Lovepilled,
2026
CUNY Hunter College
Lovepilled, Zhiliang Zhao
Theses and Dissertations
"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.
Humanist Abstractions: Zilia Sánchez’S Forms Of Symbolism And The Reframing Of The Picture Plane,
2026
CUNY Hunter College
Humanist Abstractions: Zilia Sánchez’S Forms Of Symbolism And The Reframing Of The Picture Plane, Sydney Srnka
Theses and Dissertations
This thesis examines the culturally specific visual language within the work of Zilia Sánchez through an analysis of her biography and semiotic strategies, arguing that meaning in her work emerges through the materiality of form, rather than through conventional stylistic categorization. It reconsiders how art-historical movements are used to organize artists, proposing a framework better suited to Sánchez’s practice. The issues of reception and legibility have shaped Sánchez’s career as an exile whose experience of displacement informed her shaped canvases. These works articulated a simultaneously unique and universal sense of experience. In researching Sánchez’s history, an alternative story for the …
Cannibalizing The American Dream: Memory, Materials, And Manifesting,
2026
CUNY Hunter College
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Theses and Dissertations
Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.
Transient Landscapes,
2026
CUNY Hunter College
Transient Landscapes, Selena Lozano
Theses and Dissertations
This thesis explores a technical shift from studio to plein air observation and contextualizing urban landscapes through art history and memory. By investigating the tension between permanence and erasure amidst rapid gentrification, the work utilizes painting and photography to mirror the physicality of El Barrio in East Harlem.
5010,
2026
CUNY Hunter College
5010, Clare Hu
Theses and Dissertations
Working with the structure of a table top, Clare Hu churns through digital image and woven cloth, asking how much each medium can bear.
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds,
2026
CUNY Hunter College
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Theses and Dissertations
This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.
Containment,
2026
CUNY Hunter College
Containment, Quin Mittelstead
Theses and Dissertations
This thesis explores “containment" (the act of keeping something within limits) as both oppressive control and a mode of self-regulation, grounded in the author’s experience with epilepsy. Paintings deploy grayscale grounds, restrained palettes, and contrasting rapid/slow gestures; emergent color, texture, and altered substrates map psychological states, bodily impulses, and reactive processes. Research into witchcraft, remedial items, and eugenics (notably Buck v. Bell) informs works that link historical censorship and institutional violence to contemporary stigma. Sculptural installations (nets, jute, flawed Faraday-like enclosures) and cannibalized studio materials probe systems that restrain thought, media, and bodies. By introducing unpredictable variables with found supports, …
Brightly Slacked Tight, It Sways,
2026
University of Arkansas-Fayetteville
Brightly Slacked Tight, It Sways, Molly Brooke Martin
Graduate Theses and Dissertations
Brightly Slacked Tight, It Sways is a body of work that investigates unpredictability and process-based making through collage and materially hybrid forms that combine natural and synthetic elements, operating between drawing, painting, and sculpture. Using familiar, readily available materials gathered from the studio, hardware store, and my surrounding environment, the work embraces improvisation as a generative force. Unpredictability keeps me in relation to the work, interrupting certainty, requiring responsiveness, and mirroring the shifting conditions of the natural world. I break, cut, and recombine sticks gathered from my yard and athletic tape from gymnastics, along with scrap drawings and paintings. Shaped …
Idling,
2026
University of Arkansas-Fayetteville
Idling, Greta Sky Kresse
Graduate Theses and Dissertations
In Idling, I examine the car as a poetic ground where the intimacy of private space and the expansiveness of landscape collapse. The work holds escape and entrapment, movement and stalling, in unresolved tension. Ultimately more interested in the suspended moment than any destination. The work, rooted in my experience growing up Arkansas and engaging in the broader experience of working class Southern life, examines how this space is a site of adolescent life, a memorial site of loss and risk, and a symbol of class mobility and its limitations. Formal motifs developed through my plein air practice unify the …
The Noise Of Time....,
2026
University of Arkansas-Fayetteville
The Noise Of Time...., Shannon P. Smith
Graduate Theses and Dissertations
"the noise of time…" is a meditation on home, memory, and the fluidity of time, told through image and sculpture (materiality). Rooted in the complexity of Black identity and ignited by the passing of my father, this work began as a challenge: to create something interior and vulnerable, specific to my experience yet open enough for others to hold. Influenced by Gaston Bachelard’s "The Poetics of Space," I consider home—our personal intimate space—not only as a container for objects, but as a sanctuary for dreams, remembrance, and complicated emotions. I observe the home as a structure that holds what cannot …
Self-Fashioning In Contemporary Figurative Painting,
2026
University of Arkansas, Fayetteville
Self-Fashioning In Contemporary Figurative Painting, Hal Hardin
School of Art Undergraduate Honors Theses
This paper positions my painting practice as a form of resistance to historical constructions of gender, identity, and visibility, shaped by my experience as a queer, nonbinary person navigating womanhood in the American South. Drawing on Stephen Greenblatt’s concept of self-fashioning and Judith Butler’s theory of gender performativity, I argue that Western figurative painting has long disciplined the feminine body, exploiting it and commodifying it into an easily consumable object.
In response, I appropriate and distort these visual conventions. My figures refuse to behave: they stretch, slouch, and linger in ambiguity, resisting fixed interpretation. Placed in spaces of visibility and …
Rooted Transformations,
2026
California State University - San Bernardino
Rooted Transformations, Ricardo D. Moctezuma
Electronic Theses, Projects, and Dissertations
In my ventures through art I realized that I underwent an experience that was tailored to my process of release. As I struggled to share my emotions, I became distant and dissociated, I felt detached from others and even from myself. This process was something I visualized in my art from, the Tears, to Self Destruction, to the Release and onto the Garden. I’ve always felt myself in a state of Release, partly healed and partly damaged. All I knew was that the garden represented a new beginning for me, I just never knew what that Garden was. Time passes …
Heirlooms Of Virtu,
2026
California State University - San Bernardino
Heirlooms Of Virtu, Santos Nunez
Electronic Theses, Projects, and Dissertations
Heirlooms of Virtu explores familial history as a mode of self-study. By examining childhood, the more possible it can be to navigate the contemporary. Research into the self becomes the bridge between two states of being, allowing for a better understanding and a more purposeful approach to the future.
As an artist working primarily in photography and video, I am recontextualizing key nostalgic concepts with technology through interactive sculptures and video installations. My research alludes to classic toys and technologies specific to my childhood in an effort to find and understand the self. Nostalgia as an idea not only exists …
Between Chronicle And Legend: A Two-Scene Environment And Visual Effects Examination Of Physical Accuracy And Emotional Exaggeration On The Honey Creek Bridge Collapse,
2026
Clemson University
Between Chronicle And Legend: A Two-Scene Environment And Visual Effects Examination Of Physical Accuracy And Emotional Exaggeration On The Honey Creek Bridge Collapse, Alison R. Gaddy
All Theses
This thesis explores how truth and dramatization intersect in digital storytelling by comparing realistic and stylized simulations of the Honey Creek bridge collapse within the context of the Kate Shelley animated short. At the core of storytelling lies a tension between factual accuracy and dramatic stylization. We investigate that tension by examining how narrative truth is conveyed, distorted, or enhanced through visual dramatization by focusing on the psychology of audience perception and the motivations behind creative embellishment. The practical contribution of this research is the development of two distinct digital scene setups depicting the same Honey Creek bridge collapse event. …
Desert Ghost,
2026
Clemson University
Desert Ghost, Jessica Downs
All Theses
This thesis explores the relationship between landscape, memory, and the body through handmade paper installations inspired by the deserts of southwestern Utah. Drawing from personal experience of place and the loss of a childhood home, the work considers how environments are internalized and persist as shifting, sensory impressions rather than fixed geographies. The desert becomes a generative site for examining presence, transformation, and the passage of time, both geologic and personal.
I use handmade paper and installation to translate my experience of place into physical form. Paper serves as both material and metaphor; its fibers, textures, and muted tones emulate …
Weaving Ideology: Textiles In Florentine And Venetian Painting Of The Cinquecento,
2026
Macalester College
Weaving Ideology: Textiles In Florentine And Venetian Painting Of The Cinquecento, Ruben Verità
Art and Art History Honors Projects
Renaissance art historical scholarship has largely ignored the political and cultural significance woven into the representation of textiles, as well as their communicative potential in paintings. In this study, I examine how textiles in their various forms carry the potential to go beyond their normative categorization as decoration. Through a comparative analysis of the paintings produced in two politically distinct polities—Florence and Venice—during the sixteenth century, I integrate Louis Althusser’s theory of ideology and Michael Baxandall’s period eye to elucidate how painted fabric was not the representation of a passive decorative ornament. Rather, it was an active and legible proxy …
Alternative,
2026
University of South Alabama
Alternative, Ashlynn M. Stroud
Graduate Theses and Dissertations (2019 - present)
A series of illustrations, sculptures and comic book issues designed to introduce a series of stories and characters that represent the history and members of a fictional mythology depicting the cultural social group often referred to as the “alternative” community. Alternative takes place in a world that combines high fantasy and science fiction with elements of pop culture and music. This world uses iconography of the various genres of the alternative subculture and music, metal, post-punk, and the evolving scene of the underground with varying visuals from both gothic and industrial time periods. Viewers are encouraged to read and follow …
Volume 17,
2026
Longwood University
Volume 17, Christian O’Neill, Kyara Greene, Savva Sidorov, Laura Bisaillon, Luke Clemmer, Hannah Gordon, Kitt Benson, Taylor Blount, Rachel Danzitz, Nicholas Duellman, Chase Gionis, Hima Fernando, Seth Franzyshen, Onyx Gonzalez, Bryan Lin, Samantha Start, Ysabel Wells, Maggie Duncan
Incite: The Journal of Undergraduate Scholarship
Introduction Dr. Amorette Barber, Director, Office of Student Research
From the Editor Dr. Hannah Dudley-Shotwell
Cover Artist’s Statement Maggie Duncan
On Mentoring Dr. Yulia Uryadova
Ukrainian Resistance in the Face of Russification: Nestor Makhno and Anarchism
by Christian O’Neill
Life Vest by Kyara Greene
Isolation and 16S rRNA Identification of Bacteria from Fire Department Connection Pipe by Savva Sidorov
The Effectiveness of Planned Exercise in Reducing ADHD Symptoms in Children by Laura Bisaillon & Luke Clemmer
Linguistic Analysis on Confidence and Communication Strategies with Disparities Between Sign Fluency and Hearing Impairment by Hannah Gordon
Freedmen in Indian Territory by Kitt …
Sweetly Somatic,
2026
University of Arkansas-Fayetteville
Sweetly Somatic, Grace Edwards
Graduate Theses and Dissertations
The delight of biting into something sweet. The freedom of getting lost in the movement of your own body. The sensation of being completely enveloped by color. The flutter that rises in your chest when surrounded by abundance. Sweetly Somatic traces personal sensory experience across time, transforming ephemeral moments of joy into forms that capture enduring perseverance. Sculpted from fluxing ceramic materials, piped grout, and glass adornments, the works examine the elasticity of memory, both bodily and retrospectively. My bodily sensations are my most accessible form of joy, and a filter that all experiences move through.
Meikyu,
2026
University of South Alabama
Meikyu, Diana D. Dyer
Graduate Theses and Dissertations (2019 - present)
This thesis explores the relationship between digital and physical practices through the integration of traditional glassworking techniques and digital media. The project combines glass fusing and glass blowing with woodworking, screen printing, vinyl cutting, animation, and augmented reality (AR) technologies to create dialogue between physical and digital forms. This thesis documents the full creative process, beginning with conceptual sketches and progressing through the fabrication and assembly of glass components into finished sculptural pieces. Digital technologies are then incorporated to augment and extend the physical artwork. Three-dimensional (3D) assets were created using Maya, a 3D modeling software, and implemented within Snapchat's …
