Fine Arts Commons^™

Diptych 1, Amy Mathis

The Messenger

No abstract provided.

Diptych 3, Amy Mathis

The Messenger

No abstract provided.

Untitled, Amy Mathis

The Messenger

No abstract provided.

Inspire: The Confluence Of Art & Design, John Mark Lawler

LSU Master's Theses

Inspire: The Confluence of Art & Design seeks to untangle the inextricable link between graphic design and art. Graphic design has always been seen simply as an informational or sales tool; rarely is it seen as art. The work presented in this show illustrates that works created with typography can, in fact, be one and the same.

Believing Is Seeing, Robin Akkerman

LSU Master's Theses

Fantasy art is often described as being connected to the imagination. My work defines fantasy themes in combination with modern culture and real life experiences. During the creative process I have overcome a struggle with composition development and color relationships. Paintings mimic a puzzle strategy. I come up with a basic idea by inserting and taking away imagery in order for the whole image to be cohesive. Subject matter includes women of different cultures in dress, animals, pattern, sweets, and childhood experiences from the 80’s. My characters are a personification of myself as I often dream of being dressed up …

Pensively, Kenneth L. Lantz

LSU Master's Theses

Pensively, uses toys and solar powered drawing machines to present elements of movement, time, and scale. Each of the works in this exhibition invites or implies action through automation or viewer interaction. The works in this exhibit creates an environment of wonder and excitement that triggers memories of childhood and the pleasure of learning. The works investigate and discuss the responsibilities attained through maturation that keep us from recovering the sense of accomplishment we achieved with play.

Play Pretty, Brad Wreyford

LSU Master's Theses

No abstract provided.

Put The Bunny Down, And Other Short Stories, Jacqueline Mersereau Lincoln

LSU Master's Theses

I have always been interested in stories, and parts of every story I have heard has shaped who I am as an adult. If I’m not telling others an anecdote of a moment turned into an adventure, I am inventing adventures to tell myself. Three characters developed from the mixture of the stories I heard from true life, books and television, and what I made up for myself. Originally I simply intended these characters of a little girl, a rabbit, and a few raccoons to interact with one another and show moments of individual stories—like illustrations in an anthology that …

Site Unseen, David Christopher Carpenter

LSU Master's Theses

Site Unseen is a large-scale installation of seventy-three brightly screen-printed and painted house forms. The houses stack and interlock with one another, creating clusters of towers and archways. The forms appear to grow into one another, physically connecting the homes. Each house is printed with images of materials in various states: raw, processed and waste. These materials represent the cycle of community’s rise and fall. Beyond examining the construction of community, Site Unseen explores a moment when trust or foundation is lost in a community. In the center of the community is a gaping, spherical void. This void represents the …

Longing: Places I Desired And Couldn't Find, Ashley Kathleen Bell

LSU Master's Theses

Ephemeral. Nostalgic. Absence. Transient. Transformation. Movement. Temporary. Skeleton. Momentary. Fleeting. Landscape. Cityscape. Southern Landscape. Baton Rouge. Louisiana. I paint the feeling of wearing time and the earth on my skin. The scars on the landscapes tell stories and truths marked by past generations. The imagery in my work is inspired by local places and reveals the wavering condition of the natural landscape and civilizations. Everyday places and repetitive acts make up the components of miracles. As I create, I examine ideas beyond the current condition of a specific location. Through my imagination I bring the unseen into the artworks. The …

Western Interpretation Of The Other: How The Perpetuation Of Negative Stereotypes Against Blacks Have Shaped Our Culture, Katrina M. Andry

LSU Master's Theses

This thesis examines the history and nature of stereotypes propagated against blacks from the African Exploration to present day. Therefore by understanding the nature of these stereotypes one can better understand the consequences they’ve had on the black community and they’ve helped to maintain racism in America. This thesis further investigates the media’s role in maintaining racist attitudes towards blacks and how separating people in categories ranking from superior which consequentially breeds inferiority is advantageous to the majority rule in America. In conclusion the problem presented in this thesis has no concrete solution other than the viewer’s perspective after engaging …

Over The Rim Where Do We Come From? What Are We? Where Are We Going?, Jungrim Yea

LSU Master's Theses

My paintings are about the short span of human existence in comparison with the rhythms of the eternal cosmos based on Christianity. To illustrate this, I explored the icons of the moon (soul) and the iceberg (physical body). The painting technique used is the juxtaposition of passages of heavy impasto with thin glazes of earthly monochromatic colors, which represent time and age. I am seeking a depth of spiritual space. My works consists of ten large-scale oil paintings on masonite/canvas, and a series of small oil paintings on panels. In order to represent the unpredictable fate of human beings, I …

Faining Pain And Care, Lindsey Elizabeth Maestri

LSU Master's Theses

Simple repetitive actions such as rocking or jumping paired with garments that contain, heighten, or limit the movements of such actions are the focus of my thesis work. Through the pieces in the show, I track these actions and plot them over a course of a lifespan, looking at the ways they define moments, change in meaning, and sometimes come to contradict themselves.

Pathos, Winter 2010, Portland State University. Student Publications Board

Pathos

Editors: Joel Eisenhower and Richard Hernandez

Issue 11

Branding The Bear, Veni Harlan

LSU Master's Theses

Harlan, Veni S, B.F.A., Louisiana State University, 1981 Master of Fine Arts, Fall Commencement, 2010 Major: Graphic Design Branding the Bear Dissertation directed by Professor Rod Parker Pages in dissertation, 64. Words in abstract, 350. ABSTRACT Currently due to successful restoration efforts, the Louisiana Black Bear sub-species is rebounding. Correspondingly this increase in numbers accompanies the rise of human-bear conflict. Fiction, misinformation, resentment, and devaluation of the bear as a valuable asset stand to undermine the tremendous strides made by multiple public and private agencies over the course of twenty years. Discovery revealed a lack of knowledge by the public …

Togetherness, Nergess Taheri

Digressions: Literary & Art Journal

No abstract provided.

Metamorphosis, Sonya Chacko

Digressions: Literary & Art Journal

No abstract provided.

Empty, Grace Cox

Digressions: Literary & Art Journal

No abstract provided.

Don Quijote's Sunset, Alexis Irias

Digressions: Literary & Art Journal

No abstract provided.

Psychosomatic, Lacrima Nemulescu

Digressions: Literary & Art Journal

No abstract provided.