Fine Arts Commons^™

Hidden In Plain Sight: Image, Text, And Social Commentary In Victor Ekpuk's Cartoons For The Daily Times Of Nigeria, 1989-1998, Kaleb W. Jewell

Theses and Dissertations

This thesis provides an analysis of the cartoons produced by Victor Ekpuk for The Daily Times newspaper of Nigeria from 1989 through 1998 and the artist’s use of ancient nsibidi script to “hide in plain sight” his social commentaries on sociopolitical and economic issues in Nigeria. Victor Ekpuk’s original cartoons within the permanent collection of the Smithsonian Institution’s National Museum of African Art are examined in the context of indigenous masking practices and other indirect methods employed by indigenous comedians to protect themselves. Moreover, the cartoons’ use of caricature and their nsibidi scripts within are argued to provide a connotative …

Collective Cadence, Alicia Dietz

Theses and Dissertations

Collective Cadence

Stories that start at birth,

end with death,

and include everything in-between.

A Medal of Honor recipient,

A mistake.

Morning coffee;

a late night call.

Whispered first names;

an off-key chorus;

deafening explosions;

silence.

One child playing;

another lifeless.

On the battlefield,

concealment is a survival skill.

Off that battlefield,

transparency enables survival.

Stories that shape the fabric of our experience

The threads that bind us

Through the telling of each,

we are united as one.

In the telling of the collective,

We find our own.

These are our stories.

This is our story.

I Reach Toward The Ground I Reach Toward Space, Kristen A. Sanders

Theses and Dissertations

Imagine one million and six hundred thousand years ago — a prehistoric character points. There in the moistened soil, the hominid Homo habilis draws a line, inscribing with her finger the first mark. At the core of my work is a meditation on this very scene as the otherwise unknowable origins of image making. And at the center of this discovery is a prehistoric woman — a previously invisible character within human evolution. My work aims to insert these characters into the origins of tool use, image making, and other supposed markers of humanness while also examining historical representations of …

Sweaty Mother Slow Groove, Devin Kylie Harclerode

Theses and Dissertations

Sweaty Mother Slow Groove is an engagement in magical thinking that proposes a displacement of swamp methodologies into the virtual realm, existing during the fourth wave. In doing so the cyborg and goddess are united in a re-routing of essentialism and the neo-liberal domination of technology. The metaphorical swamp is the possibility of a mushy danger zone that harnesses the absorption of an unwanted space: a disintegration of the binary and the soft-coded awareness of the body as a process, not a site.

"Fuck Off, Get Free, Love And Love's The Only Thing", David S. Moré

Theses and Dissertations

A child, angry at concrete and strip malls, enjoying coffee from too many styrofoam cups.

Choreographic Space, Kelsey Sheaffer

Theses and Dissertations

This thesis, Choreographic Space, and accompanying exhibit is an arrangement of contemporary work being done in the cross-over between movement, drawing, sound and architecture. The thesis develops a lineage of choreographic thinking through a fissure in the classification of a dance as necessarily the body in motion. Through the link of the “choreographic object,” Choreographic Space asks how an interdisciplinary exploration of the principles of movement can reveal novel ways to think about the body in space.

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …

Fundamental Units, Ryan M. Flores

Theses and Dissertations

Surface, Skin, Facade, Countenance, Resistance, Chinchorro Mummies,Touch, Mark Making, Residue, Intuition, Repression, Indigestion, Disassemble, Blighted,Components, Body as Containers, Levels of Hierarchy, Absorption, Plastination, Modernism and Containment, Vanitas, Disembodied, Embodiment, Fragmentation, Arches, Gothic, Typology, Stacking of Cultures, Slippage.

Truth And Doubt In Representation, Mathew Gasparek

Theses and Dissertations

My work deals with the connection between the act of representation and conceptions of truth in the contemporary image-mediated social environment. This thesis details elements of my paintings in exchange with methods and ideas from artists and writers in order to position my aesthetic and conceptual sensibilities within a historical and contemporary framework.

Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha

Theses and Dissertations

Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …

Memory Of A Landscape, Elizabeth Halliday

Theses and Dissertations

Artist Statement

Creativity is one of my strongest talents. As a visual person, I understand and interpret the world through observation and analysis. Nature intrigues me. I find it awe inspiring how the natural environment can change so dramatically day-to-day. As a result, I record my experiences and memories of landscapes and seascapes.

My areas of interest are painting and computers in the arts. I am an abstract painter and my media consists of acrylic, watercolor, mixed media, and digital imagery. I create low relief and rough textures with added materials, and develop layers of paint with a palette knife. …

Strata, Lauren Hale

Theses and Dissertations

In my mixed media pieces and sculptural books, I explore the significance of place. Place is not just a geographical location; it is a layered history that tells a story. My experiences in a specific environment and how I relate to it, study it, remember it, or imagine it drive me to create pieces. While the choices I make are influenced by my own experiences, I want to evoke feelings of familiarity, intrigue, and a sense of nostalgia.

In my process, I intuitively layer paint, printed materials, and mixed media to make a foundation for exploration. I continue to …

Nostalgia And Iphone Camera Apps: An Ethnographic Visual Approach To Iphoneography, Maria L. De Panbehchi

Theses and Dissertations

The iPhone is the most popular smartphone and camera on social media. iPhoneography, the photography taken or edited with the iPhone, has set the trend of nostalgic photography on social media during the 2010s; thus, the iPhone, a high-tech camera, produces low-tech-looking images. This dissertation attempts to find out why iPhone photographers (iPhoneographers) take, edit, and share images that mimic photographs taken with analog photographic equipment. I argue that nostalgia allows iPhoneographers to use the iPhone as a creative tool and to belong to a community. Based on the arguments of Vilém Flusser—who suggested that photographers are more interested in …

Conversation, Tajreen Akter

LSU Master's Theses

My goal is to catch the moment in my paintings, whether it is an event from my busy everyday life or a slow formal arrangement of objects, that studies composition, light, color and movement. The drastic change in my life, traveling from Bangladesh to the United States, inspired me to render important small, quiet, little moments of my daily life by painting them. The intimacy of this connection is very important to me.

Cold Lapse, Tressa Jones

Graduate Student Theses, Dissertations, & Professional Papers

cold lapse addresses the abstract notions of time and loss while conveying the value of observing the present. The postmodern view of time, the grid’s vernacular, and the aesthetics of postminimalism are my foundation for communicating time’s passage and its consequential sensations of absence. The duration of a slow drip, the cycle of breath and the sequential motion of a hand folding paper each mark passing moments. By observing these signs the phenomenon of time may be appreciated. Care and ephemerality in the work require the viewer’s sensitivity when encountering and witnessing it, much like the demands of observing the …

This Is Only Temporary, Melanie Robyn Wall

LSU Master's Theses

This is only Temporary examines my personal history of homes as reimagined spaces. The series of prints in the exhibition depicts reconstructed memories of houses. These visual narratives give context to the installation constructed from handmade paper and raw materials. The framework is reminiscent of housing plans that converge into a labyrinth. Participants actively engage the space, navigating the confined structure. A playful nature runs throughout the prints and installation reflecting upon reinterpreted memories within transitional spaces.

Gotta Catch 'Em All, Jennifer Lynn Lombardi

LSU Master's Theses

The ability to imagine is essential to shaping who we are, and is an important part of our humanity. Children have the ability to use aspects of their environment as their playthings, becoming the characters in their world through their sense of imagination. We lose this ability as we grow, leaving us with only memories and sentimentality. I have come to realize that my art is an expression of the longing and search to regain that ability to become fused with my imagination and my environment. I allow myself to become lost in a world of fantasy once more, and …

Intimate Immensities, Jonathan Walker Wright

LSU Master's Theses

The works in the “Intimate Immensities” series of landscape paintings function as “aporia,” or irresolvable contradictions. Using two aspects of Charles Sanders Peirce’s semiotic designations of the sign: the “icon” and “index,” these paintings function as both iconographic representations of mankind’s spiritual connection with nature and indexical relics of the creative process as ritual. The foundational view out of which the work emerges is grounded in the Kagyu lineage of Tibetan Vajrayana Buddhism. This thesis correlates Vajrayana Buddhism, ritual and the creative process, by explaining the parallels between ritual and the cognition that occurs during the creative process. To do …

#Sociallyconnected: The Now And Then Era Of The Fangirl, Tionah Y. Lee

Capstones

Exploring the increased feeling of connection between fans and their favorite male musicians through social media.

Reshaping The Event Horizon‑ Marketing Utopia At Music Festivals, Justin D. Joffe

Capstones

Imagine a world where every leisure activity is tracked, recorded, and then analyzed as market research according to your age and gender demographic. Imagine the next phase after smartphone payments, when a chip linking your finances isn’t in your phone, but on your wrist. Imagine a vast field of fellow fun-­‐seekers, eating, drinking and dancing in hedonistic, chemically enhanced utopia. Such a scene certainly requires some open-­‐ mindedness and improvisation, sure, a willingness to submit oneself to a vulnerable environment of whimsy. Now imagine being subtly exposed to advertisements in such a mindset. It’s no Orwellian controlled dystopia, really. You’ve …