Containment,
2026
CUNY Hunter College
Containment, Quin Mittelstead
Theses and Dissertations
This thesis explores “containment" (the act of keeping something within limits) as both oppressive control and a mode of self-regulation, grounded in the author’s experience with epilepsy. Paintings deploy grayscale grounds, restrained palettes, and contrasting rapid/slow gestures; emergent color, texture, and altered substrates map psychological states, bodily impulses, and reactive processes. Research into witchcraft, remedial items, and eugenics (notably Buck v. Bell) informs works that link historical censorship and institutional violence to contemporary stigma. Sculptural installations (nets, jute, flawed Faraday-like enclosures) and cannibalized studio materials probe systems that restrain thought, media, and bodies. By introducing unpredictable variables with found supports, …
Rooted Transformations,
2026
California State University - San Bernardino
Rooted Transformations, Ricardo D. Moctezuma
Electronic Theses, Projects, and Dissertations
In my ventures through art I realized that I underwent an experience that was tailored to my process of release. As I struggled to share my emotions, I became distant and dissociated, I felt detached from others and even from myself. This process was something I visualized in my art from, the Tears, to Self Destruction, to the Release and onto the Garden. I’ve always felt myself in a state of Release, partly healed and partly damaged. All I knew was that the garden represented a new beginning for me, I just never knew what that Garden was. Time passes …
Belonging,
2026
James Madison University
Belonging, Ver Ikeseh
Masters Theses, 2020-current
This thesis explores belonging as the core of my artistic practice, developed through public murals and participatory installations in shared spaces. Grounded in a studio practice that engages directly with communities, the work positions art within everyday environments rather than separate from them. Through murals created across James Madison University and within surrounding communities, I examine how public art can generate moments of connection, visibility, and reflection. The thesis culminates in the participatory mural Belonging, created in the Duke Hall Gallery at James Madison University, where these ideas are brought together through direct public engagement. Developed through collaboration, the …
Meikyu,
2026
University of South Alabama
Meikyu, Diana D. Dyer
Graduate Theses and Dissertations (2019 - present)
This thesis explores the relationship between digital and physical practices through the integration of traditional glassworking techniques and digital media. The project combines glass fusing and glass blowing with woodworking, screen printing, vinyl cutting, animation, and augmented reality (AR) technologies to create dialogue between physical and digital forms. This thesis documents the full creative process, beginning with conceptual sketches and progressing through the fabrication and assembly of glass components into finished sculptural pieces. Digital technologies are then incorporated to augment and extend the physical artwork. Three-dimensional (3D) assets were created using Maya, a 3D modeling software, and implemented within Snapchat's …
Taking A Deeper Look: Attributing Tonal Values Of Photolumens To Their Emulsions Using Scanning Electron Microscopy,
2026
Clemson University
Taking A Deeper Look: Attributing Tonal Values Of Photolumens To Their Emulsions Using Scanning Electron Microscopy, Anna M. Moore
All Theses
This thesis examines whether tonal variation in photolumens made with historic silver gelatin photographic papers can be linked to differences in elemental composition. Photolumens are cameraless photographic images created by placing objects directly on light-sensitive paper and exposing them to ultraviolet light. Because expired and historic darkroom papers often produce unpredictable colors and tones, this study asks whether visually defined tonal groups also show measurable chemical differences.
Twenty historic paper samples were exposed, documented, and sorted into five tonal groups based on visible image characteristics. Each sample was then analyzed using scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDS) …
Art As Resistance, Art As Hope: The Crane, The Nopal, And The Knowledge They Carry,
2026
Claremont Graduate University
Art As Resistance, Art As Hope: The Crane, The Nopal, And The Knowledge They Carry, Mayra Urbina
The Transdisciplinary STEAM+ Journal
This reflection explores the crane-and-nopal motif in Talavera Poblana ceramics as a lens for understanding artisan knowledge, cultural identity, and the impacts of globalization on Indigenous communities. Through my own painting of a Talavera-style vase, I trace the layered colonial history embedded in this motif — including the quiet resistance of Indigenous artisans who encoded Aztec memory into colonial art forms by replacing the eagle with the crane. The reflection examines how globalization threatens artisan traditions through fast-fashion appropriation, the limitations of Mexico's 2022 cultural heritage protection law, and the displacement of Indigenous artisans in Mexico City. Ultimately, I argue …
Chromatic Meditations,
2026
MFA 2020 Claremont Graduate University
Chromatic Meditations, Jessica Csanky
The Transdisciplinary STEAM+ Journal
My reflection traces the development of In Harmony, a cross-cultural exhibition created in collaboration with Japanese artist Hisakazu Suzuki, emerging from a chance encounter and realized through a shared commitment to peace. Presented at the 4th Annual Peace Conference, the exhibition explores how artistic practice can transcend language and cultural boundaries to foster connection, hope, and collective vision during a time of global uncertainty. Centered on my series Chromatic Meditations, the work investigates the inner dimensions of peace through mindful, ritual-based painting practices shaped by pregnancy and the anticipation of new life. These emotionally resonant color-field landscapes invite …
Diagrammatic Contemplation,
2026
Claremont Graduate University
Diagrammatic Contemplation, Khang Nguyen
The Transdisciplinary STEAM+ Journal
This work presents the integration of contemplative practice engaging western and eastern philosophies about apperception, consciousness, presence with an art practice that uses diagrammatic contemplation as a basis for developing and presenting art. The aim is not just an optical effect, but to engage the viewer in experiencing non-dual consciousness.
Home: Transforming A Public Arts Grant Into A Community Project,
2026
Scarlett Baily Art Studios
Home: Transforming A Public Arts Grant Into A Community Project, Scarlett G. Baily
The Transdisciplinary STEAM+ Journal
Home is a 2,535 ft² site-specific mural in San Diego’s Liberty Station that reconnects the site’s military history with Kumeyaay Indigenous heritage and maritime culture. Through depictions of native flora and fauna, the work foregrounds overlooked origin stories and ecological knowledge of Point Loma. Developed through deep community collaboration, including Kumeyaay advisors and over 100 local participants, the mural fosters shared authorship and cultural continuity. It invites viewers to engage with alternative histories while supporting language revitalization and environmental awareness.
Amor, Art, And Advocacy: Un Conversación With Chicanx Mother, Grammy Award Artivist, Macarthur Fellow, And Scripps Professor Martha Gonzalez,
2026
Claremont Graduate University
Amor, Art, And Advocacy: Un Conversación With Chicanx Mother, Grammy Award Artivist, Macarthur Fellow, And Scripps Professor Martha Gonzalez, Belén S. Yudess
The Transdisciplinary STEAM+ Journal
This Spotlight features a conversation with Professor Martha Gonzalez, a Chicana artivista (artist/activist) musician, feminist music theorist, and Associate Professor and Chair of the Intercollegiate Department of Chicana/o Latina/o Studies (CLS) at Scripps/Claremont College. The conversation draws from Prof. Gonzalez’s background as a Chicana, and the Chicanxs, Mexicanxs, Latinxs, and Indigenous communities in Mexico and Los Angeles that have shaped her work. She shares her practice in teaching and engaging with collective songwriting, her critique of western paradigms, and explorations of boundary crossing that music facilitates as part of championing the hope and flourishing that comes from within communities and …
Founding The Steam Journal: Creating Space For Arts, Science, And Life To Meet,
2026
Claremont Graduate University
Founding The Steam Journal: Creating Space For Arts, Science, And Life To Meet, Shamini Dias
The Transdisciplinary STEAM+ Journal
This interview spotlights Sara Kapadia, founder of the STEAM Journal, tracing the origins, evolution, and enduring vision of a publication designed to bridge the divide between art and science. Emerging from her dual experiences as an artist and education researcher, Sara created the journal to address a perceived gap between academic and creative communities: spaces that, while often siloed, engage parallel questions about the world. Grounded in her doctoral research on the shared curiosity of artists and scientists, the journal advances a transdisciplinary approach that invites contributors to move fluidly between visual, written, and scholarly forms. In conversation, Sara …
The Fool’S Errand: Art As Resistance. Art As Hope,
2026
Claremont Graduate University
The Fool’S Errand: Art As Resistance. Art As Hope, Edwin Urbina
The Transdisciplinary STEAM+ Journal
This editorial offers a perspective on the role of laughter and the comedic arts through the trope of the Fool or Jester. Comedic arts not just speak truth to power through the ages; it also offers society hope, resilience, and resistance though counter narratives that make us laugh at "emperors without clothes".
Precious: Platinum Palladium Prints.,
2026
University of Arkansas Little Rock
Precious: Platinum Palladium Prints., L.J. Rhodes
Research and Creative Works Expo
This body of work by L.J. Rhodes represents a significant shift from direct portraiture to the exploration of human presence through the "traces they leave behind". Driven by a personal sense of urgency following a diagnosis of heart failure, Rhodes uses this project to contemplate mortality and the legacy of objects.
UA LIttle Rock disciplines:photography; art; fine art
Foundations Of Art: Materials, Methods, And Meaning,
2026
Collin College
Foundations Of Art: Materials, Methods, And Meaning, Elizabeth Mellott
Art OERs
This course provides an introduction to the tools, materials, and processes used across a wide range of artistic media. The focus is on understanding how different materials shape the way art is created and experienced. Attention is given not only to what artists make, but also to why particular media are chosen to communicate specific ideas, emotions, or perspectives. The physical qualities of materials, the methods used, and the cultural meanings attached to them all influence artistic decision-making.
The course surveys several major categories of artistic media. Pigment-based practices include painting, drawing, and printmaking, where color and mark-making form the …
Woven Color: Historical Uses Of Color Theory Woven Into Fiber Art Practice,
2026
Fort Hays State University
Woven Color: Historical Uses Of Color Theory Woven Into Fiber Art Practice, Mary K. Greenwood
SACAD: Scholarly Activities
This semester-long project, created in Material Exploration, examines the use of historical color theory within contemporary fiber art to evoke emotion and narrative. Drawing from established color systems, artistic movements, and artist inspirations, the work explores how color relationships, such as harmony, contrast, and saturation, can communicate mood and meaning. Through experimentation with textile materials and processes, each piece integrates intentional color schemes to enhance storytelling through both visual and tactile elements. Ultimately, the project highlights how applying historical color theory within fiber art can deepen emotional resonance and connect traditional practices with contemporary expression.
Color Clash: When Opposites Create Harmony,
2026
Fort Hays State University
Color Clash: When Opposites Create Harmony, Zachary Dean Esslinger
SACAD: Scholarly Activities
Opposites attract is usually the saying and the same can be said for colors. Complimentary colors are pairs directly opposite each other on the color wheel. Warm versus cool, bright versus high intensity these are things that stand out when these colors are paired together Red/Green, Yellow/Purple, Blue/Orange and subsequently any hues, values and tints can be used as well. complementary color pairs, but if looking at a color wheel there are twelve consisting of your three primary and the othernine coming from different hues.
Prove To The Court That I Am Sentient: A Curatorial Project,
2026
New Mexico State University
Prove To The Court That I Am Sentient: A Curatorial Project, Maya Jo Yurcic
The Agora
What happens when artificial intellegence is asked to represent itself through art? “Prove to the Court that I am Sentient” provokes questions about how we perceive AI; its power, its sentience, and its function in our lives.
The Middle-Class Rip-Off'? Subsiding Culture In Contemporary Ireland,
2026
School of Art and Design TU Dublin
The Middle-Class Rip-Off'? Subsiding Culture In Contemporary Ireland, Connell Vaughan Dr
Irish Communication Review
In the last few years (roughly since the start of the Covid-19 pandemic) there has been a noted increase in state-led cultural funding in Ireland. Key examples include the raise in the financial allocation to the Arts Council, the introduction of the Basic Income for the Arts scheme, and increased sports capital funding. With reference to the official communication documents of these cases (so-called ‘grey literature’) and deploying the classic 1982 episode of the British sitcom Yes, Minister, ‘The Middle-Class Rip-Off,’ which pitches sports funding against support for the arts, as a satirical lens, this paper reflects on the contemporary …
If Life Were Only As Our First Encounter,
2026
Washington University in St. Louis
If Life Were Only As Our First Encounter, Yixiao Zhang
MFA in Visual Art
This thesis examines how contemporary portrait painting extends beyond the representation of physical appearance toward the construction of collective memory, history, cultural identity, and mechanisms of seeing. Using staged, photo-based portraits as a point of departure, my work engages both Eastern and Western traditions to produce new autoethnographic narratives. Rethinking the significance of portraiture today, this paper considers what persists and what has shifted over time. It argues that portrait painting is no longer merely a representation of an individual; rather, like a literary text, it functions as a signifier shaped by both the moment of its production and the …
Edra 57: Bibliography,
2026
Andrews University
Edra 57: Bibliography, Tamara Karr
Bibliographies
edra 57: Embracing Regional Sustainability: Networks for People and Places
