Memory Organs,
2026
CUNY Hunter College
Memory Organs, Coco Ma
Theses and Dissertations
Working across architectural sculpture, sonic works, and monoprints, this thesis explores the body as a site where memory, materiality, and cultural history converge. Drawing from muscle memory, Chinese architectural thresholds, and female narratives, it traces a body that is simultaneously physical and psychological, personal and collective, constant yet always shifting.
The Earth Holds What I Cannot,
2026
CUNY Hunter College
The Earth Holds What I Cannot, Satabdi Tripathy
Theses and Dissertations
This thesis explores memory, landscape, identity, and gendered silence through painting, video and film. Inspired by glaciers, volcanoes, and Arctic landscapes, my work transforms personal memory into environmental memory and investigates silence, trauma, and renewal.
Notes On Rhythm,
2026
CUNY Hunter College
Notes On Rhythm, Maya Lee-Parritz
Theses and Dissertations
Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.
Bugs, Birds, Blue: Queer Ecologies Of Embodiment, Kinship, And Survival,
2026
CUNY Hunter College
Bugs, Birds, Blue: Queer Ecologies Of Embodiment, Kinship, And Survival, Celeste B. Newcomb
Theses and Dissertations
bugs, birds, blue is a multi-channel audiovisual installation that examines queer ecology as a framework for understanding transgender embodiment, kinship, and survival amid environmental crisis and ongoing political attacks on trans life (Mortimer-Sandilands and Erickson). Through sculpture, projection, sound, reflective surfaces, and biological imagery, the installation places human bodily matter alongside microbial and aquatic life forms to challenge narratives that frame trans existence as unnatural, recent, or isolated. Instead, the work proposes transness as relational, adaptive, and deeply entangled with broader ecological systems. The installation is composed of two interconnected environments. On one side of the space, three aquariums rest …
Lovepilled,
2026
CUNY Hunter College
Lovepilled, Zhiliang Zhao
Theses and Dissertations
"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.
Humanist Abstractions: Zilia Sánchez’S Forms Of Symbolism And The Reframing Of The Picture Plane,
2026
CUNY Hunter College
Humanist Abstractions: Zilia Sánchez’S Forms Of Symbolism And The Reframing Of The Picture Plane, Sydney Srnka
Theses and Dissertations
This thesis examines the culturally specific visual language within the work of Zilia Sánchez through an analysis of her biography and semiotic strategies, arguing that meaning in her work emerges through the materiality of form, rather than through conventional stylistic categorization. It reconsiders how art-historical movements are used to organize artists, proposing a framework better suited to Sánchez’s practice. The issues of reception and legibility have shaped Sánchez’s career as an exile whose experience of displacement informed her shaped canvases. These works articulated a simultaneously unique and universal sense of experience. In researching Sánchez’s history, an alternative story for the …
Cannibalizing The American Dream: Memory, Materials, And Manifesting,
2026
CUNY Hunter College
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Theses and Dissertations
Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.
Transient Landscapes,
2026
CUNY Hunter College
Transient Landscapes, Selena Lozano
Theses and Dissertations
This thesis explores a technical shift from studio to plein air observation and contextualizing urban landscapes through art history and memory. By investigating the tension between permanence and erasure amidst rapid gentrification, the work utilizes painting and photography to mirror the physicality of El Barrio in East Harlem.
5010,
2026
CUNY Hunter College
5010, Clare Hu
Theses and Dissertations
Working with the structure of a table top, Clare Hu churns through digital image and woven cloth, asking how much each medium can bear.
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds,
2026
CUNY Hunter College
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Theses and Dissertations
This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.
Containment,
2026
CUNY Hunter College
Containment, Quin Mittelstead
Theses and Dissertations
This thesis explores “containment" (the act of keeping something within limits) as both oppressive control and a mode of self-regulation, grounded in the author’s experience with epilepsy. Paintings deploy grayscale grounds, restrained palettes, and contrasting rapid/slow gestures; emergent color, texture, and altered substrates map psychological states, bodily impulses, and reactive processes. Research into witchcraft, remedial items, and eugenics (notably Buck v. Bell) informs works that link historical censorship and institutional violence to contemporary stigma. Sculptural installations (nets, jute, flawed Faraday-like enclosures) and cannibalized studio materials probe systems that restrain thought, media, and bodies. By introducing unpredictable variables with found supports, …
Accessible Theatre In The Face Of Transition: A Collaborator's Journey Through Sarah Ruhl's Orlando,
2026
University of New Orleans, New Orleans
Accessible Theatre In The Face Of Transition: A Collaborator's Journey Through Sarah Ruhl's Orlando, Ty R. Robbins
University of New Orleans Theses and Dissertations
This thesis discusses the various types of accessibility observed in practice during a production of Orlando by Sarah Ruhl at the University of New Orleans. Throughout
the chapters to come, I will focus on gathering theatrical dramaturgy, my process as a company
actor, the successes and setbacks of accessibility in theatre, and reflections from community
artists on how they view accessibility in the workplace. I will evaluate my findings and those of
fellow theatre makers to outline the strengths and weaknesses of accessibility in relation to
collaboration in theatre, an art form that is continually given a cold shoulder in …
Brightly Slacked Tight, It Sways,
2026
University of Arkansas-Fayetteville
Brightly Slacked Tight, It Sways, Molly Brooke Martin
Graduate Theses and Dissertations
Brightly Slacked Tight, It Sways is a body of work that investigates unpredictability and process-based making through collage and materially hybrid forms that combine natural and synthetic elements, operating between drawing, painting, and sculpture. Using familiar, readily available materials gathered from the studio, hardware store, and my surrounding environment, the work embraces improvisation as a generative force. Unpredictability keeps me in relation to the work, interrupting certainty, requiring responsiveness, and mirroring the shifting conditions of the natural world. I break, cut, and recombine sticks gathered from my yard and athletic tape from gymnastics, along with scrap drawings and paintings. Shaped …
Idling,
2026
University of Arkansas-Fayetteville
Idling, Greta Sky Kresse
Graduate Theses and Dissertations
In Idling, I examine the car as a poetic ground where the intimacy of private space and the expansiveness of landscape collapse. The work holds escape and entrapment, movement and stalling, in unresolved tension. Ultimately more interested in the suspended moment than any destination. The work, rooted in my experience growing up Arkansas and engaging in the broader experience of working class Southern life, examines how this space is a site of adolescent life, a memorial site of loss and risk, and a symbol of class mobility and its limitations. Formal motifs developed through my plein air practice unify the …
The Noise Of Time....,
2026
University of Arkansas-Fayetteville
The Noise Of Time...., Shannon P. Smith
Graduate Theses and Dissertations
"the noise of time…" is a meditation on home, memory, and the fluidity of time, told through image and sculpture (materiality). Rooted in the complexity of Black identity and ignited by the passing of my father, this work began as a challenge: to create something interior and vulnerable, specific to my experience yet open enough for others to hold. Influenced by Gaston Bachelard’s "The Poetics of Space," I consider home—our personal intimate space—not only as a container for objects, but as a sanctuary for dreams, remembrance, and complicated emotions. I observe the home as a structure that holds what cannot …
Eurydice | Tigers Be Still: Technical Direction Between Two Studio Sets,
2026
University of Nebraska-Lincoln
Eurydice | Tigers Be Still: Technical Direction Between Two Studio Sets, Rory G. Galada Brownell
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis examines the technical direction processes for two studio productions, Eurydice by Sarah Ruhl and Tigers Be Still by Kim Rosenstock, produced during the 2025–2026 season at the Nebraska Repertory Theatre. Through comparative analysis, this document explores how differing design styles—metaphorical and installation-based versus grounded realism—impact the planning, communication, and execution responsibilities of a technical director within a constrained academic production environment. Both productions operated within similar parameters, including limited budgets, student-based labor, and a shared performance space, allowing for a focused evaluation of process rather than resources. The Eurydice production emphasized abstract scenic elements, including large-scale string installations …
Rooted Transformations,
2026
California State University - San Bernardino
Rooted Transformations, Ricardo D. Moctezuma
Electronic Theses, Projects, and Dissertations
In my ventures through art I realized that I underwent an experience that was tailored to my process of release. As I struggled to share my emotions, I became distant and dissociated, I felt detached from others and even from myself. This process was something I visualized in my art from, the Tears, to Self Destruction, to the Release and onto the Garden. I’ve always felt myself in a state of Release, partly healed and partly damaged. All I knew was that the garden represented a new beginning for me, I just never knew what that Garden was. Time passes …
Heirlooms Of Virtu,
2026
California State University - San Bernardino
Heirlooms Of Virtu, Santos Nunez
Electronic Theses, Projects, and Dissertations
Heirlooms of Virtu explores familial history as a mode of self-study. By examining childhood, the more possible it can be to navigate the contemporary. Research into the self becomes the bridge between two states of being, allowing for a better understanding and a more purposeful approach to the future.
As an artist working primarily in photography and video, I am recontextualizing key nostalgic concepts with technology through interactive sculptures and video installations. My research alludes to classic toys and technologies specific to my childhood in an effort to find and understand the self. Nostalgia as an idea not only exists …
Between Chronicle And Legend: A Two-Scene Environment And Visual Effects Examination Of Physical Accuracy And Emotional Exaggeration On The Honey Creek Bridge Collapse,
2026
Clemson University
Between Chronicle And Legend: A Two-Scene Environment And Visual Effects Examination Of Physical Accuracy And Emotional Exaggeration On The Honey Creek Bridge Collapse, Alison R. Gaddy
All Theses
This thesis explores how truth and dramatization intersect in digital storytelling by comparing realistic and stylized simulations of the Honey Creek bridge collapse within the context of the Kate Shelley animated short. At the core of storytelling lies a tension between factual accuracy and dramatic stylization. We investigate that tension by examining how narrative truth is conveyed, distorted, or enhanced through visual dramatization by focusing on the psychology of audience perception and the motivations behind creative embellishment. The practical contribution of this research is the development of two distinct digital scene setups depicting the same Honey Creek bridge collapse event. …
Desert Ghost,
2026
Clemson University
Desert Ghost, Jessica Downs
All Theses
This thesis explores the relationship between landscape, memory, and the body through handmade paper installations inspired by the deserts of southwestern Utah. Drawing from personal experience of place and the loss of a childhood home, the work considers how environments are internalized and persist as shifting, sensory impressions rather than fixed geographies. The desert becomes a generative site for examining presence, transformation, and the passage of time, both geologic and personal.
I use handmade paper and installation to translate my experience of place into physical form. Paper serves as both material and metaphor; its fibers, textures, and muted tones emulate …
