Mythological Ritual: The Myth Of The Human Tragic Hero, Intertextual Comparisons Between The Heroes And Monsters Of Beowulf And The Anglo-Saxon Exodus, Daniel Stoll

Undergraduate Honors Theses

For thousands of years, people have been hearing, reading, and interpreting stories and myths in light of their own experience. To read a work by a different author living in a different era and setting, people tend to imagine works of literature to be something they are not. To avoid this fateful tendency, I hope to elucidate what it means to read a work of literature and interpret it: love it to the point of wanting to foremost discuss its excellence of being a piece of art. Rather than this being a defense, I would rather call it a musing, …

55th International Congress On Medieval Studies, Medieval Institute, Western Michigan University

International Congress on Medieval Studies Archive

The printed program of the 55th International Congress on Medieval Studies (May 7-10, 2020), which was canceled due to the COVID-19 outbreak and recommendations of the CDC and the WHO regarding social distancing and public gatherings.

The Medieval British Legacy Of The Founding Myth Of Britain, Timothy J. Nelson

Graduate Theses and Dissertations

The Medieval British Legacy of the Founding Myth of Britain” examines the historiographical development of the founding myth of Britain between the 9th and 14th centuries. This study begins with an overview of the Latin, Anglo-Norman French, Middle English, and Middle Welsh texts that transmit this founding myth across medieval Britain. The stylistic features and the motivations of the authors who are adapting this myth are addressed but the main objective of this overview is to introduce the texts in question and to start establishing the intertextual relationships between these works. The textual examination of the historiographical development of the …

Vulgar Love: The Sicilian School And The New Aesthetic, Jason Collins

Vernacular: New Connections in Language, Literature, & Culture

Much consideration has been given in the last century to the Scuola Siciliana, or the Sicilian School, the first coterie of poets in an already developed but still emergent Italian vernacular, and this in spite of an almost complete lack of autograph copies of poetic works in the original language. A great deal of this scholarship or research has a taxonomic and theoretical approach to the works, their composition, and the atmosphere that fostered them, and oftentimes attempts to position the Sicilian School within the historiography of Italian literature (particularly as progenitors to the Tuscan poets and thus Dante, Petrarch, …