Fine Arts Commons^™

Held In Sediment, Kati Lowe

Masters Theses

This thesis examines time as a durational, non-linear condition shaped through emotion and perception rather than a sequence of forward-moving events. Through painting and related material strategies, the work focuses on aftermath, residue, interruption, and return. Throughout this thesis, terms such as misalignment, double vision, fragmentation, interruption, and recurrence function as a conceptual vocabulary for describing instability within memory, embodiment, and lived experience. Blurred edges, doubled forms, and punctures in the surface register a lag between experience and comprehension, especially in relation to grief, trauma, depression, memory, and embodied perception. Neon color functions as a counterpoint to delay, signaling persistence, …

Deep Cuts: Bearing Witness To The Erosion Of Evidence, Maya Lakshmi Srinivasan Md

Masters Theses

In my Master of Fine Arts thesis in Printmaking at the Rhode Island School of Design, I examine the intersection of my dual practices as a general surgery resident and artist. Both disciplines require precision, incision, and tactility to navigate the human condition. My art practice is a method of processing the emotional toll of surgical training and the simultaneous societal erosion of scientific authority. My thesis work focuses on challenging the rise of medical pseudoscience and anti-intellectualism. The focal piece in this installation, In Tallow We Trust, consists of three woodblock relief prints at the scale of an …

The Right To Withdraw: Soft Boundaries And Material Refuge In The Workplace, Zhihao (Sky) Xing

Masters Theses

Traditionally, architecture has provided physical protection through solid structures and defined boundaries, while modern interior spaces have evolved further to serve function, efficiency, and the operational needs of society. These include open-plan offices, art school studios, and other public spaces like libraries. Although physical rigidity and operational efficiency have been well served by the modern built environment, the psychological experiences of those within it remain largely overlooked - a lack of privacy, emotional support, and space for emotional withdrawal.

This research explores why contemporary workplaces often expose individuals to sensory overload and why people often retreat to stairwells, restrooms, or …

Auxiliary Damage, Aiyi Cheng

Masters Theses

AuxiliarY DamagE asks what happens to pain when it is moved outside the body and given material form. Pain is not treated here as an image to be represented, but as something processed through repetition, pressure, exposure, and care. It is handled. Washed. Arranged. Pulled out. Swallowed back in.

Hair became the material that allowed this question to stay unstable. While attached to the body, it is intimate and ordinary. Once detached, it becomes residue, evidence, discomfort, value, and loss. In the studio, I washed collected hair, untangled it, threaded it through metal, placed it near flame, held it in …

1, 2, 2, 1, 1, 2, 1, 2, 2, 1, 2, 2, 1, 1, ..., Annemarie Torresen

Masters Theses

1

I invite you to see it and feel it and sit in it and breathe it in and

hold it in your lap. Art isn’t too scary, and neither is math.

2

bouncing between bounds of a binary

bippity boppity! let’s break brains and bread

balance or belly flop, what’s mine is yours:

bumptious and bumbling and barely able

i offer it broken and let you like it that way

Numb., Anna Rapson

Masters Theses

Social media platforms, from their conception, posed a break in the lived experience of the average human being’s day to day routines. Although access to information has always been shaped by portals into other lived realities—through photojournalism, print legacy media, news broadcasts both on radio and television—social media has posited a novel phenomenological architecture where borders between embodied reality and perception of lived experience are simultaneously blurred and reinforced. This morphed duality of consciousness positions the body and mind in tension, deconstructing pre-social media conceptions of the ontology of lived experience. In a digital world shaped by limitless input by …

Part-Time Faculty In Art And Design Higher Education: Support & Challenges, Katherine Ye Jin Lee

Masters Theses

This thesis investigates the challenge part-time faculty in art and design higher education face and the institutional support they receive through a case study conducted at Rhode Island School of Design (RISD). Through an extensive, anonymous and voluntary part-time faculty survey across different departments at RISD, it examines: 1) current perceptions of available institutional & departmental teaching support, 2) teaching approach & practice, and 3) student-faculty engagement. The research aimed to gather data on challenges that are unique to part-time faculty in art and design fields, especially in relation to faculty-student engagement to understand areas where they can be better …

Waiting For Memory To Expire, Yuanji Liu

Masters Theses

Nostalgia is sentimental longing for the past, typically for a period or place with happy personal associations. In Chinese, nostalgia is more like an experience of chóu(惆), it is like a subtle weaving of heart and mind, where an ineffable emotion circles endlessly within. This is a process of repetition, of continuously generating and renewing—a reflection on loss, memory, and the passage of time. Within this affective terrain, images—particularly those expired in digital communication—act as traces of presence and absence, mediating our encounter with the past and our sense of home from a distance. These expired images, though seemingly unreadable …

Finding The Magic: On Kenning And Mediation, Anna L. Rasmussen

Masters Theses

There is a natural inclination towards storytelling for all artists, one way or another, and I am no different, though my method is ceramic sculpture instead of spoken or written word. Here I am doubling down on that instinct and placing myself in the role of the medial woman. In doing so I am further exploring the methods of how society is shaped through storytelling, where to place oneself in that dichotomy, making and using art for preceptive purposes, and becoming a new sort of cunning folk in the process. In these essays and stories, you will read feminist and …

There Is No Real : The Burden Makes It Real, Matthew L. Brown

Masters Theses

This thesis explores the concept of burden ship as a framework for understanding human connection and meaning within contemporary life.  Through a series of interconnected essays, this project examines different facets of burden including themes of knowledge, time, identify, responsibility, and choice, and through this exploration, the project investigates how these burdens shape Individual and collective experiences of reality.

These essays are accompanied by artistic projects that use light, digital interaction, weight, constriction, and material tension, as methods of embodying burden in physical form.

At the core of this thesis, is the belief that meaning is not passively discovered; it …

What A Wonderful Dream, Zhaoyue Chen

Masters Theses

This thesis explores the relationship between childhood memory, cuteness, fantasy, and psychological tension through ceramic sculpture and installation. Drawing from amusement imagery, toys, consumer objects, animal forms, and decorative environments, my work investigates how cuteness can function as an emotional and visual surface rather than simply representing innocence. While these forms often appear soft, playful, and comforting, they can also evoke feelings of restraint, instability, vulnerability, and discomfort.

The title What a Wonderful Dream was inspired by a visit to a Winnie the Pooh ride at Disneyland with my close friend and her eleven-month-old baby girl. That experience led me …

Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

Masters Theses

Digitization is not a modern invention. Derived from the concept of fingers, this mindset of packing information into quantifiable, interchangeable units sounds mechanical, yet eerily physical. Try to imagine: a ghostly hand with millions of fingers with the same length, likeness, and function. Under the worldview of Digital Narrative, we live in a digital simulation: everything is representable with quantifiable units, fluid across media. Yet under this spectacle of convenient abundance, something is missing. The Unknowables are replaced with arbitrary symbols, while the Uncategorizables are omitted. This is a framework that cannot accommodate human subtleties and complexities. One needs to …

Until The Ground Breaks, Annie Hu

Masters Theses

Until the Ground Breaks explores the complex relationship between personal memory, embodied experience, and internalized "archival logic." By examining long-term cross-cultural diasporic experiences and the shifting dynamics of family narratives—including the sensory experiences and fading memory of a grandmother, a father's correspondence that acts as a textual record of emotional logic, and the continuous revision of family history—this thesis dissects the psychological tremors that occur when the illusion of a singular, stable memory archive collapses. This research rejects the view of memory as a static container of truth, revealing it instead as a dynamic, unstable, and constantly rewritten living system. …

41.82379°N, 71.38497°W, Xiaotong Cai

Masters Theses

I, Xiaotong Cai, have known an abandoned bridge was lifted and stuck at 64-degree from 1976. I have walked and bent down towards it for over 60 times, each paralleling a journal entry. The visits and 27,351 words (up until May 5th) are the living proof: observation, encounters, correspondence, collectively and personally. It’s been nine months since it emerged in flux. Two flesh. A moving outsider and a still bridge. How can an Unused giant activate a human body? Who is the attractor and intervener?

Here, my solution is to conduct a series of small gestures. I say, interpreting without …

Not Reaching The End, Yiyun Liu

Masters Theses

This thesis explores the middle ground as an unstable and continuously negotiated condition rather than a fixed point of balance or compromise. Beginning with the idea of rabbitness—not as an image or symbol, but as a mode of sensing characterized by sensitivity, immediacy, and constant adjustment—the research investigates how perception operates within moments of uncertainty, hesitation, and instability.

Drawing from Slavoj Žižek’s notion of the Real as ruptures within symbolic structures, this project considers experiences that resist complete articulation: moments of anxiety, hesitation, and unresolvable tension. Rather than treating these moments as interruptions, this thesis approaches them as productive …

Menstrual Muses: Art, Storytelling, And The Care-Based Communication Of Menstrual Justice, Burcu Koleli

Masters Theses

Menstrual Muses is an artistic research project comprising a written thesis and a body of work developed across soft sculpture, ceramics, illustration, graphic memoir, digital media, and participatory workshops. The written component operates alongside the studio practice, outlining the project’s theoretical framework, methodology, and context while engaging questions of communication, accessibility, embodiment, and stigma. It situates menstruation within feminist discourse, examining how it has been culturally silenced, regulated, and shaped through systems of power.

The artistic work functions as research materialized through practice, responding to the central question of how my art can facilitate conversations around menstrual justice. It explores …

Open_______, Eitan Boiarsky

Masters Theses

This thesis examines how ambiguity can function as a deliberate design strategy rather than a condition to eliminate. While modern design traditions have prioritized clarity, efficiency, and immediate legibility, this work revisits Umberto Eco's concept of the Open Work and Oskar Hansen's Open Form to argue that openness is not a failure of design but a method within it.

Through a series of workshops and object-based experiments, ambiguity is structured as a design instrument that invites interpretation rather than delivering fixed meaning. Participants encounter unfamiliar forms with deliberately withheld information, producing moments of hesitation, speculation, and reinterpretation. These encounters demonstrate …

破酆都 Calling Her Through The Gates, Yuqi Liu

Masters Theses

My practice centers on papermaking, printmaking, and artist books to explore fiber as both image and language. I treat paper not simply as a surface, but as a living material through which memory, labor, and history can be held. By making my own sheets from plant fibers, fungi, and other organic matter, I create works in which material and meaning are inseparable. Shaped by my engagement with the natural world, women’s history, and overlooked vernacular forms of knowledge, my work moves through cycles of life and death, presence and disappearance, fragility and resilience. My projects with mushrooms and mycelium led …

Love In Passing Time, Elysa T. Adams

Masters Theses

Elysa Adams, 2026

Love in Passing Time reflects on how the Black church has molded my understanding of faith, family, and community. Working across relief, screenprint, sculpture, and sound, my practice explores how knowledge is shared across generations through music, tradition, and adornment.

The exhibition draws on my upbringing as a pastor’s child, in which the church serves as both a spiritual and communal home. These experiences appear through sculptural paper garments based on childhood memories, tambourines featuring the faces of people who have impacted my life, carved portraits of my grandparents, and sculptural pews that reference the architecture of …

Jewelry As A Portable Sanctuary, Yuhao Li

Masters Theses

This thesis examines how individuals remain intact in the presence of emotional difficulty. Rather than treating protection as withdrawal, the research proposes that stability emerges through the construction of an interior structure capable of holding vulnerability without collapse. Drawing on psychological theory, philosophy, and spatial thinking, it frames emotional repair as a spatial condition: an interior that can contain experience and be returned to when external conditions become unstable.
Within this framework, jewelry is redefined as a material extension of this interior. Positioned between body and world, it operates as a structure of containment, functioning as a portable …