Art Practice Commons^™

The Fool’S Errand: Art As Resistance. Art As Hope, Edwin Urbina

The Transdisciplinary STEAM+ Journal

This editorial offers a perspective on the role of laughter and the comedic arts through the trope of the Fool or Jester. Comedic arts not just speak truth to power through the ages; it also offers society hope, resilience, and resistance though counter narratives that make us laugh at "emperors without clothes".

Precious: Platinum Palladium Prints., L.J. Rhodes

Research and Creative Works Expo

This body of work by L.J. Rhodes represents a significant shift from direct portraiture to the exploration of human presence through the "traces they leave behind". Driven by a personal sense of urgency following a diagnosis of heart failure, Rhodes uses this project to contemplate mortality and the legacy of objects.

UA LIttle Rock disciplines:photography; art; fine art

Foundations Of Art: Materials, Methods, And Meaning, Elizabeth Mellott

Art OERs

This course provides an introduction to the tools, materials, and processes used across a wide range of artistic media. The focus is on understanding how different materials shape the way art is created and experienced. Attention is given not only to what artists make, but also to why particular media are chosen to communicate specific ideas, emotions, or perspectives. The physical qualities of materials, the methods used, and the cultural meanings attached to them all influence artistic decision-making.

The course surveys several major categories of artistic media. Pigment-based practices include painting, drawing, and printmaking, where color and mark-making form the …

Woven Color: Historical Uses Of Color Theory Woven Into Fiber Art Practice, Mary K. Greenwood

SACAD: Scholarly Activities

This semester-long project, created in Material Exploration, examines the use of historical color theory within contemporary fiber art to evoke emotion and narrative. Drawing from established color systems, artistic movements, and artist inspirations, the work explores how color relationships, such as harmony, contrast, and saturation, can communicate mood and meaning. Through experimentation with textile materials and processes, each piece integrates intentional color schemes to enhance storytelling through both visual and tactile elements. Ultimately, the project highlights how applying historical color theory within fiber art can deepen emotional resonance and connect traditional practices with contemporary expression.

Color Clash: When Opposites Create Harmony, Zachary Dean Esslinger

SACAD: Scholarly Activities

Opposites attract is usually the saying and the same can be said for colors. Complimentary colors are pairs directly opposite each other on the color wheel. Warm versus cool, bright versus high intensity these are things that stand out when these colors are paired together Red/Green, Yellow/Purple, Blue/Orange and subsequently any hues, values and tints can be used as well. complementary color pairs, but if looking at a color wheel there are twelve consisting of your three primary and the othernine coming from different hues.

Prove To The Court That I Am Sentient: A Curatorial Project, Maya Jo Yurcic

The Agora

What happens when artificial intellegence is asked to represent itself through art? “Prove to the Court that I am Sentient” provokes questions about how we perceive AI; its power, its sentience, and its function in our lives.

The Middle-Class Rip-Off'? Subsiding Culture In Contemporary Ireland, Connell Vaughan Dr

Irish Communication Review

In the last few years (roughly since the start of the Covid-19 pandemic) there has been a noted increase in state-led cultural funding in Ireland. Key examples include the raise in the financial allocation to the Arts Council, the introduction of the Basic Income for the Arts scheme, and increased sports capital funding. With reference to the official communication documents of these cases (so-called ‘grey literature’) and deploying the classic 1982 episode of the British sitcom Yes, Minister, ‘The Middle-Class Rip-Off,’ which pitches sports funding against support for the arts, as a satirical lens, this paper reflects on the contemporary …

If Life Were Only As Our First Encounter, Yixiao Zhang

MFA in Visual Art

This thesis examines how contemporary portrait painting extends beyond the representation of physical appearance toward the construction of collective memory, history, cultural identity, and mechanisms of seeing. Using staged, photo-based portraits as a point of departure, my work engages both Eastern and Western traditions to produce new autoethnographic narratives. Rethinking the significance of portraiture today, this paper considers what persists and what has shifted over time. It argues that portrait painting is no longer merely a representation of an individual; rather, like a literary text, it functions as a signifier shaped by both the moment of its production and the …

Edra 57: Bibliography, Tamara Karr

Bibliographies

edra 57: Embracing Regional Sustainability: Networks for People and Places

Significance Of Relationships In Navigating Disability, Shivani Bhalla Dr

Journal of Social Theory in Art Education

I have addressed the theme of movement and momentum by referring to the importance of relationships and seeking community in navigating through the challenges of disability experiences. In this paper, I will explore how my relationships with my family members, fellow disabled artists, educators, and scholars helped me learn from my disability experiences and gave me the courage to come out as a person with disability (PWD) and explore disability as a sight of knowledge production.

Artist Statements As Colectiva: Informed By Lived Experiences And Anzaldúan Theories, Christen Sperry García, Elizabeth Gonzalez, Alexis Marie Ramos

Journal of Social Theory in Art Education

As visual artists, our ability to explain process and convey meaning in our work is very important. Our BFA and MFA studio art programs trained us to write clear, concise, and universal artist statements. We were encouraged to highlight the concepts behind our visual work and discouraged from including our personal narratives or employing Chicane or Latine bodies of knowledge. In response, we apply theories and methodologies by Gloria Anzaldúa to our artist statements. First, we offer a framework of testimonio, Borderlands theory, and autohistoria-teoría. Using the methodology of nepantlando, a creative doing of existing in-between worlds, we …

Subterranean Echoes, Daniel E. Garcia

School of Art, Art History, and Design: Theses and Student Creative Work

Subterranean Echoes is an immersive exhibition that explores themes of spirituality, geology, growth, and decay. Depictions of earthly entities, sacred architecture, crystalline portals, reliquary and geological forms are what drive my narratives of ancestral beginnings in-between states of physical and metaphysical realms.

I rekindle and reimagine what it means to stay connected to the land and ancient people of the past. With ceramic materials, I channel divine energy through a primordial process involving earth, water, air, and fire that allows me to reconnect with the land and our predecessors. I create adaptations of spirituality that reflect my own philosophies, experiences, …

Branded Skateboard Series, Max David Munday

Graphic Communication

This project demonstrates how graphic communication principles can be applied to product branding within the skateboarding industry. By combining research on branding systems, visual communication theory, and production methods with practical design experimentation, this project highlights the importance of balancing creative design decisions with real-world production considerations

Sam Boakye, Mark Naison, Anthony Abd-Al Shafi Rosado

Oral Histories

At the end of the interview, Boakye explains what he wants for Kwasi Paul in the future, both in the Bronx and in the fashion industry. For the Bronx, he wants it to represent Ghanaian fashion, something Ghanaians in the Bronx can be proud of. He wants the Bronx to be seen as something better, not a “dirty” borough, as stereotypes would have it. For fashion, he wants to be another lens of living with in-between identities, for everyone who falls into these categories of multiple identities, especially for people in New York City.

He encapsulates the Bronx as “The …

Roaming Pixels: Clipping The Operative Close-Up, Vanessa Gravenor

Artl@s Bulletin

Abstract: This essay examines the disseminated war image as it takes off at the speed of light. It seeks to challenge the legacy of the post-structuralist spectator who watches war by complicating this figure with post-colonial perspectives where the distanced, global war dissemination collapses into the intimate, subjective gaze. Focusing on artist–theorist perspectives, it traces strategies for working with the digital broadcast of war, specifically from the 2000s and 2010s, and artists who peer into uncertain pixels and the cruelty of the close-up.

Zusammenfassung: In diesem Essay wird das verbreitete Kriegsbild untersucht, das mit Lichtgeschwindigkeit abhebt. Er versucht, das Erbe …

I Know You Are Watching, Camilo Salas Kusulas

Theses and Dissertations

I Know You Are Watching is a short documentary film that examines the evolving history and scope of mass surveillance, and how to resist it. The film introduces two local New York City artists, Bill Brown from the Surveillance Camera Players, and Sam Lavigne, who misuse technologies designed to watch us, exposing these systems and fighting back through digital art and performance.

Blending interviews, observational footage, personal narration, archival images, and news clips from different eras, the film interrogates the mechanisms of control, and positions art as a method of both understanding and talking back to surveillance.

Black And White Painting With Colored Tissue Paper, Barry Goldberg

College Partner Collection

Combining materials that have very different properties can heighten a child’s sensitivity to those properties and to the possibilities they offer. In this project, instead of the usual cups of paint containing red, yellow, blue, and white, the children are given only black and white paint.

The Room That Remembers: A Sanctuary Built From Silence, Kayla Brown

Graduate Theses/Dissertations

This installation is a process-based paper artwork that seeks to protect, enlighten, and discover what healing can be in silence. Through the creation of immersive art objects and experiences, I seek understanding and resolutions for my lived experiences. I utilize the physicality of paper in conjunction with the fragility of topic to enhance the meaning behind my material choices. I transform the idea of a traumatic room into an activated space of healing: one that rest, time, and momentary silence exist as choice rather than by force.

The Cardboard Construction Project, Barry Goldberg

College Partner Collection

A limitation, restriction, or constraint can force us to consider previously unimagined possibilities. In the Cardboard Construction Project, the restriction is a material one. In preparing the materials for this project, I take cardboard and cut or score* it in as many ways as I can think of.

What will quickly become apparent is the surprising variety of forms that can be generated by altering a single material.

The Attached Shapes Project, Barry Goldberg

College Partner Collection

Because this project ‘grows’ in a linear manner (one thing added to another), it often provides striking insight into how a child’s visual ideas unfold as they work.