Why I Am Vegetarian,
2011
Illinois Wesleyan University
Why I Am Vegetarian, Jamie Kang, '11
BA/BFA Senior Honors Book Gallery
No abstract provided.
Walls,
2011
Gettysburg College
Copy Of A Sculpture,
2011
Gettysburg College
Classical Bust,
2011
Gettysburg College
Different Spokes,
2011
Gettysburg College
Nepali Girls,
2011
Gettysburg College
Luray Cave,
2011
Gettysburg College
Glatfelter Hall,
2011
Gettysburg College
Sunlight,
2011
Gettysburg College
Durango-Silverton Railway,
2011
Gettysburg College
Only Heathcliff,
2011
Gettysburg College
Highjump,
2011
Gettysburg College
Color,
2011
Gettysburg College
Beaufort Campfire,
2011
Gettysburg College
Mfa11 (Mfa 2011),
2011
Washington University in St Louis
Mfa11 (Mfa 2011), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Patricia Olynyk, Marshall N. Klimasewiski, John Talbott Allen, Meghan Bean, Shira Berkowitz, Darrick Byers, Jisun Choi, Zlatko Ćosić, James R. Daniels, Kara Daving, Andrea Degener, Kristin Fleischmann, William Frank, Nicholas Mccullough, Jordan Mcgirk, Zachary Miller, Esther Murphy, Kathryn Neale, Christopher Ottinger, Maia Palmer, Nicole Petrescu, Lauren Pressler, Bryce Olen Robinson, Whitney Sage, Donna Smith
Books and Monographs
Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum, May 6-Aug. 1, 2011. Content includes Introduction / Buzz Spector -- Patricia Olynyk -- Marshall N. Klimasewiski -- John Talbott Allen -- Meghan Bean -- Shira Berkowitz / Maggie Stanley Majors -- Darrick Byers, Bryce Olen Robinson -- Jisun Choi -- Zlatko Ćosić -- James R. Daniels -- Kara Daving -- Andrea Degener -- Kristin Fleischmann / Randi Shapiro -- William Frank / Lawrence Ypil -- Nicholas Kania -- Katherine McCullough -- Jordan McGirk / Aditi Machado -- Zachary Miller -- Esther Murphy / Maggie Stanley …
Again, With Feeling! [Exhibition Catalogue],
2011
Portland State University
Again, With Feeling! [Exhibition Catalogue], Dave Colangelo
School of Film Faculty Publications and Presentations
Again, With Feeling! presents the work of artists whose visions are injected with properties of pattern, repetition, and appropriation. Taking cues from the everyday, the works displayed show new incarnations or morphs of their originals. This multidisciplinary show explores the ‘re’-mixing, producing, or contextualizing of an original, whether through motif, object or experience. By re-negotiating the terms around their borrowed imagery or performance, these artists present us with a fresh composition of a thing we’ve seen before.
Conservation Re-Casing (Binding),
2011
Syracuse University
Conservation Re-Casing (Binding), Donia Conn, Peter D. Verheyen, Department Of Preservation And Conservation
Librarian Publications
Conservation recasing is a way to preserve our 19th and 20th century materials in which the bindings have failed and, in many cases, been lost over time. It is not intended to be used on valuable bindings or volumes printed before 1800. The structure used is based on the German (Bradel) case binding.
Mylar Phase Box,
2011
Syracuse University
Mylar Phase Box, Donia J. Conn, Department Of Preservation And Conservation
Librarian Publications
The Mylar phased box is a simple, low-cost, enclosure made from 20pt acid-free folder stock and heavy weight Mylar to create a see through wrapper for higher end items. This box comes from the Folger Shakespeare Library and was designed by Linda Blaser.
"Molded" Paper Spine Binding,
2011
Syracuse University
"Molded" Paper Spine Binding, Donia J. Conn, Department Of Preservation And Conservation
Librarian Publications
The molded paper spine is a rebacking/recasing structure intended for leather-bound books for which the covers have deteriorated too much to be salvageable. The new molded paper spine looks very much like leather and is very strong.
An Investigation Of The Body As Location In The Context Of Kristeva's Reading Of The Maternal Orientation Of The Abject,
2011
Technological University Dublin
An Investigation Of The Body As Location In The Context Of Kristeva's Reading Of The Maternal Orientation Of The Abject, Pauline Keena
Masters
The aim of my research project is the generation and enhanced understanding of what is unspeakable, unrepresented, and beyond the resolve of logical thought in my art practice. I wanted to find a way to display the emerging evidence of what is there in the physical material manifestation and beyond. So I set up a studio based research context to begin an enquiry by engaging philosophic ideas in a set of physical relations through materials and making in the studio. Using the theoretical work of Kristeva, Lacan and Schon enabled me to structure and language the enquiry. Mapping philosophic ideas …
