Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, 2024 State University of New York College at Buffalo - Buffalo State College
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
Art Conservation Master's Projects
A potential 17th century Anglo-Dutch military portrait painting from the Memorial Art Gallery at the University of Rochester in Rochester, New York arrived at the Garman Art Conservation Department at Buffalo State University for conservation research and treatment in 2022. The painting’s title, date, and artist were unknown and the subject was initially referred to as a “17th Century Dutch Cavalier.” Little information existed on the provenance and history of the artwork. The painting was in a state of structural instability and aesthetic disfigurement and showed evidence of a past restoration campaign. This master’s project attempted to broadly …
Raisin Fingers, 2024 Washington University in St. Louis
Raisin Fingers, Sophia Hatzikos
Graduate School of Art Theses
I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.
Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …
Call And Response : Experiments In Storytelling, 2024 Rhode Island School of Design
Call And Response : Experiments In Storytelling, Deanne Fernandes
Masters Theses
Being part of RISD's inaugural Masters of Illustration cohort has been an immense honor. This journey has been nothing short of transformative and healing, as it has allowed me to unearth layers of self-discovery through my creative practice.
In my thesis, I introduce a fresh research methodology rooted in the principles of call and response, with adaptability, creativity, and storytelling as its foundational pillars. Through the lenses of visual storytelling, experimental animation, graphic journalism, and fictional world-building, I demonstrate how these techniques can effectively bridge the gap between theory and practice. This dynamic approach fosters meaningful connections among diverse perspectives …
Rejected Manuscripts, 2024 Rhode Island School of Design
Rejected Manuscripts, Yangqi Deng
Masters Theses
Rejected Manuscripts is a series of visual metaphors reconstructed from hyperlink research. It explores the representation, perception, and processing of information as fact across three projects, highlighting the pervasive influence of fiction throughout each stage. It investigates forms of fact versus fiction to bring awareness to multi-perspective and from that explores the intricate interplay between reality and imagination.
This thesis consists of three chapters. Chapter 1 falls into an abyss of fictional imagery intertwined with factual information. From there, the second chapter explores how we observe the world and how technology affects our vision. Chapter 3 discusses how this information …
Umbrella And Jellyfish, 2024 Rhode Island School of Design
Umbrella And Jellyfish, Yanran Bi
Masters Theses
Rainy season arrives as soon as the summer begins in Shanghai. For some reason, I rarely remember to bring an umbrella with me. I have a lot of umbrellas, most of them are transparent ones bought at subway stations. When it suddenly starts pouring rain, umbrella vendors in Shanghai gather at each crowded exit of the subway sta- tions to sell umbrellas to people like me. The cheapest umbrellas they have are always the transparent ones. The whole city is turned upside down by the rain with its reflections on every street. Then a transparent umbrella opens up, then another, …
The Day The Door Flew Open, 2024 Rhode Island School of Design
The Day The Door Flew Open, Clara Delgado
Masters Theses
A journey is a chance to better oneself, to go and come back anew. This kind of pilgrimage does not only happen in the spectacular realm of far-off travels. Often it happens where the soles of one’s feet comprehend the curvature of the land. Then, without forewarning, time opens a sliding door that appears on the recognized ground. Stepping in, the world is realized in a new way.
The writings that strike my tongue with ravishing bittersweet flavors are fictional narratives, with voyages that sail through day and night, disguised as lovely prose while critically probing the world. This written …
Urban Looms, Recoloring City, 2024 Rhode Island School of Design
Urban Looms, Recoloring City, Ella Son
Masters Theses
The metropolis has been a dominant and defining aspect of my life. Acutely aware of visual illusions created by the choreographed and unchoreographed movements of people in the streets and the distortions of light and shadow on the glass facades of skyscrapers, I reinterpret the patterns and colors that are in constant interplay into a collection of architectural textiles.
With an emphasis on optical layering, these immersive installations recreate the quality of being spellbound in the city. Scaled to emphasize verticality and activated through transparent overlays and dense color interplay, a rich visual field is activated. In their application, the …
I Am Becoming., 2024 Rhode Island School of Design
I Am Becoming., Dai Asano
Masters Theses
This is a collection of essays documenting my grappling with the idea that time is always in motion. When you say now, it is not now anymore, but we are still in now, a new now. How can I stay in the now without being swept away by the current of time? Describing a film by Ozu Yasujiro, Deleuze writes, “The vase in Late Spring is interposed between the daughter’s half smile and the beginning of her tears. There is becoming, change, passage. But the form of what changes does not itself change does not pass on. This is time, …
A Delicate Balance, 2024 Rhode Island School of Design
A Delicate Balance, Lily Taylor
Masters Theses
There's a silver key from Lowe’s for the front door and a smaller unmarked gold key for the back door. There are two identical RISD keys–studio and storage closet. There’s the key to my mom’s apartment and another to the gallery where I used to work on Saturdays. There’s the key to the bike lock that I’ve kept on the ring even though my bike was stolen. I tried splitting up all the keys and creating two different sets–daily keys and occasional keys–but I never had the occasional keys when I needed them.
I have been making paintings of the …
Intangible Shells, 2024 Rhode Island School of Design
Intangible Shells, Elena Bulet
Masters Theses
The following essay mimics the constant disruption of a fragmented memory. It reflects on intergenerational gendered family dynamics since the civil war and dictatorship-era Spain and how memory articulates narratives of belonging within the matrilineal lineage. A process of excavation departs from personal memories, familial archives, contemporary interviews, theoretical readings, photographic reenactments, and observations of traces in the landscape of Almayate’s town. The author attempts to retrace her roots, as well as her family history, acknowledging the impossibility of making personal histories tangible.
Winter Solstice, 2024 Rhode Island School of Design
Winter Solstice, Jingwen Cao
Masters Theses
For a long time, I have been thinking about what contemporary photography is, what its position is, and what the relationship is between artists and audiences. At the same time, I was developing my concepts and photographic directions and trying to make my work and my perspective on photography relevant. Winter Solstice includes a series of essays that locate my thinking and my work. Its title references the longest night of the year.
The position of photography has changed significantly over the past few decades. The way people read photos is also changing. Perhaps because of reverence for art and …
Sircling The Cquare, 2024 Rhode Island School of Design
Sircling The Cquare, Latika Balachander
Masters Theses
As we journey into an increasingly virtual and intangible reality, is there an opportunity for our tactile fabrics to journey with, and even reorient us? Can they exist in our future worlds to remind us of the value of current traditional, low-tech practices that we may soon forget?
Referencing the fundamental fabric languages of knitted and woven structures, this collection of garments, that I term “Earthsuits,” embody the stages of metamorphosis as we adjust to a new phase of our perceptive reality. With an emphasis on circling, we loop through virtual squares like screens and pixels, to the circles of …
A Thesis, Or Digressions On Sculptural Practice: In Which, Concepts & Influences Thereof Are Explained, Set Forth, Catalogued, Or Divulged By Way Of Commentaries To A Poem, First Conceived By The Artist, Fed Through Chatg.P.T., And Re-Edited By The Artist, To Which Are Added, Annotated References, Impressions And Ruminations Thereof, Also Including Private Thoughts & Personal Accounts Of The Artist, Jaimie An
Masters Theses
This thesis is an exercise in, perhaps a futile, attempt to trace just some of the ideas, stories, and musings I might meander through in my process. It’s not quite a map, nor is it a neat catalogue; it is a haphazard collection of tickets and receipts from a travel abroad, carelessly tossed in a carry-on, only to be stashed upon returning home. These ideas are derived from much greater thinkers and authors than myself; I am a mere collector or a translator, if that, and not a very good one, for much is lost. I do not claim comprehensive …
America, Dreaming., 2024 Rhode Island School of Design
America, Dreaming., Sarah Meftah
Masters Theses
There is a version
of America
that exists
only in dreams,
a kind of folklore,
shrouded in images,
technicolor interiors,
wrapped in plastic,
ghosts of recent past
to haunt and guide;
a constant reminder.
Wishful thinking
a constructed imaginary,
one I can hold in my hand.
Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …
Closing, 2024 California Polytechnic State University, San Luis Obispo
Closing, Sarai Devi Dasi, Vivian Jameson
.RAW Journal of Art and Design
No abstract provided.
Contributors, 2024 California Polytechnic State University, San Luis Obispo
'Donut Still Life' & 'Hello?!', 2024 California Polytechnic State University, San Luis Obispo
'Donut Still Life' & 'Hello?!', Jolina Chen, Emily La Puma
.RAW Journal of Art and Design
No abstract provided.
'Lucky Fix' & 'Jogging Thru The Yard', 2024 California Polytechnic State University, San Luis Obispo
'Lucky Fix' & 'Jogging Thru The Yard', Dan Lee, Jordan Mendelevitch
.RAW Journal of Art and Design
No abstract provided.
'Babydoll' & 'For The Love Of Type', 2024 California Polytechnic State University, San Luis Obispo
'Babydoll' & 'For The Love Of Type', Kennedy Ray, Brandon Schwartz
.RAW Journal of Art and Design
No abstract provided.
'Supernova' & 'Poison Girl Friend', 2024 California Polytechnic State University, San Luis Obispo
'Supernova' & 'Poison Girl Friend', Zach Kanter, Celeste Ibarra
.RAW Journal of Art and Design
No abstract provided.