Take Me To The Museum: Exploring The Use Of Art Kits For Families In The Art Museum,
2026
Brigham Young University
Take Me To The Museum: Exploring The Use Of Art Kits For Families In The Art Museum, Amanda Marriott Elton
Theses and Dissertations
This study examines the use of participatory art kits as a strategy for transforming family engagement within the art museum setting. Drawing on theories of experiential learning from John Dewey and participatory art practices rooted in the Fluxus art movement, my research positions art kits as tools that invite active, social, and embodied learning. Using a design-based research methodology, this study investigates how families interact with art kits within gallery spaces and how these tools influence and encourage conversation, artistic behaviors and relational dynamics. Data were collected through observation, family feedback and iterative kit redesign. Findings suggest that art kits …
Ever-Present: Exposing The Complex Emotions We Try To Hide,
2026
Seattle Pacific University
Ever-Present: Exposing The Complex Emotions We Try To Hide, Madison Porter
Honors Projects
Through large brushstrokes and bold colors, my paintings are a culmination of who I am and how I see myself in the world. To explore my sense of self, I learned to process my insecurities through intentional compositional choices and experimental color palettes. This series is as authentic as I can be, depicting raw, emotional figurative work, following in the footsteps of my modern artist predecessors.
Reviving Revive. Is The Notion Of An Independent Artist An Outdated Concept?,
2026
SAE University College
Reviving Revive. Is The Notion Of An Independent Artist An Outdated Concept?, Richard C. Moore Mr
Staff Scholarship - Australia & Dubai
This article published in Spectator Magazine - online - is a reflection on whether or not a cultural policy is a means of controlling the artistic community and whether there is still such a being as an independent Australian artist. It was published as the 2026 submissions for an update to Australia's cultural policy REVIVE - were closing.
A Pot Of Gold At The End Of The Assembly Line: Jewelry, Facture, And Alienation,
2026
the Rhode Island School of Design
A Pot Of Gold At The End Of The Assembly Line: Jewelry, Facture, And Alienation, Jonathon A. Zalakos
Masters Theses
A Pot of Gold at the End of the Assembly Line integrates icons of mass-manufacturing with signifiers of joyful work, stimulating a dialogue between industrial and craft labour. Visible traces of the making process left on these works conjure a spectral ‘maker’, implied by the fingerprints, toolmarks, assembly, and conspicuous decision making of an ‘other’. As we relate to these signifiers as opportunities for our own bodily action, this spectre speaks in our own voice. Possessed by this ghost, viewers are vicariously thrust into an imaginary context and made sensitive to the nature of this work — whether it validates …
Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination,
2026
Rhode Island School of Design
Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du
Masters Theses
Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …
Where My Memory Settles,
2026
Rhode Island School of Design
Where My Memory Settles, Rachel Kobb
Masters Theses
My memory is blurry but ever present in an atmospheric state. Through my investigations of memory and sensorial experience, this thesis is an attempt to understand how the body recalls the spaces I have spent the most time: my various homes through life.
The output of this thesis is a paper installation that layers and translates spatial qualities of my past homes. The home is not a neutral container, but instead a space that should support a sense of retreat and security. Drawing upon Gaston Bachelard’s zones of experience, I explore how a domestic space is moved through distinct zones. …
Recombobulation- Taking The Bad With The Good,
2026
Rhode Island School of Design
Recombobulation- Taking The Bad With The Good, Gregory T. Kmieciak
Masters Theses
Recombobulation, a play on the word discombobulated (completely disoriented and utterly confused), is intended as a joke. In the lore of the Milwaukee airport, the Recombobulation Area is located between the TSA check point and the boarding area, or likewise right after you land and before you are heading out of the airport. It's an area to regroup, get your bearings, or if you're anything like me, have a beer.
I've chosen this made-up word as a thesis title, both for its informal tone and to pay homage to my home town. It offers an air of lightness to otherwise …
My Mother The Mountain,
2026
Rhode Island School of Design
My Mother The Mountain, Ricky Vasan
Masters Theses
Teach me How to Write a Love Song
I catch a glimpse of my mother sitting on her bed in her bedroom from the bathroom mirror. What a rare occurrence! One I am not fortunate enough to witness as often as I would like. A moment that I know —even before it has occurred—will one day become my dearest desire for wanting to turn back time. This moment is a mirage. Once I return to my senses, after the passing of a twelve-hour lag, it will already be too late.
This is the place where I wish to work from. …
Looking In All Directions,
2026
Rhode Island School of Design
Looking In All Directions, Abby Sunde
Masters Theses
“Looking in All Directions” mobilizes attention towards the concepts of ‘desettling’ through art and ‘desettling’ as a way of being. Desettling constitutes resistance, resilience, survivance, and refusal of current Western modalities within our society. This body of work is a material exploration of these worldviews to find potential ways to embody a practice that aligns ourselves outside of a colonial settler mindset while living within its societal condition. Using glass, sound, and installation work, the artist un-centers expected encounters with an inherited dominant worldview and instead offers an actualized shift in awareness. Concepts of interconnectedness, interwoven time, and embodied memories …
How To Make A Jumpsuit,
2026
Rhode Island School of Design
How To Make A Jumpsuit, Xue Huang
Masters Theses
Through interdisciplinary artistic research combining illustration, embroidery, garment construction, and installation, this thesis investigates how patriarchal narratives become internalized within the female body and disconnect women from embodied forms of feminine knowledge and vitality.
Drawing from Michel Foucault’s theories of disciplinary power, Jungian psychology, Traditional Chinese Medicine, and feminist writings by Audre Lorde and Karina Blancarte, the project examines how systems of productivity, control, and gendered ideology shape both psychological experience and bodily perception.
The thesis culminates in a large-scale textile installation titled How to Make a Jumpsuit, consisting of embroidered silk panels, commercial jumpsuit pattern pieces, meridian imagery, sculptural …
Draw To Breathe,
2026
Rhode Island School of Design
Draw To Breathe, Ranran Ma
Masters Theses
This thesis explores visual expression in drawing as an intuitive mode of thinking suited to everyday life—a form of expression that runs parallel to language and surpasses it.
The project begins with a daily Post-it note drawing practice. These drawings often emerge before conscious understanding, subsequently accompanied by brief text, allowing image and word to resonate through emotion and intuition. Through the use of small-scale, portable, low-pressure materials, and with immediacy and intuitive freedom as the foundation of making, a visual language system grounded in the self develops. Through this sustained practice, I developed an instruction-based card system titled Draw …
All The Hours Of Light,
2026
Rhode Island School of Design
All The Hours Of Light, Isabel Horgan
Masters Theses
My wisdom teeth were extracted in November 2025. I put it off for 5 years. In 2019, my first wisdom tooth emerged as a blood blister. It grew through a vein. I attempted to pop the blister, but instead pulled on the vein, which was so viscerally disturbing that I almost fainted. Every night that followed, I stood at the mirror over the bathroom sink and poked at it. Eventually, enough of the tooth showed that I needed to scrape stuff out of the crevices. It resulted in about a year of having a hole in my mouth that I …
The Porous Auto Body,
2026
Rhode Island School of Design
The Porous Auto Body, Banshee Maria
Masters Theses
Balances within the human body and auto mechanical structures share a staggering amount in common. The two are intrinsically linked through their shared reliance on intricate internal and external systems to be in balance in order to function. Our biological makeup consists of electrical, fluid and chemical systems which mirror the machines we have chosen to forge. I am plagued by the human need to see ourselves mirrored in metal form, or perhaps we are just unable to create too far outside ourselves, resulting in the leeching of human structures into all technology we construct.
The Old Testament of the …
چھپن چھپائی (Chupan Chupai),
2026
Rhode Island School of Design
چھپن چھپائی (Chupan Chupai), Muhammad Talha Mr
Masters Theses
Baji, how do you breathe in a burqa? Doesn’t it suffocate you? Don't ask too many questions, walk straight, and don’t let go of my hand. Men were standing in the street, and she was trying to avoid them, walking as fast as she could, almost dragging me. I saw a big wedding tent. It was a multi-colored, red, yellow, blue, and green pattern. I asked baji, Is that where we are going? She nodded in affirmation. The tent was beautiful. I saw kids peeking inside the tent, and it reminded me of a time when I was doing the …
Companionship, Certainty, Integrity,
2026
Rhode Island School of Design
Companionship, Certainty, Integrity, Chandler C. Curtis
Masters Theses
being around people who surprise me, realizing how different we all are, broadening my conception of the world and my corner of it; being kind and considerate, giving others grace; being given responsibilities; being honest with and for myself; braiding my hair collecting free things; critique discussions and any setting to diligently read objects; Culton; dancing; doing sudoku or other ‘hackable’ puzzle; doing things that seem impossible, especially for someone else; drying off with a towel that absorbs well, particularly after a cold shower; eating cantaloupe; encouraging others to trust themselves, using my experiences to support someone else's journey; exchanging …
Floaters,
2026
Rhode Island School of Design
Floaters, Kyle Gyumin Dong
Masters Theses
The eye is often regarded as the primary sensory organ of the human body, and the ocular system as our most reliable means of perceiving the world.
With vision, we travel across vast distances through telescopes to expand our knowledge of the observable universe and peer into the hidden world of atoms through microscopes. At the same time, we seek divinity from apparitions in the clouds, broaden the range of colors visible under closed eyelids, and catch a brief glimpse of the future in clairvoyant dreams.
My photographic practice oscillates across this spectrum. Between reason and intuition, between the measurable …
The Body Has Its Own Time,
2026
Rhode Island School of Design
The Body Has Its Own Time, Wen Zhang
Masters Theses
In embodied practice, the artist’s experience and body become the medium through which thought and expression take form, not as illustration, but as primary material. Performance art has long occupied an unstable position within contemporary art: celebrated in retrospect, underfunded in practice, and selectively institutionalized. Its marginality has never been evenly distributed. Certain bodies, female, racialized, aging, non-normative, have remained further outside the archive than others, their work harder to collect, harder to value, and easier to forget. To work in performance, particularly as a woman, is to work within that contradiction.
For me, performance is less a form than …
Chronos | Kairos: Exploring Time Through Experimental Comics And Artist’S Books,
2026
Rhode Island School of Design
Chronos | Kairos: Exploring Time Through Experimental Comics And Artist’S Books, Rhea Pradeep
Masters Theses
This thesis examines how the reading experience of comics changes when they are presented in various artist’s book formats, particularly through the lens of time and space. This project encourages the practice of close reading, arguing that the physical form of a book is not only a container for the content, but also plays a part in its meaning-making. It shifts the narrative pace, perception of time and reader engagement. Research in this paper is heavily influenced by scholars like Johanna Drucker, Scott McCloud and Will Eisner. This interdisciplinary, practice-led research combines narrative analysis of experimental comics, close reading of …
Resistant Silence Engraved Trauma, Silence In Domestic Spaces, & Acts Of Resistance,
2026
Rhode Island School of Design
Resistant Silence Engraved Trauma, Silence In Domestic Spaces, & Acts Of Resistance, Priyanka Kumar
Masters Theses
This thesis argues that silence surrounding trauma within domestic spaces is not merely an absence of speech or a condition of voicelessness, but it functions as an act of resistance. Focusing on domestic abuse within patriarchal structures, this research examines the ways trauma is embodied, negotiated, and concealed in everyday life. Central in this inquiry is the figure of the “sole witness” to abuse, those who live in close proximity to violence, endure its aftermath and negotiate survival through subtle and often unseen acts of resistance.
I am not attempting to define trauma, but the thesis explores the traces trauma …
Through You I Will Feel,
2026
Rhode Island School of Design
Through You I Will Feel, Mitchell L. Poon
Masters Theses
Through You I Will Feel is an installation exploring my family’s archive and my relationship with my ancestral heritage. An abstracted simulation of my childhood home’s dining room, it examines how revisiting the family archive can reveal new information not only about the past, but also about the present and the future. The installation consists of five works which integrate printmaking and print-adjacent processes: a set of four lithographic prints, cyanotype and natural toning on fabric, inkjet-printing on shrink plastic, UV dye-printing on polymer clay tiles, and digitally printed wallpaper.
The written thesis is a culmination of my time at …
