Fine Arts Commons^™

01. Art, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

06. Theatre Arts, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

05. Music, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

40/40/40 Exhibition Of Contemporary Art Celebrating Ireland’S 40 Years In The European Union, Amy M. Walsh

Exhibition Catalogues

For E word 40/40/40 is an exhibition of contemporary art works from the Irish State Art Collection organised by the Department of Foreign Affairs and Trade and the Office of Public Works (OPW) of Ireland. These works have each been created by 40 artists under the age of forty, who are Irish or have chosen to base themselves in Ireland. It is in celebration of the 40th Anniversary of Ireland as a Member State of the EU. The works reflect the current art practice of these artists and cross a variety of media – photography, drawing, sculpture and painting. The …

Brian Fay Interview For Peel Magazine, Brian Fay

Other resources

This interview is from a series of artist conversations around the use of and relationships to the materials they employ in their practice. Other interviewees include Alexandra Hughes, Nadia Scola, Rachel Sharp, James Watts and Zara Worth.

Untitled, Arianna Carossa, Joseph Farbrook, Darren Jones, Maciej Markowicz, Chris Radtke, Joseph G. Sabatino, Travis Leroy Southworth, Dmitry Strakovsky, Eric Valosin

Exhibition Catalogs

Catalog for the exhibition Untitled held at the Seton Hall University Walsh Gallery, January 22 - February 22, 2013. Curated by Jeanne Brasile and Jennifer Graham-Macht. Includes an essay by Jeanne Brasile and Jennifer Graham-Macht. Includes artist statements. Includes color illustrations.

Maine Women Pioneers Iii: Vanguard, Homage, Worldview, Dirigo, University Of New England Art Gallery, Center For Ethics In Action

Exhibition Catalogues

Maine Women Pioneers III is the catalogue from the University of New England Art Gallery’s October 12, 2012—July 21, 2013 four-part exhibition.

Vanguard (Oct. 12 - Dec. 16, 2012) featured avant-garde, experimental and innovative works by nine Maine artists who offer insights into the future using mixed media, conceptual installation, performance and video elements. Featured artists: Susan Bickford, Diana Cherbuliez, Amy Stacey Curtis, Alicia Eggert, Lauren Fensterstock, Lihua Lei, Julie Poitras Santos, Carrie Scanga, and Ling-Wen Tsai.

Homage (Jan. 2 - March 3, 2013) highlighted veteran artists who are powerful examples of career and lifelong original creative accomplishment, ahead of …

Forget The FlâNeur, Conor Mcgarrigle

Articles

This paper discusses the connections between the ‘flâneur’, Baudelaire's symbol of modernity, the anonymous man on the streets of nineteenth century Paris, and his contemporary digital incarnation, the ‘cyberflâneur’. It is argued that, although the flâ- neur could be successfully re-imagined as the cyberflâneur in the early days of the web, this nine- teenth century model of male privilege no longer fits the purpose. It is suggested that it is time to forget the flâneur and search for a new model to consider the peripatetic nature of location-aware networked devices in the digitally augmented city.

Cell Mates, Suzanne Anker, Gabe Benzur, Matt Drissell, Jordan Eagles, Sarah Fattori, Lorrie Fredette, Laura Gravenstine, Marianne Hamel, Phil Hastings, Jeanne Heifetz, Nikki Johnson, Taehee Kim, Caitlin Mccormack, Vikki Michalios, Shuli Sade, Hyungsub Shin, Amanda Thackray, Linda Tien, Joyce Yamada

Exhibition Catalogs

Catalog for the exhibition Cell Mates held at the Seton Hall University Walsh Gallery, June 3 - July 18, 2013. Curated by Jeanne Brasile and Lisbeth Murray. Includes the essays The Art of Science and the Science of Art by Jeanne Brasile and Incubating Hybrid Art by Lisbeth Murray. Includes color illustrations.

The Feminine Peter Pan, Felicia Jones

AWE (A Woman’s Experience)

Cross-casting in performances has effected outrage and social dilemmas in audiences, despite the important cultural messages those characters display. Since its beginning as a play, women have been cast as the young boy Peter in Peter Pan. J.M. Barrie wrote Peter Pan through inspiration from the young deaths of his brother and childhood friend, who will always remain in their youth. In order to capture that youthful innocence, females have been cast as Peter. This choice in casting was also made to achieve androgyny and transcend gender by blurring gender lines.

03. Design, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

Inscape 2013, Morehead State University

Inscape: Art & Literary Magazine Archive

The 2013 edition of the Inscape: Literary and Art Magazine.

Pathos, Winter 2013, Portland State University. Student Publications Board

Pathos

Editor: Deena Anreise

Projection (Baton Charge 1913), Ronan Mccrea

Exhibitions

Projection (Baton Charge 1913) is based an single photograph made by Joseph Cashman (1881 – 1969) during the labour dispute known as the Dublin Lockout in 1913. Taken from a elevated point of view, Cashman’s image depicts members of the Dublin Metropolitan Police baton charge a large crowd attending a protest meeting to be addressed by trade union leader Jim Larkin on O’Connell Street on 31 August 1913. Larkin was arrested and two people were killed during the riots that followed. This photograph (along with second photograph by Cashman of Larkin addressing a crown with outstretched arms) dominates the iconography …

An Imperial Collection: Exploring The Hammers' Icons, Wendy Salmond

Art Faculty Books and Book Chapters

"Changing hands one last time, in the 1950s, for many years the icons at BJU lived as it were incognito, the details of their glamorous origins largely forgotten. Reuniting this core group-the cream of the Hammers' imperial icons--with others that passed into American museums in the 1930s allows us to appreciate the full significance of Armand and Victor Hammer's foray into marketing icons Americans.Viewed in isolation, most of their "imperial icons" are perhaps no mo than a poignant reminder of the vast destruction and dislocation of Orthodox culture during the Soviet Cultural Revolution. Taken together, however, they paint a vivid …

Augmented Resistance: The Possibilities For Ar And Data Driven Art, Conor Mcgarrigle

Articles

This article discusses the possibilities for Augmented Reality (AR) as a driver of data based art. The combination of AR and Open Data (in the broadest post-Wikileaks sense) is seen to provide a powerful tool-set for the artist/activist to augment specific sites with a critical, context-specific data layer. Such situated interventions offer powerful new methods for the political activation of sites which enhance and strengthen traditional non- virtual approaches and should be thought of as complementary to, rather than replacing, physical intervention.

I offer as a case study this author’s “NAMAland” project, a mobile artwork which uses Open Data and …

Austin Cooper Art Donation To Osgoode Hall Law School, Lorne Sossin, Austin Cooper

Osgoode Events

In 2013, Dean Lorne Sossin spoke with renowned criminal lawyer Austin Cooper about the art collection he would donate to Osgoode Hall Law School.

Parietal Dwellings, Krista Heinitz

All Graduate Theses, Dissertations, and Other Capstone Projects

My work is inspired by the mysterious qualities of our earth, and the beings that inhabit it. I reference nature, biology, architecture, and popular culture to make works which encourage contemplation. I am creating my own personal history through the making, as well as inviting the communal connection. This body of work aims to create a space filled with juxtapositions, optical illusions, and familiar materials. Inspired by lucid dreaming, the work puts a twist on assumed normalcy in our environment.

Experiments And Undulations, Jackleen Kramer

All Graduate Theses, Dissertations, and Other Capstone Projects

I’m fascinated by the strengths and weaknesses of ceramic and metals. Traditionally ceramic objects have had a sense of sturdiness, as do industrial metals. My interest stems from utilizing both materials’ plasticity to my advantage. My work juxtaposes these concepts by embracing the fragility of both materials in a playful manner. This allows me to transform a static linear piece of metal or wire mesh into an undulating organic shape with curves and cast shadows that change from every angle. To accomplish this, I use small gauge wire mesh and thinly applied high fire paper clay, nylon clay, or Egyptian …

A Director's Approach To I Love You Because, Adam Karal Sahli

All Graduate Theses, Dissertations, and Other Capstone Projects

It is a detailed account of author Adam Karal Sahli's artistic process in directing the musical I Love You Because at Minnesota State University, Mankato in the Fall of 2012. The thesis records the artist's process from production selection through performance in five chapters: a preproduction analysis, a historical and critical analysis of the work, a production meeting and performance journals, a post-production analysis and a process development analysis. Appendices, works cited and works consulted follow.