Fine Arts Commons^™

Martha Councell-Vargas, Christine Lena

International Faculty Researchers

Travelling to Central America in college is all it took to inspire Martha Councell-Vargas to begin a career of teaching, researching, and performing flute music of the Americas.

Orpheus, Fall 2015: Form, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

R. Luke Dubois: Portraits & Landscapes, Richard Rinehart

Other Faculty Research and Publications

R. Luke DuBois handles data like origami, transforming a mundane instrumental base material into something unexpected, even beautiful. A More Perfect Uniontransforms the language from 19 million online dating profiles into an atlas of American love, and Hindsight is Always 20/20 turns each presidential State of the Union address into a linguistic eye chart.

DuBois similarly folds time into new shapes. Academycompresses 75 years of Oscar winning films into 1-minute vignettes. Vertical Music stretches 4.5 minutes of musical performance into 45 minutes of cinema, and SSBpresents a version of the Star Spangled Banner that takes 4 years …

Pathos, Fall 2015, Portland State University. Student Publications Board

Pathos

Editor: Philip King

Volume 10 No. 1

Exploring Lds Missionary Blogs: How Culture Manifests In Self-Narratives Of Foreign Missionaries, Karina Marie Gathu

Theses and Dissertations

Missionaries serving in foreign countries provide a unique perspective on culture that they chronicle on public blogs. A content analysis of these blogs showed that missionaries use their own cultural and religious frame to make observations, some good and some bad, about cultural habits and beliefs foreign to their own. Through the medium of blogging, we see how missionaries use self-narratives to understand and make sense out of differences in culture and beliefs that ultimately impact how they identify themselves.

Marshall University Music Department Presents, The Historical Trumpets And Flutes, From The, United States Army Old Guard Fife And Drum Corps, Elizabeth Reed Smith

All Performances

No abstract provided.

Motivations In The Fine-Art Market: A Self-Determination Theory Approach, J. Paul Leavell

Atlantic Marketing Association Proceedings

Fine-art marketing research experiences friction that other arenas for marketing research do not. The product moved within this arena has subjective value with many drivers that can be difficult to quantify: The motivations of sellers and buyers may be different from what other marketing arenas experience (Marshall and Forrest 2011). The end price of fine art may have no relationship to the cost of inputs relying more on the demand driven by the artist’s reputation (Throsby 1994). Due to such challenges, the Academy has struggled in its contemplation of the marketing concept within this arena.

This paper will investigate the …

Rembrandt Versus Van Gogh: A Qualitative Contrast Study Applying A Visual Arts Valutation Model, Rene Desborde, Kimball P. Marshall

Atlantic Marketing Association Proceedings

Few marketing scholars have explored the field of fine arts marketing despite its significance as an area of economic activity and human creativity. Billions of dollars change hands annually in the worldwide visual fine arts industry (Velthuis, 2007; Clark and Flaherty, 2002), defined here to include various paintings, sculptures, and ceramics. This lack of academic attention might be because marketing scholars perceive that issues related to fine arts have little to do with marketing. It could also be that the unique characteristics of fine arts marketing are thought not to lend themselves to a traditional analytical approach to explain a …

Pricing In Opaque Markets: Paintings Old And New, Sharon V. Thach

Atlantic Marketing Association Proceedings

Pricing is one of the more difficult aspects of marketing management and poses interesting problems for economists trying to account for what are really a collection of microsales that are not well reflected in aggregate macroterms. The developed models and processes work best for mass produced products but grow increasingly problematic when products are intangible services or unique goods. This paper looks at paintings as a product within a specific “industry” , but many of the issues are similar to those in the professional services (law, medicine, education) and auxiliary services (consulting, IT outsourcing, insurance). There are also aspects of …

The Social Justice Project: The Art Of Change, Geoffrey Hillback

21st Century Social Justice

No abstract provided.

Magic Bullet, Karen Haydock

The Transdisciplinary STEAM+ Journal

Two of the most powerful types of corporations in the world today are those that produce pharmaceuticals and weapons. While the corporations are concerned with increasing their profits, we wonder if their products have any magical powers.

[India ink on rag paper]

This poster explores the military-industrial complex. The weapons industry profits through imperialism. The pharmaceutical industry profits through by taking advantage of people’s illnesses.

The poster has multiple interpretations, hopefully encouraging the viewer to participate by asking relevant questions, such as:

“What is that person drinking?”

”Are they pills or bombs?”

“Medicines cure us - how can a pill …

Tunnel Boring Machine At Night, Alex Vietti

The Transdisciplinary STEAM+ Journal

My paintings of construction workers tell how they transform the world, turning old buildings into ghosts using jack hammers and wrecking balls. From their daily labor, they give birth to the new structures. Buildings, bridges, the houses we live in, give us a feeling of security needed to perform our daily tasks. The luxury of stasis, manifested brick by brick by laborers, is assured to be provided to those preoccupied with the function of these structures. Observing them working has given me the chance to look into another world, a constantly fluctuating world that lays the foundation for my own.

Pigs Feet, Jesse W. Standlea

The Transdisciplinary STEAM+ Journal

My sculpture “Pigs Feet” has literal foundations upon casts of live pig’s feet. I locally sourced the pig’s feet before casting them. My sculpture makes use of a once cutting edge casting technology, alginate. Alginate molds were once the standard in dentistry. Alginate is an appealing casting material as it is refined from brown seaweeds, is both food and skin safe, it is suitable for educators, for artists and engineers alike.

Prancing Shadow Connecting Worlds, Tiffany D. Randle

The Transdisciplinary STEAM+ Journal

The practice of being conscious about the environment and how shadows, light, and movement create an intellectual space for different interpretations allows the viewer to make their own associations. Concrete, the ground that people of different shades walk on, to one person can look and seem like an ethereal and unknown environment, but to another may seem like a moving body of liquid. When artists stop and look at the simple things such a concrete, and water, or passersby they can capture a moment in time that transcends the mundane and suddenly the artist is in a position to present …

Canine Haiku: Yellow Ball, Julie Andreyev, Tom (Canine)

The Goose

Poetry by Julie Andreyev and Tom.

Dotphotozine Issue 5, September 2015, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.

The Personal Is The Political: Artemisia Gentileschi’S Revolutionary Self-Portrait As The Allegory Of Painting, Virginia L. Conn

Kaleidoscope

No abstract provided.

With A Twist, Heather Marie Beckwith

Theses and Dissertations

My functional ceramic art takes into account the user, its intended function, and the spaces in which it should be used. The utilitarian object is important to our daily ritual. If successfully designed it can enhance the user’s experience. My exploration in sculptural clay work has carried over into the functional pieces I created. Careful attention is paid when designing the form, leaving a soft blank canvas for inlayed line work and deeply carved surfaces that will mesh well with the spontaneity of the firing process. I draw inspiration from the people and places that have graced my life. By …

Intermediate Realities, Brady Forrester

Theses and Dissertations

I experiment with constructions of light, glass, paint, and everyday materials to create photographs which are intended to stir within the viewer a meditative uncertainty. When these translucent collages are back-lit and photographed, the resulting images appear spatially ambiguous, and resemble superimposed realities. The images in this series were inspired by ideas concerning the elusive and vulnerable nature of our emotional and creative wellsprings. I arrive at these stages through processes that subvert my preconceived ideas and allow the materials to suggest evolving compositions. The scenes are transitory, therefore the photograph serves as their point of inscription.

Artificial Infinite, Brandon Daniels

Graduate School of Art Theses

This thesis examines the complex history of the sublime, specifically the sublime Void of the Romantics and the newer concept of the technological sublime. From there, I examine the genre of science fiction and it relationship to the sublime, the Void and the grotesque. I use specific examples such Stanley Kubrick’s 2001: A Space Odyssey, Andrei Tarkovsky’s Stalker, and a few others to better understand and apply these concepts. Beginning with these examples, I start to posit what role special effects play in how these films embody these philosophical concepts.

Building on this foundation of research, I go on to …